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Jimmy Fallon Connects with Fans During Late Night Sensory Overloaded Viewing Party

There are two ways to look at Jimmy Fallon’s experiment this week, in which the NBC host watches his show at the same time as his East Coast audience and streams the experience live on his show’s blog while interacting with fans via multiple online platforms: 1) This is just like watching Late Night with a bunch of your bored friends who would rather stare at their laptops than have a conversation with you — or 2) This is kind of cool that a late night host wants to interact with his viewers. Although I was torn when I first tuned into the stream last night, I started to enjoy last night’s online viewing party as the ultimate “shared experience,” for good and for bad.

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Jimmy Fallon Connects with Fans During Late Night Sensory Overloaded Viewing Party

Jack Johnson Previews New Songs From To the Sea At Free Concert

Johnson took the album title literally, performing for fans at Santa Monica’s famed pier. By Matt Elias Jack Johnson Photo: MTV News SANTA MONICA, California — Jack Johnson took fans to the sea (literally) on Monday night to celebrate the release of his aptly titled new album To the Sea . The free concert was given to show appreciation for fans who took part in a beach cleanup on Saturday in Santa Monica, which was organized by Southern California nonprofit Heal the Bay. Three thousand fans with free tickets covered a large portion of Santa Monica’s iconic pier for the show. An almost equal amount who weren’t able to score tickets lined the beach below with blankets (those blankets coming in very handy on the unseasonably cold night). Prior to the show, the crowd below was treated to a rare opportunity to hear the man of the night and his band’s soundcheck — thanks in part to the open-air stage. In between songs, the troubadour shouted out to those below, generating enthusiastic responses from the growing crowd. Following the soundcheck, Johnson told MTV News how special the rare pre-show audience was. “A lot of times in soundcheck, we end up just not playing a whole song because it’s just us and we’ve heard it enough times,” Johnson said. “But once there’s people listening — even if it’s 10 or 15 — we usually play a whole song because it’s just nicer to listen to. So this time we had what looks like a couple hundred people at least for a soundcheck. But it was fun. We just played a song that we’re not gonna play tonight — might as well use that one.” While fans might think it’s rare to catch Johnson in such an intimate setting, he continues to play smaller stages back home in Hawaii, mostly for his own nonprofit, the Kokua Hawaii Foundation. Usually in classroom settings, Johnson embraces the unpredictability of not having his road crew with him to set up a professional sound system (he says it’s usually “just me and the guitar”). And on the eve of the release of his fifth studio album, To the Sea (due June 1), the singer/songwriter shared his philosophy on playing new and for the most part never-heard-before songs during his set. “I think there will be a couple of the new songs, kind of finding that balance. Because I just know from being a music fan and going to shows as well, I like hearing some new stuff, but definitely want to hear a lot of the old ones that you already identify with,” Johnson said. True to his words, later that night Johnson sprinkled some new tunes in with his established crowd favorites. He and his band took the stage shortly after 8 p.m. and jumped right into the lead single from To the Sea, called “You and Your Heart.” Acknowledging a few missed chords, Johnson ended the song by saying, “The reason this show is free is because we haven’t played in a month.” The crowd chuckled with him and it set the tone for the loose and free-flowing show. “If I Had Eyes” was next, followed by the Curious George soundtrack song “Upside Down,” which drew a collective “Aww” from the crowd when Johnson dedicated it “to the little girl with the beanie on her head” who was hoisted on her dad’s shoulders. Next up were a series of pairings that Johnson and the band segued into without pausing. They followed “Flake” with the Steve Miller Band classic “The Joker.” “Do You Remember” went into “Bubbly Toes,” which drew a raucous sing-along on the “la da da da da da’s.” They ended the night’s pairings with the crowd favorite “Inaudible Melodies” and “Good People.” Some of the new songs that made it into the set were “To the Sea,” “From the Clouds,” and “At or With Me.” Highlights of the night included pianist Zach Gill’s efforts to keep the crowd warm by initiating an audience-wide pogo jump, bassist Merlo Podlewski’s rap on “Staple It Together,” and most of all, Johnson’s solo encore of “Better Together,” which brought a hush across the crowd, then a whispered sing-along of the tune. And there was no better way to end the night. Related Artists Jack Johnson

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Jack Johnson Previews New Songs From To the Sea At Free Concert

Dancing With The Stars: Erin Andrews’ Hip-Shakes Made Her Top on Dancing

On Monday night’s show, the ESPN reporter Erin Andrews has performed well. She ended up tying with frontrunner Nicole Scherzinger. Andrews together with her partner Maksim Chmerkovskiy hit the ballroom with a hip-shaking samba that judge Bruno Tonioli say “You were hotter than noon in the tropics!” The samba was Andrew’s redemption dance because she performed this earlier in the season which made the judges felt she could improve upon, which she really did. Carrie Ann Inaba told her that she moved herself up three notches. After garnering a near perfect score of 29 points, she danced a lyrical-inspired freestyle that included a couch and a bed for her second routine. Len felt that the performance was a mix of motion and commotion but still liked it as a whole. Carrie Ann called it risky, but Bruno commented that it was a bit of a “psycho drama.” The pair earned 26 points in this dance. They gained a total of 55 out of 60 points for the night. Dancing With The Stars: Erin Andrews’ Hip-Shakes Made Her Top on Dancing is a post from: Daily World Buzz Continue reading

Dancing with the Stars: Erin Andrews Ties Nicole Scherzinger, But Who Will Voters Choose?

Might Erin Andrews have pulled off an incredible Dancing with the Stars upset? In our finals preview yesterday, we listed her as a long shot against favorite Nicole Scherzinger and dark horse Evan Lysacek, each of whom are more skilled. Somebody either forgot to tell Erin she was the underdog heading into last night’s final performances, or did tell her and provided her bulletin board material. Erin Andrews tied Nicole with an aggregate 55, meaning it really will come down to every last vote. Can she muster enough support to win the Mirror Ball? Teaming with Maksim Chmerkovskiy on a Samba to kick off the night, Erin scored a 29. Evan Lysacek and Anna Trebunskaya got a 28 on the Viennese Waltz. Nicole and Derek Hough’s Rumba netted a 28. In the freestyle round, Nicole made up one point on Erin, tying for the overall lead. Evan faltered somewhat. Erin Andrews mauls Maksim Chmerkovskiy in bed. Art imitating life? If Scherzinger still has a slight edge, it’s because she and Derek went for the toughest moves, almost resulting in Nicole falling off his shoulders at one point. Erin and Maks, meanwhile, chose to do a lyrical freestyle, which seemed So You Think You Can Dance -esque with props and unadulterated sexual chemistry. So can Erin actually pull off the upset on tonight’s results show – when Kate Gosselin returns , Vienna Girardi debuts and the season winner is unveiled at last? She earned consideration at the very least. Nicole will likely get the title and it will be well-earned, but she won’t run away with it. Last night’s full scorecard: Erin Andrews and Maksim Chmerkovskiy: Samba: 29. Freestyle: 26. Total: 55 . Nicole Scherzinger and Derek Hough: Rumba: 28. Freestyle: 27. Total: 55 . Evan Lysacek and Anna Trebunskaya: Waltz: 28. Freestyle: 24. Total: 52 . Click to enlarge some more photos from last night … Who do you want to win Dancing with the Stars?

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Dancing with the Stars: Erin Andrews Ties Nicole Scherzinger, But Who Will Voters Choose?

Jose Lima Died Due To Heart Attack

Before the MLB, All-Star Jose Lima passed away Monday morning at his home in California. The news about the death of the 37-year-old handler was first revealed by his wife Dorca Astacio to ESPN Sport Dorca divulge that Jose Lima’s death was triggered by a serious heart attack during the night. His sudden death was a shock for Dorca as well as his fans. Jose Lima has been recognized as energetic athlete who has always been physically fit. He was described as a man full of life, who has no apparent physical problems.http://www.dailyworldbuzz.com/wp-admin/post-new.php?preview=true He is a person with many plans and projects on the agenda. According to Dorca, her husband has been complaining all night, which they supposed was caused by a nightmare. Right after she recognized his husband’s complaint, Jose Lima was already having a heart attack. She immediately called the paramedics. Unluckily, just before the paramedics reached their house in California, there was nothing more they could do to revive Lima. He has been dead before they arrived at their house. Jose Lima Died Due To Heart Attack is a post from: Daily World Buzz Continue reading

REVIEW: Kitsch Overload, Sparse Laughs Weigh Down MacGruber

Every era has its excesses, its mullets, its chunky removable car cassette players, its Quarterflash. But MacGruber, the feature-length comedy adapted from the strange, slender recurring Saturday Night Live skit, relies too heavily on the idea that the past — corny, irrelevant, suffering from chronic bad taste — is funny by itself. The drag is that when you’ve seen one Blaupunkt, you’ve seen them all.

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REVIEW: Kitsch Overload, Sparse Laughs Weigh Down MacGruber

‘MacGruber’: Saturday Night Jive, By Kurt Loder

Another ‘SNL’ skit pumped up to pass for a movie. By Kurt Loder Will Forte in “MacGruber” Photo: Universal Pictures One walks in to any movie based on a “Saturday Night Live” skit with basement-level expectations. Still, the new “MacGruber” manages to disappoint. The most interesting thing about the picture is that, with a little tweaking, it might actually have been turned into an enjoyable parody of an ’80s-style action flick: Bullets fly, stuff blows up, doorway-size heavies lend menace, and it’s all been rendered with a knowing fondness for the form by cinematographer Brandon Trost (who also shot “Crank: High Voltage”). But too early on, comedy begins cropping up, and it’s all sub-basement from there on out. “SNL” enthusiasts will know that the skits this picture seeks to inflate are riffs on the ’80s TV show “MacGyver,” the hero of which was a gun-shy secret agent capable of combining the unlikeliest oddments — a cufflink, a crayon and a cantaloupe, say — into useful tools in stressful situations. The skits mine laughs from the manic incompetence of their special agent, MacGruber (played both there and here by Will Forte), and from the explosions he inevitably fails to abort. The movie attempts to do the same, but after maybe 20 minutes of Forte’s frantic, one-note mugging, it’s left with nowhere else to go — and there’s still more than an hour of this thing to sit through. The story has MacGruber — long thought dead — being tracked down to the remote monastery where he’s holed up by his former commander, Colonel Faith (Powers Boothe). The colonel has a new assignment: stopping MacGruber’s old adversary, Dieter Von Cunthe (Val Kilmer), from wreaking havoc with a nuclear warhead he’s stolen. Since Von Cunthe is the man who blew up MacGruber’s wife 10 years earlier, the legendary agent agrees to take a shot. To this end, he assembles an A-Team of special-ops brutes (all played by professional wrestlers), who are suddenly disbanded when the van into which he’s packed them (what else?) blows up. Desperate for replacements, MacGruber recruits an old colleague, Vicki St. Elmo (Kristen Wiig), and a whippersnapper Army lieutenant called Piper (Ryan Phillippe). Wiig remains a master of the throwaway line-reading, but some of the lines she’s handed here might have just as effectively been thrown away before they reached her; and Phillippe, for his part, is employed as a wooden straight man whose only function is to endure (along with us) Forte’s endless stretchy-faced verbal conniptions. Bad taste is supposed to be a badge of honor in a movie like this, but really, is there anyone left to offend with it? The non-stop barrage of F-words and whatnot unleashed in this film lost any ability to shock long ago; and while the name Cunthe was no doubt good for a giggle around the writer’s table, in its 50th repetition here it tests the limits of tedium. There’s also more poop humor than one might have thought strictly necessary. In fact, the movie has something of an anal fixation: One of MacGruber’s diversionary tactics is to stick a stalk of celery between his thighs so that it protrudes between his bare buttocks; and he’s curiously prone to offer up his nether region for rough use by men from whom he seeks favors. The picture also suffers from a lack of comic precision. At one point, we see Von Cunthe painting a picture using a topless fat old woman as a model. This has the shape of a gag — but what is it? Von Cunthe’s art hobby comes out of nowhere and immediately returns there, and we’re left with nothing in the way of amusement beyond an old woman’s humiliation. Presumably, this seemed funny during the scripting sessions, too. “MacGruber” demonstrates once again the inadvisability of attempting to stretch a one-minute TV sketch into a 90-minute movie — especially when the lead character is nothing more than an assemblage of over-amped and decreasingly funny wisecracks. “SNL” has been pounding the MacGruber character for more than three years now; could anyone really have thought there was a drop of humor left to be wrung from it? Or an audience parched enough for laughs to want more? Don’t miss Kurt Loder’s review of “Solitary Man,” also new in theaters this week. Check out everything we’ve got on “MacGruber.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com .

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‘MacGruber’: Saturday Night Jive, By Kurt Loder

‘Glee’ Cast Brings More Than Mere Covers To L.A. Tour Stop

Gleeks help turn live show into massive sing-along as the stars reprise hits from the show. By Aimee Curran Jenna Ushkowitz, Cory Monteith, Lea Michele, Chris Colfer and Amber Riley perform in Los Angeles Thursday Photo: Kevin Winter/ Getty Images LOS ANGELES — Pom-pom pumping, sign holding, dancing Gleeks filled Universal City Walk’s Gibson Amphitheatre Thursday night with ear-piercing levels of pubescent screams, sweat and tears. In the first of their three-night run in Los Angeles, the cast of Fox’s wildly popular “Glee” took the stage to give their fans a full hour of power-packed, musical madness, covering pop hits of the past and present. Pre-taped appearances by stars Matthew Morrison and Jane Lynch delightfully kicked off the show as they informed the audience, “You will be barfing.” Performing in character, the cast launched into Journey’s, “Don’t Stop Believing.” Minor pyrotechnics, flashy lights and more technically polished dancing made the performances more than simple re-creations of their TV musical interludes. From the floor-grinding Salt-N-Pepa “Push It” to the finger-snapping jazz of Frank Sinatra’s “Lady Is a Tramp” nobody was sitting down or leaving to use the bathroom. Lea Michele, Cory Monteith and company sang hits covered in the first season of the show — and even a few that haven’t even aired. The cast was able to make every song their own while still managing to maintain the original artist’s integrity. A big fan favorite was Lady Gaga’s “Bad Romance,” which received the loudest cheers as the cast emerged wearing her most memorable costumes. “My favorite was Lady Gaga because she obviously rocks,” “Glee” fan Mike Schubert told MTV News after the show. “To see them bring it alive with all the costumes was awesome.” “Sweet Caroline” elicited screams so loud for show dreamboats, Monteith and Mark Salling, one might have thought Justin Bieber was flipping his hair somewhere close by. Montieth playing drums and Salling casually strolling across the stage playing a red electric guitar did nothing to quell the raging hormones as they lead fans in a massive sing-a-long. Van Halen’s “Jump” was a sure sign that the party was far from over. The audience was treated to a cast display of mattress hopping across the stage, wearing matching blue pajamas and smiles like they did in an episode last fall. Amber Riley’s eye-popping rendition of Christina Aguilera’s “Beautiful” brought a hush over the crowd, while Lea Michele showed off her vocal range during the Journey mash-up “Faithfully” and “Any Way You Want It.” Closing out the night, the encore of Cyndi Lauper’s “True Colors” and Queen’s “Somebody to Love” left fans standing in a snowstorm of confetti and cheers as the cast bid them goodnight. Die-hard Gleek Emy Setiadi was thrilled with the translation from TV to stage. “The live show is so much better,” she said. “You get to hear all the live vocals. Even if it’s imperfect, all the mistakes are amazing. It’s crazy!” Which “Glee” cover would you want to see live? Share your thoughts in the comments. Related Photos ‘Glee’ Tour Kicks Off In Los Angeles

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‘Glee’ Cast Brings More Than Mere Covers To L.A. Tour Stop

Late Night Highlights: Michael Douglas Romances His Mom’s Friends and Eddie Murphy Dreams of a Birthday Colonoscopy

The stars of Solitary Man , Get Him to the Greek and Shrek were out en masse during last night’s late night circuit to tell tales of loves lost. Michael Douglas regaled a Los Angeles audience with his own Graduate experience. Russell Brand discussed the weekend he spent with his man crushes and Eddie Murphy remembered the Saturday Night Live icon that he tragically missed during his days at Rockefeller Center. Click through for those clips, as well as the other highlights you missed last night while getting into bikini shape for your Transformers 3 audition.

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Late Night Highlights: Michael Douglas Romances His Mom’s Friends and Eddie Murphy Dreams of a Birthday Colonoscopy

Diddy Open to Being ‘American Idol’ Judge — For The Right Price

‘Just change the name on the check, and I’ll be there,’ Diddy says of Simon Cowell’s impressive salary. By Mawuse Ziegbe, with reporting by Josh Horowitz Diddy Photo: MTV News From label boss to fashion designer to reality-TV star, Diddy has one of the most extensive r