Tag Archives: numbers

A Hint of Why Bernie Sanders is Our Best Living Senator

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For those of you who’d missed it on TV today, this is but the mere preamble to Bernie Sanders’ second orgasm of outrage of 2011. If you have the time and patience to read his entire speech, you can read it here . There’s not really much that a layman like me can add to this without descending into mere opinionating and commentary but let’s break down some of the numbers of Sen. Sanders’ proposed 13… Broadcasting platform : YouTube Source : Brilliant at Breakfast Discovery Date : 28/06/2011 00:31 Number of articles : 3

A Hint of Why Bernie Sanders is Our Best Living Senator

‘Green Lantern’ Tops Weekend Box Office

But Ryan Reynolds’ Hal Jordan failed to gather as much green as observers may have hoped. By Ryan J. Downey Ryan Reynolds in “Green Lantern” Photo: Warner Bros. The big-screen debut of DC Comics’ “emerald knight” may have been #1 at the box-office over the weekend but it failed to gather as much green as most observers had hoped. “Green Lantern” generated an estimated $52.6 million in its debut weekend, less than the opening numbers for superhero flicks “Thor” and “X-Men: First Class” earlier this year. The heavily marketed potential franchise starter, which stars Ryan Reynolds, cost an estimated $200 million to produce. To put the numbers in perspective, fewer people saw “Green Lantern” on opening weekend than the film adaptations of lesser known superheroes like “Daredevil” and “Ghost Rider.” And critics were not kind to the film. “Green Lantern is a new primer on how not to make a comic book movie … flat FX, smirky acting, clunky writing and clueless direction,” Rolling Stone wrote. “Mr. Popper’s Penguins” was also something of a disappointment relative to previous Jim Carrey comedies. The film, based on the classic book of the same name, opened with $18.2 million, which wasn’t enough to beat last week’s #1 movie, “Super 8.” J.J. Abrams’ throwback homage to ’80s movies like “E.T.” earned another $21.2 million in its second weekend for a $72.7 million total. “X-Men: First Class,” was #4 over the weekend with $11.5 million for a $199.9 million total. While the comic flick’s numbers are lower than most of the movies in the mutant-hero franchise, the reboot/prequel hybrid has enjoyed the best critical response for an “X-Men” movie since “X2.” “The Hangover 2” rounded out the top five with $9.6 million for a $232.6 million total. And this weekend’s new releases include Disney/Pixar’s “Cars 2” and the Cameron Diaz comedy “Bad Teacher.” Michael Bay’s “Transformers: Dark of the Moon” follows on Wednesday, June 29. Check out everything we’ve got on “Green Lantern.” For breaking news and previews of the latest comic book movies — updated around the clock — visit SplashPage.MTV.com . Related Videos ‘Green Lantern’ 101 MTV Rough Cut: ‘Super 8’ MTV Rough Cut: ‘Green Lantern’

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‘Green Lantern’ Tops Weekend Box Office

Connecting the Stream with Action: Media Embraces Real Time

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SXSW: By the numbers from CNN on Vimeo. This is the second installment in our conversation about the themes or trends at SxSW 2011. To build on the framework created by technology and humanism, because of the fragmentation and speed of digital, the opportunity for media is to connect people to real time. Thanks to the ubiquity of media with digital, the newsreel becomes both the thread of what is happening… Broadcasting platform : Vimeo Source : Conversation Agent Discovery Date : 19/03/2011 15:38 Number of articles : 2

Connecting the Stream with Action: Media Embraces Real Time

Friday Box Office: Limitless Squeaks Out On Top While Four Films Battle For Second Place

It’s going to be a bumpy weekend. A scant couple of millions separated first place Limitless from fifth place Rango in the Friday box office, with the difference between number two Battle: Los Angeles , number three Paul and fourth place Lincoln Lawyer being just a few hundred thousand. Look for a lot of jockeying for position and a lot of chest-puffing the next few days, and of course watch the numbers change as the final amounts coming pouring in. Your Friday box office is here.

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Friday Box Office: Limitless Squeaks Out On Top While Four Films Battle For Second Place

B.o.B Plays The Hits, Wiz Khalifa Pays Tribute To Nate Dogg At SXSW

Janelle Monae also wowed audience on Thursday at Atlantic Records’ showcase in Austin, Texas. By James Montgomery B.o.B performs at SXSW on Thursday Photo: Getty Images AUSTIN, Texas — If you decide to call your South by Southwest showcase “Killers Lasers Papers,” and then find out, much to your dismay, that neither the Killer (Cee Lo Green, whose 2010 album is called The Lady Killer ) or the Laser ( Lupe Fiasco, whose Lasers currently sits atop the Billboard albums chart) are actually going to show up, what do you do? Well, if you’re Atlantic Records, you simply plug in another of your chart-topping stars, add your critically acclaimed futurist-funk chanteuse and keep right on trucking. Things are that easy for the label these days. So, on Thursday night at Austin’s La Zona Rosa, instead of Green and Fiasco, SXSW-ers were treated to semi-surprise sets from B.o.B and Janelle Mon

Lenny Kravitz Hints At Collaboration With Drake, Swizz Beatz

‘It’s great to meet people that I want to collaborate with at this point,’ the rocker tells MTV News. By Alvin Blanco, with reporting by Rahman Dukes Swizz Beatz, Drake and Lenny Kravitz Photo: Twitpic / @candytman Rocker Lenny Kravitz keeps his hip-hop collaborations few and far between. But when a photo of Kravitz, Drake and Swizz Beatz together in a studio hit the Internet, speculation was set off that the trio was cooking up a hi-wattage musical union. MTV News caught up with Kravitz prior to his performance before tip-off at the NBA All-Star Game and asked what exactly was in the works. “That’s some secret business, man,” Kravitz told MTV News slyly. “Who knows what was going on that night?!” Nevertheless, Kravitz revealed some more details when asked for his thoughts on Toronto rapper Drake. “I think he’s a very talented individual,” Kravitz said of the child-actor-turned-rapper. “His new music is even more incredible. We got together and played around so there might be a little something happening, yeah …” When asked about producer Swizz Beatz, Kravitz gave up even more intel. “He is an amazing person,” Kravitz said of Swizz. “I got to know him through Alicia [Keys, who is Beatz’s wife]. And we’ve become very good friends. He’s a gentleman. He’s a very intelligent person and I enjoy his company. When things happen organically, it’s nice. I’m not one that normally collaborates. I play all the instruments, I produce my records. And it’s great to meet people that I want to collaborate with at this point.” Some of Kravitz’s limited collabos with the hip-hop world include 2002’s “Show Me Your Soul” with Diddy, Loon and Pharrell from the Bad Boys 2 soundtrack and “Storm,” featuring Jay-Z from his Baptism album. Kravitz also played guitar on the song “Guns & Roses” from Jay-Z’s The Blueprint 2: The Gift & The Curse album. Last year, Kravitz revealed that Teena Marie took him in when he was a teenager and credited the late soul singer with saving his life. What do you think about Kravitz collaborating with Drake and Swizz Beatz? Let us know in the comments. Related Artists Lenny Kravitz Drake Swizz Beatz

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Lenny Kravitz Hints At Collaboration With Drake, Swizz Beatz

‘Glee’ Original Songs Slated For March Episode Hit The Net

Ryan Seacrest previewed soon-to-be ‘Gleek anthem’ ‘Loser Like Me’ and ‘Get It Right’ on his radio show. By Aly Semigran The cast of “Glee” Photo: FOX During the February 15 episode of “Glee” (titled ” Silly Love Songs “), Lea Michele’s character, Rachel, not-so-subtly foreshadowed the arrival of original songs on the show. But while new tunes “Loser Like Me” and “Get It Right” won’t appear on the hit series until March 15, Gleeks got a first listen on Friday morning (February 25). The two new original “Glee” tracks debuted on “On Air With Ryan Seacrest.” Ryan also tweeted out the information, posting on his page, “Attn Gleeks! Here’s the world premiere of #Glee’s first ever original songs ‘Loser Like Me’ & ‘Get It Right’: http://bit.ly/i5pNJv.” “Loser” features all of the New Directions members, led by Michele and Cory Monteith. The peppy pop ditty features lyrics keeping in tune with the themes of the show. After the opening guitar riffs, Michele croons, “Yeah, you may think that I’m a zero/ But hey, everyone you wanna be/ Probably started off like me/ You may say that I’m a freak show/ But hey, give it just a little time/ I bet you’re gonna change your mind.” Monteith later comes in with similar “we’ll show you” lyrics: “Pushed me up against the locker/ But hey, all I do is shake it off/ I’ll get you back when I’m your boss.” The rest of their castmates join them for the chorus, singing, “You wanna be/ You wanna be/ A loser like me.” Earlier this week, “Glee” music producer Adam Anders — the pair penned the numbers along with pop music powerhouse Max Martin — described “Loser” to Entertainment Weekly as a “Gleek anthem. It’s a very uptempo, kind-of-summery hit.” The Michele solo “Get It Right” was inspired by “Lea’s story line,” Anders told EW. In its opening moments, the Michele ballad sounds reminiscent of the Britney Spears hit “Everytime” thanks to its fluttering piano and breathy vocals, but comes into its own as it builds. The Golden Globe-nominated star cries in the chorus, “What can you do/ When your good isn’t good enough/ And all that you touch tumbles down/ ‘Cause my best intentions keep making a mess of things/ I just want to fix it somehow/ But how many times will it take for me to get it right?” Both “Loser Like Me” and “Get It Right” will appear on the album “Glee: The Music, Volume 5,” which will also feature season-two covers like Michele’s take on Katy Perry’s “Firework” and guest star Gwyneth Paltrow’s rendition of Fleetwood Mac’s “Landslide.” The fifth installment is due on March 8. What do you think of the “Glee” originals, “Loser Like Me” and “Get It Right”? Tell us in the comments! Related Videos Musical ‘Glee-Caps’ Of Season Two

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‘Glee’ Original Songs Slated For March Episode Hit The Net

‘I Am Number Four’: The Reviews Are In!

Sci-fi flick might not be treading new ground, but it’s sure to make a box-office impact. By Eric Ditzian Alex Pettyfer and Teresa Palmer in “I Am Number Four” Photo: DreamWorks This weekend brings the year’s first major sci-fi release to the multiplex, and audiences should be flocking to it after weeks of tepid rom-coms and half-baked horror flicks. “I Am Number Four,” though weakly reviewed, stands to win the top spot at the box office over the four-day holiday. “Unknown” and “Big Mommas: Like Father, Like Son,” alas, don’t stand a chance. Which one is right for you? Or, perhaps, is now the time to avoid the new offerings and hit the Oscar faves ahead of next weekend’s Academy Awards? Check out what the critics are saying about “I Am Number Four” and decide for yourself. The Story “Since space creatures don’t arrive with the traditional backstories of vampires and werewolves, the story of extraterrestrial conflict and teenage longing requires a little setup. John Smith (Alex Pettyfer), a new transfer student to the high school in Paradise, Ohio, arrives with more than the usual adolescent baggage. He is one of a handful of children surviving a space war. His ancestors, the people of Lorien, were all but exterminated by the evil Mogadorians. The remaining nine fled to Earth, where their Abercrombie & Fitch looks make them stand out while trying to blend in. The Mogadorians, a black-trench-coat Mafia with bald heads and tribal tattoos, are on their trail, out to finish the genocide. They already have killed Numbers One, Two and Three. Which means John is up next.” — Colin Covert, Minneapolis Star Tribune The “Twilight” Comparison ” ‘I Am Number Four,’ the appealing new kid-on-the-teen-angst block, reverberates with much of the same dark combustible mix of action and romance that’s been fueling the ‘Twilight’ vampire mega-franchise for a while now. The issues of the heart have shifted from the undead to the otherworldly, and the battles have been amped up considerably, but its fate still rests on the basic boy-meets-girls story, which frankly could use a bit more bite.” — Betsy Sharkey, Los Angeles Times The Action “The screenplay by Alfred Gough and Miles Millar — adapting the young adult novel by James Frey and Jobie Hughes — works a few surprises into the familiar high school scenario; an action scene set at a haunted house goes in some unexpected directions, and the more we learn about Number Four’s outer space world, the stranger and more entertaining it gets (that pet beagle is not what he seems). But as ‘I Am Number Four’ ramps up toward the inevitable third-act fireballs and fights, any out-there appeal gets washed out by lots of CGI and pretty girls walking slowly away from explosions (Teresa Palmer, who shows up late as the alien Number Six, makes for a great bad-girl black swan to [Dianna] Agron’s buttoned-up Sarah). By the end it’s even turned into a kind of ‘Spider-Man’ knockoff, a young man standing in a graveyard, contemplating the meaning of his newfound great power and responsibility.” — Katey Rich, Cinema Blend The Dissenters ” ‘I Am Number Four’ is mostly a missed opportunity. The film plugs into some genuine teen angst and identity confusion that might have dovetailed nicely with its sci-fi elements. Instead these two realities, a high school with its many melodramas and aliens chasing each other around the country, operate on parallel tracks. At times it feels like the reels from two very different movies got mixed up in the projection booth. The idea here is nifty; the execution mostly pedestrian.” — Kirk Honeycutt, The Hollywood Reporter The Final Word ” ‘I Am Number Four’ is a well-made, reasonably diverting night at the multiplex that will seem overly familiar to everyone except teenage girls. It’ll be a retread to them, too, but that’s why they’ll like it — a sci-fi/fantasy drama that’s moody and broody to the point of occasional near-coma, ‘Number Four’ represents an acceptable holding action until the next installment of ‘Twilight’ rolls around.” — Ty Burr, Boston Globe Check out everything we’ve got on “I Am Number Four.” For young Hollywood news, fashion and “Twilight” updates around the clock, visit HollywoodCrush.MTV.com . Related Photos ‘I Am Number Four’ Premiere Glams Up Hollywood

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‘I Am Number Four’: The Reviews Are In!

We Better Not EVER Hear Someone Say Prince, Paris And Blanket Are Broke

It’s no secret that the Jackson family doesn’t practice the most effective financial habits. But with what TMZ is reporting Michael’s estate brought in since his death, his kids better be taken care of forever! The Michael Jackson estate has made more than $310 million since MJ died back in 2009 … this according to legal documents obtained by TMZ. TMZ has obtained the first accounting that MJ executors filed … showing exactly how much money Michael owed when he passed away on June 25, 2009 … and how much the estate has made since — and the numbers are astounding. According to the documents, MJ had more than $400 million in various debts when he died … but the estate has already made more than $310 million since. Documents show excecutors have already spent roughly $159 mil paying back various debts, income taxes and other expenses such as providing “uninterrupted support for Mrs. [Katherine] Jackson and Michael Jackson’s children as Michael intended.” The estate has also paid for Katherine to make “substantial improvements” to the family’s famous Havenhurst estate in Encino, CA. Executors have also shelled out cash to “pay last illness and funeral and memorial service expenses.” In addition to the $400 million in debt — MJ’s estate had $40 million in liabilities to concert promoter AEG stemming from the “This Is It” tour … which MJ was rehearsing for when he died. The documents show the estate received more than 65 creditor’s claims — with some of the debt accruing interest at “extremely high” rates. The MJ executors admit the estate still faces several lawsuits in multiple countries. Man, listen. We’re only going to say this one more time: we better not EVER hear ANYONE say Michael’s kids are broke.

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We Better Not EVER Hear Someone Say Prince, Paris And Blanket Are Broke

Tragic Irony: Housing Projects Named After MLK Show Sharp Increases In Violence

What do you get when you cross Dr. Martin Luther King with Malcom X? A street you can’t walk down. Only a day after celebrating the vision and accomplishments of Dr. Martin Luther King, a new study has been released showing that peace is hard to come by on streets named after the icon. Martin Luther King Jr. Houses on Malcolm X Blvd in NY is just one of many housing developments that have seen significant crime increases over the past year. Violence in city housing developments spiked last year, led by a sharp increase in Bronx murders and Harlem shootings, statistics show. Residents were not surprised. “You can’t avoid it,” Bronx resident Maria Rojas-Garcia, 61, said of the violence. “We got everything here. Just last summer a young man was shot in front of our building. “There is no peace.” Rojas-Garcia lives with her 83-year-old mother in the Edenwald Houses, the Bronx’s biggest housing project and one with a persistent gang problem. The Edenwald Houses is one of 14 developments covered by police officers assigned to Police Service Area 8, a division of the NYPD’s Housing Bureau in the east and north Bronx. Police did not have statistical breakdowns by housing development, but the numbers show that PSA 8 investigated 14 murders last year, up from two in 2009. There were 37 shootings at those houses, compared with 14 in 2009. Edenwald residents said they don’t need numbers to tell their story. Be careful, they say, or be ready. “People are animals here,” said Jason Miller, 17, an admitted member of the Inwood Jungle Kids. “They hurt each other for no reason. You have to hang with the right crew. “We’re the top crew so nobody messes with us.” Police said the increase follows a year of sharp decreases. “Nonetheless, any murder or shooting is one too many,” said top NYPD spokesman Paul Browne. “We address crime spikes experienced in public housing with housing impact deployments, sometimes coordinated with precinct and transit impact teams, among many other strategies.” Shaquin Cameron, 20, has her own strategy – she moved out and is majoring in sociology at SUNY Albany. Her friend, Ta’Neyah Frazier, 19, would love to follow suit. “I want to leave here too.” she said. “It’s all I’ve known. I wonder what life is like, life outside here.” Such an option is less likely for Daniel Lewis, who has lived in Harlem’s Martin Luther King Jr. Houses for all but one of his 57 years. The development is just a few blocks from the north end of Central Park, but his surroundings are anything but pastoral. Busted door locks invite troublemakers, gunshots are fairly common and kids can’t play in the courtyard without fear. “It’s getting worse,” he said. Police statistics show 54 people were shot at Manhattan projects last year, compared with 37 in 2009. The sharpest increase occurred on the grounds of the developments in Harlem, East Harlem and Spanish Harlem, with shooting victims rising from 21 in 2009 to 40 last year. “I don’t even let my kids go to the window – and I live on the 12th floor,” said Christina Andrades, 34, a stay-at-home mother of three. “The bullets fly around here.” It looks like the only thing these people have a dream about is bussin’ a cap in your azz. Source

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Tragic Irony: Housing Projects Named After MLK Show Sharp Increases In Violence