Tag Archives: People

Typically, Kathleen Parker Finds It Ridiculous That Beck or Palin Can Complain About Media Bias

Washington Post columnist and incoming CNN prime-time talk-show host Kathleen Parker is still auditioning for liberal-media accolades. In Wednesday’s Post she offered another shovel of her  frenzied distaste for prayer and G-O-D talk in public as she dismissed the Glenn Beck rally, especially the notion that Beck or Sarah Palin could blame the news media for hostility and bias. The media made these people rich , Parker insisted: Oh, that’s right, The Media. Never mind that Beck is one of the richest members of the media. Or that Palin has banked millions primarily because The Media can’t get enough of her. But what’s an exorcism without a demon? And who better to cast into the nether regions than the guys lugging camera lights? That’s an interesting line for someone whose assaults on Palin and other conservatives made her a millionaire CNN host. But conservatives have never focused their media-bias complaints on “guys lugging camera lights,” but the people who adore Obama and other liberals in front of the cameras. Parker also made her usual female-version-of-Scarborough complaints about how poor Barack Obama is the subject of juiced-up right-wing paranoia and conspiracy theories about his aggressive aggrandizement of government action: And the darkness? Creeping communism brought to us by President you-know-who. Conspiracy theories and paranoia are not unfamiliar to those who have wrestled the demon alcohol. Like other successful revivalists — and giving the devil his due — Beck is right about many things. Tens of thousands joined him in Washington and watch him each night on television for a reason. But he also is messianic and betrays the grandiosity of the addict. Let’s hope Glenn gets well soon. Don Surber ably put Parker in her place, that place where her talk-show partner Eliot Spitzer had demons of his own: Ridiculing his alcoholism after agreeing to appear nightly on an hourlong show electronically beside a man whose sexual addiction and proclivities cost him his job as governor of New York is humorously ironic. Instead of picking at Beck’s speck, she might try dislodging that log in her broadcasting partner’s eye.

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Typically, Kathleen Parker Finds It Ridiculous That Beck or Palin Can Complain About Media Bias

Hayley Atwell Pasties in The Pillars of the Earth of the Day

This kind of behavior really pisses me off. I figure if you’re gonna fucking get this naked, you might as well get fully naked. I also figure that if you’re going to try to launch an acting career, you might as well leave your moral and dignity at the fucking casting couch door, cuz that’s just no the business you are in. You’re a slut, stop pretending to be an artist…embrace yourself as the stripper with the choreographed theatrical stage performance, who no matter how pretentious she is, still gives lap dances in the back room. There’s nothing more insulting than a bitch who is prude, has a no nudity clause, but still manages to agree to getting this naked, without getting fully naked, cuz nipple pasties look fucking stupid, they irritate me, and remind me of exactly the kind of girl this no-name, useless, bullshit actress cunt is…and that’s pussy that isn’t quite committed enough to the cause and who doesn’t care about the people trying to jerk off to her shitty acting in a sex scene. Seriously. This makes me mad….just another example of big tits gone to fucking waste…

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Hayley Atwell Pasties in The Pillars of the Earth of the Day

Joe Joins The Food Police

If Ron Paul were dead, he’d be turning over in his grave . . . Joe Scarborough casts himself as a conservative with a libertarian bent.  Earlier this year, he listed Ron Paul as one of the people he admires, because of Texan’s devotion to “championing less government.”  But at least when it comes to counting calories, Joe has volunteered for the ranks of Mika’s Nanny State Food Police. On today’s Morning Joe, Scarborough declared that he favors forcing all restaurants to put calorie counts on their menus. Joe was responding to Mika’s report that, under the umbrella of ObamaCare, many restaurants will be required to disclose calories. Joe was responding to Mika’s report that, under the umbrella of ObamaCare, many restaurants will be required to diclose calories. Watch as Joe admits that, at least when it comes to food, his supposed libertarian streak was a sham. MIKA BRZEZINSKI: The days of American consumers being in the dark about how many calories they’re consuming may be coming to an end.  In accordance with the recently enacted health-care overhaul, the federal government is requiring movie theaters, airplanes, trains, even grocery-store food courts to post calorie counts. JOE SCARBOROUGH: OK, you know what? I’ve got to drop this act that I do.   Because I know I’m fat, and Mika tells me I’m fat, this act about how I think you’re a bore, and I’ve got to tell.  We went up to Friendly’s, and I’m just going to out them, and I guess I should salute them.  We were in Connecticut, and somebody said, hey, let’s go to Friendly’s, and I said OK, never been.  They put the calories on the menu.  And I would have, without looking, consumed about 2,500 to 3,000 calories.  After looking at the counts on those things, I was just grossed out.  I had soup. This is critical.  It really is. I hate to sound like you.  This is a critical, critical step.  I think all restaurants should be required to put calorie counts next to it. Again, not sounding like you. But I’ve played that act long enough. A true libertarian would observe that information is a commodity. If there’s a demand for calorie counts, if people are more willing to patronize restaurants that provide that information, then restaurants will rush to offer it.  It’s the same principle that accounts for tofu burgers on the Upper West Side and BBQ joints in Texas. We don’t need government to force calorie counts down our throats, excuse the pun. Meanwhile, later in the show Joe sympathized with Bob Herbert’s notion, expressed in his New York Times column of today, that it is wrong to ship “other people’s children” off to fight our wars.  So how about it Joe?  Will you encourage your kids to do the dirty and dangerous work of the Food Police?   “Put down your spatula, and step slowly away from the menu.  Do it now!”

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Joe Joins The Food Police

‘Secretariat’ Puts Audience In The Horse Races, Director Says

‘I wanted the audience to experience the races as participants, not as spectators,’ Randall Wallace tells MTV News. By Kara Warner Diane Lane in “Secretariat” Photo: Walt Disney Pictures The fall-movie season is shaping up to be chock-full of Oscar bait, and Disney’s “Secretariat” is no exception. Based on a true story, the film revolves around Penny Chenery (played by Diane Lane), the woman ultimately responsible for fostering the first Triple Crown winner in 25 years. It’s a feel-good film for sure, but it’s designed to make audiences weepy. When we caught up with director Randall Wallace (“We Were Soldiers,” “The Man in the Iron Mask”) he admitted to being “an emotional critter” and wanting audiences to connect with the characters and feel something when they see the film. Translation: Bring tissues to the theater. MTV : This is a different type of film for you. Why did the story of Secretariat speak to you? Randall Wallace : It was funny for me, because I’ve never worked on something that wasn’t an original screenplay for me that I hadn’t started in some form or fashion, but everything else I had done involved war. [In addition to the previous two films he directed, Wallace wrote “Braveheart” and “Pearl Harbor.”] People ask why I make war stories. I say, “I don’t. I make love stories. It’s just that war puts love in the context.” It shows its depth and extent of the commitment you have to it. With this story, its call to me was that it showed a face and hope and courage as an affirmation that led not just to suffering and pain, but to victory and joy, and that was really compelling for me about this. MTV : How challenging is it working with horses? Wallace : It’s extremely challenging, particularly because these are animals who could kill you and animals who could hurt themselves if you weren’t extremely thoughtful about them. My first job out of college was, I worked with live animals. I would come from seminary at Duke University to working at a place called Opryland in Nashville. My first job, I was a manager of an animal show where barnyard animals were trained to play musical instruments. We had a pig named Pigerace and a duck named Burt Bachquack; that was my first gig. I came full-circle getting to work with thoroughbreds on this. What you find is that they have personalities and instincts of their own, and they’re not unlike actors at their best. Diane Lane and John Malkovich are thoroughbreds, and they have enormous capacity. You work with people like that to find that fire and that passion. MTV : Who in the cast was your “horse whisperer” and really took to the horses? Wallace : John Malkovich has an amazing affection for horses. John had actually worked with one of the horses that we used — not one of our Secretariats, but one of our background horses. John would actually tell stories about what the horse was thinking and doing, and he would mimic the horse. That not only entertained us all, but it also inspired us. Leadership spreads through a whole organization, and John certainly had it in that way. Diane’s commitment to become as fully immersed with those horses as Penny Chenery, the woman she was playing, had been with Secretariat is absolute. You can see it when you see the film. There are moments when she is looking into the eyes of the horse, and it’s amazing what you see both in the human eyes and the horse’s eyes. MTV : We’ve seen movies about horses — specifically racehorses — before. What makes “Secretariat” different? Wallace : Here’s what’s different about “Secretariat”: The cornerstone of my approach, the first step in directing this movie visually for me, is I wanted the audience to experience the races as participants, not as spectators. Every other horse-racing move I’ve ever seen was one that celebrated the slow and elegant beauty of horse racing, but not its kinetic excitement, none of its danger and savagery. We had cameras skimming an inch along the ground right at the horses’ hooves, with the dirt flying in the faces of the audience like its flying in the faces of the jockeys. We used real jockeys, unlike some other movies. I happen to love “Seabiscuit.” I thought it was a wonderful movie. This movie is vastly more kinetic. In “Seabiscuit,” you had a great actor whom you were totally prevented from putting on the horse. I hired real jockeys at every point so that the man playing Ronnie Turcotte was on the back of the horse going 38 miles an hour in heavy traffic and risking his life, so that’s one big difference. Another is, let’s face it, I’m an emotional critter. I’m looking for the soaring heart of something. I wanted to know what it was like when Penny faced her moment of greatest isolation and uncertainty and how she responded — her moments of sorrow and her moments of greatest joy. And I wanted the audience to participate too, and not just sit back and watch it. That’s a problem with our society: It’s been all too easy for us to become spectators in life, and I want to be a participant and I want the audience to share that too. From the saucy Jessica Alba in “Little Fockers” to James Franco’s grueling journey in “127 Hours,” the MTV Movies team is delving into the hottest flicks of fall 2010. Check back daily for exclusive clips, photos and interviews with the films’ biggest stars. Check out everything we’ve got on “Secretariat.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com . Related Videos Exclusive Clips From The Fall’s Most Anticipated Films Related Photos Fall Movie 2010 Preview Week: Exclusive Photos

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‘Secretariat’ Puts Audience In The Horse Races, Director Says

central bank governor Zhou Xiaochuan

Zhou Xiaochuan praised the performance of the western branches of the central bank in carrying out monetary policies, improving financial service and maintaining financial stability. Zhou especially applauded efforts to finance earthquake relief work and reconstruction as well as support the development of the local real economy. Zhou Xiaochuan, governor of the People#39;s Bank of China, recently urged the central bank#39;s branches in western China to implement the central government#39;s over

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central bank governor Zhou Xiaochuan

Matthews, Fineman and Robinson: Obama Wouldn’t Have Muslim Image Problem If He Had Joined A Church

A truly astonishing thing happened on MSNBC Monday: three devout, liberal Obama supporters said the President is responsible for people thinking he’s a Muslim. During the opening segment of “Hardball,” in a discussion about Glenn Beck’s “Restoring Honor” rally and how the host and attendees view Obama’s faith, Newsweek’s Howard Fineman said, “Barack Obama probably should have joined a church here…some things in politics you have to do at least for the symbolism.” A bit later, the Washington Post’s Eugene Robinson concurred: “Howard Fineman was in the earlier segment, but I tend to agree with him. I think — I expected that when President Obama came to town, he and the family, as he said, would look around, find a church to go to and join a church and go there regularly.” Minutes later, Matthews also agreed saying, “You`re responsible for your reputation” (videos follow with transcripts and commentary): HOWARD FINEMAN, “NEWSWEEK,” MSNBC POLITICAL ANALYST: Well, first of all, I think all of the people who respect Obama, the president, are relieved that Glenn Beck is just saying that he`s — that Obama is godless and not that he`s a racist. I mean, if you listen to what he was saying there, that`s what — that`s what he was saying on Fox. And what Glenn Beck was doing was letting the rally happen, and then amending his words afterwards. CHRIS MATTHEWS, HOST: Yes. FINEMAN: I mean, if I can use an old-fashioned analogy Richard probably is not familiar wit, in old professional wrestling, you used to have the guy who played dirty who had a razor in his trunks, and when the ref came around, he put them back in. I mean… MATTHEWS: Foreign object. FINEMAN: Yes, foreign object. And Beck was playing very rough before this peaceful rally that Richard covered. MATTHEWS: Right. FINEMAN: And that`s — that`s the game that`s being played now. And as you said in your intro, Barack Obama and his people in the White House seem to me to be curiously passive about it. They`re letting other people handle it. It`s as though the president either doesn`t believe there`s anything he can do about it or that it`s not his role to speak up for himself or to do things or say things that would disprove what they`re talking about. MATTHEWS: Well, to use a Spanish (INAUDIBLE) Richard, the old Pennsylvania expression for dirty politics was spend the first half of the campaign kicking him in the cojones, and the second half, while they`re holding their cojones in pain, talk about the future of Pennsylvania. WOLFFE: Right. MATTHEWS: That`s the oldest trick in the political book. I think he`s following it. He brings these people in with rage and hatred for Obama. Then he gives them a nice Christian, if you will, message, sort of a benediction, if you will, to send them on their way to battle against Obama. RICHARD WOLFFE: Look, it was an impressive turnout. And his comments at the rally — there was nothing wrong with them at all. It was a weird mixture, a kind of rambling thing, but… MATTHEWS: Well, what do you make of the — let`s go to the religious side of this. What — what brand of religion was it? What was it — was it revivalism? WOLFFE: Clearly, it was evangelical. MATTHEWS: Was it “Marjoe”? What was it? WOLFFE: Ironically — ironically — just to relate it to Jeremiah Wright, by the way — Jeremiah Wright is a — is a black — runs a black church within a white denomination. It is a mixture of precisely the kinds of self… MATTHEWS: Yes. WOLFFE: … lifting yourself up and coming together which, actually, this guy was talking about. FINEMAN: Can I say something here that`ll probably get me in trouble? But I`m going to say it anyway. Barack Obama probably should have joined a church here, OK? Now, I`m not excusing any of the hatred or nasty language or any of the dirty strategy that we`re talking about. But some things in politics you have to do at least for the symbolism. MATTHEWS: Yes. FINEMAN: Now, he quit the Jeremiah Wright church, OK? But he hasn`t joined any other. MATTHEWS: Yes. FINEMAN: And had he done so and if he`d done so, but especially if he`d done so… MATTHEWS: Yes. FINEMAN: … after he came to town, a lot of this stuff would never have arisen, in my view. MATTHEWS: Yes. FINEMAN: Now, I`m not taking a Pollyanna… MATTHEWS: I agree (INAUDIBLE) FINEMAN: I`m not taking a Pollyannaish… MATTHEWS: OK. FINEMAN: … -view about these people. But why not? MATTHEWS: OK… FINEMAN: I don`t get it! MATTHEWS: … the subtext… FINEMAN: I don`t get it.  At the beginning of a later segment, Matthews played a clip of Obama telling NBC’s Brian Williams on Sunday what he thinks about all the people in the country that believe he’s a Muslim. After the clip, Matthews turned to his guests:  MATTHEWS: Gene, it astounds me. It grows and grows and grows. Every time we poll, more people believe he`s a Muslim, fewer people think he`s a Christian, more people believe he was born in some other country, like Kenya. It just keeps growing. Can he knock it down with this kind of disdainful comment, just knock it by saying these people are crazy, basically? EUGENE ROBINSON, “WASHINGTON POST,” MSNBC POLITICAL ANALYST: Well, you know, it hasn`t worked so far. He gets criticized during the campaign for going to a specific Christian church, and now, all of a sudden, people are saying that he`s a Muslim. And this number continues to be high and arguably grows. I mean, Howard Fineman was in the earlier segment, but I tend to agree with him. I think — I expected that when President Obama came to town, he and the family, as he said, would look around, find a church to go to and join a church and go there regularly. MATTHEWS: Don`t they do that? I guess not. ROBINSON: No, they have… MATTHEWS: Not that there… (CROSSTALK) MATTHEWS: There`s a performance aspect to American religious life, let`s face it. ROBINSON: Well, there is, and… (CROSSTALK) MATTHEWS: … social event. ROBINSON: And that`s what I expected them to do. And I think had they done that, this issue wouldn`t be… MATTHEWS: Gene, Gene, Gene… (CROSSTALK) MATTHEWS: Before we leave you, I — do we — so we`re not getting the usual Monday morning picture of the president coming out of a church, usually a Protestant church, with a Bible in his hand or a missal or something in his hand, not…  Matthews then played a clip of Beck on “Fox News Sunday” telling Chris Wallace the problems he has with the President’s faith. At its conclusion, Matthews turned to his guests:  MATTHEWS: Wow. It really is getting personal. We`re getting a religious test thrown at — we`re not supposed to have religious tests. There`s Beck applying one.   ROBINSON: Yes. First of all, we would flunk Glenn Beck on his theology exam, number one. He`s not much of a theologian. Second, what is ironic about this whole nonissue is that at least in my experience, to the extent that I know the president, he seems to be a man of great faith, of real and genuine faith. He talks about his faith and the faith of his family and how it sustains him and how it sustains him in difficult moments.   (CROSSTALK)    ROBINSON: And so yet that doesn`t come across…    (CROSSTALK)    MATTHEWS: It doesn`t come across.    (CROSSTALK)    MATTHEWS: By the way, the role of a politician is to lead.    DAVID CORN: It`s not the president`s job.    (CROSSTALK)    MATTHEWS: No, it is the president`s job.    (CROSSTALK)    CORN: Not to talk about salvation.    (CROSSTALK)    CORN: It`s not his job to talk about salvation. And you know what? Today, I got a couple press releases from fundamentalist Christian groups on the right attacking because they believe Mormons are not true Christians. So, once we get into this game, no one — no one should cast ones.    (CROSSTALK)    MATTHEWS: OK. Let me reeducate you, as if you guys need it, or anybody watching doesn`t know this rule. You`re responsible for your reputation. And if people are painting a picture, whether it`s swift-boating or whatever nonsense they`re putting out about you, Michael Dukakis taught us this back, what, 20, 30 years ago. They can say all these terrible things about you. If you let them stick, that`s your problem. It may not be morally your problem, but it`s politically your problem. We`re not saying the president should be talking about his religion publicly to anybody. We`re saying it`s hurting him.  As hard as it is for me to admit it, these three liberals were all right for a change. The President of the United States has a more powerful bully pulpit to speak from than anyone on the planet. By not joining a new church when he moved to our nation’s capital, he foolishly left himself open for religious questioning. That he and his administration have sat back for approaching two years and allowed the narrative to be led by others shows a tremendous lack of leadership skills on their part. Much more surprising is that liberals like Matthews, Fineman, and Robinson would admit it with cameras rolling. I guess this is an indication of just how poorly Obama is doing as President when some of his biggest supporters in the media are starting to publicly voice their displeasure with him.

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Matthews, Fineman and Robinson: Obama Wouldn’t Have Muslim Image Problem If He Had Joined A Church

Sandra Bullock Opens Up About Her Son On ‘Today’

‘Everything works out the way the universe wants it to work out,’ she says in an interview airing Tuesday. By Jocelyn Vena Louis and Sandra Bullock on the cover of People Photo: People Sandra Bullock sat down with Matt Lauer for her first television interview since her divorce from Jesse James , airing on the “Today” show on Tuesday. In it, she opens up about her adopted son, Louis, and what he means to the entire Bullock family. “We don’t have any boys in our family. Boy, is everyone really happy about that. So, he’s like the crown prince. You know, it’s nothing but girls in our family,” Bullock said about her baby, whom she called her “little Cajun cookie,” in an excerpt on the show’s Scoop blog . “I mean, my cousin in Germany has one son. No boys — can you imagine how miserable our father is? I mean, every pet was female. But it was just the hierarchy that needed to be broken.” Bullock also talked about how she was able to keep the adoption a secret from the media, crediting the people around her as having “massive amounts of integrity.” “Human beings exist that have integrity, that know how to keep their mouth shut. That know the bigger picture, that don’t sell out their friends,” Bullock explained. “Those people are all over the place. But again, we don’t like to talk about it, because it doesn’t sell a magazine. But I was blessed with the same friends I’ve had since before things got really special for me and blessed in life. “I did not circumvent,” Bullock explained further about the adoption. “I wanted to do everything exactly the same way everyone else did. And it was. He was always mine, you know. It wasn’t like I felt like someone was going to take him away. But it was nice to have someone say, ‘I think you’re a fit parent.’ … I think everything works out the way the universe wants it to work out.” The Oscar-winner sat down with Lauer in New Orleans, where she helped to raise funds for a new health clinic on the campus of the Warren Easton Charter High School. “They did it with such power and love and integrity. Integrity. There’s so much integrity here. And I’ve never been around that much integrity,” Bullock said about the victims of Hurricane Katrina since the area in and around New Orleans was devastated by the natural disaster five years ago. Related Photos The Evolution Of: Sandra Bullock

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Sandra Bullock Opens Up About Her Son On ‘Today’

‘Black Swan’ Director Darren Aronofsky On Ballet, Natalie Portman And Lesbian Kisses

‘She took the part and ran with it,’ director says of film’s star Portman. By Eric Ditzian Natalie Portman in “Black Swan” Photo: 20th Century Fox In one corner, you have Mickey Rourke, all serrated flesh and oozing blood, leaping from the top rope because that’s how wrestlers roll. In the other corner, you have Natalie Portman, austere and intense, turning pirouettes because that’s what a ballerina is born to do. The two are connected, if you can believe it. And why not? As Darren Aronofsky explains, 2008’s Oscar-nominated “Wrestler” is in essence a companion piece to his forthcoming “Black Swan.” The athletes he focuses on are so consumed with their professions that they are swept up and eventually overtaken, with the end result being that there is no dividing line between ballerina and ballet, between wrestler and wrestling. In the new film, Natalie Portman stars as Nina, a New York City ballerina about to assume the lead position in her company for a production of “Swan Lake.” Competition and disturbing psychological warfare arrive in the form of the rival dancer Lilly (Mila Kunis), who awakens in Nina a dark side that brings objective reality into question. Aronofsky has been wanting to make a film about the world of ballet for a decade. In a recent interview with MTV News, the director spoke about the movie’s psychological and supernatural undertones, the research he did for the film and the much-buzzed-about make-out session between the two leading ladies. MTV: Let’s begin with the “Black Swan” trailer , because it really seemed to capture people’s imaginations. How involved to you get in the process? What are you looking to communicate and also withhold? Darren Aronofsky: It’s funny, because I literally finished the film yesterday. It’s been a incredible mad dash to the finishing line, and to be frank, I really surrendered to the studio and I have to credit Fox Seachlight with doing a lot of the heavy lifting. In the past, I’ve worked very hard on the trailers, but I just didn’t have any time. I had to finish the movie. When I saw the trailer for the first time, I was very impressed. I thought it was exciting. You never know how audiences are going to react. I generally do these films that are hard to fit into boxes and they’re hard to sum up in two minutes. I’m glad people are enjoying it. MTV: And I guess it doesn’t hurt to have . Aronofsky: Yeah, I know. A lot of people already knew that was happening. A screenplay got out there and someone wrote about it on the Internet and the next thing you know CNN is reporting on it. It’s definitely something that happens in the film, but it’s just the tip of the exciting things that happen. MTV: I think it’s kind of interesting for you to be going from wrestling to ballet, because there’s probably more of a similarity there than people might think, just in terms of choreography and competitiveness and things like that. Aronofsky: Exactly. I’ve always considered the two films companion pieces. They are really connected and people will see the connections. It’s funny, because wrestling some consider the lowest art — if they would even call it art — and ballet some people consider the highest art. But what was amazing to me was how similar the performers in both of these worlds are. They both make incredible use of their bodies to express themselves. They’re both performers. At one point, way before I made “The Wrestler,” I was actually developing a project that was about a love affair between a ballet dancer and a wrestler, and then it kind of split off into two movies. So I guess my dream is that some art theater will play the films as a double feature some day. MTV: I have a feeling if you suggest it, someone will take you up on it. They’ll just make you run the projector and scoop the popcorn. Aronofsky: Exactly. I’m fine with that. MTV: I know you did a lot of research for “The Wrestler,” going to matches and talking to wrestlers. What was your process like for “Black Swan”? Aronofsky: Ballet is a very insular world. There’s a lot of privacy, and it’s hard to get in. Normally when you say, “I want to make a movie about your world,” the doors open up and you get tremendous access. The ballet world could give two sh–s about anyone making a film about their world. For people that do ballet, ballet is their universe and they’re not impressed by movies. I did find dancers that shared their stories with me, some retired, some working. Eventually I got to stand backstage when the Bolshoi came to Lincoln Center, standing in the wings watching some of the greatest dancers in the world. I got to see some amazing athletes up close and experience what they were going through. MTV: Are you standing there watching as a director, like storyboarding your movie, or are you just taking in the spectacle? Aronofsky: Most of my time, I’d be thinking, “This is an amazing closeup, but how am I going to let audiences appreciate this?” Wrestling, it’s very clear how to show that. My goal there was to show how much it actually, physically hurt. People always think it’s fake, and my point was, “Sure it’s fake, the outcome is already decided, but the stunts are not fake. These are real people falling onto a concrete floor.” For me, what was so interesting about ballet was these athletes have done it for so many years — some of them start at four or five years old — and they make it effortless, so that you cannot see the skill involved. It’s almost impossible to experience how hard it is to get your leg over your head when you’re standing on the tip of your foot. It looks so easy. But when you’re up close, you can see the muscles ripping. For me, it was about, “How do I make that effort visually exciting?” MTV: I spoke with Natalie back when she was promoting “Brothers,” and she talked about wanting to get away from “cute and girly” roles . “Black Swan” clearly doesn’t seem cute and girly. What’s your sense of why she wanted in? Aronofsky: It’s kind of weird. It came together really well. One of the best things about the film is the casting of Natalie. She took the part and ran with it. I don’t know if when I was working with the writers we were consciously channeling Natalie or Natalie somehow transformed herself to the part, but they grew together. I first talked with Natalie about this project at least 10 years ago. We were in Times Square and had a coffee at the old Howard Johnson. I had this idea of setting something in the ballet world. It was very loose. I didn’t have a script. And then I found out she was fascinated by ballet and wanted to play a dancer. MTV: Was that when it was still that ballet/wrestling film? Aronofsky: No, that was after. I realized pretty quickly that taking two worlds like wrestling and ballet was much too much for one movie. So we met and for years it was something I’ve been developing and struggling with and when I finishing up “The Wrestler,” a guy who worked in my company, Mark Heyman, he had done a lot of writing and producing on “The Wrestler,” and I asked if he wanted to give the ballet project a shot. He jumped in and he turned it into something we could make. MTV: For Mila’s role, you needed someone who looks like Natalie, but obviously it can’t just be about looks. It’s got to be the right actor. How do you approach that sort of casting challenge? Aronofsky: Yeah, yeah, yeah. I saw “Forgetting Sarah Marshall,” and she just leapt off the screen. So natural and so beautiful. I’d never seen her TV show. So she was in my head, and then Natalie said, “Hey, for the part of Lilly, what about my friend Mila Kunis?” I was in Europe, and we met over iChat and she was natural and cool and seemed relaxed and excited and then I just hired her. It was a leap of faith. MTV: At Comic-Con, Natalie compared the movie to a psychological thriller like “Rosemary’s Baby.” Does that ring true for you? Aronofsky: I’m a huge Polanski fan. Probably “Repulsion” and “The Tenant” are better comparisons than “Rosemary’s Baby.” They were big influences on “Black Swan,” as they’ve been on all my films. Unfortunately for my checkbook, I don’t really make movies that can be put in a box. I don’t know what it is. It’s not like much out there. MTV: It definitely seems that it toes that line of, “Is this purely psychological? Does magical realism come into play?” Not that you’re going to tell me the answer, but were those ideas in your head? Aronofsky: It’s definitely an experience. But the trailer should give you everything — it’s all in there! No, no, it’s got a lot of sources that I get inspired by and influenced by. It’s like, “What the hell was ‘Pi’?” I’m not really sure. Definitely “The Fountain” was outside the box. I guess “The Wrestler” was the most straightforward thing I’ve done. I think I was trying to make a sports film. I guess I don’t do genre very well. MTV: You seem to be doing OK so far. Aronofsky: I don’t know. Everyone will see in a few days. MTV: Yeah, you’re opening the Venice Film Festival. Do you get nervous for stuff like that or are you cool, calm and collected? Aronofsky: I always get nervous when I show work to an audience. Eventually they’re going to have to see it. When “The Wrestler” showed at Venice the last time, I walked out in the middle. I couldn’t handle it. I snuck back in the end. It was not a pleasant experience. MTV: You’re staring at the people, going, “Are they liking it? Are they liking it?” Aronofsky: Unfortunately, I don’t make the kind of films where you can tell if they’re liking it. It’s not a laugh-fest. It’s a tough job. It’s a tough job. From the saucy Jessica Alba in “Little Fockers” to James Franco’s grueling journey in “127 Hours,” the MTV Movies team is delving into the hottest flicks of fall 2010. Check back daily for exclusive clips, photos and interviews with the films’ biggest stars. Check out everything we’ve got on “Black Swan.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com . Related Videos Exclusive Clips From The Fall’s Most Anticipated Films Related Photos Fall Movie 2010 Preview Week: Exclusive Photos

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‘Black Swan’ Director Darren Aronofsky On Ballet, Natalie Portman And Lesbian Kisses

Cruise Ship is Stuck in the Arctic Ocean | The Canadian Coast Guard Is Helping

Canada aids cruise ship stuck in the Arctic Ocean By the CNN Wire Staff August 29, 2010 10:39 p.m. EDT The crew of the Clipper Adventurer was unable to dislodge it during high tide. STORY HIGHLIGHTS * The Canadian coast guard is ferrying passengers from the ship * The are being taken to a small town on the shore of the Arctic Ocean * Some 128 passengers and roughly 69 crew members are thought to be on board * The ship ran aground an unmapped rock on Friday (CNN) — The Canadian coast guard began ferrying passengers on Sunday from a cruise ship that ran aground an unmapped rock. Officials aboard the Clipper Adventurer reported their troubles on Friday. The crew failed to dislodge the ship during high tide on Saturday, while Sunday, a coast guard icebreaker arrived to transport the people on board to land. No one of the estimated 128 passengers and 69 crew members were hurt or injured, said Theresa Nichols, a spokeswoman with the Canadian coast guard. “They are in the midst of completing the operation of ferrying the passengers off,” she said. “That operation should be just about finished.” The passengers are being taken to Kugluktuk, a small town on the shore of the Arctic Ocean, where accommodations have been arranged by the cruise ship company, said Nichols. They are then expected to fly to the Canadian city of Edmonton. The grounded vessel is stable, but rests with a slight list, according to the company that operates the cruise ship, Adventure Canada. “Weather remains favourable as passengers continue to enjoy onboard programming and hospitality,” the company said in a statement. added by: EthicalVegan

Mah Bow Tan profile

Profile for Mah Bow Tan Assumed office 3 June 1999 Preceded by Lim Hng Kiang Constituency Tampines Group Representation Constituency Minister for Communications In office September 1991 – 3 June 1999 Minister for the Environment In office July 1993 – April 1995 Born September 12, 1948 (1948-09-12) (age 61) Singapore Political party People#39;s Action Party Spouse(s) Dr Sheryn Kaye Von Senden Mah Bow Tan (simplified Chinese: 马宝山; traditional Chinese: 馬寶山; pinyin: Mǎ Bǎoshān, born Septembe

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Mah Bow Tan profile