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Our History Makers: W.E.B. Du Bois

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W. E. B. Du Bois , the African American sociologist, historian, civil rights activist, Pan-Africanist, author, and editor, is most known for his pursuit of social justice and literary imagination. One of the best African American writers to date, Du Bois published over 1,000 essays and writings, some standing the test of over 100 years and still used in classrooms today. Click Here To Read W. E. B. Du Bois Bio Below is a list of the most influential writings of W. E. B. Du Bois. Feel free to add to the list below by adding your comment. 1. The Souls of Black Folk Said to be W. E. B. Du Bois’ most influential piece of writing, this classic piece of American Literature by W. E. B. Du Bois changed the perspective on African American writers, as well as the horrible social life for blacks in the early 1900′s. The Souls of Black Folk also holds an important place in social science as one of the early works to deal with sociology. 2. The Philadelphia Negro In 1897 W. E. B. Du Bois worked as the Assistant in Sociology at the University of Pennsylvania, where he conducted a social experiment of the Negro community in Philadelphia. His publication that would soon follow his experiment would turn out to be one or the greatest writings on the “Negro” in America. Du Bois gathered information by traveling house to house and conducted personal interviews with each individual head of household. 3. The Negro This non-fiction writing was the first comprehensive history of African and African-derived people, from their early cultures through the period of the slave trade and into the twentieth century. Published in 1915, this book influenced both white and black communities of its time, bringing a better awareness to the plight of the African American. This book was also highly instrumental in helping to inspire generations of people to see things from an African perspective. 4. The Talented Tenth , second chapter of The Negro Problem , a collection of articles by African Americans The talented Tenth is a term that was created by W. E. B. Du Bois to give name to a group of African Americans who had the distinct duty of lifting African Americans from poverty and discrimination to a middle class standard. Du Bois used the term “the talented tenth” to describe the likelihood of one in ten black men becoming leaders of their race in the world, through methods such as continuing their education, writing books, or becoming directly involved in social change. He believed that this was the only way for African Americans to strive in an environment that was set up for failure in the black community. Men we shall have only as we make manhood the object of the work of the schools — intelligence, broad sympathy, knowledge of the world that was and is, and of the relation of men to it — this is the curriculum of that Higher Education which must underlie true life. On this foundation we may build bread winning, skill of hand and quickness of brain, with never a fear lest the child and man mistake the means of living for the object of life. 5. Black Reconstruction in America Published in 1935, Black Reconstruction In America took an in-depth look at the Reconstruction of the south after its defeat in the American civil war. Du Bois’ basic argument was one of rich vs. poor and how Black and White laborers, who are the proletariat, were divided after the civil war on the lines of race, and as such were unable to stand together against the white propertied class, the bourgeoisie. Du Bois stated this was the reason for the rise of Jim Crow Laws and the failure of reconstruction. What makes this book so important is how relevant it is when you look at the problems in today’s society.

Our History Makers: W.E.B. Du Bois

‘American Idol’ Adds ‘Gotcha!’ Twist, More Heejun Han

Some contestants who made it through were then sent packing in a new, cruel turn of events. By Adam Graham Contestants audition during “American Idol” Vegas week Photo: Michael Becker / FOX “American Idol” opened with 70 contestants Thursday (February 16) and ended with 42, as the Las Vegas cuts — referred to alternately as “brutal,” “painful” and “deep” — lived up to their billing. Some who made it through on the strength of their performances were later told they, in fact, didn’t make it through, a new twist. The twist wasn’t given a name, but it should have been called the “Gotcha!” — as in, “Oh, you thought you were going to go on to achieve your dream of being a singer? Gotcha!” In Vegas, contestants were asked to form groups and sing songs from the ’50s and ’60s onstage at the Aria hotel, home to the “Viva Elvis” show. The episode began, as all future “Idol” episodes should, with Heejun Han talking directly into the camera while wearing a red hooded sweatshirt. Han’s feud with this year’s resident cowboy contestant, Richie Law, has already proven he’s a dry-witted jokester at heart. But Han is also able to turn on the charm, such as when he tamed the “Vocal Coach from Hell,” Peggi Blu, and turned her into a pile of mush in his own hands. Regardless of Han’s chances this season, he should be considered for the position of next “Idol” host, should Ryan Seacrest ever abandon his post. Or hey, isn’t “The X Factor” looking for a new emcee ? Han — God bless Steven Tyler, who sang “Heejun” to the tune of “Hey Jude” when calling his name — made it through to the next round, along with groupmates Phillip Phillips (he apparently is going by “Phil” Phillips now, but we still prefer Phillip Phillips) and Neco Starr. Jairon Jackson initially made it through but then caught an ax to his jugular after the “Gotcha!” twist reared its ugly head. Sorry, man, no one said Las Vegas was going to be all fun and games. Richie Law, who tormented Han when they were groupmates in Hollywood, found a new victim to torture in Las Vegas in Jermaine Jones . The two baritones made for an unlikely duo, joining forces on “Breaking Up Is Hard to Do,” but they pulled it off — but only after Law once again showed his stubbornness, telling cameras, “I didn’t come here to recycle music; I came here to make it.” His determination paid off, but he needs to find a less aggressive way to celebrate; Jones accused him of both bruising his rotator cup and almost taking his neck off while manhandling him following their victory. The foursome to watch Thursday was the group composed of Reed Grimm , Elise Testone, Haley Johnson and Eben Franckewitz, who earned a standing ovation from the judges and were dubbed “unreal” by Steven Tyler for their version of “The Night Has a Thousand Eyes.” The performance came together in note-perfect fashion, as both Grimm — compared by some to an emerging Casey Abrams, though he reminds us more of actor Ethan Embry for some reason — and heartthrob-in-training Franckewitz made their presences felt. Other victims of the “Gotcha” twist included Gabi Carrubba, Candice Glover, Jairon Jackson, Gaga-alike Angie Ziederman and Schyler Dixon, whose brother, Colton, made it through to the next round. Singers who just plain got cut the first time around included Molly Hunt, Curtis Gray, Curtis Finch Jr., Mathenee Treco and Nick Boddington. While most contestants took their dismissals in stride, Jessica Phillips wins the Sour Grapes Award for most bitter rant of the night, telling cameras, “I’m an actual artist. It just doesn’t seem like they’re looking for real artists,” after the judges told her to pack her bags. She continued: “I didn’t come here to win a television show; I came here for a record deal. And, um, a lot of people are making it through that are not real artists, and they’re not going to sell any records, and I don’t have to worry about that because that’s not me.” Britnee Kellogg, the 27-year-old single mom from Vancouver, Washington, sang alongside Phillips and initially made it through, but was later cut thanks to the “Gotcha!” Only 24-year-old Courtney Williams of Philadelphia made it through from their original trio. Next week, the Idols will continue to fight for their lives as the field is narrowed from 42 to 24. What did you think of Thursday’s “Idol”? Let us know in the comments! Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions.

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‘American Idol’ Adds ‘Gotcha!’ Twist, More Heejun Han

Our History Makers: Bill Russell

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As accomplished as NBA legend Bill Russell was on the court, he was also a giant off the court. Why else would President Obama see fit to present Russell with a Presidential Medal of Freedom Award in 2010? On the hardwood, Bill Russell was the cornerstone of the Boston Celtics’ dynasty of the 1960s, winning an unprecedented 11 championships in his 13 seasons. A skilled shotblocker, Russell revolutionized NBA defensive concepts. A five-time NBA Most Valuable Player and a 12-time All-Star, Russell averaged 22.5 rebounds per game and led the league in rebounding four times. He had 51 boards in one game, 49 in two others and a dozen consecutive seasons of 1,000 or more rebounds. William Felton Russell was born on February 12, 1934, in Monroe, Louisiana. His family later moved to the San Francisco Bay Area, where Russell would go on to attend the University of San Francisco, where he blossomed. Russell would lead the University of San Francisco to 56 consecutive victories and NCAA Championships in 1955 and 1956. Russell was named the NCAA Tournament Most Outstanding Player in 1955. Boston Celtics Coach and General Manager Red Auerbach drafted Russell to the Celtics in 1956, but Russell didn’t join the Celtics until December because he was a member of the 1956 U.S. Olympic basketball team, which won a gold medal at the Melbourne Games in November. After another NBA Championship in 1965-66, Red Auerbach retired, and Russell took over as player-coach the following season, becoming the first African-American coach in the league. He led the Celtics to a 60-21 regular-season record, but Boston finally had their streak of championships snapped when they lost to a powerful Philadelphia 76ers team in the Eastern Division Finals. Having witnessed racism and all its ugliness firsthand as a child growing up in segregated Louisiana, Russell took public stands against discrimination throughout his career. Before the 1961–62 NBA season, Russell refused to play in an exhibition game in Lexington, Kentucky when he and his black teammates were refused service at a local restaurant. Russell also joined other prominent black athletes like Kareem Abdul-Jabbar in publicly supporting Muhammad Ali’s decision to refuse to be drafted. Until the ascent of Michael Jordan in the 1980s and ’90s, Russell was considered by many as the greatest player in the history of the NBA.

Our History Makers: Bill Russell

Way Black When Honors: Leon Huff On Making The “Soul Train” Theme Song

In a recent interview with TheUrbandaily about his new album Groovy Peopl e, legendary songwriter and producer Leon Huff shared how he and his partner Kenny Gamble came to create the “Soul Train” theme song: Exploring The Sound Of Philadelphia ..It was a dance show and he[Don Cornelius] was very excited about it. He had everything in place, the only thing missing was a theme song. When he came to us he called Gamble, they communicated and he flew into Philadelphia. He talked about the concept…we didn’t have any ideas but I said me and Gamble will come up with something quick. We always rise to the occasion when it comes to a song. Seven Memorable Soul Train Moments [But] we went into the studio the first night and nothing really clicked. So Don Cornelius got a little nervous and I said, “Don’t worry. We don’t force creativity. Let’s come back tomorrow.” It was on a Friday,  I’ll never forget it.  The next day Saturday me and Gamble went back into the studio with the musicians and we grooved all day with that “dun dun dunnununua.” He was very happy. Everything turned out great. The MFSB orchestra and Three Degrees put it out as “T.S.O.P (The Sound Of Philadelphia) and it went #1. Their album and the single were #1 at the same time. Plus his show was red hot. So it was win-win for everybody. Don Cornelius coming up with that Black concept show to expose Black R&B artists was right on time. While Gamble & Huff’s theme song is the most recognized, it was not the first or only theme  song “Soul Train” would have. Take a look at the list of Soul Train’s opening theme songs. Soul Train used various original and current music for theme songs during its run, including: 1971-1973: “SoulTrain (Hot Potato)” by King Curtis (Curtis Ousley) and later redone by the Rimshots as “Soul Train, Parts 1&2″. [The original 1962 version Curtis recorded 9 years before the show was named “Hot Potatoes (Piping Hot)”] 1973-1975: “ TSOP (The Sound of Philadelphia) “, composed by Gamble and Huff and recorded by Philadelphia soul studio group MFSB with vocals by the Three Degrees . Released as a single, this song became a pop and R&B radio hit in 1974 and the show’s best-known theme. 1975-1976: “Soul Train ’75″ by the Soul Train Gang , which was later released as a single for the newly formed Soul Train Records 1976-1978: “Soul Train ’76 (Get on Board)”, also by the Soul Train Gang 1978-1980: “Soul Train Theme ’79″, produced by the Hollywood Disco Jazz Band with vocals by the Waters 1980-1983: “Up on Soul Train”, first by the Waters and later by the Whispers , whose version appears in their 1980 album Imagination . 1983-1987: “ Soul Train’s a Comin’ ” by R&B artist O’Bryan [18] 1987-1989: “TSOP ’87″, a remake of the original “TSOP (The Sound of Philadelphia)”, composed and produced by George Duke 1989-1993: “TSOP ’89″, a remixed version of “TSOP ’87″, also by George Duke 1993-1999: “Soul Train ’93″ (Know You Like to Dance)” by the hip-hop group Naughty by Nature with a saxophone solo by Everette Harp 1999-2006: “TSOP 2000″, with rap vocals by hip hop artist Samson and music by Dr. Freeze , and again featuring an Everette Harp saxophone solo. However, a portion of “Know You Like to Dance” was still used in the show’s second-half opening segment during this period. RELATED POSTS: Don Cornelius’ Style Evolution Over The Years! [GALLERY] Top 8 Female Performances In “Soul Train” History [VIDEO] Celebrities React To Death Of Don Cornelius Five Ways “Soul Train” Changed America

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Way Black When Honors: Leon Huff On Making The “Soul Train” Theme Song

Wiz Khalifa Wants To ‘Motivate’ Pittsburgh’s Hip-Hop Up-And-Comers

‘With the music, it’s a whole new avenue we done opened up for kids and for people to look up to,’ Khalifa tells MTV News. By Rob Markman Wiz Khalifa Photo: MTV News Pittsburgh, Pennsylvania’s hip-hop roots run deep. Wu-Tang Clan ‘s RZA once called the Steel City home, and mid-1990s Death Row Records MC/producer Sam Sneed held the city down as did Dr. Dre’s production affiliate Mel-Man. Still, when Wiz Khalifa put the ‘Burgh on his back with his 2010 hometown ode “Black & Yellow,” the city had officially arrived as a hip-hop hot spot. “Everybody’s hardworking and it’s not like a big music scene out there, so when you got somethin’, you just go with it,” emerging Pittsburgh MC Chevy Woods said in a December interview. “Everybody sees the light that shines on [Khalifa] and Mac [Miller] and now it’s trickling down to everybody else.” After Wiz blew the doors off, Mac Miller came next. Though both rappers are signed to Rostrum Records, a local label, they came up separately. Khalifa has his Taylor Gang crew, while Miller has the Most Dope collective. “With the music, it’s a whole new avenue we done opened up for kids and for people to look up to,” Khalifa said of how he helped shine a spotlight on the ‘Burgh, paving the way for future MCs. “It’s a reality now out there, so it’s really important for us to just embrace ’em and motivate ’em and push ’em forward.” As a kid, Wiz moved around a bit but began to call the ‘Burgh home at an early age — particularly the rough-and-tumble Hazelwood section. “You really won’t get it if you’re not from there,” Wiz said of his hometown. “Just growing up in Pittsburgh and knowing different neighborhoods, having family there and just loving it, it’s like no other place.” As far as Pennsylvania goes, Philadelphia has churned out the most rap talent. From Schoolly D to Will Smith to Beanie Sigel’s State Property and now Maybach Music’s Meek Mill, Philly has had no shortage of rap representation. While they sit within the same state lines, Pittsburgh and Illadelph couldn’t be more different. “We always had love for Philly. It was harder for Philly to embrace us because we’re a little bit slower to them or to more East Coast towns,” Wiz said. “Philly is more East Coast than Pittsburgh. It’s closer to New Jersey and New York, so the vibe is way more fast-paced. Pittsburgh, it’s just laid-back … Midwest almost on some country stuff.” Stick with MTV News all week as Mac Miller takes us back to the ‘Burgh and spotlights the city’s vibrant hip-hop scene. Then tune in to “RapFix Live” on Wednesday at 4 p.m. on MTV.com for exclusive behind-the-scenes footage from Mac’s hometown shows. Related Videos Back To The ‘Burgh With Mac Miller And Wiz Khalifa Related Artists Wiz Khalifa

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Wiz Khalifa Wants To ‘Motivate’ Pittsburgh’s Hip-Hop Up-And-Comers

Tim Burton Had To ‘Find The Tone’ For ‘Dark Shadows’

Director talks to MTV News about time travel, 3-D and skipping his homework to watch the melodramatic vampire soap. By John Mitchell Johnny Depp and Michelle Pfeiffer in “Dark Shadows” Photo: Warner Bros. Director Tim Burton has kept such a tight lid on his forthcoming big-screen adaptation of the late-’60s soap opera “Dark Shadows” that last week we were forced to imagine things we’d want to see in a trailer for the film because one hasn’t even dropped yet. News on the film has been scarce — until now! Last week, MTV’s resident movie guru Josh Horowitz talked to Burton about his busy 2012 , and the director was forced to dish on his biggest project of the year. Burton told MTV News he was busy “editing and doing effects” for the film now. Though the film will not be “an effects-heavy picture, it’s still got stuff in there,” he said. At the BAFTA Britannia Awards late last year, MTV News talked to Burton’s partner Helena Bonham Carter , who appears frequently in his films, including “Alice in Wonderland,” “Sweeney Todd” and “Charlie and the Chocolate Factory,” and she told us that “Shadows” was a childhood obsession of Burton’s. “This was a thing that he raced home to see when he was about age 10,” she said. “So it was returning to his childhood roots of what he loved watching.” Burton echoed her comments, telling MTV, “People like Michelle [Pfeiffer] grew up watching it. Some of the cast knew about it, some didn’t, but they were all game for it — getting into the weird spirit of what ‘Dark Shadows’ was. There was a generation of us who would run home from school to watch it. That’s probably why we were such bad students. We should have been doing homework; we were watching ‘Dark Shadows’ instead.” “Shadows” bested “Spider-Man” to make the Elite Eight and is up against “The Dark Knight Rises” in round two of the MTV Movie Brawl 2012 — vote here! For the director, the most difficult thing in bringing “Shadows” to the big screen has been mastering the tone of the melodramatic soap. “It was hard to put into words the tone it was. It had a weird seriousness, but it was funny in a way that wasn’t really funny. We just had to feel our way through it to find the tone,” Burton said. “We didn’t do any real rehearsals, because the cast all came in at different times. But there was an old photo of the [original] cast which I always remembered, so a couple days before shooting, we got the whole cast together to take a similar shot so everyone could see each other and get that vibe from doing a group photo. That helped set the tone more than anything.” Burton didn’t reveal much about the vampire flick’s plot but did (somewhat) resolve a few lingering questions we’ve had about the film. Asked if the film’s story — like that of the show — would include time travel, the director admitted that, while audiences will get to see the Collins family in the late-1700s, most of the film is set “in 1972, which to the era of ‘Dark Shadows’ is the modern era.” Elaborating further on time travel, Burton added, “For me, that’s when the show kind of made me want to do homework. I was like, ‘Wait a minute!’ That came near the end of the trail of the series.” So it seems unlikely that the main story line resurrected for the early ’90s remake of the series, which had Victoria Winters traveling through time to Collinwood circa Barnabas’ (Johnny Depp) transformation into a vampire, will be incorporated here. Perhaps the trip back Burton refers to here is instead a flashback to show audiences how Angelique (Eva Green) used her evil magic to turn Barnabas into a creature of the night? Burton also confirmed that the film will not be released in 3-D, as his version of “Alice” was. “No. It’s the ’70s, man. Only ‘Frankenstein’s Bloody Terror’ was in 3-D,” the director tells MTV News. “That’s the only one I remember from that time.” Knowing that we won’t have to wear a pair of funny glasses to get the full effect of “Dark Shadows” makes us even more excited for the May 11 release! Are you excited that Burton and company are keeping the time-travel plot out of “Dark Shadows”? Sound off in the comments below and tweet me @JohnMitchell83 with your thoughts and suggestions for future columns! Check out everything we’ve got on “Dark Shadows.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com . Related Videos Talk Nerdy To Me

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Tim Burton Had To ‘Find The Tone’ For ‘Dark Shadows’

Nicki Minaj Producers Explain ‘Your Love’ Sample

Pop and Oak faced major sample issues with Pink Friday track, in Mixtape Daily. By Rob Markman Nicki Minaj Photo: Bill McCay/ WireImage Behind the Beats: Pop and Oak Fans might not know Pop and Oak by name, but they damn sure know their beats. Trey Songz’s “Unusual,” Big Sean and Kanye West’s “Marvin & Chardonnay” and, of course, Nicki Minaj ‘s 2010 single “Your Love” are just a few of the duo’s hits. Now they’re up for a Grammy thanks to their work on Nicki’s Pink Friday, which is nominated in the Best Rap Album category. Pop, a Philadelphia native, and his production partner Oak, who hails from Istanbul, Turkey, have been working as a duo since 2008, back when they first produced “Your Love” for a then-emerging Minaj. ” ‘Your Love’ was a song that didn’t make Beam Me Up Scotty, the mixtape,” Pop told Mixtape Daily. Nicki was super-critical of her performance on the song, but after it eventually leaked at the top of 2010, there was no stopping it — well, there was one little obstacle to clear. The original leaked version featured a sample of Annie Lennox’s 1995 version of “No More I Love You’s,” but after the U.K. singer wouldn’t clear the sample, Pop and Oak had to come up with an alternative. “They didn’t let us clear the sample, so the version that leaked wasn’t the version that got on the radio. We ended up re-creating it,” Oak said. The duo redid the sample a little too well, it seemed. Even after the switch-up, Lennox’s lawyers continued to reach out, thinking Nicki’s new version of “Your Love” still incorporated the sample. “They thought what they were hearing on the radio was still the master,” Oak said. “Annie Lennox thought she was hearing herself, which was fly as hell,” Pop added. For other artists featured in Mixtape Daily, check out Mixtape Daily Headlines . Related Artists Nicki Minaj

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Nicki Minaj Producers Explain ‘Your Love’ Sample

Fan Throws Banana At Black Hockey Player…Fined $200

We already knew there weren’t too many brothers in hockey, and the few that are have to deal with blatant racism as if we were still in 1960. In a pre-season game this year, Philadelphia Flyers forward Wayne Simmonds had a banana thrown at him by a Detroit Red Wings fan… Continue

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Fan Throws Banana At Black Hockey Player…Fined $200

SMH: Transgender “Doctor” Who Pumped People Up With Fix-A-Flat And Sealed Them Up With Super Glue Victim Count Now Over 20 Plus, Transgender Community Is Devastated

SMH at 30 people trusting this person to do these shady surgeries on them: She was known as “The Duchess,’’ someone who could perform cosmetic magic on a massage table using a syringe and silicone. For more than a decade, her name was whispered in South Florida’s transgender community, having performed perhaps hundreds of procedures that transformed men’s breasts into double Ds or dainty derrieres into curvy wonders.Authorities now say “The Duchess,’’ a transgender woman whose real name is Oneal Ron Morris, may have practiced her black market plastic surgery not just in South Florida, but across the country.Twenty to 30 people from as far away as Indiana have come forward, saying they were victims of Morris’ elusive scam, according to Miami Gardens police Detective Michael Dillon. So far, Morris and an accomplice, Corey Eubanks, face felony charges in connection with just two South Florida cases where women nearly died from her injections, which were actually a toxic brew of substances found in the tire repair product “Fix-a-Flat.” Morris “made me into a monster,’’ said Rajee Narinesingh, who received several procedures from “The Duchess” in 2005 and came forward after Morris’ recent arrest. Narinesingh, a transgender woman who lives in Hollywood, said Morris assured her she had performed hundreds of successful procedures, most of them using what she called “medical silicone.” Narinesingh was delighted after the first set of injections, which made her appear more feminine. She paid for additional injections into her face, breasts, buttocks and hips.Narinesingh, who was born a man but has always felt more like a woman, said friends who underwent similar procedures recommended The Duchess when Narinesingh wanted to feminize some of her features.“There was a sisterhood of trust. She was part of the transgender community herself,’’ Narinesingh explained of Morris, 31, who also had her own buttocks beefed up with injections.“There was a feeling that she won’t do anything bad, she knows what she is doing.’’ “The doctor pulled pieces of cement out of the side of my face,’’ said Narinesingh, a 5-foot-11, brown-haired woman, bullied since she was a child for being different from the other kids at her school in Philadelphia where she grew up.Narinesingh, a public speaker on transgender issues, said she felt compelled to go public with her story in hopes of helping others avoid what she went through.She said transgender people tend to use alternative treatments because they feel discriminated against or even abused by mainstream doctors. Once, when she was having heart pains, she panicked — not because she feared she was having a heart attack, but because she was going to have to go to a hospital.“When you live this life sometimes you feel very alone,’’ Narinesingh said. Several years ago, she said she was brutally beaten by a group of thugs in Miami who taunted her for being transgender. She never reported it to authorities because she was afraid police would victimize her again. Brown — who is not transgender — also heard about Morris through friends. Eubanks, 40, quoted her a price of $1,000, which she told him she could not afford.They settled on $700 for 12 injections, six to each side. Prior to Mother’s Day 2010, she went to Eubanks’ house in Miami Gardens to have the procedure done, according to court documents.She was asked to lay face down on a massage table. Morris told Brown to relax.“This is my profession, don’t worry,’’ she allegedly told the victims, according to the arrest affidavit.The victim saw a tube of Super Glue and a red soft pack lunch bag. Out of the top of the bag was a black hose. She also saw a syringe.Morris told her not to look, so she just laid down. The injections were so painful she asked Morris to stop before she received all of them, promising to pay the full price anyway. After each injection, the victim said she saw Morris take a piece of gauze and squeeze Super Glue on it. She then glued it to the injection site. Within hours, she became very sick. She ended up at a hospital in Tampa, where doctors eventually diagnosed her with multiple abscesses and a staph infection. She underwent several surgeries, including blood transfusions and was hospitalized for over a month. The doctors took samples that showed the substance injected into her backside mirrored the ingredients in a Pennzoil tire-repair product called “Fix-a-Flat.’’It took investigators over a year to piece the case together, in part because victims have been embarrassed to come forward. Thus far, Morris and Eubanks have been charged with two felony counts of practicing medicine without a license with serious injury. They have pleaded not guilty and are out on bond.More charges could be forthcoming, Dillon said. “There have been tons of phone calls from people from all over. Any of them that aren’t local we are sending to the state Department of Health. They are helping us coordinate with police departments,’’ Dillon said.It’s hard to say how many victims are out there, Dillon said. Many of the callers who say they were patients of Morris also say they have friends who were patients. Some people reported paying as much as $3,000, others as little as a couple of hundred dollars.Both Morris and Eubanks have long arrest sheets, listing charges in connection with forging checks, credit card scams and grand theft. Eubanks served six years in prison, according to court records.Narinesingh said she hopes that her story helps others. She admits she nearly made a big mistake in her quest to be more attractive and feminine. It’s a trap, she said, that’s not exclusive to the transgender community. Men and women — gay, straight or transgender — feel pressure to look younger, sexier or prettier.“I am a person of sense, I really am,” she said. “But the desire to match what you feel inside with what you look like outside makes you willing to take chances.’’ Peep pics of the shady face implants below: Source

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SMH: Transgender “Doctor” Who Pumped People Up With Fix-A-Flat And Sealed Them Up With Super Glue Victim Count Now Over 20 Plus, Transgender Community Is Devastated

Mumford & Sons’ New Songs Get ‘New Life’ On Tour

‘Ghosts’ is one song being road-tested for Sigh No More follow-up. By James Montgomery, with reporting by Matt Elias Mumford and Sons Photo: MTV News Mumford & Sons recently told MTV News that they’re “still recording” the follow-up to their breakthrough Sigh No More album, which, while certainly understandable (given their schedule), is also rather unbelievable — especially since they’ve been working on the new spate of songs almost as long as they’ve been on tour. “Most of them, we’re letting people hear as we’ve played live shows. We’ve kind of always just done that,” frontman Marcus Mumford explained. “We’ve kind of written a song and felt like we get it up to a point where it’s ready to play live, and then we go … and road test it, see how it goes. For us, we find that’s a really helpful way of writing, and performing the song ideas that we have live is a crucial part, for us, of the songwriting process.” And that’s especially true of “Ghosts,” a new song the band officially unveiled last month during a Philadelphia radio station appearance. Though they’ve been working it into their live sets, the tune only took on its current — and, apparently, finished — form after performing it to audiences and tinkering with it afterward. “It’s probably the newest one we’ve been playing live, actually; that one came together really on our Canadian tour about a month ago, the first time started playing it,” multi-instrumentalist Winston Marshall said. “We tried recording it before, but it then took on a new life when we played it on that tour. … [The songs] always change when we play them live; the dynamics change a lot. When you play it to a new room, you’re playing it to new ears, and you’re listening to the song through their ears. So it’s really great to feel the song out.” And though it’s a new addition to their set, Mumford already count “Ghosts” among their favorites — if only for the fact that it actually gives them a chance to catch their collective breath. “It’s fun to play … it’s a kind of respite for us to just stand back and play a slower song,” Mumford said with a laugh. “It’s nice: gives us a moment to take stock.” Have you heard Mumford & Sons’ new songs live? Share your thoughts below! Related Artists Mumford & Sons

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Mumford & Sons’ New Songs Get ‘New Life’ On Tour