Tag Archives: Saturday Night

The Today Show and The View

When I interned at Saturday Night Live during my college days, I never thought I would be back at 30 Rockefeller Center to be a guest on the world famous Today Show. Seeing such a highly produced piece of television this close gives you a greater appreciation for the hundreds of staff and technicians who make a production like this appear so effortless as we all watch from home. Saturday Night Live was one thing, but this happens every single day! The dedication of the staff on these shows is a wonder to see first hand. And the on screen talent couldn’t appear more relaxed during the whole lead up to the show. Clearly, years in front of the camera really prepare you for the challenges live television presents. The View has a bit of a different approach since they’re tape delayed, but I enjoyed meeting the ladies and crew just as much. It was especially helpful to have such a supportive audience during the interview. It was an enormous honor to meet the Today Show and View crews and I’m glad these were my first stops on the book tour. Song of the Day: “Ooh La La” by Goldfrapp

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The Today Show and The View

Kanye West’s ‘Power’ Is ‘A Loud Warning Shot,’ Experts Say

Kanye’s message is, ‘I’m here to smack you,’ RapRadar’s Elliott Wilson says. By MTV News Staff, with reporting by Akshay Bhansali Kanye West Photo: Amy Sussman/Getty Images Kanye West returned with a bang on Friday when his new track “Power” leaked online, making it the first offering from Ye’s highly-anticipated next album. The MC has been keeping a relatively low profile in recent months, following his interruption of Taylor Swift’s acceptance speech at last year’s MTV Video Music Awards and subsequent apologies. The Symbolyc One-produced “Power” finds West back in MC mode, firing away at his detractors and giving fans a preview of what’s to come on his next project, which he’s been recording in Hawaii with a slew of other artists and producers. “I’m living in the 21st Century, doing something mean to it,” West spits on the opening lines. “Do it better than anybody you ever seen do it/ Screams from the haters, got a nice ring to it/ I guess every superhero need his theme music.” MTV News spoke with a group of hip-hop pundits — both our own and from the wider rap journalism world — to get their takes on West’s latest number. “The song comes out, and it’s like everything stops,” Minya Oh of MissInfo.TV said. “It’s a really strong, aggressive beat that’s not street, but the drums are undeniable. But the lyrics really got me.” West delivers his trademark punchlines, but his rhymes are also imbued with a biting aggressiveness, particularly when he targets “Saturday Night Live.” “F— ‘SNL’ and the whole cast,” West rhymes. “Tell ’em Yeezy said they can kiss my whole ass. More specifically they can kiss my a–hole.” ” ‘SNL’ caught a bad one,” RapRadar.com’s Elliott Wilson said. “[The song is] real rap, like, ‘I want my spot back.’ [It’s like Kanye saying,] ‘Drake is cool; Wayne is my man; Jay, I bow to him, he’s a legend, he’s my father in this — but I’m here to smack you.’ It’s sport: ‘F— all of you, I’m the best.’ ” “Kanye is tired of being messed with,” MTV News’ Jayson Rodriguez said. “The same way we got tired of the Kanye rants or the Kanye antics, he’s pushing back: ‘You know what, I’m tired of you f—in’ with me.’ “It’s a really loud warning shot,” Rodriguez added. “Anybody who had the feeling, ‘Watch out for Kanye’s next album,’ this song confirmed: You were right.” The combination of an embattled West, rapping with the spirit of an underdog but delivering masterful arrangements is nothing new, according to MTV News’ Shaheem Reid. “To me, that kind of embodies his whole career,” Reid said of “Power.” “Because there’s always been people that doubted Kanye; there’s always been people, for one reason or another, that just don’t like the dude. But just like Kobe Bryant wins championships, Kanye West makes classic albums.” Everyone agreed that West now has the game’s attention. “Kanye did what he’s supposed to do,” MTV News’ Sean Lee said. “He said he was back, and artists at his level, when they come back big with records, it’s got to be an event.” What do you think of “Power”? How excited are you to hear Kanye West’s next album? Let us know in the comments! Related Photos What Has Kanye West Been Up To This Past Year? Related Artists Kanye West

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Kanye West’s ‘Power’ Is ‘A Loud Warning Shot,’ Experts Say

Kanye West Still Holds Grudge, Disses SNL—in Song!

Kanye West is not a fan of Saturday Night Live…or its Kanye-bashing skits. In his latest single, “Power,” the outspoken, grudge-holding rapper is sounding off over the SNL…

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Kanye West Still Holds Grudge, Disses SNL—in Song!

‘Shrek Forever After’ Tops Weekend Box Office

Despite its first-place finish, fourth ‘Shrek’ installment performed well below expectations. By Josh Wigler “Shrek Forever After” The Box-Office Top Five #1 “Shrek Forever After” ($71.3 million) #2 “Iron Man 2” ($26.6 million) #3 “Robin Hood” ($18.7 million) #4 “Letters to Juliet” ($9.1 million) #5 “Just Wright” ($4.2 million) After last weekend’s victorious battle against Ridley Scott’s medieval epic “Robin Hood,” Jon Favreau and Marvel Studios’ “Iron Man 2” finally succumbed to a different fantasy film: “Shrek Forever After,” DreamWorks Animation’s fourth installment in the long-running animated franchise. Despite a first-place finish worth $71.3 million, the box-office performance for “Shrek Forever After” was nowhere near as successful as many had initially expected. “Forever After” was unable to come close to the massive $121.6 million earned by “Shrek the Third” in its opening weekend in 2007, or even the $108 million debut for “Shrek 2” in 2004. Considering the “Shrek” franchise’s name recognition, all-star talent and increased prices for 3-D ticket sales, it’s rather surprising that the DreamWorks film couldn’t make a bigger push towards resolving its $165 million budget. Indeed, “Forever After” could wind up being “The Final Chapter” after all. Although “Shrek” certainly performed below expectations, it didn’t fall nearly as hard as Universal’s “MacGruber,” based on the “Saturday Night Live” sketch of the same name. Even with a solid cast including Will Forte, Kristen Wiig, Ryan Phillippe and Val Kilmer, “MacGruber” collected a mere $4.1 million this weekend for a sixth-place finish. Limited releases included “Kites,” the romance that made $1 million in just over 200 locations, and “Solitary Man,” which earned the weekend’s highest per-screen average at $22,250 per location. Upcoming Releases Moviegoers searching for an action-adventure epic should look no further than next week’s “Prince of Persia: The Sands of Time.” But Jake Gyllenhaal’s video game movie faces fierce competition in the form of “Sex and the City 2” starring Sarah Jessica Parker. Check out everything we’ve got on “Shrek Forever After” and “Iron Man 2.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com . Related Videos Gear Up For ‘Iron Man 2’ With These New Clips Related Photos Stars Come Out For The ‘Shrek Forever After’ Premiere ‘Iron Man 2’ “Robin Hood” ‘Letters To Juliet’

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‘Shrek Forever After’ Tops Weekend Box Office

Top 5 Worst SNL Movies

Every few years, a Saturday Night Live sketch earns the chance to become a feature film. While some of these movies have become pop culture classics, like Wayne's World, others have been lost in the ether. MacGruber is the latest SNL film, opening this weekend, but before that, we're counting down the Top 5 Worst SNL movies made to date. The Rotten Tomatoes Show is a movie review show that airs on Thursday nights at 10:30 e/p on Current TV. From reviews of the newest releases to commentary on cult favorites and movie trends, each episode of The Rotten Tomatoes Show is a fast-paced, comedic journey through the week in cinema. For more from the Rotten Tomatoes Show: http://rottentomatoesshow.com added by: Ellen_Fox

REVIEW: Kitsch Overload, Sparse Laughs Weigh Down MacGruber

Every era has its excesses, its mullets, its chunky removable car cassette players, its Quarterflash. But MacGruber, the feature-length comedy adapted from the strange, slender recurring Saturday Night Live skit, relies too heavily on the idea that the past — corny, irrelevant, suffering from chronic bad taste — is funny by itself. The drag is that when you’ve seen one Blaupunkt, you’ve seen them all.

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REVIEW: Kitsch Overload, Sparse Laughs Weigh Down MacGruber

‘MacGruber’: Saturday Night Jive, By Kurt Loder

Another ‘SNL’ skit pumped up to pass for a movie. By Kurt Loder Will Forte in “MacGruber” Photo: Universal Pictures One walks in to any movie based on a “Saturday Night Live” skit with basement-level expectations. Still, the new “MacGruber” manages to disappoint. The most interesting thing about the picture is that, with a little tweaking, it might actually have been turned into an enjoyable parody of an ’80s-style action flick: Bullets fly, stuff blows up, doorway-size heavies lend menace, and it’s all been rendered with a knowing fondness for the form by cinematographer Brandon Trost (who also shot “Crank: High Voltage”). But too early on, comedy begins cropping up, and it’s all sub-basement from there on out. “SNL” enthusiasts will know that the skits this picture seeks to inflate are riffs on the ’80s TV show “MacGyver,” the hero of which was a gun-shy secret agent capable of combining the unlikeliest oddments — a cufflink, a crayon and a cantaloupe, say — into useful tools in stressful situations. The skits mine laughs from the manic incompetence of their special agent, MacGruber (played both there and here by Will Forte), and from the explosions he inevitably fails to abort. The movie attempts to do the same, but after maybe 20 minutes of Forte’s frantic, one-note mugging, it’s left with nowhere else to go — and there’s still more than an hour of this thing to sit through. The story has MacGruber — long thought dead — being tracked down to the remote monastery where he’s holed up by his former commander, Colonel Faith (Powers Boothe). The colonel has a new assignment: stopping MacGruber’s old adversary, Dieter Von Cunthe (Val Kilmer), from wreaking havoc with a nuclear warhead he’s stolen. Since Von Cunthe is the man who blew up MacGruber’s wife 10 years earlier, the legendary agent agrees to take a shot. To this end, he assembles an A-Team of special-ops brutes (all played by professional wrestlers), who are suddenly disbanded when the van into which he’s packed them (what else?) blows up. Desperate for replacements, MacGruber recruits an old colleague, Vicki St. Elmo (Kristen Wiig), and a whippersnapper Army lieutenant called Piper (Ryan Phillippe). Wiig remains a master of the throwaway line-reading, but some of the lines she’s handed here might have just as effectively been thrown away before they reached her; and Phillippe, for his part, is employed as a wooden straight man whose only function is to endure (along with us) Forte’s endless stretchy-faced verbal conniptions. Bad taste is supposed to be a badge of honor in a movie like this, but really, is there anyone left to offend with it? The non-stop barrage of F-words and whatnot unleashed in this film lost any ability to shock long ago; and while the name Cunthe was no doubt good for a giggle around the writer’s table, in its 50th repetition here it tests the limits of tedium. There’s also more poop humor than one might have thought strictly necessary. In fact, the movie has something of an anal fixation: One of MacGruber’s diversionary tactics is to stick a stalk of celery between his thighs so that it protrudes between his bare buttocks; and he’s curiously prone to offer up his nether region for rough use by men from whom he seeks favors. The picture also suffers from a lack of comic precision. At one point, we see Von Cunthe painting a picture using a topless fat old woman as a model. This has the shape of a gag — but what is it? Von Cunthe’s art hobby comes out of nowhere and immediately returns there, and we’re left with nothing in the way of amusement beyond an old woman’s humiliation. Presumably, this seemed funny during the scripting sessions, too. “MacGruber” demonstrates once again the inadvisability of attempting to stretch a one-minute TV sketch into a 90-minute movie — especially when the lead character is nothing more than an assemblage of over-amped and decreasingly funny wisecracks. “SNL” has been pounding the MacGruber character for more than three years now; could anyone really have thought there was a drop of humor left to be wrung from it? Or an audience parched enough for laughs to want more? Don’t miss Kurt Loder’s review of “Solitary Man,” also new in theaters this week. Check out everything we’ve got on “MacGruber.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com .

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‘MacGruber’: Saturday Night Jive, By Kurt Loder

Diddy Open to Being ‘American Idol’ Judge — For The Right Price

‘Just change the name on the check, and I’ll be there,’ Diddy says of Simon Cowell’s impressive salary. By Mawuse Ziegbe, with reporting by Josh Horowitz Diddy Photo: MTV News From label boss to fashion designer to reality-TV star, Diddy has one of the most extensive r

How Does ‘MacGruber’ Compare To Past ‘Saturday Night Live’ Films?

‘We weren’t worried about the ‘SNL’ aspect of the movie,’ Will Forte tells MTV News. By Eric Ditzian, with reporting by Josh Horowitz Photo: MTV News Let’s play Rank the “Saturday Night Live” Movies! We’ll go first. “The Blues Brothers” did it first and, arguably, best. “Wayne’s World” has got to be up there, and for some strange reason, we have a soft spot for “Coneheads.” At the other end of our highly subjective spectrum, we’ve got “It’s Pat,” “The Ladies Man” and “Blues Brothers 2000” duking it out for last place. Where might Will Forte’s “MacGruber” fall? The early buzz on this adaptation of a sketch about a wildly incompetent action hero is largely positive. Forte himself isn’t bothered by the comparisons to “SNL” flicks past. If you ask him, the varying reception of those films is about on par with the way decades’ worth of movies have been embraced — or rejected — by the public. “The ‘SNL’ track record is about the same as the movies-in-general track record,” he told MTV News. “There are a lot of crappy movies out there and a lot of great movies. Sure, there has been some ‘SNL’-based movies that have sucked; there have been some great ones.” And the great ones, as anyone who plays Rank the “Saturday Night Live” Movies can attest, are certainly in dispute. No one will argue against the enduring appeal of the first “Blues Brothers” or “Wayne’s World” films, but it gets trickier from there on out. Just ask “MacGruber” director Jorma Taccone. “It’s funny, because I feel like there tends to be a lot of bad stuff talked about ‘SNL’ films online, and some of those films I think have a lot of funny parts to them. I’m actually a fan of ‘Ladies Man,’ and I’m a fan of ‘Night at the Roxbury.’ Those are funny movies to me. This movie is not at all those movies. It’s entirely different than people are thinking it’s going to be.” For one, half of what flies across the big screen in a series of curses and explosions would never make it onto network TV. And, more importantly, MacGruber doesn’t blow himself up one minute into the story (as happens in all his “SNL” sketches ). The bottom line is that everyone involved had their eyes less on fidelity to sketch comedy and more on making a killer movie. “We weren’t worried about the ‘SNL’ aspect of the movie,” Forte said. “We just tried to make the best movie we could.” Added Taccone: “We just wanted to take this character who we loved, who’s a tremendously flawed individual, who’s somehow loveable, and stick him in an ’80s action movie.” Check out everything we’ve got on “MacGruber.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com . Related Videos MTV Rough Cut: ‘MacGruber’

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How Does ‘MacGruber’ Compare To Past ‘Saturday Night Live’ Films?

Who Wants Some Full-Frontal MacGruber?

As a Saturday Night Live property, MacGruber has always been at the bleeding of edge of synergy, brand integration, and maximal Pepsi ocularity, and on its way to the big screen, it should surprise no one that once again the marketing rules are being rewritten. Thus, we present for you star Will Forte’s full frontal photoshoot to promote the film. Underneath the jump, you’ll see something NSFW that you can’t unsee, and you won’t have the Photoshopped head-veil of MacGruber producer Lorne Michaels to protect you. Are you ready?

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Who Wants Some Full-Frontal MacGruber?