The Best Looking Women In All Black It’s Black Friday ! Usually that means we should spend time shopping. But we have a different idea: let’s just enjoy women looking fine as hell in all black. That’s how we choose to enjoy the festivities.
Former Formula One test driver Maria de Villota was discovered dead in a hotel room in Seville, Spain, earlier today. She was just 33 years old. Maria De Villota Dead at 33 Her death comes a year after nearly dying in an awful racing accident. An autopsy showed that lingering injuries from her wreck likely caused her death. De Villota’s sister, Isabel, said an autopsy indicated that she had died in her sleep around 6 a.m. due to “neurological damage” from her crash in July 2012. De Villota lost an eye in the accident but had since seemingly recovered from the wreck, even driving again, writing a book about it, and getting married. Spanish police said her death was from “natural causes” and that there was no indication of foul play. They said de Villota’s manager alerted staff at the hotel. De Villota was injured in a crash during testing for the Marussia F1 team in England, losing her right eye and sustaining other serious head injuries. De Villota, a Madrid native, was the daughter of Emilio de Villota, who competed in F1 from 1976-82. Her family used de Villota’s Facebook page to say: “Dear friends: Maria has left us. She had to go to heaven like all angels. I give thanks to God for the year and a half that he left her with us.” F1 officials and drivers at the Japanese Grand Prix were stunned by her death. “My deepest condolences go to the family,” said FIA president Jean Todt. “Maria was a fantastic driver, a leading light for women in motorsport and a tireless campaigner for road safety. Above all she was a friend I deeply admired.” “She was an inspiration not just to women in this sport, but also to all those who suffered life-threatening injuries. If anybody represented strength and optimism, it was Maria.” “Her sudden death is a big loss to the motorsport world.”
Clara Alonso is some Spanish model in her 20s who has walked the Victoria’s Secret Fashion show, something Victoria’s Secret would like you to think means she fucking matters more than walking any other fashion show, because this commercial billion dollar brand who recruit the best looking bitches, are the end all and be all of modelling, at least according to them….and all the other assholes, like me, who get sucked into their marketing lie… I don’t know what company she’s posing in lingerie for right here, but I do know she’s lovely as fuck and despite being Spanish and likely borderline totally fucking insane, the kind of bitch who cuts your dick off in your sleep cuz she thinks she smells pussy on you, like all Spanish girls, I’d be willing to fuck with that, because who really needs a dick after sticking it in something this glorious….right? Physically, she’s up there with I’d fuck her if she was HIV Positive, because I like commitment when it looks like this…if you know what I mean.
Sid Bernstein, a legendary music promoter who booked such top acts as Jimi Hendrix, Judy Garland, The Beatles and the Rolling Stones, has died. He was 95 years old. Bernstein’s daughter, Casey Deutsch, said he died in his sleep at NYC’s Lenox Hill Hospital. She cited no specific illness, and said he passed away of natural causes on Wednesday. Bernstein hit the highest of heights when he masterminded the Beatles’ historic concerts at Shea Stadium and Carnegie Hall, during their prime. For decades on end, the squat, floppy-haired Bernstein excelled like few others at the lost arts of being everywhere and knowing everybody. He worked with Garland, Duke Ellington and Ray Charles, promoted Dion, Bobby Darin and Chubby Checker, and managed Esy Morales, the Rascals and Ornette Coleman. He was an early backer of ABBA, and was behind one of the first rock benefit shows, the 1970 “Winter Festival for Peace” at Madison Square Garden. That show featured Hendrix and Peter, Paul and Mary. Also noteworthy was the fact that Sid Bernstein helped revive Tony Bennett’s career with a 1962 show at Carnegie Hall, cementing both of their legends. R.I.P.
She’s in a better place now. Lisa Robin Kelly Dead At 43 According to TMZ Lisa Robin Kelly — who played Eric Forman’s older sister on “That ’70s Show” — has died … TMZ has learned. The 43-year-old actress passed away in her sleep Wednesday night at a rehab facility in California. We spoke with Kelly’s agent who tells us the actress had just voluntarily checked herself in for treatment for an alcohol problem this past week … and was determined to clean herself up. The agent tells us, “She had been fighting demons for a while and finally lost her battle.” Sources tell us Lisa had been in and out of rehab centers hoping to kick her alcohol problem … and most recently fell off the wagon after a huge dispute with her estranged husband Robert Gilliam. Sources say … Kelly’s estranged husband beat her last May to obtain residual money from her show. He was convicted of domestic battery last month and sentenced to 3 years probation. He also served 35 days in jail for the beating. Lisa filed for divorce from Gilliam back in July. We’re told Lisa’s new boyfriend brought her to rehab again on Monday … but she went into cardiac arrest late Wednesday night and could not be saved. The boyfriend blames her estranged husband for the relapse. Sources connected with the attempted rescue tell TMZ … when emergency responders arrived at the rehab facility, they found needle marks on both of Lisa’s arms. However, her BF tells us the reason for the needle marks is that he took Lisa to a hospital on Sunday — because she had a .34 blood alcohol level … and nurses made multiple attempts to insert a needle into her vein to extract blood. After several attempts, medical personnel were able to use a vein on the top of Lisa’s wrist. Kelly had been troubled for the past couple of years — she was arrested at least 4 times in the past 3 years for DUI, spousal abuse and assault. Besides “That ’70s Show,” Kelly had appeared in several TV shows and movies including “Amityville Dollhouse.” Prayers go out to her family. Getty
Nicki Mina j denies fawking for tracks…. Nicki Minaj Says She Didn’t Sleep Her Way To The Top Nicki sure has come a helluva long way. Although the bloated butt rapstress credits a lot of her success to Lil Wayne signing her to Young Money Records, she admitted in a interview with that she’s happy to say she NEVER had to sleep her way to the top. Via MTV News : “When I started being around Young Money, Wayne thought I was shy, but it wasn’t that I was shy, I just didn’t want anybody to think I was easy. No matter what my lyrics were saying, when I got around these guys, I was a prude, because I didn’t want anyone in this game to ever be able to say ‘I had s*x with her’ or ‘when she needed a deal, she had to…’ No. “And ‘til this day, not one single man in this industry can say that and I pride myself on that. That’s the only bit of advice I would give the up-and-coming female rappers. You could be as sexy as you want, but just maintain your dignity around these guys.” Is she sure about that? Hit the flip to peep the entire interview next!
Sooooo, you’re NOT trying to get the pipe ? Jenny McCarthy Says She’d Rather Pleasure Herself Then Sleep With Her Husband Via NYPost Sure, Jenny McCarthy has talk show duties and a son to raise, but the always outspoken Playboy model was happy to spill to Page Six how she, ahem, also takes time for herself. After “Real Housewives of Miami” star Joanna Krupa shared to us how she has a “sex clause” of two to three times a week with her fiancé, Romain Zago, McCarthy quipped, “Personally I can’t do it.” However, the currently single star added, “As a female who can take care of herself, I’ll make sure I’m taken care of two to three times a week, by myself.” Damn! Jenny isn’t that old to not want her husband to be beating her narrow blonde backs down. How embarrassing for the guys she’s been dating. Image via tumblr
Dan Toler, a guitarist best known for his run with the Allman Brothers Band in the 1970s and 1980s, has passed away. He was 65 years old. The musician died Monday due to complications from amyotrophic lateral sclerosis, better known as ALS or Lou Gehrig’s disease. He had been suffering from the illness for two years. Toler joined the famous group in 1979 and played with it on three albums. By the end of his life, however, the artist was unable to speak or play his beloved instrument. “It is with great regret and sadness that our dear friend and loved one, Dan Toler, passed away peacefully in his sleep last night,” read a post on his Facebook yesterday. “Future service to be announced. Please keep Debbie and the family in your prayers. We would also ask at this time that you would respect the family’s privacy. The Toler family thanks you for all your love and support.”
Pacific Rim looks awesome and all, but let’s talk about science for a second. Specifically, let’s talk about the science, or lack thereof, behind completely awesome giant robots. Guillermo Del Toro ‘s upcoming sci-fi action pic is probably going to be as awesome as the trailers make it look, unless you’re the kind of person who hates the sight of huge mecha fighting against equally huge monsters, in which case please show yourself out. How could you not love enormous robots punching out enormous monsters who lay waste to entire cities? Giant robots represents 90 percent of what we want the future to be like (the other 10 percent: flying cars, and a male birth control pill.) They’re extremely cool looking, they transform, and for sheer shock factor they’re impossible to beat. We want them so badly, but could we have them in real life? Unfortunately, hell no. Not because of budgetary constraints, frustratingly missing confirmation of alien life, or the lack of a decent fuel source. There’s a bigger problem facing these robots than any alien invasion: Physics. Yes, the terrible dictator that ruins everything from warp drive to immortality also has a bone to pick with Del Toro’s supersized combatants. And unfortunately, as inherently awesome as it sounds, having giant robots brawling with giant monsters in regular ol’ planet earth gravity runs right up against the twin problems of weight distribution and the nefarious square cube law . The square cube law is a paradoxical-sounding mathematical concept, first identified by Galileo, which states that when a given object increases proportionally in size the new surface area is proportional to the square of the multiplier, but the new volume is proportional to the multiplier’s cube. Or restated for those of us whose eyes begin to bleed when the subject of math comes up: When something increases in size, its volume increases faster than its area. If you double the size of an object for instance, surface area increases by four times, but the volume of that object, which is (duh) all the space inside it, increases eightfold. This law has implications for numerous scientific disciplines, including construction and biology. To get an idea of how it works, let’s say you take an average human woman, someone approximately 5 feet, 5 inches tall. Increase her size to 11 feet. You now have a woman whose heart is four times bigger, forced to pump a presumably proportional increase in blood through 8 times the amount of circulatory system her smaller incarnation had. That’s a tremendous amount of stress and likely to kill anyone who grows beyond a certain height*. Of course, animals which have evolved to be big, rather than having had a gene preventing abnormal growth turned off, have developed the respiratory and circulatory systems necessary to handle their needs. But before you break out the snacks for your ‘Yay, monsters for everyone!’ party, bear in mind that all that volume comes with a ton of additional weight. Mice, for example, don’t look like miniature elephants for the very excellent reason that an elephant’s bones have to be much bigger in proportion to its body size than a mouse’s skeleton does, in order to support all that weight. In fact, if you zapped a mouse with magic to increase it to the size of an elephant, its bones would probably be crushed under the weight of its soft tissue within seconds. EEK! And even though the elephant’s bones can support it, it still has to deal with the fact that it’s far easier to break something heavy than something light, which is why a mouse could jump off a waist-high kitchen table with no ill-effect, but an elephant can break a leg simply tripping over something. Complicating things further, all that weight needs musculature capable of dealing with it, and that’s another way the square cube law totally screws over giant animals. It takes considerably more muscles to manipulate the animal’s limbs and moving parts, but those muscles have to deal with a hell of a lot more weight. This means larger animals tend to be slower and less agile than smaller animals and beyond a certain point there’s no amount of naturally evolved biomechanical components that can do the job. In fact, this is why earth’s largest animals are water-dwelling, where buoyancy mitigates a lot of the stressors caused by huge mass and weight. Forget deftly sweeping cars off a bridge with the swipe of a taloned hand; a giant monster like the beasts in Pacific Rim might find it difficult to even stand up. * Read Orson Scott Card’s Shadow series for an excellent depiction of the problem. But ignore his reactionary politics which become insufferable as the series goes on. NEXT: The square cube law and giant freaking robots
Les Misérables director Tom Hooper may have been bypassed with a nomination Wednesday by the British Film Academy for Best Director (though the film itself received nine nominations), but at the Palm Springs International Film Festival this week, he received the event’s Sonny Bono Visionary Award at a celeb-filled event that included Naomi Watts, Bradley Cooper, Helen Mirren, Sally Field and Ben Affleck. At the festival, Hooper talked about the creation of Les Misérables , why the story made him cry and the “dark box” Anne Hathaway traveled to as she took on the role of Fantine. [ Related: Tom Hooper Defends His ‘Les Misérables ‘ Close-Ups & Reveals Who’s The Bigger Musical Geek: Jackman or Hathaway ] Les Misérables became the quickest musical to top out over $100 million last weekend and it has factored heavily on the Awards Circuit this year. The Victor Hugo novel had been on Hooper’s mind even before The King’s Speech won Best Film and Best Director two years ago, saying he hoped the emotional impact he experienced with audiences on that film would translate in his next feature. “I was overwhelmed with how much emotion The King’s Speech was greeted with when I traveled with it around the world and I wanted to find material that would keep that emotion going and even take it further and Les Misérables is famous for creating that feel,” said Hooper. “And I thought it would be possible to make it a more intense emotional experience for the audience.” Hooper, who spoke with Deadlin.com’s Pete Hammond following a screening of the film at the Palm Springs International Film Festival, showed his lighter side before a full audience, saying that he had wept after first seeing Les Misérables after seeing the lead character, Jean Valjean (played in the on-screen version by Hugh Jackman) die. “I was weeping and I thought about why I was weeping,” said Hooper. “And it was because I thought about the day my own father will die. And then I thought about something my own father said to me, which was that he said as he gets older he wants to master ‘the art of dying well.’ Continuing he added, “I really thought about that and thought about that last act of grace. This film really does look death square in the face. For Jean Val Jean, it’s all about love…And he dies having done the ultimate obligation of finding love for her and in that moment we feel he has transcended death and that’s the ultimate message of the movie.” Hooper said he auditioned every actor in the film from “Hugh Jackman, Russell Crowe on down” because he was committed to doing Les Misérables live. He praised Jackman’s ability to “communicate through song,” which Hooper said was magical. “The Hugh Jackman audition took place last May in New York and it was an extraordinary three hours,” said Hooper. “When Hugh sings, he’s so comfortable communicating through song that you don’t want to hear him speak. Hearing him sing was the best place to be… The other thing I noticed was that Hugh had an emotional side to himself that I had never seen before.” Hooper said he wanted Les Misérables sung live to allow his actors leeway to own their characters and their emotions, adding that the decision was important in portraying the feature’s characters. “Great acting is about being in control of the medium at the time. Because great acting is about you being the author or creator of the dialog or songs you were given to play and to sell that illusion you’re inventing and the joy of doing it live allows you create the moment of invention.” Hooper noted Anne Hathaway’s lauded performance in the seminal number, “I Dreamed A Dream” as an example of how the live performance gave Hathaway, in this case, flexibility. “In ‘I Dreamed A Dream,’ Annie sings and then there’s a long pause, and then says, ‘But it all went wrong.’ In that pause, she’s communicating everything that happened to her: How she’s been raped, how she had her hair cut and everything that’s gone wrong with her life. In musical terms that should have been a moment, but Annie takes ten seconds and earns that moment.” Hooper noted that Hathaway told him after performing the song that she had mentally traveled to a dark space, saying the actress said, “Tom I opened the lid of a box I lived inside and closed that lid and I hope I never go inside that box again.” [ Tom Hooper and actor Eddie Redmayne at the Palm Springs International Film Festival. Photo by Brian Brooks ]