Tag Archives: songs

Britney Spears ‘Very Hands-On’ For Femme Fatale, Rodney Jerkins Says

‘She had a lot of ideas for me,’ producer says of pop star’s new album. By Jocelyn Vena, with reporting by Kara Warner Britney Spears’ Femme Fatale Photo: Jive Britney Spears is a month away from the release of Femme Fatale, and nearly every day, she’s teasing fans with samples of some of the songs on the album, including the latest, her song with will.i.am, “The Big Fat Bass.” Now, longtime collaborator Rodney Jerkins is opening up about hitting the studio with Spears. “Britney’s always great to work with. I’ve worked with Britney for 12, 13 years now,” he told MTV News. “It’s always great to work with someone when you work with someone time and time again; it’s always great, and it always gets better. And just to see her evolve as an artist, it’s an amazing, amazing thing.” Jerkins worked with Spears in the past on “Overprotected (Darkchild Remix)” and “I Love Rock ‘n’ Roll” in the early 2000s, as well as her leaked version of Lady Gaga’s “Telephone,” when she was recording Circus. This time around, he said Spears knows exactly what she wants musically on the album. “She was very hands-on. She had a lot of ideas for me,” he said. “She’s great. She gets it. She is a top-notch veteran pro at this now.” She might be getting some help from Jerkins, but Dr. Luke and Max Martin are executive-producing the album, and Jerkins had nothing but the best to say about the production team. “I never spoke to them, [but] those guys are just great, and the stuff that they’ve been doing is just really, really great stuff,” he said. “I’m sure with their hands on it, it’s great.” Spears herself has described the album as “moody, edgy pop with A LOT of energy,” hinting that many of the songs will be uptempo, and Jerkins noted that the songs he’s been writing for her have certainly fit that label. “I know the songs that I do are uptempo,” he said. “The stuff I’ve done, I think, will kind of shock people. I got a chance to go out my box a little bit too. She’s great. Britney’s just awesome.” What are you expecting from Britney’s new music? Let us know in the comments! Related Videos MTV First: Britney Spears’ ‘Hold It Against Me’ Premiere Related Photos The Sexiest Moment From Every Britney Spears Video Britney Spears’ ‘Hold It Against Me’ Pop-Culture References Related Artists Britney Spears

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Britney Spears ‘Very Hands-On’ For Femme Fatale, Rodney Jerkins Says

Kirk Douglas Steals The Show Presenting Best Supporting Actress Oscar

‘She’s gorgeous! Wow! Where were you when I was making pictures?’ movie icon says to Oscars host Anne Hathaway. By Jocelyn Vena Kirk Douglas onstage at the 2011 Oscars Photo: Michael Caulfield/ Getty Images Hollywood veteran and icon Kirk Douglas stole the show early on in the 2011 Academy Awards broadcast. Aided by a walking cane, Douglas took the stage at the Kodak Theatre to present the award for Best Supporting Actress. By the time he handed the Oscar to Melissa Leo, Douglas had flirted with Oscars host Anne Hathaway and managed to have the room in stitches by poking fun at Hugh Jackman and Colin Firth.

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Kirk Douglas Steals The Show Presenting Best Supporting Actress Oscar

Gwyneth Paltrow, Florence Welch, Mandy Moore Sing Oscars Score

Randy Newman nabs Best Original Song for ‘We Belong Together’ from ‘Toy Story 3.’ By Aly Semigran Gwyneth Paltrow performs at the 2011 Oscars on Sunday Photo: Kevin Winter/ Getty Images Sunday night (February 27) marked the 83rd annual Academy Awards, but there were some moments when the ceremony was more reminiscent of a Grammy stage. Gwyneth Paltrow, who has gone from Oscar-winning actress to singing awards-show mainstay — having performed “Forget You” alongside Cee Lo Green and puppets at the Grammys — was one of the featured performers in the Best Original Song category. Paltrow, who joked to MTV News on the red carpet that she’d calmed her pre-Oscar nerves with a beer, called the ceremony “so, like, freaking serious” as compared to her previous stints on both the Grammys and the Country Music Awards. After being introduced by Jennifer Hudson, a calmer Paltrow (who Hudson described as “a singing sensation and country music’s new star”) donning a sleek, off-the-shoulder nude and bejeweled gown, sang some of “Coming Home” for the Kodak Theater and millions of Oscar viewers around the globe. With a starry stage set-up behind her, Paltrow crooned the chorus, “After all of my running/ I’m finally coming home/ The world tried to break me/ I found a road to take me home.” But Paltrow wasn’t the only familiar face to appear as a performer during the ceremony. Fellow singer/actress Mandy Moore, wearing a flowing blue gown, sang the nominated “I See the Light” from her hit animated film “Tangled” alongside her co-star Zachary Levi, with Alan Menken accompanying them on piano. Later in the telecast, Florence Welch, frontwoman for 2010 breakout act Florence and the Machine, helped Oscar winner A.R. Rahman perform “If I Rise” from “127 Hours” while images from the Best Picture nominee appeared in the background. Welch, who wore a striking burnt-sienna gown, showcased her beautiful, moody voice as she stepped in for Dido (who co-wrote the song, as well as sang on the film’s original track). However, those were the only moments those songs and their performers had any Oscar glory on Sunday, as perennial nominee Randy Newman walked away the winner in the Best Original Song category. Newman, who had performed “We Belong Together” from “Toy Story 3” at the piano on the Oscar stage, won his second career Academy Award, besting the songs from “Country Strong,” “Tangled” and “127 Hours.” Stick with MTV News on Oscar night and beyond for red-carpet fashion coverage, analysis of the winners, plus interviews, photos and more from your favorite Hollywood stars! Related Videos Highlights From The 2011 Oscars Related Photos The 2011 Academy Awards Related Artists Florence + the Machine Mandy Moore

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Gwyneth Paltrow, Florence Welch, Mandy Moore Sing Oscars Score

Lenny Kravitz Hints At Collaboration With Drake, Swizz Beatz

‘It’s great to meet people that I want to collaborate with at this point,’ the rocker tells MTV News. By Alvin Blanco, with reporting by Rahman Dukes Swizz Beatz, Drake and Lenny Kravitz Photo: Twitpic / @candytman Rocker Lenny Kravitz keeps his hip-hop collaborations few and far between. But when a photo of Kravitz, Drake and Swizz Beatz together in a studio hit the Internet, speculation was set off that the trio was cooking up a hi-wattage musical union. MTV News caught up with Kravitz prior to his performance before tip-off at the NBA All-Star Game and asked what exactly was in the works. “That’s some secret business, man,” Kravitz told MTV News slyly. “Who knows what was going on that night?!” Nevertheless, Kravitz revealed some more details when asked for his thoughts on Toronto rapper Drake. “I think he’s a very talented individual,” Kravitz said of the child-actor-turned-rapper. “His new music is even more incredible. We got together and played around so there might be a little something happening, yeah …” When asked about producer Swizz Beatz, Kravitz gave up even more intel. “He is an amazing person,” Kravitz said of Swizz. “I got to know him through Alicia [Keys, who is Beatz’s wife]. And we’ve become very good friends. He’s a gentleman. He’s a very intelligent person and I enjoy his company. When things happen organically, it’s nice. I’m not one that normally collaborates. I play all the instruments, I produce my records. And it’s great to meet people that I want to collaborate with at this point.” Some of Kravitz’s limited collabos with the hip-hop world include 2002’s “Show Me Your Soul” with Diddy, Loon and Pharrell from the Bad Boys 2 soundtrack and “Storm,” featuring Jay-Z from his Baptism album. Kravitz also played guitar on the song “Guns & Roses” from Jay-Z’s The Blueprint 2: The Gift & The Curse album. Last year, Kravitz revealed that Teena Marie took him in when he was a teenager and credited the late soul singer with saving his life. What do you think about Kravitz collaborating with Drake and Swizz Beatz? Let us know in the comments. Related Artists Lenny Kravitz Drake Swizz Beatz

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Lenny Kravitz Hints At Collaboration With Drake, Swizz Beatz

‘Glee’ Original Songs Slated For March Episode Hit The Net

Ryan Seacrest previewed soon-to-be ‘Gleek anthem’ ‘Loser Like Me’ and ‘Get It Right’ on his radio show. By Aly Semigran The cast of “Glee” Photo: FOX During the February 15 episode of “Glee” (titled ” Silly Love Songs “), Lea Michele’s character, Rachel, not-so-subtly foreshadowed the arrival of original songs on the show. But while new tunes “Loser Like Me” and “Get It Right” won’t appear on the hit series until March 15, Gleeks got a first listen on Friday morning (February 25). The two new original “Glee” tracks debuted on “On Air With Ryan Seacrest.” Ryan also tweeted out the information, posting on his page, “Attn Gleeks! Here’s the world premiere of #Glee’s first ever original songs ‘Loser Like Me’ & ‘Get It Right’: http://bit.ly/i5pNJv.” “Loser” features all of the New Directions members, led by Michele and Cory Monteith. The peppy pop ditty features lyrics keeping in tune with the themes of the show. After the opening guitar riffs, Michele croons, “Yeah, you may think that I’m a zero/ But hey, everyone you wanna be/ Probably started off like me/ You may say that I’m a freak show/ But hey, give it just a little time/ I bet you’re gonna change your mind.” Monteith later comes in with similar “we’ll show you” lyrics: “Pushed me up against the locker/ But hey, all I do is shake it off/ I’ll get you back when I’m your boss.” The rest of their castmates join them for the chorus, singing, “You wanna be/ You wanna be/ A loser like me.” Earlier this week, “Glee” music producer Adam Anders — the pair penned the numbers along with pop music powerhouse Max Martin — described “Loser” to Entertainment Weekly as a “Gleek anthem. It’s a very uptempo, kind-of-summery hit.” The Michele solo “Get It Right” was inspired by “Lea’s story line,” Anders told EW. In its opening moments, the Michele ballad sounds reminiscent of the Britney Spears hit “Everytime” thanks to its fluttering piano and breathy vocals, but comes into its own as it builds. The Golden Globe-nominated star cries in the chorus, “What can you do/ When your good isn’t good enough/ And all that you touch tumbles down/ ‘Cause my best intentions keep making a mess of things/ I just want to fix it somehow/ But how many times will it take for me to get it right?” Both “Loser Like Me” and “Get It Right” will appear on the album “Glee: The Music, Volume 5,” which will also feature season-two covers like Michele’s take on Katy Perry’s “Firework” and guest star Gwyneth Paltrow’s rendition of Fleetwood Mac’s “Landslide.” The fifth installment is due on March 8. What do you think of the “Glee” originals, “Loser Like Me” and “Get It Right”? Tell us in the comments! Related Videos Musical ‘Glee-Caps’ Of Season Two

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‘Glee’ Original Songs Slated For March Episode Hit The Net

‘Spider-Man’ Musical Star Talks Production Delays And Fighting Fear

‘To give the kind of performance you want to give, there’s no room for fear,’ T.V. Carpio tells MTV News. By Eric Ditzian T.V. Carpio Photo: Dario Cantatore/ WireImage “Things are constantly changing. It’s a very creative process,” T.V. Carpio told MTV News, explaining the seemingly ever-shifting nature of “Spider-Man: Turn Off the Dark.” For some observers on the outside looking in, that might come off as spin, an “it’s all good” mentality meant to calm the public while inside the musical’s playhouse, “Spider-Man” continues to struggle to find its creative footing. But to Carpio, it’s all part of the inspirational process of working with Julie Taymor, the visionary behind the “Lion King” musical and films like 2007’s “Across the Universe.” “You have to be down to jump, because Julie is always having these crazy visions,” said Carpio, who took on the role of the villainess Arachne after the original actress left the production. “She’s amazing like that, and you just have to go with it.” Still, there’s no doubting that the cast of “Turn Off the Dark” has had a lot to just go with. From multiple delays in the show’s official Broadway debut to highly publicized safety issues and injuries, the musical is being buzzed about for all the wrong reasons. Recent reports suggest fresh behind-the-scenes talent is being welcomed into the fold. Carpio, however, denied reports that Roberto Aguirre-Sacasa, a playwright and comics writer, has been hired to work on script issues . “I haven’t heard anything about a writer joining us. Whenever they do change anything, they make an announcement to the cast,” she said. “They told us that all the rumors, if we haven’t been told about them, aren’t true.” The cast has been working closely with musical supervisor Paul Bogaev, one of Taymor’s longtime collaborators, to enhance various musical numbers. “There aren’t any new songs,” Carpio said. “Paul’s just working with the songs we already have. Yesterday, he helped write a new part for my monologue in the second act. And we put in a new flight. He’s just another set of outside eyes helping sculpt what’s already there. But he is the only new one who’s actually there and working. “Although it’s new, because he hasn’t worked on ‘Spider-Man’ all along, Julie works with a lot of the same people,” she added. “The family we have working on the music — the choreographers, dancers, actors — is sort of like the family from ‘Across the Universe.’ It didn’t feel crazy, like, ‘Who’s this guy?’ It was like, ‘Oh hey, Paul!’ ” Through all the changes, Carpio said she’s kept anxiety at bay — the original Arachne, Natalie Mendoza, dropped out after suffering a concussion during a high-flying stunt — and focused on the task at hand: delivering an entertaining Broadway experience. “To give the kind of performance you want to give, there’s no room for fear. There’s always adrenaline, but it’s not about fear. You just have to trust you can do it,” she said. “I don’t care about what goes on outside. I can’t control what people say; I can only control my performance. That’s the only thing I can give.” For breaking news and previews of the latest comic book movies — updated around the clock — visit SplashPage.MTV.com .

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‘Spider-Man’ Musical Star Talks Production Delays And Fighting Fear

Adele Says Writing 21 ‘Broke My Heart’

British singer’s second album hit stores in the U.S. on Tuesday. By James Montgomery Adele Photo: MTV News Adele’s jaw-dropping sophomore album, 21, officially hit stores in the States on Tuesday (February 22), having already topped the charts in her native U.K. (and most of Europe too). And while it might seem odd for her to be so excited about another release — especially since 21 has been out for more than a month worldwide — the 22-year-old songstress isn’t hiding the fact that she’s anxiously awaiting her first-week numbers here in the U.S. To hear her tell it, she never thought she’d get the opportunity to sell albums here at all. “Oh, it’s magical being here. I didn’t think I’d ever release a record here,” she laughed. “It’s a big deal in England. There’s a massive thing, like, ‘Did you crack America?!?’ The biggest acts in England, no one has any idea who they are here. … I’m not a radio artist here, I’m not on pop stations really, I have these songs that go everywhere. So it really is people are proper behind me here, because I sell records; I don’t sell singles. And that doesn’t happen anywhere.” And her (presumed) Stateside triumph would be even sweeter considering, during the promotional run for her last album, the Grammy-winning 19, she steeped herself in all things American. And a lot of those influences — country, R&B, bluegrass, jazz, plus a few you might not suspect — are all readily apparent on 21. “I was a proper sponge when I did my big bulk of American touring. I was on a tour bus, so I was literally driving across America; I wasn’t getting on planes or anything like that. I’d be in Baltimore and hear this amazing, crazy hip-hop, and then be in Atlanta, and then in Texas, Nashville and end up in California. [And] I loved it,” she said. “And that rubbed off on this record. I don’t think I’ve made an Americana-sounding record, but certainly the delivery of a lot of the blues and country and rockabilly artists, and hip-hop. Like, I’m totally fascinated with the way Kanye and Nas and Mos Def manipulate a word to make it rhyme and to make it really fascinating when it’s actually pretty mundane. Analyzing normal things, but making them electric, that’s definitely rubbed off on my delivery and my writing, the way I connect with my songs and channel them.” And while she’s channeled her love of American music into her new album (and a mysterious hip-hop collaboration that she can’t mention “just in case it doesn’t happen”), what resonates most with fans on both sides of the Atlantic is the unflinching honesty she displays throughout. Songs like “Rolling in the Deep,” “Set Fire to the Rain” and the shattering “Someone Like You” are very much about the death of her first, as she put it, “real relationship,” and that heartbreak not only provides the backbone to the album, but has connected with her fans in a way even she couldn’t have predicted. “It broke my heart when I wrote this record, so the fact that people are taking it to their hearts is like the best way to recover. ‘Cause I’m still not fully recovered. It’s going to take me 10 years to recover, I think, from the way I feel about my last relationship,” she said. “It was the biggest deal in my entire life to date. … He made me totally hungry. … He was older, he was successful in his own right, whereas my boyfriends before were my age and not really doing much. And he got me interested in film and literature and food and wine and traveling and politics and history, and those were things I was never, ever interested in. I was interested in going clubbing and getting drunk.” And so if (or, more likely, when) 21 tops the Billboard albums chart, Adele will celebrate in her own way. She’s gone through the heartbreak, she’s grown up, and she carries with her a truly tremendous new album. Though someone will probably have to tell her when her album is #1. Even though she’s anxiously waiting for those first-week numbers, she’s actually stopped paying attention. “I disconnected my Internet,” she laughed. “I have no idea what’s going on!” Will you be picking up Adele’s latest? Let us know in the comments! Related Artists Adele

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Adele Says Writing 21 ‘Broke My Heart’

Lady Gaga’s Born This Way: What We Know So Far

MTV News rounds up what we know about the songs on the May release. By Jocelyn Vena Lady Gaga Photo: Paul Warner/WireImage With months to go until we can get our hands on Lady Gaga’s Born This Way, the pop star has been slowing leaking details about the vibe of the May 23 release. Fans have already heard the first single of the same name, and in several recent interviews Gaga has given out a few facts about the songs that fans will hear on the highly anticipated release. While we wait for more, here’s a recap of what we know so far. In the latest issue of Vogue, Gaga revealed that the album’s next single is “Judas,” which producer RedOne has described as shocking. “The melody sounds like it was written for the Ronettes,” the Vogue writer comments. “But it is set to a sledgehammering dance beat and is about falling in love with backstabbing men of the biblical variety.” On Tuesday morning, Gaga confirmed to Carson Daly on Amp Radio that “Judas” will be the second single. “It’s about always falling in love with the wrong man over and over again,” she said. ” ‘Judas’ is a very very dark song. It’s rad.” She also told Vogue about another track on the record, “Americano,” describing it as “a big mariachi techno-house record, where I am singing about immigration law and gay marriage and all sorts of things that have to do with disenfranchised communities in America. … It sounds like a pop record, but when I sing it, I see Edith Piaf in a spotlight with an old microphone.” When Gaga called into Ryan Seacrest’s radio show on Tuesday, she described the song “Government Hooker,” which is “one of my favorites” and “has more of a hip-hop beat,” she told Seacrest. “We double-timed the beat. It’s a super fast, really hard record, and the lyrics are really filthy. It’s also empowering, but more in the direction of sexual female empowerment.” On Seacrest, she teased the lyrics to another song, “Hair.” On it she sings, “This is my prayer that I’ll die living just as free as my hair.” “It’s really up-tempo. It’s a club record, but has a Bruce Springsteen vibe,” she explained. “It’s really interesting because it’s putting sax on a huge dance record.” She talked about “Hair” again when she visited New York radio station Z-100 . “Some of those themes are explored more on this album. To put my money where my mouth is [regarding themes of empowerment on this song and album].” She went on to describe the entire album as “eccentric” during the chat. Before we can hear anything new from Gaga, she did also reveal one new detail to Daly about the forthcoming video for “Born This Way,” which will be about “the birth of a new race within the race of humanity. The birth of a new race that doesn’t bear any prejudices. “I think the most important thing is that I continue to grow, and I knew when I put ‘BTW’ it would be a transitional moment, because it doesn’t sound like [my previous singles,” she said, adding that it is the “marijuana” to the “heroin” of the album and that it is a much lighter song than “Judas.” And for those who can’t wait, she had this to share while on Z-100, “I’m gonna be releasing about two to three songs before the album comes out on iTunes.” Related Videos Lady Gaga’s Grammy Night

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Lady Gaga’s Born This Way: What We Know So Far

Glee Song Snippets, Spoilers: "Blame It On the Alcohol"

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Allow us help you prepare for The Rachel Berry House Party Trainwreck Extravaganza . On Tuesday’s episode of Glee , Rachel will throw it down at her house, leading to a wild weekend; bonding between Will and Beiste; and a lesson from Figgins on the danger of underage drinking. As well as lots of new Glee music , of course. Below, we’ve listed four of the songs that will be covered on the installment,… Broadcasting platform : YouTube Source : Donkey Dish Discovery Date : 17/02/2011 22:03 Number of articles : 2

Glee Song Snippets, Spoilers: "Blame It On the Alcohol"

‘American Idol’ Brings The Pressure On Group Night

Early favorites Jacee Badeaux, Brett Loewenstern, Lauren Alaina survive, while other hopefuls went down in flames. By Gil Kaufman Steven Tyler, Jenniger Lopez and Randy Jackson at “American Idol” Hollywood Week Photo: Michael Becker / FOX Group night on “American Idol” is notoriously brutal. It’s full of attitude, fighting, ragged nerves and exhaustion. And that’s just from the audience at home watching the ridiculous diva behavior onscreen. But after pulling an all-nighter, a number of this year’s picks to click, including teens Jacee Badeaux and Lauren Alaina, as well Chris Medina, James Durbin, Brett Loewenstern and Chelsee Oaks, survived to sing another day, while some early favorites went down in flames, unable to handle the pressure. On Wednesday night’s (February 16) show, producers figured they’d up the ante this year on the contestants by telling them, after they’d already formed their groups, that they must be comprised of a mix of singers from day one and day two of last week’s Hollywood eliminations . That sent the 168 remaining wannabes scrambling to rework their sets. The first two segments were devoted to showing the high school lunchroom nightmare of singers desperate to find someone’s group to join and facing heart-crushing rejection at every turn. Then, with just 10 hours to perfect their songs amid the din of nearly 170 voices roaring at once, contestants grabbed any space they could, from bathrooms to parking garages, and got to work. The pressure almost claimed the fragile Ashley Sullivan, who came close to leaving the show, while 15-year-old Jacee Badeaux was booted from his group in the middle of the night and several other singers either got dumped or bailed on their ensembles at the 11th hour. On the verge of breaking up because they couldn’t find a day-two person, redheaded bullied belter Brett Loewenstern ‘s quartet was saved when they picked up Badeaux. When the singers finally got a chance to, well, sing, there were plenty of new or little-seen faces who shone. Among them were New Jersey auditioner and makeup artist Pia Toscano, 22, who did her sultry best on Bruno Mars’ “Grenade” in a trio that got the day started off right with yeses all around. Male diva Jordan Dorsey bailed on his group to join up with Robbie Rosen and sing a doo-wop version of the Jackson 5’s “I Want You Back,” setting up an intense rivalry with his old cohorts, but getting sweet revenge by moving on. His old pals, though, survived the breakup as well by nailing Cee Lo Green’s “Forget You.” Nobody wanted to be in a group with overconfident Tiffany Rios the night before, so the judges allowed her an exception to form a duo with tattooed blonde Jessica Yantz. “It was really bad,” Randy Jackson said, though, after the pair made a hot mess of Beyonc