Looks like all that greenery may have finally caught up to the Doggfather . Snoop Dogg might have to find something else to do for a little while. On Saturday, Jan. 7 Snoop Dogg was arrested by U.S. Border Patrol agents and detained after agents inspected his tour bus along a highway in Sierra Blanca, Texas after detecting “the odor of marijuana emitting from the inside of the vehicle” during a routine border patrol check. A drug dog sniffed to find “a prescription bottle containing rolled marijuana cigarettes” and “two other containers containing marijuana weighing in all total of 0.130 lbs.” (Ironically enough, Snoop’s friend and collaborator, fellow cannabis enthusiast Willie Nelson was busted for marijuana possession in the same region in 2010.) According to a statement from the Hudspeth County Sheriff’s office, Snoop Dogg, whose real name is Calvin Broadus, “freely admitted that the marijuana belonged to him and he was placed under arrest by U.S. Border Patrol agents and detained.” The rapper was “cited for possession of drug paraphernalia, given notification of court appearance on/or before January 20, 2012 and released.” We’d thought Snoop had a lifetime pass for smoking weed. Who’d wanna arrest him for getting his roll on. It’s damn near legal anyway. We’re sure he’ll find a way out of jail time like all celebrities that get caught with the sticky. Source More On Bossip! Twitter Files: The World Welcomes Princess Blue Ivy Carter And Speculates About What Her Name Means Everybody Hates Kim: A List Of People That Had Beef With Kimmy And Her Cakes For The Single And Seeking: The Best U.S. Cities To Find A Date In 2012 (Do You Already Live There??) Get Your Life Together: The Craziest, Wildest And Dumbest Fan Tattoos Of All Time
Up until yesterday, pop wonder Jason Derulo was working his tail off rehearsing for his upcoming world tour. But Jason’s going to have to take a seat for a while after fracturing his neck during rehearsal yesterday. Derulo, who boasts hits like “It Girl” and “In My Head,” apparently hurt himself while trying to pull off some gymnast moves and took to Twitter to break the news to his followers. “I fractured my neck doing tumbling & acrobatics 4 tour,” he writes. “Always tryin 2 push boundaries 4 YOU!” He attached a picture of himself sprawled out in a hospital gown and neck brace, jokingly asking “Like my new chain?” Derulo’s tour is set to kick off in Glasgow Feb. 23. Hopefully he’ll be good to go by then. RELATED POSTS: Nicki Minaj Joins Pitbull For A Big Announcement Jason Derulo Previews “Future History” [VIDEO]
After ‘Ye mentioned his possible involvement in the film, Denise Di Novi tells MTV News about a ‘fun brainstorming conversation’ with the MC. By Eric Ditzian Kanye West Photo: Pascal Le Segretain/ Getty Images In what would easily be the coolest movie news of 2012, Kanye West dropped word in the midst of a scorching series of Twitter updates that he was in discussions to join up with a long-gestating adaptation of “The Jetsons.” “I was just discussing becoming the creative director for the Jetson movie,” he wrote. Could it be true? The live-action adaptation of the futuristic Hanna-Barbera cartoon — starring George Jetson, his boy Elroy, daughter Judy, Jane his wife, plus their robot maid Rosie — has been in development for years, with Robert Rodriguez attached to direct at one point. MTV News put in a call to producer Denise Di Novi, who confirmed that talks with ‘Ye had indeed taken place. “Kanye’s always been a Jetsons fan, I think because he’s so into design and he loves the design aspects,” she told us exclusively. “So we had a fun brainstorming conversation.” The call took place after West touched base with producers and told them he was interested in working on the project. “We heard that he knew we were working on the Jetsons,” Di Novi said. “He reached out and said he’s a huge Jetsons fan. There are a lot of Jetsons fanatics out there, especially people that are into either futuristic science or design. He was interested in creatively brainstorming what we were doing with the movie and what ideas he might have. It was a really friendly, preliminary conversation.” At this point, though, Di Novi is unsure if Kanye will actually sign on to become creative director of “The Jetsons.” “He was going to think about it more and see if he got inspired visually,” she said. “He’s a very visual artist.” Kanye did mention in his Twitter spree that he was annoyed about one suggestion that arose during the conversation. “Someone on the call yelled out.. you should do a Jetsons tour!” he wrote. “This just happened a few hours ago. I was very insulted of course because for anyone that’s seen the Watch the Throne Tour…Or Coachella or Glow in the Dark or Runaway.. you know I have real ideas.” Di Novi, however, said the tour comment was nothing more than a good-natured joke, especially because her production company is involved solely in the movie business. “We were just kind of joking about that,” said Di Nova, whose credits include “Crazy, Stupid, Love” and many Tim Burton films. “I don’t know if he would want to do that, but it was just a fun comment.” What do you think Kanye would bring to a “Jetsons” movie? Let us know in the comments! For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com .
That didn’t take long. Britney Spears and Jason Trawick got engaged this month, for real, after over a year of rumors that they would do so. Everybody is really happy for them (maybe not Jason Alexander , but everyone else it feels like). That said, some celebrity gossip publications have already moved onto the next round of rumors: When will they have a baby together!? The two have not set a date yet that we know of, and don’t appear to be in a rush with things, which is probably smart. The same likely applies to having children. Britney already has two sons, Sean Preston (6) and Jayden James (5), with her former spouse K-Fed. That may be enough to handle for herself and Jason Trawick . One thing we hope is that with her tour finally over with, she takes the time to relax and enjoy her engagement. Family first – whether it’s a growing one or not. What do you think? Will she have another baby? Should she?
One of the most anticipated titles among circles who enjoy male strippers and movies is the upcoming Steven Soderbergh drama Magic Mike — a movie about male strippers that allegedly lured the filmmaker away from early retirement . At long last, a first image from the project has surfaced featuring Alex Pettyfer, Matthew McConaughey and Channing Tatum striking a pose onstage for what promises to be a very patriotic (and erotic) dance number. You know what this means, fellow Movieliners — grab the nearest captioning pen and stack of singles. Where to even begin? McConaughey appears in classic McConaughey fashion ( shirtless ). Tatum appears in classic G.I. Joe franchise-star fashion (in camouflage). For further captioning reference, the official premise of Magic Mike is as follows: “Veteran male stripper Magic Mike (Tatum) teaches a new male stripper (Pettyfer) about the occupation. They work at the club Xquisite, which is owned by the former male stripper Dallas (McConaughey).” The project is inspired by Tatum’s experiences as a teenage stripper in Florida. Joe Manganiello (also pictured above) co-stars as Big Dick Richie. Magic Mike is scheduled for a June 29, 2012, release. Let the captioning begin! Follow Julie Miller on Twitter . Follow Movieline on Twitter .
One of the most anticipated titles among circles who enjoy male strippers and movies is the upcoming Steven Soderbergh drama Magic Mike — a movie about male strippers that allegedly lured the filmmaker away from early retirement . At long last, a first image from the project has surfaced featuring Alex Pettyfer, Matthew McConaughey and Channing Tatum striking a pose onstage for what promises to be a very patriotic (and erotic) dance number. You know what this means, fellow Movieliners — grab the nearest captioning pen and stack of singles. Where to even begin? McConaughey appears in classic McConaughey fashion ( shirtless ). Tatum appears in classic G.I. Joe franchise-star fashion (in camouflage). For further captioning reference, the official premise of Magic Mike is as follows: “Veteran male stripper Magic Mike (Tatum) teaches a new male stripper (Pettyfer) about the occupation. They work at the club Xquisite, which is owned by the former male stripper Dallas (McConaughey).” The project is inspired by Tatum’s experiences as a teenage stripper in Florida. Joe Manganiello (also pictured above) co-stars as Big Dick Richie. Magic Mike is scheduled for a June 29, 2012, release. Let the captioning begin! Follow Julie Miller on Twitter . Follow Movieline on Twitter .
Writer/director Dee Rees has spent six years with Pariah , a film she wrote as a full-length script in 2005, then recalibrated as a short subject in ’07, and finally re-adapted as a feature film that premiered at this year’s Sundance Film Festival. Pariah concerns a teenager named Alike (Independent Spirit Award nominee Adepero Oduye), an expressive girl who only encounters more identity issues as she tries establishing herself as an out lesbian. Though Rees came out as a lesbian in her 20s, she feels a deep connection to Alike — especially in her resistance to “butch” and “femme” labels. Movieline caught up with Rees to discuss Pariah ‘s wonderful story, the visibility of the LGBT coming out experience in 2011, and Rees’s unexpected connection to Dallas . Since Pariah ’s genesis as a short film years ago, there’s been a lot more visibility about the coming-out experience. Did you find it necessary to tailor the movie to the burgeoning sense of awareness about the topic? When I first wrote the script in ’05, I had a sense of who Alike was and where she was going, so there was no pressure to change it because I wanted to stay true to her and what her experience was. I didn’t want to make Alike’s experience vary from anyone else’s experience or make it topical. I just let it be what it was and just trustd that if we’re honest about the character and honest about the world, that it would be relevant no matter when it came out. It’s funny because some people along the way have said, “Is this an issue anymore? Is being gay cool now?” And it’s like, no. It’s not OK now, and it’s not “cool.” Although people’s experiences of coming out are changing and it’s becoming much more visible, that’s not necessarily everyone’s experience. It was about remaining true to the character and what this story was. I’m glad to see that coming out is relevant and people are aware of it, but I definitely didn’t feel compelled to make it fit anything. You’ve said that you came out in your 20s, but you wrote about the coming-out experience of a teenage girl. How did you find the inspiration for her character? It was just my own coming-out experience sort of transposed onto a 17-year-old. I chose to make her 17 because it’s such a higher-stakes age; figuring stuff out that young, it’s going to be higher because you’re still dependent on your parents and so much is still uncertain about you. You don’t know what you’re going to be. For her to make that discovery at that age, it makes her more interesting. For me, it’s also inspired by being in New York and being among out teenagers, which is something I’d never seen in Nashville, Tennessee. I barely saw out adults. To see out teenagers who were not only out, but out in the streets was inspiring for me. It made me wonder, “Even if I had known at 17, would I have that courage to be the person in the film?” – this woman who was trying to live in two worlds. Do you have particular favorite teenager characters from movies? No, not really! I just like Alike because she’s imperfect. Initially she isn’t courageous. In teen movies, we see characters who get to say exactly what’s on their mind and say what they want and thumb their nose in the face of adult authority. For Alike, I wanted someone who didn’t feel quite comfortable – someone who’s not so self-possessed, not so self-assured, and is figuring things out. Pariah ’s lead actress Adepero Oduye just earned an Independent Spirit Award nomination. Can you describe watching her on set? What did she bring to the character? Watching her on set was an experience of watching her inner life. Adepero is so expressive and yet so subtle. It was great to watch changes going on in her eyes and going on in her body language and behavior – those unspoken things. I felt like I was watching her internalize the characters’ feelings. She was really in that moment. She was really feeling what Alike was feeling. The feeling like she wanted to cry, feeling like she wanted to laugh – the changes were literally visceral. They were changing her, moving through her body. Getting to watch somebody unfold on camera is like watching a flower open. Amazing. In recent years, we’ve seen more in the media about gay men’s coming out experiences than lesbians’. Do you think Pariah highlights the specificity of a woman’s coming-out? I think Pariah highlights that there’s this gray area within the gay or lesbian community. Sometimes there’s a pressure to check a box, to either be hard and be butch or be feminine and wear heels. Alike’s neither of those things, so there’s a gray area. And her coming-out experience is different because she’s coming into a different space. Alike’s not figuring out if she’s gay – she knows she loves women, that’s not her question. It’s more “How [do I] be in the world?” The first half hour isn’t “Am I gay?” It’s, “Laura’s telling me I should be butch. Mom’s telling me I should be femme.” Versus other coming out experiences, like… when she’s wearing the club clothes, that’s not really her. When she changes into this different thing for Mom, she’s not that either. We don’t see her changing from her true self into another self – she’s neither of things she’s taking on or off. We don’t know who she is. She doesn’t really want to be this butch lesbian. She just wants to be Alike. You’ve been talking about this project everywhere for years and years. You’re the Carmen Sandiego of the indie film circuit. Which was the best kids’ game show ever! Indeed! What have you gained from spending so much time introducing the film to festival audiences? Specifically from being on tour with the film, I’ve gained a huge connection with audiences – an affirmation that we told the story truthfully. To your point, we weren’t writing it based on what people were saying or what was going on in the world. We stayed in a cocoon and wrote this thing. When we finished, we didn’t know how people would respond. But people felt we told a story and were honest with the experience, so we gained a feeling of affirmation. And personally, having gone from a point where when I was coming out and I was not quite sure the world that the world would accept me for who I have, or not quite sure that I could be loved or find love, and going to this press tour and seeing audiences embrace the film and saying, “We love you,” Pariah basically gave me the courage to be who I am. I came out behind the shield of this film. This tour has been this amazing wash of affirmation and love. It makes me feel good about audiences. They’re smart and progressive and open. They’re willing to see stories beyond themselves, images that don’t exactly look like them. It restored my faith in cinemagoers. They are hungering for good stories and are willing to step outside their experience to get them. Lastly, what do you have coming up? I imagine your new projects differ from Pariah because this movie is so emotional. One project coming up is called Large Print , a spec script I did, which is about a 50-something insurance adjuster who is recently divorced and lately incontinent, and has to redefine happiness for herself. Though she’s 56, it’s still a coming-of-age story. It’s going to be an emotional film because she’s played life by the rules and nothing’s turned out the way she’s expected. The other film I’m writing is called Bolo , a thriller set in the south. It’s also about, “What is home?” What if where you grew up changes? How do you accept that? Though it has more of a genre element, it goes back to these human things. I’m working on a TV series with HBO and Viola Davis about corruption in education, which will be cool. I’m working on another TV series called Reveal set in Nashville. It’s Dallas meets The Wire , about a city going through an identity crisis. I continue to be drawn to characters, and characters that are flawed especially. I love exploring flawed people trying to make their way. Did you just say “ Dallas meets The Wire ?” Yeah! Do you know how exciting that is? Ha! We’ll see! Dallas was the soap growing up. All my aunts gathered around the TV. We should not have been the target audience for Dallas . Pariah debuts in limited U.S. release December 28. Follow Louis Virtel on Twitter . Follow Movieline on Twitter .
Writer/director Dee Rees has spent six years with Pariah , a film she wrote as a full-length script in 2005, then recalibrated as a short subject in ’07, and finally re-adapted as a feature film that premiered at this year’s Sundance Film Festival. Pariah concerns a teenager named Alike (Independent Spirit Award nominee Adepero Oduye), an expressive girl who only encounters more identity issues as she tries establishing herself as an out lesbian. Though Rees came out as a lesbian in her 20s, she feels a deep connection to Alike — especially in her resistance to “butch” and “femme” labels. Movieline caught up with Rees to discuss Pariah ‘s wonderful story, the visibility of the LGBT coming out experience in 2011, and Rees’s unexpected connection to Dallas . Since Pariah ’s genesis as a short film years ago, there’s been a lot more visibility about the coming-out experience. Did you find it necessary to tailor the movie to the burgeoning sense of awareness about the topic? When I first wrote the script in ’05, I had a sense of who Alike was and where she was going, so there was no pressure to change it because I wanted to stay true to her and what her experience was. I didn’t want to make Alike’s experience vary from anyone else’s experience or make it topical. I just let it be what it was and just trustd that if we’re honest about the character and honest about the world, that it would be relevant no matter when it came out. It’s funny because some people along the way have said, “Is this an issue anymore? Is being gay cool now?” And it’s like, no. It’s not OK now, and it’s not “cool.” Although people’s experiences of coming out are changing and it’s becoming much more visible, that’s not necessarily everyone’s experience. It was about remaining true to the character and what this story was. I’m glad to see that coming out is relevant and people are aware of it, but I definitely didn’t feel compelled to make it fit anything. You’ve said that you came out in your 20s, but you wrote about the coming-out experience of a teenage girl. How did you find the inspiration for her character? It was just my own coming-out experience sort of transposed onto a 17-year-old. I chose to make her 17 because it’s such a higher-stakes age; figuring stuff out that young, it’s going to be higher because you’re still dependent on your parents and so much is still uncertain about you. You don’t know what you’re going to be. For her to make that discovery at that age, it makes her more interesting. For me, it’s also inspired by being in New York and being among out teenagers, which is something I’d never seen in Nashville, Tennessee. I barely saw out adults. To see out teenagers who were not only out, but out in the streets was inspiring for me. It made me wonder, “Even if I had known at 17, would I have that courage to be the person in the film?” – this woman who was trying to live in two worlds. Do you have particular favorite teenager characters from movies? No, not really! I just like Alike because she’s imperfect. Initially she isn’t courageous. In teen movies, we see characters who get to say exactly what’s on their mind and say what they want and thumb their nose in the face of adult authority. For Alike, I wanted someone who didn’t feel quite comfortable – someone who’s not so self-possessed, not so self-assured, and is figuring things out. Pariah ’s lead actress Adepero Oduye just earned an Independent Spirit Award nomination. Can you describe watching her on set? What did she bring to the character? Watching her on set was an experience of watching her inner life. Adepero is so expressive and yet so subtle. It was great to watch changes going on in her eyes and going on in her body language and behavior – those unspoken things. I felt like I was watching her internalize the characters’ feelings. She was really in that moment. She was really feeling what Alike was feeling. The feeling like she wanted to cry, feeling like she wanted to laugh – the changes were literally visceral. They were changing her, moving through her body. Getting to watch somebody unfold on camera is like watching a flower open. Amazing. In recent years, we’ve seen more in the media about gay men’s coming out experiences than lesbians’. Do you think Pariah highlights the specificity of a woman’s coming-out? I think Pariah highlights that there’s this gray area within the gay or lesbian community. Sometimes there’s a pressure to check a box, to either be hard and be butch or be feminine and wear heels. Alike’s neither of those things, so there’s a gray area. And her coming-out experience is different because she’s coming into a different space. Alike’s not figuring out if she’s gay – she knows she loves women, that’s not her question. It’s more “How [do I] be in the world?” The first half hour isn’t “Am I gay?” It’s, “Laura’s telling me I should be butch. Mom’s telling me I should be femme.” Versus other coming out experiences, like… when she’s wearing the club clothes, that’s not really her. When she changes into this different thing for Mom, she’s not that either. We don’t see her changing from her true self into another self – she’s neither of things she’s taking on or off. We don’t know who she is. She doesn’t really want to be this butch lesbian. She just wants to be Alike. You’ve been talking about this project everywhere for years and years. You’re the Carmen Sandiego of the indie film circuit. Which was the best kids’ game show ever! Indeed! What have you gained from spending so much time introducing the film to festival audiences? Specifically from being on tour with the film, I’ve gained a huge connection with audiences – an affirmation that we told the story truthfully. To your point, we weren’t writing it based on what people were saying or what was going on in the world. We stayed in a cocoon and wrote this thing. When we finished, we didn’t know how people would respond. But people felt we told a story and were honest with the experience, so we gained a feeling of affirmation. And personally, having gone from a point where when I was coming out and I was not quite sure the world that the world would accept me for who I have, or not quite sure that I could be loved or find love, and going to this press tour and seeing audiences embrace the film and saying, “We love you,” Pariah basically gave me the courage to be who I am. I came out behind the shield of this film. This tour has been this amazing wash of affirmation and love. It makes me feel good about audiences. They’re smart and progressive and open. They’re willing to see stories beyond themselves, images that don’t exactly look like them. It restored my faith in cinemagoers. They are hungering for good stories and are willing to step outside their experience to get them. Lastly, what do you have coming up? I imagine your new projects differ from Pariah because this movie is so emotional. One project coming up is called Large Print , a spec script I did, which is about a 50-something insurance adjuster who is recently divorced and lately incontinent, and has to redefine happiness for herself. Though she’s 56, it’s still a coming-of-age story. It’s going to be an emotional film because she’s played life by the rules and nothing’s turned out the way she’s expected. The other film I’m writing is called Bolo , a thriller set in the south. It’s also about, “What is home?” What if where you grew up changes? How do you accept that? Though it has more of a genre element, it goes back to these human things. I’m working on a TV series with HBO and Viola Davis about corruption in education, which will be cool. I’m working on another TV series called Reveal set in Nashville. It’s Dallas meets The Wire , about a city going through an identity crisis. I continue to be drawn to characters, and characters that are flawed especially. I love exploring flawed people trying to make their way. Did you just say “ Dallas meets The Wire ?” Yeah! Do you know how exciting that is? Ha! We’ll see! Dallas was the soap growing up. All my aunts gathered around the TV. We should not have been the target audience for Dallas . Pariah debuts in limited U.S. release December 28. Follow Louis Virtel on Twitter . Follow Movieline on Twitter .
Lady Gaga promised, “On Christmas Day I will leak to you an unreleased Song off Born This Way! It was recorded live, in one take, on the tour bus. Uncensored.” And on midnight December 25, Gaga released the audio to “Stuck On F**kin’ You.” Listen here! Broadcasting platform : YouTube Source : Gossip Cop Discovery Date : 25/12/2011 02:58 Number of articles : 3
‘It’s such a timecapsule of the spirit of our creativity.’ singer tweeted. By Christina Garibaldi with additional reporting by Andréa Duncan-Mao Lady Gaga in Japan Photo: Jun Sato/WireImage It’s a merry Christmas for all of Lady Gaga ‘s Little Monsters. Mother Monster herself played Santa to all her fans when she presented them with an unreleased song at midnight on Christmas Day. “Been racking my brain on what to get Little Monsters for Christmas!! I finally figured it out!!” Gaga tweeted on December 22. “On Christmas Day I will leak to you an unreleased Song off Born This Way! It was recorded live, in one take, on the tour bus. Uncensored.” “Stuck on F***in You,” which was recorded on the road in Minnesota during her Monster Ball tour, captures the feeling of a late-night jam session, where Gaga’s voice soars over just a guitar and drum machine. It’s a stripped down, bluesy joint that showcases her humor and flair for improvisation. “We were all wasted on the bus making records,” Gaga tweeted Saturday (December 24) night, “It’s such a timecapsule of the spirit of our creativity. I wrote, sang and freestyled the last minute + half of the song.” Gaga is spending at least part of her holidays abroad. “Well, I’ll be in Japan right up until Christmas Day,” Gaga told MTV News earlier this month. “So I’ll be eating with all my Japanese Little Monsters. I like shabu shabu [a form of Japanese hot pot].” Lady Gaga, who was MTV News’ Top Newsmaker of 2011 , will be ringing in the new year in her hometown of New York. The “Marry the Night” singer , along with Justin Bieber , Nicki Minaj , LMFAO and Florence and the Machine, will watch the ball drop at the 40th annual “Dick Clark’s New Year’s Rockin’ Eve.” The event will be hosted by Ryan Seacrest, with appearances by Fergie and Jenny McCarthy. Related Artists Lady Gaga
