Tag Archives: tracks

Stay With It: 10-Year-Old Is Too Caught Up In His Video Game And Falls Off The Train Platform

These kids and their damn video games…SMH A 10-year-old boy who was playing a video game on a Sony PlayStation Portable was so engrossed that he stepped off a subway platform and fell onto the tracks. The incident, which happened in Milan, Italy, was caught on video (shown here). An off-duty policeman jumped onto the tracks to rescue the boy. “I just reacted with instinct,” explained the rescuer, 23-year-old Alessandro Micalizzi, according to the Daily Mail UK. “I saw him go over and he was lying on the track so I just jumped down, grabbed him and carried him to the platform. He was crying and shocked but other than that he was OK.” Though there was no oncoming train, there was one due within a minute, so real peril was never too far off. “It was only afterwards when I heard the other passengers clapping and cheering that I stopped and thought about what I had done and my heart was in my throat,” said Micalizzi in the Daily Mail.

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Stay With It: 10-Year-Old Is Too Caught Up In His Video Game And Falls Off The Train Platform

Swizz Beatz Says Jay-Z And Kanye West’s ‘H.A.M.’ Is ‘Super Positive’

‘I think that if more of the industry did moves like this it would be a better place for everybody,’ producer tells MTV News. By Mawuse Ziegbe Swizz Beatz Photo: MTV News When Kanye West and Jay-Z dished out “H.A.M.”, the first official single from their forthcoming joint album Watch the Throne, it was a colossal hip-hop moment. Two of the rap’s reigning mic-rippers tag-teaming on a track heaping with bravado-laden lyricism over producer Lex Luger’s incessant, piercing drums is a major way to star to start the hip-hop conversation in 2011. Swizz Beatz, who’s crafted multiple records with both MCs, told MTV News on Wednesday (January 12) that Yeezy and Hov’s collaborative effort could be taken as a blueprint for how to push the hip-hop game further. “I think that those being both of my friends, and knowing that people can team up on such a high caliber level — as musicians, as rappers, as friends, as peers — I think it’s super-positive, and I think that if more of the industry did moves like this it would be a better place for everybody,” Swizz said. The Monster Mondays songsmith has been in the lab with the hip-hop titans as they craft Throne, and added that the tracks that in the works definitely game-changing potential. “I’m involved a little bit on the album, and just hearing the different songs it’s like ‘Wow, they’re really taking it to another level.’ I’m happy to be a part of it, those are my brothers and [they’re] going to continue pushing the envelope,” he said. Swizz also insisted Jay and ‘Ye are “definitely coming with the monsters,” and that “H.A.M.” will be followed up by tracks that are “just gonna keep getting better.” However, the prolific producer mused that the two MCs don’t have an specific agenda for Throne’s chart performance — since they’ve both got boatloads of accolades, fame and radio hits to their names — but are rather hitting the studio to create the tracks they feel like making. “I think they’re just doing them. I don’t think artists nowadays are paying attention to any like, particular formats. Because the industry is not what it used to be — you can’t predict a Top 40 record or a #1 Urban record. You just gotta just do what you feel is hot. It’s just like you feel like you don’t want to rap no more [or] you wanna keep going past the hook, just keep going past the hook. That makes it real hip-hop.” he said. “People don’t understand that hip-hop got started from being rebellious to any rules. Hip-hop has no rules, and the only reason hip-hop started getting rules [was] because of radio airplay, sales, different spins and trying to reach out to another audience. But Jay and Kanye got the audience already so they can do what they want to do, and I think that’s what they doing, which is a great move.” Like his homies, Swizz is also making some high-profile joint moves, collaborating with Reebok and luxury car maker Aston Martin. The producer/rapper has also been tinkering on his next solo effort, titled Haute Living, which he said will be a creative departure from his previous work. “I think people are not gonna expect what they’re gonna hear on my album. I’m very hard on myself with the album because it’s like putting on another hat and it’s opening up the door for a lot of criticism,” he said of heading back to the mic for the follow-up to 2007’s One Man Band Man. Ultimately, he shrugged off any possible Haute hate, and maintained that, like Jay and Kanye, he’s in it to make music and have a good time. “Doing this album I said, ‘Look, I’m not trying to be the best rapper in the world, I’m not trying to do none of that. I’m just trying to have fun and treat it as [an] art project where I’m expressing myself.’ ” While he may be prioritizing creativity over commercial viability, Swizz hasn’t been slacking on securing a diverse lineup of A-list features that includes a rock star, a Rebirth rapper and R&B royalty. “I have amazing collaborations on the album from Lenny Kravitz, Wayne, my sister Mary [J. Blige], Maxwell is on the album,” he said. “I don’t want to give it all away but I’m trying to come with something … that’s just gonna like blow people’s minds away. They gonna be like, ‘Wow.’ ” Do you agree with Swizz’ thoughts about Jay and Kanye’s “H.A.M.” record? Let us know in the comments! Related Photos Kanye West And Jay-Z: History In The Making Jay-Z And Kanye West Take Cues From Past Supergroups Related Artists Swizz Beatz Jay-Z Kanye West

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Swizz Beatz Says Jay-Z And Kanye West’s ‘H.A.M.’ Is ‘Super Positive’

Has Cake-less Cassie Cultivated A Crazy Cult Congregation?

Cassandra Ventura has been the subject of a polarizing debate since her debut on the music scene in 2006 with her smash Myspace-turned-radio hit “Me and U”. Some love her because she’s fine as f*ck, others for her fashion sense, and some people just love to hate her. If everyone else, (besides the UK’s top rated newspaper The Guardian) had as much appreciation for non-sanging pretty ’singers’ like Cassie, she’d be a much bigger entity by now. Although Cassie doesn’t have the vocal chops comparative to your Beyonce’s and Jennifer Hudson’s, her vocals are not the worst and they work well on kinetic, infectious club beats. I’m actually shocked that the 24-year-old has a growing cult of hardcore supporters, but that would be down to the singer impacting the dance and electronic world. Apparently, a tribute mixtape was put together which involved several underground artists remixing and re-producing many of her tracks. Tri Angle Records boss Robin Carolan celebrated the new year by getting the words ‘Me & U’ tattooed on his arm. He states: “In her vocals, there’s a lot of space; from a producer’s point of view that’s what you want, you can completely mash it up and reconstruct it”. The Cassie appreciation was evident when last year, English DJ-producer Deadboy released ‘Cash Antics Vol. 1′. The compilation remixed her vocals, and the ‘Skydiver’ compilation involved dubstep producers Brackles and Jacques Greene reworking her tunes. Carolan continues: “For my artists, such as oOoOO and How to Dress Well—the idea of Cassie singing on their tracks is a dream. Others might view her as a has-been, but in this world she’s a legend. It sounds like she’s trapped in ice. There’s this stillness to [her voice]. Even though she’s not forcefully singing she still demands your attention”. However you feel about Cassie is your business. Does she have a lil hoe swag? Maybe. Is she EVER going to have a song that matters again? Ehhhh, probably not. But will she always have your attention for one reason or another? Damn skippy! Source

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Has Cake-less Cassie Cultivated A Crazy Cult Congregation?

Akon, Jason Derulo Make 2010 The Year Of The Self-Referential Song

Lady Gaga, Janet Jackson, Eminem also among the artists who have shouted out their own names in their tunes this year. By Jocelyn Vena Akon Photo: Matt Jelonek/ Getty Images This past weekend on “Saturday Night Live,” Akon joined the Lonely Island guys in a hilarious video for a new song called “I Just Had Sex,” in which the singer proudly sings his own name, as well as the group’s. , meanwhile also got self-referential at the VMAs, when she Auto-Tuned her way through a pre-taped bit with Best New Artist nominee Jason Derulo. And, to be fair, we here at MTV News have been obsessed with pop stars singing their own names in songs for the bulk of 2010, prompted by Derulo’s epic use of the device in several of his hits. Folks like Derulo, Lady Gaga, Nicki Minaj (“Right Thru Me”), Kanye West (“Dark Fantasy”) and, obviously, Akon join a list of two decades’ worth of pop artists who have taken it upon themselves to brand their tracks with their own names. In the ’80s, stars like Janet Jackson, Beastie Boys and New Kids on the Block proudly proclaimed who they were in their songs. Moving into the ’90s, “TRL” staples such as the Backstreet Boys, Jennifer Lopez, Kid Rock and Eminem all blasted their monikers on their tracks, letting fans know just who was singing or rapping through hits like Rock’s “Bawitdaba” and BSB’s “Everybody (Backstreet’s Back).” As the new millennium approached and the musical landscape became more and more flooded with pop stars, it became a regular practice, with everyone from Ciara to M.I.A. to Fergie to Beyonc

Akon, Jason Derulo Make 2010 The Year Of The Self-Referential Song

Lady Gaga, Janet Jackson, Eminem also among the artists who have shouted out their own names in their tunes this year. By Jocelyn Vena Akon Photo: Matt Jelonek/ Getty Images This past weekend on “Saturday Night Live,” Akon joined the Lonely Island guys in a hilarious video for a new song called “I Just Had Sex,” in which the singer proudly sings his own name, as well as the group’s. , meanwhile also got self-referential at the VMAs, when she Auto-Tuned her way through a pre-taped bit with Best New Artist nominee Jason Derulo. And, to be fair, we here at MTV News have been obsessed with pop stars singing their own names in songs for the bulk of 2010, prompted by Derulo’s epic use of the device in several of his hits. Folks like Derulo, Lady Gaga, Nicki Minaj (“Right Thru Me”), Kanye West (“Dark Fantasy”) and, obviously, Akon join a list of two decades’ worth of pop artists who have taken it upon themselves to brand their tracks with their own names. In the ’80s, stars like Janet Jackson, Beastie Boys and New Kids on the Block proudly proclaimed who they were in their songs. Moving into the ’90s, “TRL” staples such as the Backstreet Boys, Jennifer Lopez, Kid Rock and Eminem all blasted their monikers on their tracks, letting fans know just who was singing or rapping through hits like Rock’s “Bawitdaba” and BSB’s “Everybody (Backstreet’s Back).” As the new millennium approached and the musical landscape became more and more flooded with pop stars, it became a regular practice, with everyone from Ciara to M.I.A. to Fergie to Beyonc

The Harrowing Tale of an Amtrak Train Stuck on the Rails for 10 Hours [Scary]

A train from Baltimore to Philadelphia stalled on the tracks for ten hours last night. With doors locked and electricity waning, passengers cried and fought for emergency rations. A local news reporter happened to be on board, and tweeted it. More

Condoleezza Rice Schools Katie Couric on Why U.S. Invaded Iraq

On December 3, former Secretary of State Condoleezza Rice gave CBS's Katie Couric a much-needed lesson on why America invaded Iraq. When Couric said to her guest during an “HBO History Makers Series” interview, “Documentaries have been made about how intelligence was incorrectly analyzed and cherry-picked to build an argument for war, and memos from that time do suggest that officials knew there was a small chance of actually finding weapons of mass destruction in Iraq,” Rice stopped the host dead in her tracks (video follows with transcript and commentary): read more

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Condoleezza Rice Schools Katie Couric on Why U.S. Invaded Iraq

Akon Weighs In On New Michael Jackson Tracks

Their collaboration, ‘Hold My Hand,’ was ‘preapproved,’ Akon tells MTV News about Michael track. By Jocelyn Vena, with reporting by Kelly Marino Akon Photo: MTV News There has been much debate over the release of new music by Michael Jackson, set for release on his album Michael , due out December 14. Some fans and some of Jackson’s collaborators, such as will.i.am, have spoken out about the release of the tracks, many of which were finished after Jackson’s death. It’s an argument that Akon, who worked with Jackson on the song “Hold My Hand,” understands. “Michael Jackson’s new album and the new releases, of course, there’s been comments about whether or not [it] should actually be released or whether it would reflect his true authenticity, but naturally because of the fact he’s not here to see it through, it definitely wouldn’t reflect what he had in mind for it because there’s other minds working for him,” Akon told MTV News about the tracks. “But I think at the end of the day, we have two choices: We can put out the little that we do have to hold onto, or we can just never ever put it out again. … The material that he did have that was finished, he would have loved to put it out. “[The songs] were created by him, now whether or not they were finished by him is a different story,” he added. “And that’s just a collective effort of all of us. It’s a double-edged sword.” Akon points out that one of those finished tracks is “Hold My Hand,” making the argument that his contribution to the album is Jackson-approved. “If he was here today, I think he would definitely approve of ‘Hold My Hand,’ because it was already preapproved,” he said. “But the rest of the songs, I’m not quite sure how far those songs went ’cause Michael’s a perfectionist. He wouldn’t let anything go unfinished. Me knowing him from my standpoint of viewing him, I’m not quite sure, because he won’t stop; he will go and go until there’s not one doubt left in his mind that this record is perfect. “So, I hope he would [have approved of the album], then again, you never know. He’s the only one that can answer that question.” Do you think the tracks should be released? Sound off in the comments below. Related Photos Michael Jackson’s ‘Michael’ Cover Decoded Related Artists Akon Michael Jackson

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Akon Weighs In On New Michael Jackson Tracks

5 Shows That Should Cast Lone Star’s Now-Available James Wolk

It wasn’t supposed to happen this way for James Wolk. The relative newcomer was positioned as one of the breakout candidates of the fall because of his performance on the high-profile Fox series Lone Star . (It wasn’t just Movieline ; honest !) Fame, fortune and talk of being the Next George Clooney were surely to follow, except for one teensy, little problem: No one watched Lone Star ; late yesterday it became the first fall series to get canceled. Does this mean Wolk’s star will burnout before it even lights up? Hopefully not! Here are six shows that could help put his breakout career back on the tracks.

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5 Shows That Should Cast Lone Star’s Now-Available James Wolk

Chris Pine Rode With His Idols For ‘Unstoppable’

The ‘Star Trek’ captain describes becoming a train operator for the Denzel Washington/ Tony Scott film. By Kara Warner Chris Pine in “Unstoppable” Photo: 20th Century Fox Any time Tony Scott and Denzel Washington team up on a film, moviegoers can count on blockbuster-scale action sequences, serious acting and a thrilling plot. Their latest effort, and fourth film together overall, is “Unstoppable,” and with “Star Trek” star Chris Pine thrown into the mix, the film has all the makings of a box-office hit when it opens on November 12. The story, which is loosely based on real events, revolves around seasoned train engineer Frank Barnes (Washington) and newly hired operator Will Colson (Pine). While out doing a training run, they hear a warning of an out-of-control train full of hazardous chemicals careening down the rails on a path toward massive destruction. Barnes and Colson set out on a suicide mission to stop the train before it’s too late. When MTV News caught up with Pine, we talked about the technicalities and dangers of train operation, his out-of-body experience during his first meeting with Scott and Washington, and the inevitable “Speed” comparisons. MTV : What kind of training did you get with regard to operating actual trains? Chris Pine : There’s a little railroad yard in L.A. that — essentially there are different classes of railroad, and this is, I think, maybe a third-level railroad. So we went to that yard and got a chance to hop on the trains, learn what it was like to be in the cab, and what all the various assorted technical jargon was all about. It was a lot of fun. It was like being a kid. MTV : What does it feel like to operate the trains? Can you feel the power behind the machines? Pine : Well, the one thing they keep telling you, and it’s so true, is that especially the trains in the yards, they’re very quiet, and obviously the trains are thousands and thousands and thousands of pounds, tons of weight. The guys would tell stories about guys who weren’t paying attention on the tracks, with their backs turned, and very silently a train would creep up, whether it was working on the yard, or whatever was happening at the time, and would crush someone. And there’s no way to stop a train once it’s going. If a train’s going, a train will not stop on a dime. And pretty much to a T, every single one of the conductors or engineers had stories about hitting someone or maiming someone, and each yard has a therapist in place to deal with that. And more often than not, it’s not their fault. People are committing suicide or people are screwed up and accidently left their cars on the tracks. But it can be a pretty grim business. MTV : Yikes. What was the stunt work like on the film? Pine : The stunt work was pretty hairy stuff. Again, you’re working with actual trains, obviously, so there’s no CG, there’s nothing fake about it. You know there’s trains going really fast, and you have to hang off trains or jump on the train, and thank god we had a wonderful stunt team behind us. And I had a great stunt double. You know, I would try to do everything I could within reason, but once it got really hairy, that’s when I stepped back and went to video village, got my seat, got my drink, and watched the action unfold with everybody else. MTV : What was your most impressive feat, stunt-wise? Pine : Well, if I were to tell you that, I think I’d give away some of the movie, [but] suffice it to say, most of it’s me. If it gets really scary, you can pretty much guarantee it was my wonderful stunt double. MTV : What was your experience like with Mr. Washington and Mr. Scott? Pine : Well, I grew up watching their movies. One of the first movies I ever fell in love with was “Top Gun,” and I’ve been watching Denzel since “Glory,” and on and on and on down the line. So, to work with two of my idols was just a dream come true, and I remember a point early on in the process when we all met in Tony’s office in L.A. It was me and Denzel and Tony and we’re kind of shooting the sh– and talking about life, and seeing if our schedules were going to work out to be able to do this movie. And then afterwards, I kind of had this out-of-body experience thing — “I just had a conversation with two of my idols, one of the best actors of all time, one of the best directors of all time. We were talking about maybe doing a film together if our schedules worked out!” [That was] one of those times when you really remember just how lucky you are and how grateful you are to be able to be in the position. MTV : And for audiences who know you from “Star Trek,” what are they going to get out of this film? Pine : It’s a lot of fun. Like “Star Trek,” it has the genetic code of the summer tentpole movie. It’s fun. It’s action-packed, and it’s got some really interesting, complex characters to kind of anchor the whole thing. And Tony always talked about how the movie was like a train. You know, once it gets going, it just does not stop, and Tony doesn’t give you much time to rest or settle in your seat before something happens. MTV : What do you think about the inevitable “Speed” comparisons? Pine : Well, it’s very much like “Speed” in the sense that … you have two vehicles that are moving, and they’re both capable of inflicting large-scale damage, and it’s up to two people to stop it who are initially at odds. Obviously, Denzel and I don’t fall in love in this one, but there’s a lot of love there for sure. From the saucy Jessica Alba in “Little Fockers” to James Franco’s grueling journey in “127 Hours,” the MTV Movies team is delving into the hottest flicks of fall 2010. Check back daily for exclusive clips, photos and interviews with the films’ biggest stars. Check out everything we’ve got on “Unstoppable.”

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Chris Pine Rode With His Idols For ‘Unstoppable’