Sorry, I know that these pictures of Uma Thurman in a swimsuit should probably come with a Surgeon General’s warning or something: caution, viewing could be hazardous to your boner. So in case of accidental contact with your eyes, just flush them out with pictures of Victoria’s Secret models in lingerie. You’ll feel better in no time. Photos: Fameflynet
A couple of big name movies have been on the Skin Radar recently, with Lars von Trier ‘s latest project, Nymphomaniac being hyped as ” the erotic life of woman through the age of fifty “, and the explicit French lesbian drama Blue is the Warmest Color winning the top prize at the Cannes Film Festival. The good news is that both films are slated to show epic amounts of nudity, the bad news is that all the boundary-pushing hardcore action will include SFX. More after the jump!
Remember that 1998 movie adaptation of the old British TV show The Avengers , starring Ralph Fiennes and Uma Thurman? Me neither, but set artist Stephen Morahan does — if only because he was reminded after working on this week’s Marvel blockbuster of the same name: “[I]t looks a bit odd on your resume. So, I made this before, now it’s something completely different. And when you talk about it, people don’t even know about the other film. it didn’t do very well. I mean, that’s another big difference, too. The original Avengers was a big flop. It bombed.” [ Huffington Post ]
Uma Thurman is pregnant with her third child! This will be the first for the actress and boyfriend Arpad Busson … who called off their engagement in 2009, but recently got back together. In a big way, it appears! “She’s excited,” a Thurman pal said. “She’s happy; just a few months along right now.” The 41-year-old actress already has two children, 13-year-old daughter Maya and 10-year-old son Levon, with her former husband, Ethan Hawke. Her ex-spouse also has two children with his second wife, Ryan. Congratulations to Uma and Arpad “Arki” Busson! [Photo: WENN.com]
Poor Robert Pattinson: The weight of proving himself, in a movie that doesn’t have the words “Twilight” and “Saga” in the title, is shaping up to be heavier than a vampire’s curse. In last year’s Water for Elephants, he had a charming naivete, a seemingly natural shyness that was wholly inoffensive, if not exactly memorable. And as social schemer Georges Duroy in Bel Ami, playing here at the Berlinale out of competition on the festival’s next-to-last day, he works harder to redeem himself than any actor should have to: He applies a scowl from Column A with an eyebrow furrow from Column B to express displeasure; Smirk No. 4 denotes a moment of extreme hubris. The effect is like watching an athlete trying not to break a sweat – you might want to root for him, but there’s a part of you that just wants him to let it all out already. What is it about the guy? Under the direction of first-time filmmakers Declan Donnellan and Nick Ormerod, who have directed mostly for the London stage, Pattinson isn’t half-bad. He doesn’t overreach, which perhaps saves him from embarrassment. But he expends so much energy in his desire to be subtle that he’s the exact opposite of subtle — yet he doesn’t just go all the way and take the performance over the top. Duroy is a fellow of modest means, rattling around Paris bedding the women of influential men to increase his own wealth and power. (The movie was adapted, by Rachel Bennette, from Guy de Maupaussant’s second novel, and it’s a foamy — if somewhat snoozy — bit of picturesque entertainment.) The problem may be that the women around Pattinson run circles around him. They’re the ones you remember, from Uma Thurman’s politically astute Madeleine Forestier, to Kristin Scott Thomas’s mouselike, aging skinny-minny Virginie Walters, to Christina Ricci’s Belle Époch sexpot Clotilde de Marelle. Pattinson, despite the fact that his character is trying to dominate these women, looks a little afraid of them: Perhaps paradoxically, he has more erotic wattage when he’s playing wan Victorian valentine Edward Cullen, his character in the Twilight movies. Here, in his stiff collars and glossy top-hats, he looks like a very lean bird dressed up for dinner, only he’s the one on the plate. I’m wondering how an actor like Pattinson, a guy who’s had so much teenage longing projected onto him he’s practically a walking piece of fan fiction, can ever unravel the tight knots of his own self-consciousness. Or if he can. Watching him in Bel Ami, I found myself hoping he’d rally, looking for subtle glimmers of awareness that might suggest he knows he’s supposed to make us believe he’s a cad, not just act like one. He’s trying so hard — why can’t he use those lizardlike eyes, that cat-that-ate-the-canary smile, in the service of making us forget who he is? Maybe it’s because he can’t forget who he is. And that’s the stiffest, tightest collar any young actor can wear. * * * This is my last post from Berlinale 2012, and here at the tail end of my 10 days here, I’m looking back on all the pictures I wanted to see and didn’t: Bunches of critics were shut out of the crowd-funded Nazis-in-space spoof Iron Sky when it screened late last week; I also missed the much-lauded Marley, directed by Kevin MacDonald, which I hear is an elaborate and involving portrait of the late singer and musician’s life. But there’s no use lamenting the ones that got away. If I can rally for a 10:30 p.m. screening tonight, I might be able to catch Tsui Hark’s Flying Swords of Dragon Gate. Saying good-bye to Berlin with a bit of 3-D craziness doesn’t sound like a bad idea at all. Read all of Movieline’s coverage of Berlinale 2012 here . Follow Stephanie Zacharek on Twitter . Follow Movieline on Twitter .
We’ve got some strange bedfellows nude for you on DVD and Blu-ray this week: First, skindulge in some full-on, tits-out silliness with the nonstop raunch-fests A Very Harold and Kumar Christmas (2011) and Poolboy: Drowning out the Fury (2011), both co-starring Danny Trejo and both nude on DVD (with Harold & Kumar also nude on Blu-ray). Then balance things out with the more refined ribaldry of Dangerous Liasons (1988), nude on Blu-ray and featuring the nude debut of Uma Thurman , and the DVD re-release of Holy Smoke! (1999) featuring smokin’ hot Hall-of-Famer Kate Winslet going full frontal. More after the jump!
Chances are at least a few of your casual conversations about Bridesmaids have revolved around the scene in which Melissa McCarthy is forced to use a bridal shop sink as a toilet. The true beauty of that scene was Kristen Wiig’s Annie, sweat-drenched, trying to stay composed while she was berated over choosing a restaurant that caused some serious gastrointestinal horrors for the ladies. Not to suggest that McCarthy doesn’t deserve the praise; she’s a terrific actress (Sookie forever!). Come Feb. 26, McCarthy will go up against fellow supporting actress Oscar nominees Jessica Chastain and Octavia Spencer from The Help , Janet McTeer , playing a cross-dresser in Albert Nobbs , and Berenice Bejo of silent juggernaut The Artist . Though it’s highly unlikely the shot of McCarthy perched on a bathroom countertop will play on the big screen when her name is announced inside the Kodak Theatre, the image probably won’t be too far from viewers’ minds. The Bridesmaids scene-stealer is far from the only nominee in history who grabbed the attention of moviegoers and the Academy with a role that involved a squirm-inducing scene. Below are a handful of others. Linda Blair, The Exorcist Blair was barely a teenager when she took on the twisted role of Regan in the scariest movie of all time. As far as which scene is most revolting, take your pick: the crucifix-crotch-stabbing, the convulsions, the levitating, the pea soup projectile vomiting. The most enduringly troubling, though, was actually cut from the movie in 1973 but reinstated for the 2000 rerelease: the spider-walk staircase scene. Regan’s freakish contortion is spine-tingling, and seeing it made me wonder what possessed me to catch the rerelease in the theater, with no blanket to duck under. Sissy Spacek, Carrie It takes guts to stand, caked in fake blood, and telekinetically massacre a bunch of kids and teachers at the prom. When Carrie’s suffering finally turns to rage, it’s most remarkable for her silence. Wordlessly, she burns down the auditorium while drowning in the echoes of her deranged mother’s declaration “They’re all going to laugh at you.” The catchphrase stuck, and also serves up chills thanks to the acting finesse of Spacek (and fellow 1977 Oscar nominee Piper Laurie as Carrie’s mother). Glenn Close, Fatal Attraction Before she became a nominee this year for playing a taciturn woman pretending to be a man in Albert Nobbs , Close was a nightmare that Michael Douglas couldn’t shake. Sure, it’s just a punchline now, but 25 years ago, the revelation that Close’s Alex had gone so far as to boil a pet rabbit in her stalkee’s home really struck a nerve and dominated talk of the movie. Close lost the Oscar to Cher in Moonstruck , who sported a similar crazy mane of hair but who had fewer aggressive tendencies (“Snap out of it!”). Kathy Bates, Misery Bates took home the Oscar in 1991 for playing writer- and figurine-obsessed Annie Wilkes, who holds author Paul Sheldon (James Caan) captive until he can produce a new novel that’s to her liking. The film’s infamous hobbling scene is effectively creepy because, really, no one’s ever that perky while wielding a sledgehammer. Bates’ calm demeanor before, during and after the attack is unusually winning. Anthony Hopkins, The Silence of the Lambs All sorts of perversions lead up to this scene, but nothing really prepares us for the moment when Hannibal Lecter finally gets his meal and escapes from prison. “Fava beans and a nice chianti [slurp]” is the big Lecter quotable, but for shock value there’s no match for the sickening sight of him peeling away the face he carved off a prison guard and wore as a mask. Hopkins, who won the best actor Oscar in 1992 for the role, keeps us on edge through the whole sequence.
Uma Thurman, Liv Tyler, and Patti Stanger attended the “2012 Room To Grow Fundraising Gala” at the Mandarin Oriental Hotel in New York City… and wow did the ladies look lovely as they left the event! Always keeping it classy the ladies greeted fans as they left the gala. “Like” us on Facebook @ facebook.com
Robert Pattinson dons dandy tails, a dandy hat, dandy mannerisms, and dandy unintentional hilarity in the new trailer for Declan Donnellan and Nick Ormerod’s adaptation of Guy de Maupassant’s Bel Ami . Yay. He also quivers like Daniel Plainview in one shot, and before he can yell, “I’ve abandoned my child!” like a sessy vampire, you’ll have visions of Dangerous Liaisons as you watch Uma Thurman wear period costuming.