Tag Archives: Voice

Did ‘Hallelujah’ Earn Lee DeWyze A Ticket To ‘American Idol’ Finale?

The judges sure seemed to think so: ‘You just owned the entire night,’ Kara told Lee. By Kara Warner Lee DeWyze Photo: FOX At the beginning of Tuesday night’s (May 18) “American Idol,” Ryan Seacrest declared that the night’s performances were “a fight for the finale.” Well, according to the raucous applause and overwhelmingly positive reactions from the judges, Lee DeWyze won that fight. If DeWyze crushed his fellow contenders in round one, as Kara DioGuardi declared after his performance of Lynyrd Skynyrd’s “Simple Man,” he obliterated them in round two with his spin on the familiar “Idol” pick “Hallelujah.” Simon Cowell explained his selection for DeWyze as wanting “a moment” for the former paint-store worker . “We’ve heard this song before,” Cowell said, alluding to previous versions of the song from Jason Castro and even Tim Urban earlier this season. “We always talk about the moment. I wanted him to do something that shows he has the potential to be a great artist.” DeWyze started out his version of the now-classic Leonard Cohen song softly, slowly building (complete with string accompaniment and a small choir of backup singers) to the night’s undisputable highlight. At the end of the performance, the cameras panned to Simon, who gave a knowing nod. Randy Jackson said he’d been “waiting all season to see who’s going to throw down the real gauntlet to win the whole thing.” He gave credit to Simon’s song selection, then declared DeWyze’s performance as his “biggest moment on this show. That was unbelievable.” Ellen De Generes was glad Lee listened to Simon: “There’s really nothing more to be said. That was stunning. Just stunning.” Kara continued to pile on the praise: “Lee you are what this show is all about: somebody who starts in one place and ends up in an incredible epic moment. You just owned the entire night.” Cowell summed things up nicely: “I’m very, very proud of you. When we sat down last week, I put myself where you were. … This show has given you a break. Tonight, with that performance, you proved you are a fantastic singer and a great person. I really hope you make it to [the finale].” Next week, another Idol will be crowned. But first, one contestant will be eliminated Wednesday night. Who do you think it will be? Sound off in the comments! Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Photos ‘American Idol’ Top 3 Visit Their Hometowns

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Did ‘Hallelujah’ Earn Lee DeWyze A Ticket To ‘American Idol’ Finale?

Crystal Bowersox And Lee DeWyze ‘In It To Win It’ On ‘American Idol’

Casey James seemingly punches his ticket home with lackluster pre-finale performance night. By Gil Kaufman Crystal Bowersox Photo: FOX It’s down to three, and if this season (or any season, frankly) of “American Idol” has taught us anything, it’s all about song choice. Left to their own devices, the top three mostly blew it on Tuesday night with their selections, with only Lee DeWyze earning lukewarm praise for his pick, while Crystal Bowersox and Casey James both elicited tepid responses. Things turned around in the second half when all three got thumbs-ups from the judges (who also happened to pick the songs), and DeWyze sprinted ahead of the pack with a powerhouse performance of the oft-covered Leonard Cohen soul-stirrer “Hallelujah,” which has been the savior of many an “Idol” contestant. First up, though, was Cool, Texas’ James, who chose little-known singer Eric Hutchinson’s 2008 song “OK, It’s Alright With Me,” a tune he said felt like something he could have written. James sang the bouncy pop tune in his signature bluesy rasp and smiled his way through the peppy lyrics, earning a clap-along from the pumped-up audience but clearly not impressing the panel. Randy Jackson said it was just all right and deemed the song choice too safe and easy, and Ellen DeGeneres agreed, reminding James that what he really needed to do was blow the crowd away. “The problem is, it is arguably the most important night of your life,” Simon Cowell said. “You’re lucky you’ve got two song choices, because I would compare that first song to if you were having dinner, that’s the salad. In other words, there’s something more hopefully substantial to come.” He ended by saying James appeared to be busking for change rather than competing to win. Bowersox went with a more recognizable song, picking “Come to My Window” by Melissa Etheridge, a song that seemed like an obvious choice for her voice and blues-mama style. Opening with some Bob Dylan-esque harmonica and finger-picked acoustic guitar, the Elliston, Ohio, native came out a bit wobbly with the first couple of lines but soon found her vocal footing and leaned into the choruses with her big, brassy voice, biting into the passionate lyrics and displaying her signature sass. Kara DioGuardi thought she got lost in the arrangement a bit but still brought a decent vocal. Jackson also didn’t love the arrangement but said Bowersox rose above with her vocals and won him over. Cowell agreed and gave her props for never once compromising during the entire competition. “You came out here and you just decided to do what is you,” he said. “It’s a very honest performance, and I think you probably made the right choice.” Also slinging his acoustic guitar was Mt. Prospect, Illinois’ Lee DeWyze, who said the lyrics to Lynyrd Skynyrd’s “Simple Man” — a tune he has frequently performed at karaoke bars with his hometown pals — have always spoken to him. Starting out solo acoustic, DeWyze didn’t change up the arrangement of the classic-rock ballad too much but still managed to put his patented bar-band-crooner stamp on the tune. After asking him why he chose the song — Lee explained that it just makes him happy — Cowell said Lee picked well. “I don’t think you won round one; I think you just crushed the other two,” Cowell said. Comparing him to a “little baby lamb” when they first met him, Ellen busted out another of her bizarre metaphors and said Lee’s blossomed into a carefree impala. Randy agreed that it was a brilliant song choice and growled, “Somebody here is feelin’ like they could win!” Kara said he did what every wannabe “Idol” winner needs to do: show dynamics and pick a song that has meaning, calling round one for DeWyze. For their judges’ pick, Randy and Kara went with John Mayer’s “Daughters” for James, saying it fit his commercial appeal to women. His eyes narrowed in concentration, James gently strummed an electric guitar, accompanied by some subtle piano and acoustic guitar, as he played a straightforward, smoldering jazz cover of the only contemporary song in the mix, making some flirty eye contact with the camera, and, seemingly, some ladies in the crowd. “This fits you like a glove, and I hope that you continue in this direction,” Jackson enthused, seconded by DioGuardi, who said the song showed his more artistic, vulnerable side. Cowell couldn’t help but laugh at Kara’s commendation of her song choice, saying he liked the performance but had an issue with the “lazy” arrangement and held his fellow judges responsible for not providing James with a “moment.” Ellen gave Paul McCartney’s “Maybe I’m Amazed” to Crystal, hoping it would help show off MamaSox’s range. Sitting on the stairs to start, Crystal put some gospel grit into the tune as she made her way down the stage, growling the lyrics (without changing the gender pronouns!) and putting some serious soul fire on the subtle solo hit from the ex-Beatle. “I couldn’t have asked for more. That’s what I was hoping you’d do, and you did it,” smiled DeGeneres, after Jackson shouted, “Great song, great vocals, and America, we got somebody else in it to win it!” Kara praised her for putting down the guitar and showing off new parts of her voice. “What you’ve proved after that performance is that you’ve got soul,” said Cowell, who was initially wary of the song choice. “You worked outside of your comfort zone, and after that, you may be thanking Ellen next week for putting you in the final. That was terrific.” Going back to a song that has been pay dirt for several former “Idol” contestants, Cowell chose Leonard Cohen’s “Hallelujah,” which the judge said he suspected DeWyze could knock out of the box. Backed by a string section and a gospel choir and bathed in white spotlights, Lee poured all of his gravelly spirit into the song, his voice rising to meet the ascending arrangement before climaxing with a sustained note that earned him a standing ovation and, likely, a berth in the finale. “Lee, you are what this show is all about,” Kara gushed. “Somebody who starts in one place and ends up here tonight in an incredible, epic moment. You are the heart of this show this season, and you just owned the entire night.” Jackson gave props to Cowell for picking the song and called the performance unbelievable, as Ellen concurred, calling the tour de force “stunning.” Never one to mince words, Cowell said he was very proud of DeWyze and said the performance proved he was a “fantastic singer and a great person” who is on his way to realizing his dream. Wednesday night’s elimination show will determine this season’s finalists and will feature performances from Justin Bieber and Travis Garland. How do you think the top three did? Who came out on top? Who is probably going to go home? Leave your comments below. Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions.

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Crystal Bowersox And Lee DeWyze ‘In It To Win It’ On ‘American Idol’

Ronnie James Dio Remembered By Rob Zombie, Mastodon, Others

‘He will forever be imitated but he will never be duplicated,’ Zombie says of metal icon. By Ryan J. Downey Ronnie James Dio Photo: Sanctuary Records Rob Zombie, Killswitch Engage, Mastodon and Fear Factory have released statements to MTV News as the heavy metal community continues to mourn the loss of Ronnie James Dio . The legendary and iconic vocalist passed away after a battle with stomach cancer early Sunday morning. He was 67. “It is a very sad day for the world of metal when an artist as unique and special as Ronnie James Dio leaves us,” Zombie said in an e-mail to MTV News. “He will forever be imitated but he will never be duplicated.” In 2006, Killswitch Engage offered up a loving imitation of their own, unleashing a cover of Dio’s “Holy Diver,” which became a staple of their live sets. A medieval-themed music video for their version, which received regular airplay on MTV2’s “Headbangers Ball,” featured all of the band members in character as people who could have been lifted right out of Dio’s lyrics. Guitarist Joel Stroetzel played a wizard. “Since my childhood, Dio has always been a hero,” Stroetzel told MTV News. “He was the definition of metal. His solo work, his work with Black Sabbath — he always inspired me. I will continue to be infinitely thankful for all of the music he has created over the years. He will be greatly missed and never forgotten. God bless.” “Holy Diver,” “Rainbow in the Dark” and “The Last in Line” are just a few of the classic songs Dio recorded with his solo band. He was equally beloved for his work with Rainbow and Black Sabbath. One of the many fans of Dio-led Sabbath albums like Mob Rules is Burton C. Bell, vocalist for Fear Factory. “Dear Ronnie James Dio,” Bell said in a statement. “Thank you for your wisdom, your inspirational words, and your spiritual vision. In my youth, your voice and music had a major impact on my mind, and introduced me to the beauty and power of the dark arts. Your voice will always resonate within me.” Another contemporary American metal band, Mastodon, prepared a group statement released exclusively to MTV News: “There are only a few names that ring synonymous with heavy metal, and Ronnie James Dio is one of them. So to find out that a true pioneer of our genre had passed on was devastating to say the least. Thank you, Ronnie James Dio, for your unbelievably powerful voice, your dedication to your fans and for paving the way for generations of aspiring musicians, present and future. The horns will live on forever!” Lars Ulrich of Metallica as well as Dio’s bandmates Tony Iommi and Ritchie Blackmore previously released statements regarding Dio’s passing. Ronnie James Dio (born Ronald James Padavona) is survived by his wife and manager Wendy, son Daniel, grandchildren Julie and Joey, and father Pat. Share your memories of Ronnie James Dio and his musical legacy in the comments below. Related Photos Ronnie James Dio: A Life In Photos Related Artists Ronnie James Dio Black Sabbath Mastodon

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Ronnie James Dio Remembered By Rob Zombie, Mastodon, Others

Ronnie James Dio Remembered By Metallica’s Lars Ulrich

Drummer salutes late Dio/ Black Sabbath/ Rainbow singer in long, heartfelt post on Metallica’s website. By MTV News staff Ronnie James Dio Photo: Paul Natkin/WireImage When an artist has a career as long and legendary as that of heavy metal singer Ronnie James Dio, who died Sunday after battling stomach cancer, the influence can be felt by generations of musicians. The singer — who fronted Rainbow, Black Sabbath, Heaven and Hell and his own band, Dio, over the years — was remembered by many musicians in the hours after his death was announced on Sunday, including members of Slipknot, Slayer, Anthrax and others . Yet Metallica’s Lars Ulrich wrote an extremely heartfelt, personal and lengthy letter to Dio posted on Metallica’s official website , drummer recalling seeing Dio’s band Elf opening for Deep Purple in Denmark in 1975. “Dear Ronnie, I just got off stage in Zagreb. I was met with the news that you’ve passed on,” he wrote. “I’m kind of in shock, but I wanted you to know that you were one of the main reasons I made it onto that stage to begin with. When I first saw you in Elf, opening for Deep Purple in 1975, I was completely blown away by the power in your voice, your presence on stage, your confidence, and the ease with which you seemed to connect to 6000 Danish people and one starry-eyed 11 year old, most of whom were not familiar with Elf’s music. The following year, I was so psyched when I heard the results of you joining forces with my favorite guitar player [Ritchie Blackmore left Deep Purple to form Rainbow with Dio in 1975]. You guys sounded so right for each other and I instantly became Rainbow’s #1 fan in Denmark. “In the fall of 1976, when you played your first show in Copenhagen, I was literally in the front row and the couple of times we made eye contact you made me feel like the most important person in the world. The news that you guys were staying in town on your day off somehow embedded itself in my brain and I made the pilgrimage to the Plaza Hotel to see if I could somehow grab a picture, an autograph, a moment, anything. A few hours later you came out and were so kind and caring … pictures, autographs and a couple minutes of casual banter. I was on top of the world, inspired and ready for anything. “When we finally got a chance to play together in Austria in 2007,” the post continues, “even though I may not have let on, I was literally transformed back to that little snot-nosed kid who you met and inspired 31 years earlier and it was such a f—ing honor and a dream come true to share a stage with you and the rest of the legends in Heaven and Hell. A couple of weeks ago when I heard that you were not going to be able to make it to the Sonisphere shows that we would be sharing this June, I wanted to call you and let you know that I was thinking of you and wish you well, but I kind of pussied out, thinking the last thing you needed in your recovery was feeling obligated to take a phone call from a Danish drummer/fan boy. I wish I’d made that call. “We will miss you immensely on the dates, and we will be thinking of you with great admiration and affection during that run. It seemed so right to have you out on tour with the so-called ‘Big Four’ since you obviously were one of the main reasons that the four bands even exist. Your ears will definitely be burning during those two weeks because all of us will be talking, reminiscing and sharing stories about how knowing you has made our lives that much better. “Ronnie, your voice impacted and empowered me, your music inspired and influenced me, and your kindness touched and moved me. Thank you. Much love, Lars” Related Photos Ronnie James Dio: A Life In Photos Related Artists Ronnie James Dio Black Sabbath Metallica

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Ronnie James Dio Remembered By Metallica’s Lars Ulrich

Queen Latifah Says Common Brought ‘Dynamics’ To ‘Just Wright’

‘I could no longer walk out onto a set and look at a bunch of white males,’ Queen says of her producer role. By Jayson Rodriguez Photo: MTV News “Just Wright,” which opened Friday (May 14), is Queen Latifah’s fifth film as a producer. The hip-hop icon says that she tries to make each project reflect her reality — and that’s how Common ended up cast in his first lead role . “Every time that I do a movie, when I get into a position of power and my voice actually meant something, I realized that I could no longer walk out onto a set and look at a bunch of white males,” she told MTV News. “That was just no longer acceptable. I need to see dynamics. I needed to see what I just came out of from walking off the street when I came in here. Where are the women? Where are the people of color? I need to see that in front of me, ’cause I just don’t feel like it’s right.” According to Latifah, Common was the perfect candidate for the role, but the witty MC still had to prove his mettle with the production team. “There’s a difference, man,” Common said about being a leading man. ” ‘Cause I remember, specifically, my first [role] doing ‘Smokin’ Aces,’ I got there at, like, 6 in the morning — I was sitting in the trailer, and I wasn’t thinking about listening to music, ’cause I wanted to stay focused. I was just sitting there focused, and then they called lunch at 12, and I thought, ‘Dang, they ain’t doing the scene yet?’ And then we went back, and then it was 5 o’clock, and they told me they didn’t need me for the day, and I’d been zoning in the whole time! So I’m getting changed, and 20 minutes later they come back, ‘Hurry up, get into the scene.’ That let me know it’s a roller coaster in this thing, and you just got to be prepared. But as a leading man, you’re there, boom, you gotta be working every day.” Latifah said she hopes to continue promoting untapped talent to move up the ladder in Tinsel Town. “If I’m here, if I made it here and I don’t do my part to make sure that the set is more dynamic,” she said, “and I don’t mean hire unqualified people, but go find some qualified people in these areas and make sure when I look up I’m looking at a little bit more of a rainbow around here. ‘Cause that makes me feel better. It makes me feel blessed to be in a position to do it.” Are you excited to see Common star in “Just Wright” with Queen Latifah? Let us know in the comments! Check out everything we’ve got on “Just Wright.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com .

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Queen Latifah Says Common Brought ‘Dynamics’ To ‘Just Wright’

Lena Horne Funeral Attended By Family, Famous Friends

Vanessa Williams was among mourners at New York memorial service. By James Montgomery Lena Horne’s funeral program Jazz great Lena Horne, who died Sunday at age 92, was remembered by hundreds of mourners at New York’s St. Ignatius Loyola church on Friday (May 14). At the funeral — attended by Vanessa Williams, former Mayor David Dinkins and actress Jenny Lumet — Horne was remembered by those who knew her as a girl from Brooklyn who became a world-renowned singer and actress and, in the process, lent her voice to those oppressed by decades of racism. But she was also so much more. “[She] was so many ideas existing all at the same time, in the same space, and they were all conflicting, and they were all true,” Lumet said, according to reports . “I’ve tried to sum her up and I can’t. … Summing up really means it’s over, and I think she’s not over and that she’s quite infinite.” Horne’s paternal grandparents were early members of the NAACP civil-rights organization, and in a precursor to her lifelong battle on behalf of equal rights, she was the cover girl for the organization’s monthly bulletin in October 1919, when she was just 2 years old. She would go on to sing at Harlem’s legendary Cotton Club, appear in Broadway productions and star in Hollywood films, though she would often refuse to play roles that portrayed blacks in subservient positions, which limited her appearances. By the 1940s, she was the top-earning black performer in Hollywood, playing lucrative nightclub gigs and gaining popularity among black and white G.I.’s during World War II. Horne’s sultry voice would go on to dazzle fans for decades on hits like “My Blue Heaven” and “Stormy Weather.” Upon learning of her death, a whole new generation of artists — including Alicia Keys, Diddy and Monica — remembered Horne as a pioneer and a prodigious talent, one the world would probably never see the likes of again. Share your memories of Lena Horne in the comments. Related Photos Family And Friends Say Goodbye To Lena Horne

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Lena Horne Funeral Attended By Family, Famous Friends

Kate Nash Covers All The Bases On My Best Friend Is You

‘I don’t really stick to one thing,’ singer/songwriter says about the eclectic sounds on her new album. By James Montgomery, with reporting by Kelly Marino Kate Nash Photo: MTV News Kate Nash is an extremely verbose 22-year-old British singer/songwriter who just released her second album, the extremely verbose My Best Friend Is You, an album that’s long on lyrics (most of them exceptionally funny, tender and/or biting) and even longer on musical influences. Here, in her own rapid-fire way, is her take the album: “How would I describe in a few words? Erratic, in the sense that I don’t really stick to one thing, because as a human being I go through different mood swings. Sometimes I want to do something raw and a bit more punk-y, like ‘I Just Love You More’ to ‘I Hate Seagulls,’ it’s a big difference … and fun, like, I like to have a sense of fun in what I write, and passionate, because I can only really do stuff I care about.” The follow-up to Nash’s 2007 debut Made of Bricks (an album that was a hit in her native U.K. thanks to the success of her single “Foundations” ), Best Friend explores the same lyrical themes as her first album — love, sadness, mean girls, mean boys, her various imperfections and insecurities, BBQ — but it’s the music that’s undergone a drastic transformation. Working with Suede guitarist Bernard Butler, she’s crafted a collection of songs that are delightfully raw, rambunctious and ragged. It’s very much a portrait of a pop princess growing beyond her boundaries, and Nash isn’t too worried about who she alienates because of it. “I think it’s good when people slag you off a bit. … I feel like I’m sort of a bit like Marmite , like, people either really love my stuff or they really hate it,” she laughed. “And I never want to be bland … so this is just sort of the record I wanted to make. It was really how I wanted to express myself and what I was listening to — a lot of riot grrrl, Bikini Kill and Bratmobile and Sleater-Kinney and also, like, ’60s girl groups like the Supremes and the Shirelles.” And all those influences — and a whole lot more — are readily apparent on Best Friend. Whether it’s the first single “Do-Wah-Doo,” the media-baiting “I’ve Got A Secret” (which hints at a lesbian encounter and thumbs its nose at “uneducated people,” according to Nash,) the snarling, strutting “I Just Love You More,” or even album-closing ballad “I Hate Seagulls,” Nash proudly and loudly displays her allegiances. But for all the sounds she packed on the album, perhaps the most stunning moment features nothing more that her voice — it’s the spoken intro to “Mansion Song,” a raw, profane rant against rock-and-rollers and the girls who love them (sample line: “I fancy the hip, rock-and-roll scenester/ I wanna be f—ed and then rolled over, ’cause I’m an independent woman of the 21st century”) that not only shocks, but hints that Nash has a whole lot more to say — and she’ll be saying it for a long time to come. “Well, it’s a reflection on groupie culture, and these young girls selling themselves short and using sex as a way to empower themselves — I don’t know what they’re searching for; they must be feeling insecure to allow these men to disrespect them like that,” she said. “And then at festivals you see them and everyone thinks, ‘Oh, they’re a slag,’ or, ‘Oh, they’re dumb,’ and I think that’s sad, because there is a brain in there and there probably is someone who can do something really interesting and have an opinion and be smart and funny, but that’s the only way the world sees them … or something like that.” Are you excited for Kate Nash’s new album? Let us know in the comments below! Related Artists Kate Nash

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Kate Nash Covers All The Bases On My Best Friend Is You

CMT’s 2010 Music Awards Full List of Nominees

The Country Music Associaton Awards is an annual country msic awards show, which was established in 1967. Here is the full list of the CMT 2010 Awards nominees. Male Video of the Year • Jason Aldean – “The Truth” • Billy Currington – “People Are Crazy” • Toby Keith – “American Ride” • Tim McGraw – “Southern Voice” • Keith Urban – ” ‘Til Summer Comes Around” Female Video of the Year • Miranda Lambert – “White Liar” • Reba McEntire – “Consider Me Gone” • Taylor Swift – “You Belong With Me” • Carrie Underwood – “Cowboy Casanova” Group Video of the Year • Gloriana – “How Far Do You Wanna Go?” • Lady Antebellum – “Need You Now” • Rascal Flatts – “Here Comes Goodbye” • Zac Brown Band – “Toes” Duo Video of the Year • Brooks & Dunn – “Indian Summer” • Steel Magnolia – “Keep On Lovin’ You” • Sugarland – “Keep You” • Sugarland – “Nightswimming/Joey” USA Weekend Breakthrough Video of the Year • Luke Bryan – “Do I” • Laura Bell Bundy – “Giddy On Up” • Easton Corbin – “A Little More Country Than That” • Steel Magnolia – “Keep On Lovin’ You” Collaborative Video of the Year • Jason Aldean and Bryan Adams – “Heaven” • Kenny Chesney with Dave Matthews – “I’m Alive” • Kellie Pickler featuring Taylor Swift – “Best Days of Your Life” • Blake Shelton featuring Trace Adkins – “Hillbilly Bone” CMT Performance of the Year • Lady Antebellum – “Lookin’ For A Good Time” • Reba McEntire – “Consider Me Gone” • Tim McGraw – “Southern Voice” • Brad Paisley – “Then” • Carrie Underwood – “Temporary Home” Video Director of the Year • Deaton Flanigen (eligible videos include: Jason Aldean’s “The Truth” and Carrie Underwood’s “Temporary Home”) • Chris Hicky (eligible videos include: Miranda Lambert’s “White Liar” and Justin Moore’s “Small Town USA”) • Shaun Silva (eligible videos include: Kenny Chesney’s “Out Last Night” and Rascal Flatts’s “Summer Nights”) • Roman White (eligible videos include: Taylor Swift’s “You Belong With Me” and Kellie Pickler’s “Best Days of Your Life”) Video of the Year Final nominees to be announced during live telecast, with final voting held online at CMT.com during the show. • Jason Aldean – “The Truth” • Kenny Chesney – “Out Last Night” • Toby Keith – “American Ride” • Lady Antebellum – “Need You Now” • Miranda Lambert – “White Liar” • Brad Paisley – “Welcome to the Future” • Taylor Swift – “You Belong With Me” • Carrie Underwood – “Cowboy Casanova” • Keith Urban – ” ‘Til Summer Comes Around” • Zac Brown Band – “Toes” CMT’s 2010 Music Awards Full List of Nominees is a post from: Daily World Buzz Continue reading

Paramore Working On New Songs — Two Seconds At A Time

Band says ideas for new songs are often born on tour, but usually write at home. By James Montgomery Paramore’s Hayley Williams Photo: MTV News It seems odd to talk about “new” Paramore songs, given that their Brand New Eyes album is just seven months old, but the fact remains that there actually are some new tracks in the works … albeit ones that are progressing very slowly. “[Frontwoman Hayley Williams] normally needs to rest her voice during show days, so she’ll come to soundcheck sometimes and just listen to her in-ear monitors,” drummer Zac Farro told MTV News on Saturday at the Bamboozle festival in New Jersey. “The other day, we were just messing around — we have a couple of songs we just play for fun. They’re never anything we’ll probably use, but we’ve been playing them for a while. [They’re] just random, two-second things.” So while it sounds like those “two-second” things might not amount to much, Farro quickly added, “Actually, ‘Decode’ and ‘I Caught Myself’ [ Paramore’s two songs on the “Twilight” soundtrack ] were kind of written that way, so you never really know.” Williams agreed, though she made it clear that the band is still very much focused on playing songs from Brand New Eyes, and said that the majority of writing for the follow-up — whenever it may happen — will take place at home in Franklin, Tennessee. “We like coming up with new things, but, like Zac says, it’s usually at home, at practice,” Williams said. “We usually write intros and outros for shows, and that’s a good outlet for us, and a way to keep our creative brains rolling and keep our chops up. But, like he said, it’s like two seconds and then we’re done.” And Paramore will have even more time to work on those two-second outbursts (maybe even extending them to four or five seconds,) when they hit the road on the Honda Civic Tour with Tegan and Sara and New Found Glory. The trek kicks off July 23 and already, Williams and company are getting pumped — even if it means they’re not going to be home any time soon. “We all like a bit of everything, musically, and you can usually tell that in our [concert] bills,” Williams said. “I think Honda Civic Tour is the most diverse lineup we’ve ever had. And I’m really psyched about it. I saw Tegan and Sara in Nashville, and they were great. It’s going to be a lot of fun!” Related Artists Paramore

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Paramore Working On New Songs — Two Seconds At A Time

Bret Michaels Is ‘Definitely Doing Better,’ Sister Says

Michelle Sychak says her brother is starting to walk and no longer has slurred speech. By Gil Kaufman Bret Michaels Photo: Michael N. Todaro/Getty Images Bret Michaels remains in the intensive care unit nearly two weeks after suffering a brain hemorrhage , but his sister said on Monday that he is making slow, steady progress. Speaking again to the “Todd n Tyler Radio Empire” radio show, Michelle Sychak said she spoke to her brother on Saturday and that Michaels was “definitely doing better — he was kind of getting up and starting to walk a bit … because they don’t want the blood to clot.” The other good news was that the Poison singer no longer has slurred speech, according to his sister, but that progress has come along with some other issues. “What’s happened is all that blood in his brain is starting to drain, and he’s starting to have a lot of back pain,” she said, noting that her brother is getting antsy about being in the hospital and is eager to leave. “I can hear it in his voice. I know he’s in a lot of pain. … I said, ‘Bret, considering what you’ve been through … things could be so much worse.’ ” Sychak said Michaels’ slurred speech might have partly been caused by the morphine doctors were giving him for pain. Despite optimistic reports from the Michaels camp that he could be up and back out on the road by the end of the month — which she said was a misunderstanding about the soonest he could possibly be back onstage — Sychak said she’s hopeful, but realistic about the challenges the 47-year-old rocker faces. “Obviously, if he’s up and moving, that’s great, but honestly it’s not going to surprise me if he’s still in the ICU on Friday,” she said. “I think (the doctors are) having a problem really getting the bleeding. … Even though they’ve sort of caught it, I think there are some issues with them really stopping and figuring out the source. That’s why [there’s] back pain.” The news came on the same day that doctors at the Barrow Neurological Institute in Phoenix, Arizona, were preparing for their first press conference on Michaels’ condition on Tuesday (May 4). Neurologists and neurosurgeons from the institute are scheduled to discuss the case at 12 p.m. PT, providing an update on Michaels’ condition, treatment and prognosis. Related Videos The Poison And Bret Michaels Video Playlist Related Photos Bret Michaels’ Career In Photos Related Artists Bret Michaels

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Bret Michaels Is ‘Definitely Doing Better,’ Sister Says