Tag Archives: Voice

Casey James and Andrew Garcia Lead Semifinal Parade of Men

We’re glad we’re not an American Idol contestant this season. Partly because we have an atrocious voice and would be laughed out of the competition. But also because the judges seem more scatter-brained and confusing than ever: be original, they tell contestants, but not so original that you butcher a song. Be true to who you are, they add, but also mix it up and stand out. For example: If you didn’t like Tyler Grady’s 70s schtick, panel, why did you select him for the semifinals? With that complaint out of the way, we’ve ranked last night’s set of live performances from best to worst: Casey James : Yes, we’re suckers for the Bryan Adams single “Heaven.” But aside from his voice, we admired James for the classy way he handled the show’s focus on Kara’s fawning over him. Andrew Garcia : Stop bringing up his great rendition of “Straight Up” from an earlier round, judges, and focus on each performance. We loved his arrangement on “Sugar We’re Going Down.” Todrick Hall : We’re probably alone with this pick, but the guy took a major risk by re-working a Kelly Clarkson classic and he gets props for that. Lee DeWyze : We had no idea he had this in him. Solid work on “Chasing Cars” and the official male dark horse. John Park : Did he try to do much with a difficult song? Yes, but he wants to marry Shania Twain and the show could use someone with a sense of humor. Alex Lambert : The judges actually did call this one perfectly. He has potential, but just needs to get more comfortable on stage. Aaron Kelly : If he had waited a year or two to try out, could have been a front-runner. Decent performance of “Here Comes Goodbye.” Joe Munoz : We’re just glad he didn’t choose the popular Jason Mraz song everyone sings. Actually not bad, but a lack of stage presence and star power. Jermaine Sellers : Over-singing alert! The guy just tries too hard on stage and it doesn’t look natural. Michael Lynche : We’re huge fans of “Big Mike” as a person. Nice, sweet guy. But he simply lacks the vocal talent. Tyler Grady : We never liked his 1970s look. Way too much of a gimmick. Tim Urban : Actually worse than Lacey Brown the night before. Browse through performance photo of the competitors from last night and let us know: Who was your favorite?

Read more from the original source:
Casey James and Andrew Garcia Lead Semifinal Parade of Men

Lilly Scott’s ‘Fixing A Hole’: The Story Behind The Cover

‘American Idol’ contestant makes a song by the world’s most famous band her own. By Larry Carroll Lilly Scott on ‘American Idol’ Tuesday Photo: Fox She’s not Eleanor Rigby, she’s not Maxwell with his silver hammer and she certainly isn’t Sgt. Pepper. But on tonight’s “American Idol,” final 24 contestant Lilly Scott took center stage with a unique spin on another classic song by the world’s greatest rock band and judges were unable to find any holes in her performance. Scott — or, as Ryan Seacrest describes her, “the pride of Denver” — covered “Fixing a Hole” by the Beatles, one of the lesser-known classics off their 1967 Sgt. Pepper’s Lonely Hearts Club Band, a record largely considered to be among the greatest albums ever made. To many, stepping into the shoes of Lennon and McCartney would be a daunting task. But Scott took center stage with nothing but a guitar, green dress and Anna Faris-like haircut and made it her own. “That’s what we’re talking about!” Ellen DeGeneres praised her after the performance. “You have such a unique voice!” Kara DioGuardi agreed, saying, “You’re unbelievable. Everyone is gonna remember you tonight.” Even difficult Simon Cowell had a hard time finding fault, calling her moment in the spotlight among “the best we’ve had so far. You sang this song because it portrayed you as an artist.” Written by Paul McCartney, “Hole” was the fifth song on the Beatles’ groundbreaking concept album. Over the years, its use of words like “hole” and “fix” — and its psychedelic vibe — have led many to believe it is about heroin injection. Other theories include everything from it being about holes in the road to holes in the roof of the Scottish farmhouse McCartney owned at the time. The rock legend did admit in a 1967 that the lyric “See the people standing there/ Who disagree, and never win/ And wonder why they don’t get in my door” was a reference to the fans who hung around the front door of his home in those days. As for 20-year-old Scott from Littleton, Colorado, she auditioned in Denver after a period spent performing locally with a band called Varlet and time spent as a street musician. Citing her main influences as indie and classic rock, she began her path to “Idol” when she sang the national anthem at Mile High Stadium at only 5 years old. Get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions. Related Artists The Beatles

See more here:
Lilly Scott’s ‘Fixing A Hole’: The Story Behind The Cover

‘American Idol’ Top 12 Females Take Stage For First Performance Night

Underdogs Paige Miles, Lilly Scott and Katelyn Epperly shine during new judge Ellen DeGeneres’ first official show. By Gil Kaufman Paige Miles on ‘American Idol’ Tuesday Photo: Fox After endless weeks of prep, “American Idol” finally went live Tuesday (February 23), offering fans of the show the first look at the top 12 female performers as well as new judge Ellen DeGeneres, who quickly established that she will be offering up plenty of good advice mixed with comedy chops and support. DeGeneres, who uncharacteristically seemed nervous at times, set the tone early, setting up a video gag explaining why she was on the opposite end of the judge’s table from Simon Cowell, explaining that he “wants” her via a doctored clip in which he appeared to be feeling her leg under the table during Hollywood week. And then it was on to the real business of the night as preschool teacher Paige Miles, 24, went first, growling her way through a peppy, gritty cover of Free’s classic rock staple “All Right Now.” “I think out of all the girls you have the best voice,” Cowell said, before blasting her for the poor choice of what he called a cheap wedding-singer tune. Kara DioGuardi loved the soulful take on the rock song, also praising her chops. One of the season’s early audience favorites, 22-year-old student Ashley Rodriguez, took on Leona Lewis’ “Happy,” offering up a breathy, dramatic and sometimes off-key version of the song by one of Cowell’s prot

Sean Garrett Joined By Lil Wayne, Nicki Minaj For The Pen

‘You know we got a lot going on. 2010’s going to be a big year,’ singer/songwriter says in Mixtape Daily. By Shaheem Reid Sean Garrett Photo: Interscope Don’t Sleep: Necessary Notables Headliner : Sean Garrett Mixtape : The Pen: Vol. 1 Key Collaborations : “Up in My Heart” featuring Gucci Mane, “Patron” featuring Pharrell Williams, “Get It All” featuring Nicki Minaj, “Girlfriend Ringtone” featuring Lil Wayne. Essential Info : Sean Garrett is what you call a super songwriter. His pedigree is unmatched by most. You should already know his stats with artists such as Beyonc

Is The Washington Legislature Really ‘Too Busy’ To Protect Medical Marijuana Patients?

Artwork: Jimmy Wheeler The late Jimmy Wheeler, a medical marijuana patient in Washington, created this artwork. Now a proposed patient protection bill will be named in his honor. ​By Steve Elliott at Toke of the Town As most medical marijuana patients in the state already know, the current medical marijuana law in Washington doesn’t protect patients from search, arrest or prosecution. The recent Washington Supreme Court ruling in State v. Fry further highlighted how little protection — as in almost none! — the current law gives “legal” patients. Medical marijuana activists Ken Martin and Steve Sarich of patient advocacy group CannaCare contacted every Senator and Representative in Washington at the beginning of the current 2010 legislative session, attempting to find a sponsor for their new bill that would finally offer legal patients protection from arrest and prosecution. “We could not find a single sponsor for this bill,” Sarich told Toke of the Town . “Those I actually spoke with told me they were ‘too busy’ this session.” “This made us curious about what, exactly, these legislators were so busy working on (besides new taxes on just about everything),” Sarich said. “What we found amazed us.” “Here are just a few of the bills that our legislators believed were more important than protecting sick and dying patients in Washington,” Sarich said. XB 6255 Concerning mute swans. SB 5192 Allowing dogs in bars. SB 6207 Allowing local governments to create golf cart zones. SB 6284 Recognizing Leif Erickson day. HB 1024 Designating Aplets and Cotlets as the state candy. XB 6128 Concerning taxation of little cigars. HB 1137 Protecting landowners’ investments in Christmas trees. SB 5011 Prohibiting the sale or distribution of certain novelty lighters. HB 1638 Concerning colon hydrotherapy. HB 1993 Allowing fishing license holder to use two poles in selected state waters. “Perhaps these bills are truly important to some people,” Sarich allowed. “That said, I think it’s insulting to tell patients that making Aplets and Cotlets the official state candy is more important than keeping patients from being searched, arrested and prosecuted.” Medical Marijuana Lobby Day: Wednesday, February 24 “It’s time to send the message to our elected officials, and Medical Marijuana Lobby Day is the opportunity to do that!” Sarich said. “Show up and have your voice be heard.” “We are gathering at 1 p.m. on the north stairs of the Legislative Building,” Sarich said. “We’ll have white booths there with literature, posters and special medical marijuana patient scarves with buttons that say “STOP ARRESTING PATIENTS.” According to Sarich, the goal is to educate legislators, “let them know we are voters and activists,” to to gather legislative sponsors for the “Patient Protection Act” for the 2011 legislative session. “The bill will be named the ‘Jimmy Wheeler Memorial Patient Protection Act’ in honor of my friend and longtime activist who was providing medical marijuana to patients before there there was legal medical marijuana,” Sarich said. “Jimmy died recently without ever seeing patients free from arrest and prosecution in his lifetime,” Sarich said. “Please ask yourself how many more of us have to die before they realize we are not criminals.” “How many patients need to be persecuted before our elected officials provide us with the same protections offered to the rest of the disabled and terminally ill patients in this state?” Sarich asked. “I’m tired of being a second class citizen!” “We will do our best to arrange transportation for you to this historic event,” Sarich said. For more information, contact Ken Martin at (509) 235-5485 or Steve Sarich at (206) 407-3017.

Read more here:
Is The Washington Legislature Really ‘Too Busy’ To Protect Medical Marijuana Patients?

Kanye West’s New ‘Coldest Winter’ Video Is ‘Haunting,’ Director Says

Nabil Elderkin calls clip, premiering this week, ‘minimalistic, slow and very visual.’ By Jayson Rodriguez Kanye West Photo: Bryan Bedder/ Getty Images Kanye West continues to release videos for 2008’s 808s & Heartbreak album as the rapper is set to debut the latest, “Coldest Winter,” this week. The clip was helmed by frequent collaborator Nabil Elderkin who also directed West’s “Paranoid” (featuring a cameo by Rihanna) and “Welcome to Heartbreak.” Elderkin said for “Coldest Winter,” one of the most personal records on the emotional project, based on West’s past relationship with his former fiance and the lost of his mother, the video isn’t as intense as their previous work together. “It’s pretty minimalistic,” he said. “It’s slow and very visual. I just wanted to catch the vibe of the song and not get too literal. Because the lyrics are very close to Kanye and go much deeper than the video goes, obviously hearing the song you know it’s very emotional.” In the track, West, replete with an ominous AutoTune-tinged quality to his voice, express his dismay over a lost loved one. “Goodbye my friend, will I ever love again?” he croons repeatedly throughout the track. The director wrote the treatment for the project and described the final product as a boundary-pushing effort compared to their past work. According to Elderkin, the pair experimented in the visual medium in a way they haven’t ever done before. He said the process was more challenging for him, particularly since West wasn’t a part of the editing process and only saw the final version. The MC, however, approved the finished product. The final version even includes a revamped version of the track, according to Elderkin. “This is definitely more of a haunting one,” he said of the number. ” ‘Cause this is sort of a remix. I don’t think anyone has heard this version of the song. He did some really amazing sound work to this one. This one he got into his production a little bit more.” At press time, the debut date for the “Coldest Winter” video had not been announced. Related Artists Kanye West

Read the original here:
Kanye West’s New ‘Coldest Winter’ Video Is ‘Haunting,’ Director Says

Jay-Z Rocks Tour Opener Despite Hoarse Voice

Beyonce, Diddy, Alex Rodriguez in crowd for Miami show. By Hillary Crosley Jay-Z performs in Miami on Saturday Photo: Larry Marano/WireImage Jay-Z opened the North American leg of his BP3 tour at Miami’s BankAtlantic Center on Saturday with wife Beyonc

Justin Timberlake Sings Praises Of New Artists Esmee Denters, Free Sol

‘She’s just so consistently talented. She sings like a little bird,’ singer said of Denters, whom he signed to Tennman Records. By Jocelyn Vena, with reporting by Tim Kash Justin Timberlake and Esm

Family Guy Actress with Down Syndrome’s Sarah Palin Smackdown Too Hot for NYT

The latest twist in the important controversy of Family Guy making fun of Trig Palin: An actress with Down syndrome said Sarah Palin “does not have a sense of humor.” She was in the offending episode. Updated with more zing! Andrea Fay Friedman played the girl with Down syndrome Chris dated in the episode. (Her IMDB says she’s been on Saving Grace , Law & Order: SVU and 7th Heaven among other shows.) She was the one who said the fateful line which incurred Sarah Palin’s facebook-based ire : “My dad’s an accountant, and my mom’s the former governor of Alaska.” (Gawker.tv has got the clip .) And she has something to say to no-fun Sarah Palin, which she said in an email to the New York Times . However! It appears that what the Times printed was just the nice portion of a much meaner email Friedman sent out to various media outlets. The blog Palingates has published the uncensored email: I guess former Governor Palin does not have a sense of humor. I thought the line “I am the daughter of the former governor of Alaska” was very funny. I think the word is “sarcasm.” In my family we think laughing is good. My parents raised me to have a sense of humor and to live a normal life. My mother did not carry me around under her arm like a loaf of French bread the way former Governor Palin carries her son Trig around looking for sympathy and votes. (Emphasis mine.) How does one say in English… “Zing?” The Times , however, stops at “my parents raised me to have a sense of humor and to live a normal life.” They must have done the calculations and figured that being able to interview Sarah Palin in the future was worth more than printing Friedman’s awesome email in full. How mainstream media. It’s too bad, because the best part about Friedman’s response was also the point—such as there was one—of the Family Guy gag: Palin used Trig so blatantly as a campaign tool, and positions herself so squarely as the voice of the disabled community (see: “death panels”), that of course the one person with Down syndrome to appear in the Family Guy episode would be related to her. We can think of many, many well-meaning but possibly ‘edgy’ jokes to make right now. But we’re watching the Olympics and don’t feel like reading a bunch of pissed-off comments from people who would, like Sarah Palin, take these jokes the wrong way. So, let’s just say: Excellent work, Andrea Fay Friedman. Stop being so wimpy, New York Times . And: U-S-A! U-S-A!

Here is the original post:
Family Guy Actress with Down Syndrome’s Sarah Palin Smackdown Too Hot for NYT

Mos Def is Not a Fan of the New York Observer, Claims Story Fabrication

Letters to the Editor: they’re fun. But the New York Observer doesn’t run many of them online! If they did, people would know how unhappy Mos Def is with the New York Observer . But the voice of the people… …is the voice of blog, and now, the very pissed off letter Mos Def wrote to the Observer is available for all of us to savor. Grievances: they get aired. As the story goes, D.M. Levine wrote a story for the Observer last month about Jay-Z’s former Roc-a-Fella label partner Dame Dash , and Dame’s new venture, called DD172, described as “essentially an umbrella organization housing a number of different projects,” among which are an art space, a online-production arm, and a forthcoming culture magazine. Some of this stuff, like Blak Rok —which teamed up blues duo The Black Keys with a bunch of rappers—is pretty neat! But Mos Def took issue with a specific passage : On a recent blustery December night, rapper Mos Def was in the house. Dressed in brown slacks, shiny dress shoes, jean jacket and a cabby hat tilted to the side, he sipped a bottle of Rolling Rock, taking in the vibe. “It’s like a cross between early Hitsville, Andy Warhol’s Factory and a little bit of the Algonquin roundtable,” he told me. “But it’s something completely different.” In comes Def’s letter to The Pinkest Paper in New York, as transcribed by Jeff Rosenthal of hip hop comedy duo The Real , for our hip hop editorial-comedy gold edification. Rosenthal’s transcription in full : TO THE EDITOR: My name is Yasiin Dante Smith Bey, a.k.a. Mos Def. I’m responding to the “Wannabe Warhol” article in which the writer claims that he saw me drinking “a Rolling Rock” and “in the mood to record” after “a few drinks.” For the record, none of that ever happened … and we both know this, Mr. Levine (if that is your name). I don’t drink alcohol, and have never in your company or presence. I spent no more than a very brief moment talking to you, and only after you pleaded with me to do so on more than one occasion where I politely declined. “Follow your first mind,” my grandmother says. On top of NOT printing what I DID say, you printed what I DON’T do. You are telling the people a lie, Mr. Levine (if that is your name), and if you’ll lie about something so small, to “add color” to your “piece,” what you have to report about me or any person, place or thing is unreliable to say the least. peace & good day sir. MR. SMITH-BEY PKA MOS DEF Good day, sir indeed. For the record, Levine’s a former Conde Nast Portfolio writer who doesn’t appear to have any other bylines with the Observer . I’ve tried contacting him for quote, and we’ll update if he responds. Lesson: Mos ain’t no perfect man, he tries to do the best that he can, which involves not drinking or not doing things reported by the New York Observer . His Umi says things that sound like pretty good advice. And finally, the New York Observer needs to start running their goddamn letters to the editor online. Because this stuff is gold . Update: D.M. Levine got back to us, and noted: I saw Mos Def’s note in the Observer this week. Very poetic! But I stand by the story.

The rest is here:
Mos Def is Not a Fan of the New York Observer, Claims Story Fabrication