The guys make girls swoon in a 30-second clip from ‘Up All Night: The Live Tour,’ out May 29. By Jocelyn Vena Harry Styles of One Direction in “Up All Night: The Live Tour” Photo: Sony Music Can’t wait for One Direction to drop their “Up All Night: The Live Tour” DVD on May 29? Well then, One Directioners, the guys are offering up a tease of what’s to come. In a 30-second preview of the release, the guys gather around a lime-green couch onstage and sing their Up All Night mid-tempo love song “More Than This.” In the clip, the guys belt out the song about unrequited love while fans in the audience sway in tune. The teaser premiered on “Entertainment Tonight” Wednesday evening, and the full clip will officially debut Thursday afternoon (May 10). Just before they drop their DVD, the guys will hit the road for their U.S. tour beginning on May 24 in Fairfax, Virginia. The show will travel across North America through July 1. It marks the group’s first-ever Stateside headlining trek . They previously opened for Big Time Rush . Fans shouldn’t worry, though, if they miss the group this time around. One Direction will also play a special show at Madison Square Garden in December before coming back to the U.S. in 2013 as part of their world tour. The 2013 North American dates will begin on June 13 in Fort Lauderdale, Florida, before continuing around the U.S. and Canada and coming to a close on August 7 in Los Angeles. “Our fans are simply the best in the world,” Niall Horan said in a statement about the tour. “The support they have shown us has been incredible and we’re all so grateful to each and every one of them. We can’t wait to see everyone this summer at Madison Square Garden and, of course, when we play our world tour in 2013.” Do you plan to see One Direction when they hit the road? Tell us in the comments! Related Videos MTV News Extended Play: One Direction Related Photos One Direction Light Up The ‘Today’ Show Related Artists One Direction
Mexico enjoys the distinction of having one of the world’s most vibrant economies and is a favored tourist destination by many, with millions of international visits per year. However, the country has become infamous for less favorable reasons lately… Continue Continue reading →
Mexico enjoys the distinction of having one of the world’s most vibrant economies and is a favored tourist destination by many, with millions of international visits per year. However, the country has become infamous for less favorable reasons lately… Continue Continue reading →
Not long after William Balfour was found guilty of murdering her mother, brother and nephew, Jennifer Hudson released an email statement regarding the tragedy as a whole. “We have felt the love and support from people all over the world, and we’re very grateful,” Hudson and sister Julia said, extending a prayer “from the Hudson family to the Balfour family” because “we have all suffered a terrible loss in this tragedy.” Quoting Scripture, the Hudson sisters concluded: “And even if our gospel is veiled, it is veiled in them that perish: in whom the god of this world hath blinded the minds of the unbelieving, that the light of the gospel of the glory of Christ, who is the image of God, should not dawn upon them (2 Corinthians 4:3-4). It is our prayer that the Lord will forgive Mr. Balfour of these heinous acts and bring his heart into repentance someday.” Balfour faces life in prison, and his attorney plans to appeal her client’s multiple convictions next month.
(YouTube link) These guys went on a hunt for a real-world Pikachu, the most adorable animal in the world! See a making-of video that explains how they did it. -via The Daily What Geek See also: This. Broadcasting platform : YouTube Source : Neatorama Discovery Date : 10/05/2012 03:44 Number of articles : 2
Los Angeles traffic is famous for getting rotten when big happenings hit town, but George Clooney ‘s fundraising bash for President Obama promises to make the Friday commute even more dreadful. And so, in the grand tradition of traffic-paralyzing presidential visits of the past (or: Obama-jams!) and 2011’s infamous “Carmageddon” (remember that?), POTUS’s social visit tomorrow to Clooney’s canyon pad — for a $40,000-a-plate shindig expected to raise $15 million for the Obama re-election campaign — has a name: Starmageddon . “Obama at George Clooney’s house: Neighbors brace for starmageddon” screamed a headline yesterday in the Los Angeles Daily News/Silicon Valley Mercury News ), kicking off a catchword frenzy. The visit to Clooney’s Studio City home marks the president’s first non-studio trip to the Valley, notes the paper. As for the traffic madness that may or may not ensue, Los Angelenos with places to be should avoid the following places on Friday evening: LAX, where Obama lands around 6pm; Studio City/Laurel Canyon north of Ventura Blvd., where Clooney’s party will have street closures in effect from 5pm to 8pm; and Beverly Hills later that night, where the President is reportedly staying. And if you’re lucky enough to live close to Clooney, be prepared to show I.D. to access your own home from 8pm to 10pm that night. “Starmageddon” is a fitting name for the star-studded Hollywood-meets-Washington affair — Clooney and Obama, joining forces for the future of America. If there was an asteroid hurtling toward earth, is there any question that these two could save us all? I mean, obviously. Then again: I can’t be the only one imagining Clooney dancing animal crackers up and down Obama’s belly as the plaintive wailing of Steven Tyler fills the air. (Do you think it’s possible that anyone else in the world will be doing this very same thing at the very same moment tomorrow night?)
Los Angeles traffic is famous for getting rotten when big happenings hit town, but George Clooney ‘s fundraising bash for President Obama promises to make the Friday commute even more dreadful. And so, in the grand tradition of traffic-paralyzing presidential visits of the past (or: Obama-jams!) and 2011’s infamous “Carmageddon” (remember that?), POTUS’s social visit tomorrow to Clooney’s canyon pad — for a $40,000-a-plate shindig expected to raise $15 million for the Obama re-election campaign — has a name: Starmageddon . “Obama at George Clooney’s house: Neighbors brace for starmageddon” screamed a headline yesterday in the Los Angeles Daily News/Silicon Valley Mercury News ), kicking off a catchword frenzy. The visit to Clooney’s Studio City home marks the president’s first non-studio trip to the Valley, notes the paper. As for the traffic madness that may or may not ensue, Los Angelenos with places to be should avoid the following places on Friday evening: LAX, where Obama lands around 6pm; Studio City/Laurel Canyon north of Ventura Blvd., where Clooney’s party will have street closures in effect from 5pm to 8pm; and Beverly Hills later that night, where the President is reportedly staying. And if you’re lucky enough to live close to Clooney, be prepared to show I.D. to access your own home from 8pm to 10pm that night. “Starmageddon” is a fitting name for the star-studded Hollywood-meets-Washington affair — Clooney and Obama, joining forces for the future of America. If there was an asteroid hurtling toward earth, is there any question that these two could save us all? I mean, obviously. Then again: I can’t be the only one imagining Clooney dancing animal crackers up and down Obama’s belly as the plaintive wailing of Steven Tyler fills the air. (Do you think it’s possible that anyone else in the world will be doing this very same thing at the very same moment tomorrow night?)
It’s really easy to be cynical about horror movie posters. Most of them are garish, Photoshop nightmares unworthy of a second look. But we really owe it to ourselves to bask in the sublime surrealism of the one-sheet for The Possession . A poster like this one, for a low-budget horror film with a decent pedigree (Sam Raimi is among the producers) that will play as late-summer counterprogramming in multiplexes around the country, comes around, oh, never. I’ll grant you that it is of questionable construction. It’s flat and nearly monochromatic, the Photoshop is sloppy in spots (especially where the wrist meets the mouth), and it feels like a detail from the poster for another Raimi film, Drag Me to Hell : Still, there’s beauty in the simplicity. Take away the title, taglines, and credit block and you instantly know this is a person-possessed movie. No weird upside-down people , no impossible-for-even-the-most-elastic-yogi posing , no one stuck to the ceiling — just a person being mauled from the inside out by a demon clawing its way out of that person’s maw. Any other image meant to illustrate “possessed” looks like unicorns and rainbows in comparison. And why not? Reality is always stranger — and scarier — than fiction, and, my God, this really happened! Somewhere, out in the world, someone is telling the story about that time a girl they knew vomited up a gnarled ghoul hand that then ripped her face off. That’s the takeaway, anyhow, when “Based on a True Story” is placed above the poster’s horrific, inspired image. It’s an audacious juxtaposition. For nearly a decade, horror movies brandishing their ripped-from-reality bonafides have hewed to relatively realistic depictions of their content. The Exorcism of Emily Rose , for example, is atmospheric and unsettling in its depiction of a girl lost in foggy desolation. Similarly, the remake of The Amityville Horror exists in a scuzzy, off-balance suburbia, but it’s one that feels relatively in-step with our world. Even the ridiculous, porny poster for The Devil Inside feels grounded in some perversion of reality. Not so for The Possession . It’s a true story spewed forth from the interior worlds of Lovecraft and Dalí. Our first instinct is to laugh at the absurdity of selling a movie using this image as “based on a true story.” But disbelief quickly gives way to something like awe. On one hand it’s a complete inversion of how to market a real-person-possessed movie. Instead of people contorted by unseen supernatural forces — that is, something we can go in believing actually happened — we’re getting a person brutally face-hugged by a tangible hellspawn, a practical and realistic impossibility that subverts the scare power of these sorts of movies. It’s not frightening, after all, if we know it can’t really happen. (Shock cuts only go so far.) On the other hand, it’s a deft commentary on these kinds of films. We all know they’re ridiculous. But you’d never know it to look at their posters. From the images to the copy, they’re humorless voids of self-righteousness, like an ad for a sanctimonious documentary or a foreign art-house film. Except these are ads for movies about a kid puking, what, smoke? A scarf? Oil? Liquid gold? Or being suspended upside down, against one’s control . And on and on. The Possession one-sheet, in the grand Raimi tradition, is self-aware and calls attention to how ridiculous it all is while simultaneously giving us a good, solid modern horror movie image. I’d be surprised if the image on this poster is ever brought to life in The Possession (but here’s hoping!), and time will tell how grossly it misrepresents the tone and content of the film. But all that seems beside the point when you have a poster of such sly wit and artistry. PREVIOUSLY IN ONE-SHEET WONDER The Simple, Fan-Driven Pleasures of Moonrise Kingdom ‘s First Poster Dante A. Ciampaglia is a writer, editor and photographer in New York. You can find him on Twitter , Tumblr , and, occasionally, his blog .
It’s really easy to be cynical about horror movie posters. Most of them are garish, Photoshop nightmares unworthy of a second look. But we really owe it to ourselves to bask in the sublime surrealism of the one-sheet for The Possession . A poster like this one, for a low-budget horror film with a decent pedigree (Sam Raimi is among the producers) that will play as late-summer counterprogramming in multiplexes around the country, comes around, oh, never. I’ll grant you that it is of questionable construction. It’s flat and nearly monochromatic, the Photoshop is sloppy in spots (especially where the wrist meets the mouth), and it feels like a detail from the poster for another Raimi film, Drag Me to Hell : Still, there’s beauty in the simplicity. Take away the title, taglines, and credit block and you instantly know this is a person-possessed movie. No weird upside-down people , no impossible-for-even-the-most-elastic-yogi posing , no one stuck to the ceiling — just a person being mauled from the inside out by a demon clawing its way out of that person’s maw. Any other image meant to illustrate “possessed” looks like unicorns and rainbows in comparison. And why not? Reality is always stranger — and scarier — than fiction, and, my God, this really happened! Somewhere, out in the world, someone is telling the story about that time a girl they knew vomited up a gnarled ghoul hand that then ripped her face off. That’s the takeaway, anyhow, when “Based on a True Story” is placed above the poster’s horrific, inspired image. It’s an audacious juxtaposition. For nearly a decade, horror movies brandishing their ripped-from-reality bonafides have hewed to relatively realistic depictions of their content. The Exorcism of Emily Rose , for example, is atmospheric and unsettling in its depiction of a girl lost in foggy desolation. Similarly, the remake of The Amityville Horror exists in a scuzzy, off-balance suburbia, but it’s one that feels relatively in-step with our world. Even the ridiculous, porny poster for The Devil Inside feels grounded in some perversion of reality. Not so for The Possession . It’s a true story spewed forth from the interior worlds of Lovecraft and Dalí. Our first instinct is to laugh at the absurdity of selling a movie using this image as “based on a true story.” But disbelief quickly gives way to something like awe. On one hand it’s a complete inversion of how to market a real-person-possessed movie. Instead of people contorted by unseen supernatural forces — that is, something we can go in believing actually happened — we’re getting a person brutally face-hugged by a tangible hellspawn, a practical and realistic impossibility that subverts the scare power of these sorts of movies. It’s not frightening, after all, if we know it can’t really happen. (Shock cuts only go so far.) On the other hand, it’s a deft commentary on these kinds of films. We all know they’re ridiculous. But you’d never know it to look at their posters. From the images to the copy, they’re humorless voids of self-righteousness, like an ad for a sanctimonious documentary or a foreign art-house film. Except these are ads for movies about a kid puking, what, smoke? A scarf? Oil? Liquid gold? Or being suspended upside down, against one’s control . And on and on. The Possession one-sheet, in the grand Raimi tradition, is self-aware and calls attention to how ridiculous it all is while simultaneously giving us a good, solid modern horror movie image. I’d be surprised if the image on this poster is ever brought to life in The Possession (but here’s hoping!), and time will tell how grossly it misrepresents the tone and content of the film. But all that seems beside the point when you have a poster of such sly wit and artistry. PREVIOUSLY IN ONE-SHEET WONDER The Simple, Fan-Driven Pleasures of Moonrise Kingdom ‘s First Poster Dante A. Ciampaglia is a writer, editor and photographer in New York. You can find him on Twitter , Tumblr , and, occasionally, his blog .
