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Linkin Park Detail Ongoing Recovery Efforts In Haiti

Bassist Dave ‘Phoenix’ Farrell visits earthquake-ravaged country. By James Montgomery, with reporting by Audrey Kim Linkin Park’s Dave “Phoenix” Farrell in Haiti Photo: Insider Images More than a year has passed since an earthquake ravaged Haiti, and, as is sadly the case with disasters like this, the focus of the world has shifted elsewhere, despite the fact that the recovery effort is still very much ongoing. But one group who hasn’t forgotten about the Haitian people is Linkin Park , who, through their Music for Relief charity &#8212 and in conjunction with the United Nations Foundation &#8212 are working to bring light to the nation … literally. They’ve begun a program to build solar-powered lights in many displacement camps (which are home to more than 1 million Haitians), and last week, though they were set to film a video for their new single “Iridescent,” the band sent bassist Dave “Phoenix” Farrell down to Port-au-Prince to check on the progress. “I just got back from Haiti last night,” Farrell said on the Los Angeles set of “Iridescent.” “I had gone over there to check on what we had been working on with Music for Relief, in conjunction with the United Nations Foundation. We’ve basically been working to install some solar-powered lighting in some of the camps there … the camp in particular that we visited had 40,000 people … and no electricity. “So, at night, women and children are very susceptible to violence, rape, all kinds of really awful things, even when they’re doing something as simple as trying to go to use the latrines, the restrooms, et cetera,” Farrell continued. “We’ve been putting solar-powered lighting in strategic areas, and we’ve found that not only has that lowered the crime rate, but it’s given the camps a place where kids can go and play in the evenings, and, in addition to that, we have students studying and reading at the lights at night.” And though Farrell said that he was “amazed” by the resiliency and spirit of the Haitian people, he realizes that bringing the nation back from the brink is an ongoing process — one that’s going to take a lot longer than most could imagine. But, with his bandmates, the U.N. and his fellow musicians at his side, Farrell is confident that, eventually, Haiti will recover. “We’ve always felt like music is a very inspiring and uniting force, and with Music for Relief, we’ve always wanted it to be something that’s more,” he said. “It’s not supposed to be ‘Linkin Park for Relief’: It is really supposed to be ‘Music for Relief.’ We’ve always felt that with a united group of people, you can do a lot more than just as individuals.” Related Artists Linkin Park

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Linkin Park Detail Ongoing Recovery Efforts In Haiti

Lady Gaga’s Born This Way Cover Is ‘Polarizing,’ Perez Hilton Says

‘She loves that people are talking about it,’ gossip blogger tells MTV News. By Jocelyn Vena Perez Hilton and Lady Gaga Photo: Michael Caulfield/ Getty Images When Lady Gaga tweeted the Born This Way album art over the weekend, fans were a bit surprised by the cover photo, which features Gaga as a motorcycle/human hybrid. Was it a joke? Was it for real? Well, it was for real, and even days later, everyone’s still talking. “They were definitely divisive and it was a polarizing image,” Gaga’s pal Perez Hilton told MTV News. “I knew it would really get a reaction out of people, and that was her intent. She could have easily gone for something expected, but that’s the beautiful thing about Gaga.” The gossip blogger said the Nick Knight image’s intention was to get people buzzing, whether or not that buzz ended up in the Mother Monster’s favor. He even offered some insight into the photo’s message, which has been lost on some of Gaga’s Little Monsters. “She always wants to keep people guessing, and I think the cover works on many different levels,” he explained. “Literally, she was born that way, [like] some kind of mutant freak. There’s a lot of energy in that picture.” He adds that the vibe captured in the image will also find its way into the music on the May 23 album release. “There’s something very metal [about it and] ‘Judas’ [which was released last week] gives a taste of that dance/metal feeling,” he said. “Once the album comes out and they listen to the music, the artwork will make more sense. She loves that people are talking about it.” What do you think of the album cover? Let us know in the comments! Related Artists Lady Gaga

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Lady Gaga’s Born This Way Cover Is ‘Polarizing,’ Perez Hilton Says

E-40 Talks DJs Fronting On West Coast Music, Supporting Wiz Khalifa & Getting Independent Money

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E-40 has been in the game for more than 20 years and has never seemed to take time off. He first hit the scene in ’88 as the lead member of The Click. He is most known for his ability to create new slang which always seems to catch on globally right after the words leave his mouth. In 2011 E-40 has released two albums “Revenue Retrieving: Graveyard Shift & Overtime Shift” on the same day. E-40 spoke with @ JazzyF about the new album, being independent, the state of West Coast hip-hop music and more. Check it out below! TUD: Would you say E-40 creates the slang or are you just responsible for making it mainstream? E-40: You know it’s a little of both. I’m from the bay area where it started, we trend setters. You got words like Po-Po, Captain Save a Hoe, Fo Shizzy, Fo Shizzle. I make up many words but we can go on for forever about slang words that E-40 created. That has always been one of my things since was youngster. I have always being creative with my words. Do you feel you’re under-rated and overlooked in the rap game? I’m under-rated off top, I feel I am the best game spitter.  I talk about things that real street cats can relate to. If you ain’t around it or in it, I feel you should not be listening to me. The songs they hear on the radio are watered down, they haven’t heard my ghetto anthems. I speak to the real cats and females because they can relate to me. I speak the real and a lot of people don’t understand because they haven’t been a part of the hustle to make ends meet. They don’t know it’s a whole new generation right now and I’m not knocking the young generation because some of them listen to me but a lot don’t because they haven’t been sat down and schooled. Why does it seem like E-40 been on chill mode? On the west coast we don’t hear a lot of songs get on the radio or BET  and MTV because of the formats. Some of the networks go by how many spins you have on radio. We don’t have urban stations here on the west coast, the closest thing we have is  top 40 crossover radio so you don’t really see us on MTV or BET. Last year I had the biggest song on the west coast called “Bitch” and we cleaned it up and called it “Trick.” 50 cent hopped on the remix and we sent it out independently. My thing is that I might not be a part of the major but I get the fan base of an artist that’s on a major and I have the same distribution of a major. I use my outlets now that I’m already famous so I don’t need a major. People want to know who signed me, I signed me years ago. We sold tapes out the trunk of the car. We had no internet, no radio no nothing. It was just word of mouth, hood shit. All the people across the country were messing with  E-40 and the click. I never took my foot of the brake and if I did take a break I must of put a lot of ketchup on my fries. I put out 2 albums out last year “Day Shift “and “Night Shift.” I sold 8,000 records in Dallas, that’s a lot for one city and it’s independent. I got “Revenue Retrieving/Overnight Shift” and “Graveyard Shift” dropped on the same day March 29th as Wiz Khalifa and Snoop’s album but I’m not trying to compete with them. I know Wiz is the new kid on the block, not like the group. He is doing his thing so I take my hat off to him. It’s all about maintaining. I don’t have to sell a million records to make the same amount as a artist that sell a million records. I’m independent, ghetto golden. If I sell 100,000 I get goudaed up ya feel me. How do feel about west coast music not getting the amount of radio play it use to? We guilty by affiliation. Everybody wants everything to sound the same. DJs set tripping like that’s west coast music. No disrespect to the song “Make It Rain” but if you aint making it rain on your song it’s like you ain’t getting no love. It’s like you got to go out of your element to get love. It’s nice to have video play, radio play but as long as I can work my virals on the internet or yet get it out to where people hear it and can see it anytime, I’m cool. As long as everytime you pull up to a gas station and you got people from all different walks of life bumping my music from the hood to the suburbs, I’m not tripping. I’m good because I’m eating. I always been ahead of my time. I masterminded independent grinding with this rap shit. I was independent in ’88 when my first album came out and I got gold and platinum albums and singles. Now I’m ghetto gold, f*ck double platinum. I’m trying to go double profit. I just hope one day all the DJs stop saying “aww thats west coast music, “when they know they was on it back in the day real talk. I’m not begging them to play me because it’s a lot some fake DJs and radio programming thats closed minded and don’t like nothing different but it’s some real ones out there that f*ck with me. How did you come up with the album titles? Revenue Retrieving came from paper chasing so it was like “what’s another name for paper chasing ?”cuz we been saying that for years. I came up with “Gouda collecting,” “fetti fetching.” Gouda is money, that’s cheese and chasing is getting it. So revenue is money and retrieving is bringing it back so we “Revenue Retrieving.” People don’t understand that everything I say has a meaning and they’ll be using it years from now. Remember I had everyone and their momma popping their collar. I was the first one popping my collar. Why did you choose the artists you collaborated with on this album? I got some people I wanted to make music with for a while. I ain’t tripping about how big your name is and if your popping right now. I had T-Pain on one of my singles before anyone really knew of him. I was the first one to put that to life of having T-Pain on the hook. I got T-Pain, Devin the dude, Bun B, Slim Thug & Tech N9ne. I worked with a lot of my friends. I got my potnas Black sheep, Juice and we just doing it man. The albums are ridiculous. Whats going on with the Hifey movement? Not on a mainstream level, hifey is a real movement. The word hifey is a street name for a wild ass motherfucker. It originated in Oakland where I shot the “tell me when to go” video. I, too short and click started the mob music. That’s a sound that a lot of cats in the bay grew up on and aint nothing really change. You can get dumb on any type of tempo just doing your thing.  But when people hear up tempo they automatically think it’s hifey music. Aint nothing new under the sun. What are your thoughts on the new generation being criticized by the vets? I don’t think old cats really have any control over the new cats, as far as letting them in. What are the old artists supposed to do just quit? I work with a lot of the new cats. They keep me fresh and I keep them fresh. An OG need a young dude around and a young dude need a OG around. They keep me fresh and I keep the gamed up. I like when a youngster has a lot of talent and self-esteem towards their hustle. Related Post: SLANG EDITORIAL: E-40 Says You’re “Game Doofy” If You Don’t Get His Music E-40 “Me & My B*tch” [VIDEO]

E-40 Talks DJs Fronting On West Coast Music, Supporting Wiz Khalifa & Getting Independent Money

O Music Awards To Touch Down At Mystery Las Vegas Location

Lupe Fiasco, Lil B, Mumford & Sons set to perform at inaugural event, taking place April 28 at 11 p.m. ET. By MTV Staff O Music Awards Photo: MTV Little by little, the veil is being lifted on the O Music Awards . The inaugural edition of the MTV Networks awards fest (@MTVOMA), celebrating the art, creativity, personality, technology and migration of music into the digital space, will take place in Las Vegas on April 28 at 11 p.m. ET. The location of the O Music Awards show hasn’t been revealed yet, but organizers promise a wild start that will include a flash mob descending on a “surprise iconic Las Vegas location” that will serve as the backdrop for the program. The live, hour-long online event will include performances from Mumford & Sons, Lupe Fiasco, Lil B, Chiddy Bang, Matt & Kim, Edward Sharpe, Old Crow Medicine Show and Foster the People, along with appearances by Ke$ha, Cee Lo Green, B.o.B, Wiz Khalifa, Robyn and Theophilus London. The extravaganza will be seen not only on MTV.com, VH1.com and LogoTV.com, but also on mobile Web and the MTV News app, as well as MTV’s international websites. More than 2 million votes have come in since voting began on April 6 in such categories as Best Fan Cover, Innovative Music Video, Fan Army FTW, Funniest Music Short, Innovative Artist and Must-Follow Artist on Twitter. Lady Gaga and Odd Future’s Tyler the Creator lead with three nominations each, followed by Kanye West, the Flaming Lips and Nicki Minaj with two nods apiece. Additional nominated artists include Arcade Fire, Radiohead, Justin Bieber, Lil B, Wiz Khalifa, Robyn, OK Go, Katy Perry and iamwhoiam. Other notable nominees include Antoine Dodson/ Gregory Brothers (Funniest Music Short); the Lonely Island (Funniest Music Short); Funny or Die (Funniest Music Short); 50 Cent, Rebecca Black and Bert (Favorite Animated GIF); the Hype Machine (Best Music Discovery Service); Pandora (Best Music Discovery Service); Tiny Desk Concerts (Best Performance Series); Gorilla vs. Bear (Best Independent Music Blog); and Marshall Jones (Best Music Hack). “The goal for the O Music Awards has been to create a conversation and debate around the artists, tech gurus, platforms and personalities impacting digital music,” said Dermot McCormack, Executive Vice President of Digital for MTV Music and Logo Group. “Generating more than 2 million votes and counting in less than two weeks underscores the passion and imperative need for a centralized celebration of achievement and innovation in the growing digital music space.” The show will be preceded by a week of events beginning this Monday, with the naming of two or more of the fan-voted award winners every day in the run-up to the big show. And because this isn’t your granny’s awards show, the hardware will be handed out in a number of innovative ways, including live streaming, viral videos, announcements on social media and winner acceptances via digital video conferencing. You’ll also be able to get your winner announcements through the O Music Awards Facebook, Twitter and Tumblr accounts. At 2:30 a.m. ET on the day of the show, Chiddy Bang’s Chidera “Chiddy” Anamege will attempt to snag the Guinness World Records title for the “Longest Freestyle Rap,” which fans will be able to watch in real time at OMusicAwards.com. “I’ve been freestyling since I was 14 years old, and this is definitely me putting myself to the test. I really think I can break the record but, regardless, this is going to be a dope moment. I am ready to just go and go!” said Anamege. In keeping with the unpredictable nature of the show, the final three awards will be announced on April 29, the day after the broadcast, and the O site will continue to celebrate innovation in the digital space and keep handing out awards based on fan demand. “We’ve painstakingly designed this entire experimental experience to embody and reflect the medium it is celebrating,” said McCormack. “In the spirit of digital culture, the next O Music Awards could pop up two months or even a year from now. One thing is certain; it will happen when the fans demand it.” Vote for the O Music Awards now! And don’t miss the premiere Thursday, April 28, at 11 p.m. ET on OMusicAwards.com .

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O Music Awards To Touch Down At Mystery Las Vegas Location

Odd Future Bridge The ‘Divide’ In Hip-Hop For The New West

Fader ‘s editor in chief calls the eclectic collective’s rise ‘a special moment.’ By Steven Roberts Odd Future’s Tyler, the Creator Photo: Getty Images Over the past few months, Odd Future have exploded onto the music scene, leading the charge for the New West . The L.A.-based collective has found itself performing at the mtvU Woodies ; in the pages of nearly every skate, music and pop-culture publication; taking over “Late Night With Jimmy Fallon” ; and even parodying itself in a Funny or Die spoof. While the last few months may have seemed like a whirlwind, the group isn’t an overnight-success story. Tyler, the Creator, Domo Genesis, Hodgy Beats, Left Brain and the rest of the gang have been making noise for quite some time. They’ve released more than 10 albums over the last two years and made significant waves underground and on the Internet, building a substantial, loyal following thanks to their attention to lyrical detail and “I don’t give a f—” attitude. “It seems like there’s been kind of a divide in hip-hop, where the people that are quote-unquote lyricists are very serious about their craft and don’t seem like they’re having very much fun at all,” said Andrew “Noz” Nosnitsky. “And the party-oriented stuff is more the guys like Waka Flocka and dudes who are like, ‘Nah, I don’t care about lyrics at all.’ ” Noz, who wrote OF’s Billboard cover story , said the group appeals to people on both sides of the fence. Tyler has been vocal about his love of Waka Flocka Flame and his disdain for overly critical hip-hop heads, but his crew’s lyrical prowess can’t be ignored. Fader Editor in Chief Matthew Schnipper agreed that OF’s mixture of bedlam and lyricism made for something special. “There’s always people making good things, and there’s always people running around trying to be ridiculous,” Schnipper told MTV News. “When the two things come together, it’s a special moment.” Schnipper also said Odd Future owed a lot of their success to new fans joining their circus. OF had released a bevy of free albums before they caught the mainstream’s attention, leaving newcomers with a lot to catch up on. “By the time everyone jumped on them, they had already had a full body of work that had already been on the Internet and around, so I think to some degree, that’s exciting, because here is somebody you didn’t know about, and then you can go to page 102 on a Tumblr and 4 million mixtapes. There’s a body of work there to be explored that’s all pretty solid.” Stick with us all week as MTV News turns the spotlight on the New West, including a special edition of “RapFix Live” with Cali’s own Tyga on Wednesday at 4 p.m. ET on MTV.com. We’re bringing you the next wave of hip-hop acts helping restore faith in the L.A. rap scene. From groups like Odd Future to rising MCs like Dom Kennedy, we’ll bring you up close and personal to these artists as they carve their own lanes in the post-gangsta rap era. Keep it locked here for the next week for more on the West Coast up-and-comers! Related Videos The New West: An In-Depth Look At L.A. Hip-Hop Related Artists Odd Future Wolf Gang Kill Them All Odd Future

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Odd Future Bridge The ‘Divide’ In Hip-Hop For The New West

Alchemist Promises Curren$y Covert Coup Will Leave You ‘High’

Producer talks to Mixtape Daily about the 4/20 release, plus his updates on Mobb Deep, Roc Marciano, more. By Alvin Blanco Alchemist Photo: MTV News Mixtape Daily: Behind the Beats The Alchemist has plenty of sonic concoctions on tap for 2011. One of the esteemed hip-hop producer’s latest projects is New Orleans rapper Curren$y’s Covert Coup mixtape . And while Alc is used to dropping projects that are strictly for sale, the Coup tape is a free release. Chalk it up as a small price to pay for working with an ambitious MC like Spitta. “He got his own zone,” Alchemist told Mixtape Daily of Curren$y. “I hadn’t worked with him before that but when he worked, he works quick. Same way I work, too, which is good because we were able to knock out a couple of joints the first day and decide where it could go. I didn’t know what to expect. I didn’t want to make anything that was like [what] he had done before or I didn’t want to go too far and make some different sh– either. Let’s just make some fly sh–. The two artists, who met a few years back when Alchemist was working on his Chemical Warfare album, have an in-studio rapport. “Obviously, I guess it would be redundant to say we were smoking weed, we made the music very high,” Alchemist admitted with a laugh. “It definitely is the audio equivalent of that; you’ll definitely feel high after you listen to it. I had a lot of fun doing it, man. He ain’t really restricted with his music as far as how he created, he’s real loose, that’s how I like to be too.” For now, Alc is nixing any rumors that he had a label deal through Shady Records, although he’s still Eminem’s tour DJ . And recent Shady Records signees Yelawolf and Slaughterhouse were sent some Alchemist beats for consideration. And that’s not all. The Hollywood-bred producer has a busy year of projects ahead of him. He’s contributing beats to Evidence’s new album and working on their joint project, Step Brothers. A new Gangrene album is also on the way via Decon Records. Dropping April 20 is Covert Coup, which Curren$y told us was created over a few studio sessions since both Alc and Spitta were adamant about not creating an album by emailing MP3s back and forth. The album is free but they’ll be selling T-shirts via Diamond Supply Co . “It’s an experiment for me, too, to put out an album like this, I usually put it out for sale,” Alchemist said. “We’re planting the seed for maybe a future one for real. I’m trying to get my weight up and see if I can move some shirts. That’ll be my SoundScan first.” On Roc Marciano’s upcoming album : “I’m working with Roc Marcy right now and that sh– is just, he is just, oh my … That’s like my favorite sh– in my iTunes, right now. He came out to L.A. a couple of times and we’re like six to eight joints deep. We’re going to work on a side project eventually but in the meantime anything I can do to help his new album. He got crazy sh–. Anyways, we came together and he just inspires me to make music. His rhymes are on another level, where his deliveries at he’s just so comfortable right now. I’m real hype about the stuff I’m doing with him. Roc is incredible, his rhyme flow, the words he chooses, he’s just on another level. The next album he’s coming out on Decon and I know Tip is helping out. I’m glad I’m helping with that too.” On a new Mobb Deep release : “We got some things in order; when the time is right I’m sure it will be out there. But definitely some plans for this new Mobb music. We’re so deep with music already. Basically, we’re focusing on making the Mobb Deep album first. There’s records already, like, ‘Yeah this is Mobb Deep,’ or, ‘This is P’s solo or whatever.’ Just planning it out and making sure that the first move is Mobb Deep’s best foot forward.” On a sequel to Return of the Mac with Prodigy : “Yeah! We gotta do that sh–. Oh man, it’s so many opportunities now, man! It’s definitely exciting man.” For other artists featured in Mixtape Daily, check out Mixtape Daily Headlines .

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Alchemist Promises Curren$y Covert Coup Will Leave You ‘High’

Khloe Kardashian Says She Isn’t ‘Desperate To Have A Baby’

‘I would love a baby, but when it’s natural,’ she tells MTV News. By Kara Warner Khloe Kardashian Photo: Toby Canham/ Getty Images Although Kardashian fans have been given plenty of insight into the life of Khlo

Luther Campbell Says He’ll Be A ‘Fighter’ In Miami Mayor Race

The ex-2 Live Crew rapper says his record-business experience ‘is allowing me to be able to run for a public office like this.’ By Alvin Blanco Luther Campbell Photo: Bennett Raglin/ WireImage It’s politics as usual for Luther “Uncle Luke” Campbell. On April 12, the former 2 Live Crew frontman, along with 10 other candidates, formally applied to run for mayor of Florida’s Miami-Dade County after a recall vote kicked then-mayor Carlos Alvarez out of office a month ago. MTV News caught up with the pioneering hip-hop artist and businessman to discuss his political ambitions. Campbell said he planned on running for mayor of Miami in 2012, but that Alvarez’s departure sped up his plans to “get off the bench and get in the game, get off the sideline.” Campbell’s platform includes economic development to revitalize small businesses, job creation, public safety and affordable housing, among other initiatives. While mainstream outlets with a superficial understanding of his career may dismiss him as just a former rapper trying to get into politics, Campbell insists his career has granted him just the right experience. “Look at my history. When you talk about rapper, at the end of the day you can say 2 Live Crew, but who owned the company?” Campbell told MTV News. “I explain to people that I am a businessman, as a kid I DJ’d, and then owned that company, and then 2 Live Crew. I give them the story about it. I let people know I did that on the weekends. I wasn’t able to go on long tours like Run-DMC and everybody because I had to run the business. I had to make hip-hop act] H-Town gold and platinum, I had to go and produce Pitbull and Trick Daddy and all these different artists. People just don’t understand that the music business is a business. It is a global business. That experience is allowing me to be able to run for a public office like this.” Campbell claims that his Luke Records was the first black-owned hip-hop label, releasing music from 2 Live Crew, H-Town, Poison Clan and his own solo material. Campbell also was instrumental in launching the careers of Trick Daddy and Pitbull. In recent years, the “I Wanna Rock” rapper has dialed back on his “Uncle Luke” reputation. He starred in a VH1 reality series called “Luke’s Parental Advisory” in 2008, and has performed community service and founded youth programs throughout Miami-Dade County for years. In the meanwhile, Miami has become a hotspot for the hip-hop world and the entertainment industry in general. Campbell had a hand in raising Miami’s profile via his artists’ videos and the groundwork he laid for the city’s current crop of hip-hop talent, like Rick Ross and DJ Khaled. Along with being a Miami native, Campbell believes that he possesses a greater affinity for the needs of its residents. “Right now the entertainment industry is a major economic boost for this city,” Campbell said. “These are some of the things that I created and I did, and I’m proud of that. So when I look at where we need to go as a community, who best has the ideas? Me. Some other guy who really is just in there just to take money from contractors and special interest groups, he’s in there to make money. I’m not in there to make money. I’m all right. I just want to make the haves and the have-nots all be able to participate in this beautiful city and get jobs and live comfortable.” What might not sit so well with Miami citizens, and what Campbell’s opponents will be sure to point out, are the past controversies surrounding his music. One infamous case was in 1990, when the American Family Association went after 2 Live Crew over the sexually explicit lyrics of “Me So Horny.” 2 Live Crew and Campbell defended themselves by citing their first-amendment rights to free speech and the case went all the way to the Supreme Court, where it was dismissed. Campbell defended his rights in court frequently, and being familiar with the justice system is another reason he believes he is qualified to run the affairs of his hometown. “One thing people know about me, I’m a fighter,” insisted Campbell, who listed Sonny Bono, Jesse Ventura and Arnold Schwarzenegger as examples of entertainers that became politicos. “Controversy comes with politics. All my controversy was based around politics. Tipper Gore came after me — that was politically motivated. When the vice president had something to say about us, when it’s time for me to go to the Supreme Court, all of that is politically motivated. So I understand politics as is.” Do you think Luther Campbell running for Miami-Dade mayor is a good idea? Share your opinions in the comments. Related Artists 2 Live Crew Luther Campbell

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Luther Campbell Says He’ll Be A ‘Fighter’ In Miami Mayor Race

‘Thor’: The Early Reviews Are In!

‘A burly slab of bombastic superhero entertainment,’ one critic writes about Marvel’s 3-D take on the mighty Norse god. By Eric Ditzian Chris Hemsworth in “Thor” Photo: Paramount Pictures “Thor” made landfall in Australia over the weekend, as Chris Hemsworth and the cast of this Marvel adaption arrived for the film’s premiere in Sydney on Sunday. Coinciding with the flick’s debut is the release of the first wave of reviews from around the globe. The early word is very good for fans of the Asgardian superhero. “The Marvel universe moves into the cosmic realm with ‘Thor,’ a burly slab of bombastic superhero entertainment that skitters just this side of kitschy to provide an introduction befitting the mighty god of thunder,” writes The Hollywood Reporter in a typically positive review. “It’s a noisy, universe-rattling spectacle full of sound and fury with a suitably epic design, solid digital effects and a healthy respect for the comic-book lore that turned a mythological Norse god into a founding member of the superhero team known as The Avengers.’ ” Chris Hemsworth, who was introduced to American audiences in a small role in 2009’s “Star Trek,” is being dubbed a worthy live-action version of the Marvel hero. “[He] is just as good a fit for the character of Thor as Robert Downey Jr. is for Tony Stark, and that one thing goes a long way to making the film a pleasure to watch,” says HitFix . Many reviews have highlighted the way in which the film has stayed true to the often comedic nature of the source material. ” ‘Thor’ is frequently hilarious, but the humor comes from a genuine affection for the occasionally silly tropes of the comic books, not misguided ‘irony,” writes Australian site The Vine . Lest you think critical opinion has been uniformly positive, we should note that reviews have dinged the movie for a variety of reasons. “While some post converted 3-D has really impressed me (‘Green Hornet’), ‘Thor’ didn’t fall into this category,” says Collider.com . “While watching, I never felt like there was a lot of depth.” Other reviews have taken issue with the rushed pace of the film and a subpar third act. But in general, the early critics agree: “Thor” is a worthy, if hardly perfect, tribute to the beloved comics character. ” ‘Thor’ is everything you might hope and expect it to be, equal parts good and bad. It is the type of movie I would have loved if I saw it at age 10 — and I’m sure this movie will play awesome to younger audiences,” writes SlashFilm . “I still very much enjoyed it, but did not fall in love with it. It falls a couple steps shy of achievements of recent Marvel films like ‘Iron Man,’ ‘The Incredible Hulk’, and even ‘Iron Man 2.’ ” Check out everything we’ve got on “Thor.” For breaking comic book movie news, columns and more — updated around the clock — visit SplashPage.MTV.com . Related Videos ‘Thor’ Is Electrifying In This Exclusive Sneak Peek MTV Rough Cut: ‘Thor’ Related Photos ‘Thor’ Trailer Photos

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Linkin Park’s ‘Iridescent’ Video: A Dog, A Throne And A Blind King

In the new video for their song from the upcoming ‘Transformers: Dark of the Moon’ soundtrack, the rockers get ‘abstract.’ By James Montgomery, with reporting by Audrey Kim Linkin Park’s Mike Shinoda on the set of their video for “Iridescent” Photo: MTV News Linkin Park lending their music to a “Transformers” movie isn’t exactly a new thing &#8212 the rockers are three-for-three at this point, having just shot a video for “Iridescent,”, the lead single off the soundtrack to the upcoming installment of the sci-fi/action franchise, “Transformers: Dark of the Moon.” What is new this time out is the concept of the video for the song, which, truth be told, is actually pretty confusing … even to the guys in LP themselves. “All I know about the concept is that [Linkin Park turntablist/frequent director] Joe Hahn sent me an e-mail that said something about ‘In the valley of the blind, the one-eyed man is king,’ or something like that,” singer/rapper Mike Shinoda laughed. “And the next thing I know, I’ve got horns growing out of my shoulders, and I’ve got one blind eye, and I’ve got a white dog and a snake on a throne made of antlers. I think you’d have to ask Joe what that all means.” Sounds like Hahn’s been catching up on his H.G. Wells. And while the “Iridescent” clip is just the latest in a long string of Linkin Park videos to be directed by Hahn, it’s perhaps his most out-there work to date. And that’s fitting, considering that ever since the band released their 2010 A Thousand Suns album, they’ve been working very hard at pushing boundaries, too. Then again, to hear the Linkin Park guys tell it, all you need to know about Hahn’s videos is that they are 100 percent his, coming from a place that even his bandmates don’t totally comprehend. “As we’ve gone on, the videos have gotten more abstract,” Shinoda said. “[And] I kind of like that, I’ve been encouraging it with Joe, because … the stuff that goes on in his head is really interesting and really fun, and I think it probably comes from the fact he grew up reading a lot of comics, watching anime, those things. Especially in a video like this, you can tell the influences are there.” Check out everything we’ve got on “Transformers: Dark of the Moon.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com . Related Videos Linkin Park’s Video For ‘Iridescent:’ Behind The Scenes Related Artists Linkin Park

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Linkin Park’s ‘Iridescent’ Video: A Dog, A Throne And A Blind King