Tag Archives: artists

Oscar Night Gets Mixed Reviews From Celebrities

At the Vanity Fair party, Stewie Griffin, Russell Brand, Jimmy Kimmel and others weigh in on their favorite moments. By Kara Warner Russell Brand at the 2011 Academy Awards Photo: Steve Granitz/ Getty Images After weeks of buildup, not-so-subtle campaigns by major studios, prognosticating by critics and award season pundits, etc, the 2011 class of Oscar winners were announced on Sunday night in a predictably lengthy and star-studded telecast. While the big stories of the night always revolve around who/what won (answer: “The King’s Speech,” Natalie Portman , Colin Firth, Christian Bale and Melissa Leo ), when MTV News hit up the extra-exclusive hot-ticket post-Oscar Vanity Fair bash, we found there was an equal amount of buzz about the performances of first-time hosts Anne Hathaway and James Franco , as well as reactions to the overall show itself. And the reviews of which were decidedly mixed. “It was great!” “Glee” star Jane Lynch exclaimed. “I loved the opening number and thought James and Anne played off each other well.” “Family Guy” creator Seth MacFarlane’s review, which we asked him to deliver in character Stewie Griffin wasn’t quite as rosy. “Let’s see, I was disappointed that Hugh Jackman didn’t sing that song,” MacFarlane said in Stewie’s haughty faux-British accent, recalling the moment in the show when Hathaway sang a song blaming Jackman for bailing on a supposed duet. “That was dreadful that he backed out on that poor girl like that. What a wicked man. “Was that was what was supposed to happen? Was that for real? ” MacFarlane continued, speaking as himself. “There was a lot of really uncomfortable moments, like things were kind of half-formed, you know?” Awkward-moment master Russell Brand , who presented the award for best foreign language film with his “Arthur” co-star Helen Mirren, didn’t seem to notice anything uncomfortable. “It was wonderful,” he said of the show. “I’m happy that ‘The King’s Speech’ did well.” When asked what he thought were the funniest moments, whether intentional or not, Brand pleaded the fifth. “I don’t know. I don’t judge other people because I’m spiritual,” he quipped. On the other hand, Jimmy Kimmel, who readily admitted that he prefers his awards shows full of weird moments or unplanned disasters, had no problem passing judgment on the 83rd annual telecast. “I think Kirk Douglas was funny,” he said, speaking of the 94-year-old actor’s charming, but slightly drawn-out, presentation of the Best Supporting Actress trophy. “I guarantee he planned to do that.” Kimmel’s pick for unintentional funny moment went to Best Supporting Actress winner Melissa Leo dropping an F-bomb mid-acceptance speech before taking Douglas’ cane from him to steady herself as they walked away from the podium. What was your favorite moment of the night? How did Anne Hathaway and James Franco do as hosts? Tell us in the comments! Stick with MTV News on Oscar night and beyond for red-carpet fashion coverage, analysis of the winners, plus interviews, photos and more from your favorite Hollywood stars! For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com . Related Videos Highlights From The 2011 Oscars 2011 Oscars Red Carpet Interviews Related Photos 2011 Academy Award Winners The 2011 Academy Awards 2011 Academy Awards Red Carpet 2011 Oscar Afterparties

See the original post:
Oscar Night Gets Mixed Reviews From Celebrities

will.i.am Unveils Teaser Of Britney Spears Collaboration

‘I can be the treble, baby/ You can be the bass,’ Spears sings on the snippet of the track, titled ‘The Big Fat Bass.’ By Jocelyn Vena will.i.am Photo: Ethan Miller/Getty Images for MGM Will.i.am has posted a snippet from his collaboration with Britney Spears, and it might just have fans saying “OMG.” The segment of the funky track, titled “The Big Fat Bass,” is the latest teaser from Spears’ upcoming March 29 release, Femme Fatale . The snippet opens with the electronically altered voice of will.i.am singing, “Big fat bass/ the big fat bass,” as a keyboard plays underneath. Then a beat kicks in. Britney soon joins in, speak-singing in a bright and loud voice, “I can be the treble, baby/ You can be the bass/ You can be the bass.” In a blog message that accompanied the audio clip, Will wrote, “The big fat bass … this is a taste … this is the intro … the bass is an important element to club dance music … this song celebrates bass … thank you Britney for collaborating it was a pleasure working with you … thank you for trusting my instincts … you’re a doll … i look forward on working with you again … its an honor because you rarely do collaboration.” The Black Eyed Peas frontman revealed more information about the snippet on Twitter, where he posted on Sunday that he is loving the direction that the album’s executive producers, Dr. Luke and Max Martin, are taking. “Im editing the snippet. there are so many parts in this song. I have so many favorite parts. It’s difficult to pick which part to show 1st,” he wrote, going on to discuss all the things he loves about the tune while showing a series of screen images of the audio file. “There are soo many hot parts … the second verse??? I love this section…the beat is nuts here and britney kills it … or the 2nd hook? Because [on] the second half of the first hook the bass build up is crazy … or the breakdown??? At this point a brand new beat is revealed. (The sickest beat) … [that] section is my favorite…my favorite new beat…I’m excited to dj this section… Will concluded the Twitter thread by saying, “Ok…I’m going to reveal the intro…I will give u a taste of the bass,” including a link to the snippet. Do you what you’ve heard of Britney and will.i.am’s collaboration? Tell us in the comments? Related Photos The Evolution Of: Britney Spears Related Artists Will.I.Am Britney Spears

Read the rest here:
will.i.am Unveils Teaser Of Britney Spears Collaboration

Patrick Stump’s ‘Spotlight’ Video: The Kids Are All Right

In his first solo video, Stump gets positive, grabs the spotlight for himself. By James Montgomery Patrick Stump in his music video for “Spotlight (Oh Nostalgia)” Photo: Island Last week, Patrick Stump told MTV News that his brand-new Truant Wave EP wasn’t ” Take This to Your Grave, Part II, ” and if the 23rd-century pop&B sonics of the thing weren’t enough to convince you of that fact, well, then perhaps his “Spotlight (Oh Nostalgia)” video will. Because the clip — which premiered Monday (February 28) on PopDust — is most certainly a departure from everything he did in his former (they’re still on hiatus , right?) band Fall Out Boy. That’s mostly because, unlike basically every late-period FOB vid, it’s not cluttered with questionable plot devices, winking in-jokes and cloying promotional shots. Instead, it’s a sunny, simple, homemade thing — a straightforward, decidedly uplifting bit of DIY inspiration. In short, it may very well be the best video Stump’s ever been associated with. Shot in dreamlike slo-mo, the video showcases a host of kids excelling at various feats — skateboarding, extreme pogo-sticking, urban gymnastics, sticking their tongue out really far — and, in the process, becoming the kings and queens of their own little kingdoms. That message gibes with the hook of the song (basically that you can “be your own spotlight,” no matter how inconsequential your talents) and, when coupled with the youthful exuberance of the video’s stars, the end result is a truly captivating, unapologetically positive experience. And it bears mention that, throughout the video, Stump appears to be experiencing the same posi-vibes as the kids he’s surrounded by. Whether he’s trying (and failing miserably) to match the cup-stacking talents of one of his co-stars or simply drifting through a skate park belting out the song’s hook, he seems — for the first time in a long time — to be completely unencumbered, free of whatever burden you’ve probably assigned to him and content to just do his own thing. He cracks up. He smiles. He’s doing this his own way. And in that regard, the “Spotlight” video is also a success, because it shows Stump following his own advice. By stepping out as a solo artist, he’s grabbing his own spotlight, becoming the ruler of his very own kingdom. This is the video he’d longed to make — free and clear and straight from the heart. It’s not Take This to Your Grave, Part II because it wasn’t supposed to be. As a video, it’s something much better. What do you think of Patrick Stump’s first solo video? Let us know in the comments! Related Artists Patrick Stump

Read the original:
Patrick Stump’s ‘Spotlight’ Video: The Kids Are All Right

Lloyd Taps Lil Wayne, Andre 3000 For New Tune

The track, titled ‘Miss That Pu—,’ will appear on the Chicago R&B singer’s upcoming album, King of Hearts . By Jayson Rodriguez Lloyd Photo: Michael Loccisano/ Getty Images Five years ago, Lloyd scored a hit with “You,” a swooning, mid-tempo track from his sophomore effort, Street Talk , that featured Lil Wayne. For the remix of that tune, the then-Murder Inc. Records artist (Ja Rule, Ashanti) recruited Nas and OutKast’s Andre 3000, the latter of whom delivered a poetic verse reminding fans of his MC pedigree. Now, it looks like Lloyd has locked down both Wayne and Andre again for a track called “Miss That Pu—” that will be featured on his forthcoming album, King of Hearts . “I liked the way it used to be,” the R&B singer told Vibe magazine about the theme of the racy tongue-in-cheek number, for which his guest rappers have yet to deliver their verses. King of Hearts , which is due out April 19, will be Lloyd’s first album since he signed a deal with Interscope Records. Lloyd, who is working closely with producer Polow Da Don (Fergie, Usher, Keri Hilson) on the project, has gone on record saying that they are making music that’s comparable to some of the greatest producer/singer combinations of all time. “In my opinion, and this is a bold statement, but it’s like Michael [Jackson] and Quincy [Jones], it’s like Justin [Timberlake] and Timbaland, Usher and Jermaine [Dupri],” Lloyd told MTV News last year. “It’s that consistency that you can only find from really finding the right chemistry with the right person. As an artist, I can speak for everyone when I say chemistry is a big, big part of success.” Related Artists Lloyd Lil Wayne OutKast Andre 3000

Continued here:
Lloyd Taps Lil Wayne, Andre 3000 For New Tune

Justin Bieber, Selena Gomez Attend Oscar Party Arm In Arm

The teen stars got cozy at annual Vanity Fair Academy Awards bash. By Jocelyn Vena Selena Gomez and Justin Bieber arrive at the Vanity Fair Oscar party Photo: Michael Buckner/ WireImage While they’ve never spoken publicly about dating one another, Justin Bieber and Selena Gomez proudly had their relationship on display when they hit up the famous Vanity Fair Oscar party right after the 83rd Academy Awards telecast wrapped. The pair didn’t do press on the red carpet, but they looked relaxed as they posed together for pictures. Bieber’s arm was around Gomez’s waist as they smiled for photos. She was wearing a red Grecian-style gown. Bieber was in an all-black tuxedo with a red pocket square, matching his date for the night. They took photos as a pair, but also individually. Inside the party, Bieber and Gomez posed for pictures with fellow teen star Hailee Steinfeld, held hands and looked at each other’s phones while they texted inside the fete. The glamorous party was attended by some of Hollywood’s biggest names, including Gwyneth Paltrow, besties Taylor Swift and Emma Stone, couples like Jessica Biel and Justin Timberlake, as well as Oscar winner Natalie Portman and her beau, Benjamin Millepied. Among the other A-listers there were Jamie Foxx, Jake Gyllenhaal, 50 Cent, Reese Witherspoon, Michelle Williams and Jennifer Hudson, to name a few. “Good luck to my friend Hailee Steinfeld tonight on the #oscars. young people going for theirs! also want Christian Bale to win. #TheFighter,” Bieber tweeted early on Sunday, before adding this message about his fame: “im never gonna change … i will always remember … i will always be that kid from Stratford … I will always be grateful.” For her part, Gomez simply tweeted , “Vanity Fair fun!” She included a photo of herself with Bieber, Bieber’s manager, Scooter Braun, and his date. Stick with MTV News on Oscar night and beyond for red-carpet fashion coverage, analysis of the winners, plus interviews, photos and more from your favorite Hollywood stars! Related Videos Highlights From The 2011 Oscars Related Photos 2011 Oscar Afterparties The 2011 Academy Awards 2011 Academy Awards Red Carpet Related Artists Justin Bieber Selena Gomez

Continue reading here:
Justin Bieber, Selena Gomez Attend Oscar Party Arm In Arm

Adele’s 21 Set To Debut At #1

Projected big sales come after a slew of the singer’s tour dates had to be moved to larger venues. By Alex Chapman Adele Photo: Jon Furniss/ WireImage Fame has never been Adele’s top priority, but these days, there’s no stopping the singer’s rapid rise in popularity. Adele’s star is only growing brighter on both sides of the pond. According to the singer’s website , a slew of her U.S. tour dates had to be moved to bigger venues to meet popular demand (she even added extra gigs in New York). In addition, according to Reuters, her latest album, 21, is projected to move as many as 300,000 copies by Sunday, guaranteeing a #1 debut in America. The 22-year-old has mentioned in the past that she has no desire to share the celebrity of her contemporaries. “I was just thinking, imagine being someone like Cheryl Cole or Katy Perry or Gaga, where you’ve got to be conniving to have a normal day,” Adele told Britain’s The Sun earlier this month. “That scares the life out of me. I don’t think I’d be able to carry on doing music if it got to that point. I don’t think it ever will — I don’t think I’m the kind of artist where that will happen.” The singer/songwriter has also mentioned that she prefers a smaller scene to an outsize stadium. “I can’t do arenas because I’m not [Lady Gaga],” Adele was recently quoted as saying. But don’t let the singer’s seemingly reserved mentality fool you: Adele wants her music to cross over to the States, even if she doesn’t desire the forceful spotlight that follows. “It’s a big deal in England,” Adele told MTV News of success in America. “I didn’t think I’d ever release a record here.” Have you checked out Adele’s latest album? Share your reviews in the comments! Related Artists Adele

View original post here:
Adele’s 21 Set To Debut At #1

Adele’s 21 Set To Debut At #1

Projected big sales come after a slew of the singer’s tour dates had to be moved to larger venues. By Alex Chapman Adele Photo: Jon Furniss/ WireImage Fame has never been Adele’s top priority, but these days, there’s no stopping the singer’s rapid rise in popularity. Adele’s star is only growing brighter on both sides of the pond. According to the singer’s website , a slew of her U.S. tour dates had to be moved to bigger venues to meet popular demand (she even added extra gigs in New York). In addition, according to Reuters, her latest album, 21, is projected to move as many as 300,000 copies by Sunday, guaranteeing a #1 debut in America. The 22-year-old has mentioned in the past that she has no desire to share the celebrity of her contemporaries. “I was just thinking, imagine being someone like Cheryl Cole or Katy Perry or Gaga, where you’ve got to be conniving to have a normal day,” Adele told Britain’s The Sun earlier this month. “That scares the life out of me. I don’t think I’d be able to carry on doing music if it got to that point. I don’t think it ever will — I don’t think I’m the kind of artist where that will happen.” The singer/songwriter has also mentioned that she prefers a smaller scene to an outsize stadium. “I can’t do arenas because I’m not [Lady Gaga],” Adele was recently quoted as saying. But don’t let the singer’s seemingly reserved mentality fool you: Adele wants her music to cross over to the States, even if she doesn’t desire the forceful spotlight that follows. “It’s a big deal in England,” Adele told MTV News of success in America. “I didn’t think I’d ever release a record here.” Have you checked out Adele’s latest album? Share your reviews in the comments! Related Artists Adele

See the original post:
Adele’s 21 Set To Debut At #1

Rhymefest Explains How Hip-Hop Career Helps Him In Politics

Kanye West prot

‘Hall Pass’: The Reviews Are In!

The critics weigh in on whether Farrelly brothers’ latest is worth getting out of class. By Eric Ditzian Jason Sudeikis and Owen Wilson in “Hall Pass” Photo: New Line Cinema Last weekend, Liam Neeson’s “Unknown” pulled off a surprise box-office win after “I Am Number Four” failed to attract even a fraction of its “Twilight”-obsessed target audience. This weekend, though, we can be relatively certain which film will land in the top spot. For the first time since 2000’s “Me, Myself & Irene,” Bobby and Peter Farrelly should be able to nab the weekend’s #1 slot with their new comedy, “Hall Pass.” Like “Unknown,” the film has received mixed reviews, but in these early, often barren months at the multiplex, that hardly matters. Check out what the critics are saying about “Hall Pass.” The Story “Rick (Owen Wilson) and Fred (Jason Sudeikis) are a pair of husbands whose marriages are, at this point, held together by their urges to check out other women. Their wives, Maggie (Jenna Fischer) and Grace (Christina Applegate), are as bored with their husbands’ straying eyes as their husbands are with marriage. Rick and Fred are released back into the wild by their wives, Lucy and Ethel — I mean, Maggie and Grace — and given a week free of marriage responsibility. The men are allowed seven days to pursue the girls of their dreams. It’s charming that ‘Pass’ realizes how flimsy it is, conceptually; the women causing the domestic tedium are played by actresses who, when they were dewier, played the girls that caused men to drive into trees — a throwaway joke itself. And the movie is self-aware enough to toy with the misogyny of its premise; Maggie and Grace suspect their men wouldn’t know what to do with freedom.” — Elvis Mitchell, Movieline The Performances ” ‘Hall Pass’ presents these men as a new archetype: the frustrated middle-aged husband as randy adolescent virgin. Wilson, geeked out in super-square hair, knows how to use his gentleness to turn himself into a figure of soft desperation. And ‘Saturday Night Live’ ‘s Sudeikis, in his first major movie role, has an agreeably dorky, bootlicking officiousness. (Fred thinks that he’s scored a victory if he figures out how to look at a woman’s behind without his wife seeing him.) They are so domesticated, the joke is they don’t even know their pent-up sexual frustration is driving them nuts.” — Owen Gleiberman, Entertainment Weekly The Laughs and the Look “The slapstick and action comedy interludes are haphazardly executed at best, and matters aren’t helped by the film’s incredibly ugly look; for whatever reason, the productions from New Line Cinema since its absorption by Warner Bros. appear poorly lighted, processed and/or printed, resulting in blotchy, bleachy results that do no favors to the actors.” — Todd McCarthy, The Hollywood Reporter The Dissenters “Like many comedies, ‘Hall Pass’ is more a succession of gags and skits than an actual movie; when it reaches for something more than low-rent laughs, it really slips. The attempted commentary on love, fidelity and appreciation are off-putting, a side plot about a violent psycho simply bizarre. Wilson doesn’t seem to be trying, and Fischer and Applegate, typically game for anything, are given nothing worthwhile to do. What laughs there are come mostly courtesy of Sudeikis and, of all people, Richard Jenkins in a surprising role. Also, the description ‘gross-out comedy’ has rarely been more apt. Except maybe for the comedy part.” — Bill Goodykoontz, The Arizona Republic How Does It Compare to Past Farrelly Flicks? “Those cheerful shlockmeisters Peter and Bobby Farrelly, who co-wrote and directed the film, are more laid-back here than they were in ‘There’s Something About Mary,’ ‘Kingpin’ or ‘Dumb and Dumber.’ They make you laugh at some pretty revolting things, and the ratio of sexual/scatological giggles to groaners is high. But the brothers dialed back the lewd lunatic energy that is their signature. The film’s longest-running gag is that the men, sprung from the straitjacket of monogamy, leer at almost every woman they get near, but are too square and meek to score.” — Colin Covert, Minneapolis Star Tribune Check out everything we’ve got on “Hall Pass.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com .

The rest is here:
‘Hall Pass’: The Reviews Are In!

Patrick Stump Says Truant Wave EP Isn’t Take This To Your Grave, Part II

Erstwhile Fall Out Boy frontman’s solo EP made iTunes debut Tuesday. By James Montgomery Patrick Stump Photo: Michael Caulfield/WireImage Late last year, when Patrick Stump told MTV News that his solo debut, Soul Punk, was tentatively due in February, there was much rejoicing from long-suffering Fall Out Boy fans, all of whom were clamoring for any bit of news surrounding their favorite group. Of course, that rejoicing was tempered some when it was subsequently announced that Stump had pushed back Soul Punk in favor of a six-song EP called Truant Wave. And on Tuesday, with little lead-up and absolutely zero promotion, that EP premiered on iTunes. It not only provided FOB fans a preview of where Stump is headed, musically, but also served as a point of division among their ranks. Some loved the electronic-leaning, R&B-teasing jams, while others, well, they were probably hoping Stump would return to his pop-punk roots. When he spoke to MTV News on Thursday, Stump addressed both sides of the issue, because, quite frankly, he understands why some would be upset by his new direction. In fact, that’s part of the reason he put out Truant Wave in the first place: to soften the blow. “I really want Soul Punk to have as much of a chance to have it be listened to discerningly,” he laughed. “And if I’m going to disappoint people by not [making] Take This to Your Grave, Part II, I would rather do that before Soul Punk, because that record means something to me.” Of course, there were other reasons for rushing the EP out, most of which he learned the hard way during Fall Out Boy’s final days. “Remember when Fall Out boy was putting out Folie