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Green Lantern: Get To Know DC Comics’ New Gay Icon

‘Earth 2’ writer James Robinson tells MTV that Alan Scott, returning to DC Universe as a gay man, is ‘proud of who he is on every level.’ By Josh Wigler Green Lantern Photo: DC Comics The original Green Lantern, Alan Scott , is back in the DC Universe for the first time since last year’s companywide reboot. He’s courageous, charismatic and powerful, the same hero fans have loved and adored for decades, with just a few notable modifications — the most controversial of which involves his sexuality. DC Comics announced Friday (June 1) that Scott has been reimagined as a gay man, marking a significant change to the hero who has been around since the 1940s. His sexuality will be revealed in the pages of writer James Robinson’s “Earth 2” #2, and ahead of that, the scribe has been making the rounds, speaking with outlets all about the new Green Lantern. For those of you just tuning in, here are five things you need to know about DC’s newest gay icon: Like Son, Like Father Robinson revealed to MTV Geek that Scott’s new sexuality was partly inspired by the character’s gay son, Obsidian, who no longer exists in the rebooted DCU. “The only thing that bothered me about rebooting the character and making him younger again was that we lost his son Obsidian, who was gay — the original version, obviously, when he was an older man, with a son,” Robinson said about creating the new Green Lantern. “And then, with that in mind, I thought, ‘Well, why not make Alan Scott gay. Why not make the leader of the Justice Society gay?’ It worked on every level. I suggested it to [DC Comics co-publisher] Dan DiDio, and to be fair to Dan, there wasn’t a moment’s hesitation. He said, ‘Yeah, great, great idea.’ ” Original Green Lantern Is Gay, DC Announces Fighting for Acceptance Scott is certainly one of the more prominent gay characters in the DC Comics catalog, and even though many fans are accepting him with open arms, he’ll have his fair share of social hurtles to overcome. “One of the unfortunate things about the United States is that some states are less willing to [let] people have their personal freedoms,” Robinson told Geek. “So, in ‘Earth 2,’ some of those things are obstacles a gay person might face. But Alan Scott is a force of nature, so he would never let that stand in his way. He’s proud of who he is on every level.” Alan Scott, Media Mogul Speaking of every level, there are many layers to the new Alan Scott beyond his sexuality. One of the most important elements to the rejiggered character is that he’s in charge of a major media empire, for instance. “He’s a giant of the media industry,” the writer said in an interview with Entertainment Weekly . “By getting involved in communication, the news, and the Internet, he’s become a billionaire. He’s kind of a cross between Mark Zuckerberg and David Geffen. The original Alan Scott owned a radio station in the ’40s and ’50s, so he was a media giant then. He was this bold, heroic, brave man who took control, who would risk his life for you and be this emerald knight that was always there to protect the world.” James Robinson Speaks With MTV Geek About Green Lantern’s Sexuality An A-List Superhero Scott isn’t just a media mogul or a solo-operating superhero, either: The Green Lantern of “Earth 2” is a leader of men — specifically, the Justice Society. “He will be very much the leader of the Justice Society and a figurehead,” Robinson said in an interview with the Huffington Post . “Often, I think, gay characters, with the exception of Batwoman, are part of a team but are often aside, somewhat. Alan’s going to be at the forefront of this team, leading it, being someone that is loved and admired by the people of Earth 2. So that’s a subtle difference that I will be adding: trying to not just present a positive gay role model but someone that is a type-A superhero.” He’s Not Alone One of Robinson’s major goals for “Earth 2” is to present a cast that’s as diverse as humanly possible. To that end, the writer promised that Scott isn’t the only homosexual character in the comic. “There is another character down the line, but that character won’t be appearing for some time, so it’s probably a bit too early to talk about that,” he told the Advocate . “But this book will definitely have a diverse cast. Alan Scott won’t be the only gay character in ‘Earth 2’ — I promise you that.” Tell us what you think of the new Green Lantern in the comments section!

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Green Lantern: Get To Know DC Comics’ New Gay Icon

President Obama To Debut First Re-Election Ad During Movie Awards

Commercial features Sarah Jessica Parker, who will invite lucky donors to her home for an Obama fundraiser. By Ryan J. Downey President Barack Obama Photo: AFP/Getty Images The MTV Movie Awards traditionally feature many leaders from the world of pop culture. This year, the leader of the United States has chosen the Movie Awards to debut his first official re-election campaign commercial. MTV News can report that President Obama’s first 2012 campaign ad will air during the show, which begins live Sunday, June 3, at 9 p.m. ET. President Obama’s campaign spot won’t be totally incongruous with the glam and glitz of the awards show. The ad features “Sex and the City” star Sarah Jessica Parker, who will invite supporters to her home for an Obama fundraiser co-hosted by First Lady Michelle Obama and Vogue editor-in-chief Anna Wintour. Campaign donors will have a chance to win a pair of tickets, which will be raffled off by Obama re-election campaign organizers. On Friday, the Obama camp released a video where Wintour voiced her support for the President, who is running for a second term. The commercial comes at a pivotal moment in Obama’s bid for re-election. In May, the president made headlines when he announced his support for same-sex marriage , making him the highest ranking elected official to do so in American history. While several celebrities voiced their support , others thought it was a calculated attempt to gain voters. Obama’s biggest challenge will come from presumptive Republican nominee Mitt Romney, who has contrasted his worldview with that of the Obama administration, most pointedly when it comes to economic policy. He has pledged to repeal Obama’s healthcare reform bill and would like to lawfully define marriage as between a man and a woman, among other platform distinctions. Head over to MovieAwards.MTV.com to vote for your favorite flicks now! The 21st annual MTV Movie Awards air live this Sunday, June 3, at 9 p.m. ET. Related Videos Behind The Scenes At The 2012 MTV Movie Awards Related Photos Sneak Peek Week At The 2012 Movie Awards

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President Obama To Debut First Re-Election Ad During Movie Awards

Is ‘Fifty Shades Of Grey’ Headed To The Movie Awards?

MTV News spots a red velvet wall on the set that reminds us of the erotic trilogy — a sign of things to come on Sunday? By Terri Schwartz, with reporting by Jim Cantiello “Fifty Shades of Grey” Photo: The Writer’s Coffee Shop UNIVERSAL CITY, California — Something strange is happening on the MTV Movie Awards set. While scoping out what was supposed to be a rehearsal for Fun., we saw some workers rolling in … giant red plush walls? It looks a bit suspicious, if you ask us. Maybe it’s just because we have “Fifty Shades of Grey” on the mind, but our first thought when we saw the set piece was that it was a wall from a giant velvet sex room. And considering the Movie Awards’ track record of crazy epic stunts, we wouldn’t put it past anyone here. Of course, it could just be part of a normal set. With everyone from Fun. and Wiz Khalifa to the Black Keys performing at this year’s awards show, we wouldn’t be surprised if one of them was a closet “Fifty Shades” fan. Maybe we should do some digging and see if we can get some deals signed for the upcoming “Fifty Shades of Grey” movie . “Howlin’ for You” would be an appropriate first track on the album, right? “Fifty Shades” has been on many celebs’ minds recently, with everyone from Kristen Stewart and Sam Claflin to Stephenie Meyer , Selena Gomez and Brooklyn Decker talking about it. And we’d be lying if we said we weren’t enablers. We even did an “After Hours” with the “Snow White and the Huntsman” cast where we had them read certain erotic sections of the book. Trust us when we say that you haven’t lived until you’ve seen Charlize Theron read the words “oh-so-happy trail.” Head over to MovieAwards.MTV.com to vote for your favorite flicks now! The 21st annual MTV Movie Awards air live this Sunday, June 3, at 9 p.m. ET. Related Videos Behind The Scenes At The 2012 MTV Movie Awards Related Photos Books You Can Read Instead Of ’50 Shades Of Grey’

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Is ‘Fifty Shades Of Grey’ Headed To The Movie Awards?

Julianne Hough’s Hottest Ballerina Ever!!!

So is Julianne Hough more than just some chick who was on Dancing With The Stars and who makes Ryan Seacrest seem less umm… More umm…. You know what I’m talking about. Here she is in some photoshoot all done up as what has to be the hottest ballerina ever! And that’s saying a lot because ballerina’s are known to be skinny, big breasted, big haired hotties who love to show off the goods. Maybe I’m thinking of a stripper named Ballerina. Still hot.

2012 Miss USA Preliminary Bikini Competition

Alright, the preliminaries are over for the 2012 Miss USA Bikini Competition and for those of you out there keeping track, the leaders are some chick with big breasts and a perfect smile, followed by about fifty other big breasted chicks with perfect smiles and various hair colors. Keep it here for all your detailed analysis. I don’t really care who’s winning, they’re all winners in my book, I just like the constant parade of bikini hotties… Without having to pay for it. Enjoy.

REVIEW: High School Makes Getting High Look Less Than Fun

High School has such a winning premise that you want to send everyone involved in making it back to the drawing board for a do-over — just take it from the top, folks, and this time everyone actually have a good time. Directed by John Stalberg, who wrote the film with Erik Linthorst and Stephen Susco, this debut feature follows uptight overachiever Henry Burke (Matt Bush) as, on the eve of finals, he dabbles in pot for the first time with his childhood friend-turned-burnout king Travis Breaux (Sean Marquette) — only to be told the next day that principal Leslie Gordon (an almost unrecognizable Michael Chiklis) is instating a student body-wide zero tolerance drug test. The plan the pair come up with to salvage Travis’s years of hard work and scholarship to MIT? They’re going to get the entire school high to throw off the results. This is, as far as stoner movies go, kind of ingenious, but  High School rushes through the parts it should savor and then pads out its runtime with filler elsewhere — and, less forgivably, it doesn’t make getting high look like fun. The stoner comedy as a genre has few requirements other than summoning up a THC haze and being generally good-natured, but  High School leaves you feeling like the sober person at a party, wincing at how everyone’s acting and wondering if that’s how you look when under the influence. This may be because that’s how Henry feels all the time — he’s a tightly wound scold who belongs to that wan breed of recent high school protagonists (see It’s Kind of a Funny Story and  The Art of Getting By ) who seem on the verge of implosion thanks to some vague, self-imposed psychological distress. The hollow-eyed Henry reunites with Travis, who is leading a seemingly parentless life on a perpetual high, after nearly running into him in the parking lot and instead hitting the principal’s car and earning a detention. “You come to see how the other half lives?” sneers Travis, who’s stuck there too. It rings strange — the division between the pair isn’t due to any class difference but to a lifestyle one, and Travis hasn’t exactly been forced to smoke pot constantly. But the two feel enough nostalgia for their younger days to end up hanging out afterward, where Travis coaxes Henry in smoking his way to an unpleasant first-time high that leaves him paranoid, dazed and with a black eye from falling out of a tree house. Because this is a stoner comedy, the fact that the setup is creaky and doesn’t quite make sense shouldn’t be a problem — except that none of the ways in which the film exaggerates are all that funny. Take Chiklis’s pompous Principal Gordon, with his flop of greasy hair and secret pervert vibe. He’s in the style of an ’80s movie authority figure like Mr. Rooney in  Ferris Bueller’s Day Off , one whose sole motivation is ego and spite — except that High School isn’t stylized in the same way. It’s grounded enough to realize that parents would instantly protest the gross invasion of privacy represented by mandatory drug testing, but not enough to explain why an administrator would be eager to expel the graduating class’ likely valedictorian. Its sense of rebellion is completely phony — that of a kid who, like Henry, got high one time and still talks about it. The film’s major asset, one that’s also wasted (in both senses), is Adrien Brody hamming it up as twitchy drug dealer Psycho Ed, a tattooed law school grad (he has “BOOK WORM” across his knuckles) who lost it after smoking a laced joint and has chosen instead to apply his smarts to growing high-octane weed. Sporting cornrows, his bug eyes rolling, Brody should be funny, though Ed’s a better idea than he is in practice — you’re aggressively aware that he’s just an actor showing off the way he’s playing against type rather than a character who’s amusing in his own right. There are other side figures who don’t click: Sebastian (Adhir Kalyan), Henry’s mustache-twirlingly evil rival for the top academic slot; stoner spelling bee champ Charlyne Phuc (Julia Ling), whose last name gets used for a lame joke; well-meaning assistant principal Brandon Ellis (Colin Hanks); a loopy former Deadhead teacher (Yeardley Smith). The movie’s big event — the spiking of bake sale brownies with THC crystals — takes place early on rather than toward the end, so it doesn’t result in the kind of delirious chaotic payoff you’d expect or want from the film. Students and teachers look dazed, lose focus and say some inexplicable things, and by the time the goofiness comes along, it’s too late. It is, horror of horrors, a portrayal of a mildly realistic high, which in the context of what should be an over-the-top film is really the last thing you want. What’s the use of a stoner film if it can’t convince you that there’s at least some fun to be had in the warm embrace of cannabis? Follow Alison Willmore on Twitter . Follow Movieline on Twitter .

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REVIEW: High School Makes Getting High Look Less Than Fun

REVIEW: High School Makes Getting High Look Less Than Fun

High School has such a winning premise that you want to send everyone involved in making it back to the drawing board for a do-over — just take it from the top, folks, and this time everyone actually have a good time. Directed by John Stalberg, who wrote the film with Erik Linthorst and Stephen Susco, this debut feature follows uptight overachiever Henry Burke (Matt Bush) as, on the eve of finals, he dabbles in pot for the first time with his childhood friend-turned-burnout king Travis Breaux (Sean Marquette) — only to be told the next day that principal Leslie Gordon (an almost unrecognizable Michael Chiklis) is instating a student body-wide zero tolerance drug test. The plan the pair come up with to salvage Travis’s years of hard work and scholarship to MIT? They’re going to get the entire school high to throw off the results. This is, as far as stoner movies go, kind of ingenious, but  High School rushes through the parts it should savor and then pads out its runtime with filler elsewhere — and, less forgivably, it doesn’t make getting high look like fun. The stoner comedy as a genre has few requirements other than summoning up a THC haze and being generally good-natured, but  High School leaves you feeling like the sober person at a party, wincing at how everyone’s acting and wondering if that’s how you look when under the influence. This may be because that’s how Henry feels all the time — he’s a tightly wound scold who belongs to that wan breed of recent high school protagonists (see It’s Kind of a Funny Story and  The Art of Getting By ) who seem on the verge of implosion thanks to some vague, self-imposed psychological distress. The hollow-eyed Henry reunites with Travis, who is leading a seemingly parentless life on a perpetual high, after nearly running into him in the parking lot and instead hitting the principal’s car and earning a detention. “You come to see how the other half lives?” sneers Travis, who’s stuck there too. It rings strange — the division between the pair isn’t due to any class difference but to a lifestyle one, and Travis hasn’t exactly been forced to smoke pot constantly. But the two feel enough nostalgia for their younger days to end up hanging out afterward, where Travis coaxes Henry in smoking his way to an unpleasant first-time high that leaves him paranoid, dazed and with a black eye from falling out of a tree house. Because this is a stoner comedy, the fact that the setup is creaky and doesn’t quite make sense shouldn’t be a problem — except that none of the ways in which the film exaggerates are all that funny. Take Chiklis’s pompous Principal Gordon, with his flop of greasy hair and secret pervert vibe. He’s in the style of an ’80s movie authority figure like Mr. Rooney in  Ferris Bueller’s Day Off , one whose sole motivation is ego and spite — except that High School isn’t stylized in the same way. It’s grounded enough to realize that parents would instantly protest the gross invasion of privacy represented by mandatory drug testing, but not enough to explain why an administrator would be eager to expel the graduating class’ likely valedictorian. Its sense of rebellion is completely phony — that of a kid who, like Henry, got high one time and still talks about it. The film’s major asset, one that’s also wasted (in both senses), is Adrien Brody hamming it up as twitchy drug dealer Psycho Ed, a tattooed law school grad (he has “BOOK WORM” across his knuckles) who lost it after smoking a laced joint and has chosen instead to apply his smarts to growing high-octane weed. Sporting cornrows, his bug eyes rolling, Brody should be funny, though Ed’s a better idea than he is in practice — you’re aggressively aware that he’s just an actor showing off the way he’s playing against type rather than a character who’s amusing in his own right. There are other side figures who don’t click: Sebastian (Adhir Kalyan), Henry’s mustache-twirlingly evil rival for the top academic slot; stoner spelling bee champ Charlyne Phuc (Julia Ling), whose last name gets used for a lame joke; well-meaning assistant principal Brandon Ellis (Colin Hanks); a loopy former Deadhead teacher (Yeardley Smith). The movie’s big event — the spiking of bake sale brownies with THC crystals — takes place early on rather than toward the end, so it doesn’t result in the kind of delirious chaotic payoff you’d expect or want from the film. Students and teachers look dazed, lose focus and say some inexplicable things, and by the time the goofiness comes along, it’s too late. It is, horror of horrors, a portrayal of a mildly realistic high, which in the context of what should be an over-the-top film is really the last thing you want. What’s the use of a stoner film if it can’t convince you that there’s at least some fun to be had in the warm embrace of cannabis? Follow Alison Willmore on Twitter . Follow Movieline on Twitter .

See the article here:
REVIEW: High School Makes Getting High Look Less Than Fun

REVIEW: High School Makes Getting High Look Less Than Fun

High School has such a winning premise that you want to send everyone involved in making it back to the drawing board for a do-over — just take it from the top, folks, and this time everyone actually have a good time. Directed by John Stalberg, who wrote the film with Erik Linthorst and Stephen Susco, this debut feature follows uptight overachiever Henry Burke (Matt Bush) as, on the eve of finals, he dabbles in pot for the first time with his childhood friend-turned-burnout king Travis Breaux (Sean Marquette) — only to be told the next day that principal Leslie Gordon (an almost unrecognizable Michael Chiklis) is instating a student body-wide zero tolerance drug test. The plan the pair come up with to salvage Travis’s years of hard work and scholarship to MIT? They’re going to get the entire school high to throw off the results. This is, as far as stoner movies go, kind of ingenious, but  High School rushes through the parts it should savor and then pads out its runtime with filler elsewhere — and, less forgivably, it doesn’t make getting high look like fun. The stoner comedy as a genre has few requirements other than summoning up a THC haze and being generally good-natured, but  High School leaves you feeling like the sober person at a party, wincing at how everyone’s acting and wondering if that’s how you look when under the influence. This may be because that’s how Henry feels all the time — he’s a tightly wound scold who belongs to that wan breed of recent high school protagonists (see It’s Kind of a Funny Story and  The Art of Getting By ) who seem on the verge of implosion thanks to some vague, self-imposed psychological distress. The hollow-eyed Henry reunites with Travis, who is leading a seemingly parentless life on a perpetual high, after nearly running into him in the parking lot and instead hitting the principal’s car and earning a detention. “You come to see how the other half lives?” sneers Travis, who’s stuck there too. It rings strange — the division between the pair isn’t due to any class difference but to a lifestyle one, and Travis hasn’t exactly been forced to smoke pot constantly. But the two feel enough nostalgia for their younger days to end up hanging out afterward, where Travis coaxes Henry in smoking his way to an unpleasant first-time high that leaves him paranoid, dazed and with a black eye from falling out of a tree house. Because this is a stoner comedy, the fact that the setup is creaky and doesn’t quite make sense shouldn’t be a problem — except that none of the ways in which the film exaggerates are all that funny. Take Chiklis’s pompous Principal Gordon, with his flop of greasy hair and secret pervert vibe. He’s in the style of an ’80s movie authority figure like Mr. Rooney in  Ferris Bueller’s Day Off , one whose sole motivation is ego and spite — except that High School isn’t stylized in the same way. It’s grounded enough to realize that parents would instantly protest the gross invasion of privacy represented by mandatory drug testing, but not enough to explain why an administrator would be eager to expel the graduating class’ likely valedictorian. Its sense of rebellion is completely phony — that of a kid who, like Henry, got high one time and still talks about it. The film’s major asset, one that’s also wasted (in both senses), is Adrien Brody hamming it up as twitchy drug dealer Psycho Ed, a tattooed law school grad (he has “BOOK WORM” across his knuckles) who lost it after smoking a laced joint and has chosen instead to apply his smarts to growing high-octane weed. Sporting cornrows, his bug eyes rolling, Brody should be funny, though Ed’s a better idea than he is in practice — you’re aggressively aware that he’s just an actor showing off the way he’s playing against type rather than a character who’s amusing in his own right. There are other side figures who don’t click: Sebastian (Adhir Kalyan), Henry’s mustache-twirlingly evil rival for the top academic slot; stoner spelling bee champ Charlyne Phuc (Julia Ling), whose last name gets used for a lame joke; well-meaning assistant principal Brandon Ellis (Colin Hanks); a loopy former Deadhead teacher (Yeardley Smith). The movie’s big event — the spiking of bake sale brownies with THC crystals — takes place early on rather than toward the end, so it doesn’t result in the kind of delirious chaotic payoff you’d expect or want from the film. Students and teachers look dazed, lose focus and say some inexplicable things, and by the time the goofiness comes along, it’s too late. It is, horror of horrors, a portrayal of a mildly realistic high, which in the context of what should be an over-the-top film is really the last thing you want. What’s the use of a stoner film if it can’t convince you that there’s at least some fun to be had in the warm embrace of cannabis? Follow Alison Willmore on Twitter . Follow Movieline on Twitter .

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REVIEW: High School Makes Getting High Look Less Than Fun

REVIEW: High School Makes Getting High Look Less Than Fun

High School has such a winning premise that you want to send everyone involved in making it back to the drawing board for a do-over — just take it from the top, folks, and this time everyone actually have a good time. Directed by John Stalberg, who wrote the film with Erik Linthorst and Stephen Susco, this debut feature follows uptight overachiever Henry Burke (Matt Bush) as, on the eve of finals, he dabbles in pot for the first time with his childhood friend-turned-burnout king Travis Breaux (Sean Marquette) — only to be told the next day that principal Leslie Gordon (an almost unrecognizable Michael Chiklis) is instating a student body-wide zero tolerance drug test. The plan the pair come up with to salvage Travis’s years of hard work and scholarship to MIT? They’re going to get the entire school high to throw off the results. This is, as far as stoner movies go, kind of ingenious, but  High School rushes through the parts it should savor and then pads out its runtime with filler elsewhere — and, less forgivably, it doesn’t make getting high look like fun. The stoner comedy as a genre has few requirements other than summoning up a THC haze and being generally good-natured, but  High School leaves you feeling like the sober person at a party, wincing at how everyone’s acting and wondering if that’s how you look when under the influence. This may be because that’s how Henry feels all the time — he’s a tightly wound scold who belongs to that wan breed of recent high school protagonists (see It’s Kind of a Funny Story and  The Art of Getting By ) who seem on the verge of implosion thanks to some vague, self-imposed psychological distress. The hollow-eyed Henry reunites with Travis, who is leading a seemingly parentless life on a perpetual high, after nearly running into him in the parking lot and instead hitting the principal’s car and earning a detention. “You come to see how the other half lives?” sneers Travis, who’s stuck there too. It rings strange — the division between the pair isn’t due to any class difference but to a lifestyle one, and Travis hasn’t exactly been forced to smoke pot constantly. But the two feel enough nostalgia for their younger days to end up hanging out afterward, where Travis coaxes Henry in smoking his way to an unpleasant first-time high that leaves him paranoid, dazed and with a black eye from falling out of a tree house. Because this is a stoner comedy, the fact that the setup is creaky and doesn’t quite make sense shouldn’t be a problem — except that none of the ways in which the film exaggerates are all that funny. Take Chiklis’s pompous Principal Gordon, with his flop of greasy hair and secret pervert vibe. He’s in the style of an ’80s movie authority figure like Mr. Rooney in  Ferris Bueller’s Day Off , one whose sole motivation is ego and spite — except that High School isn’t stylized in the same way. It’s grounded enough to realize that parents would instantly protest the gross invasion of privacy represented by mandatory drug testing, but not enough to explain why an administrator would be eager to expel the graduating class’ likely valedictorian. Its sense of rebellion is completely phony — that of a kid who, like Henry, got high one time and still talks about it. The film’s major asset, one that’s also wasted (in both senses), is Adrien Brody hamming it up as twitchy drug dealer Psycho Ed, a tattooed law school grad (he has “BOOK WORM” across his knuckles) who lost it after smoking a laced joint and has chosen instead to apply his smarts to growing high-octane weed. Sporting cornrows, his bug eyes rolling, Brody should be funny, though Ed’s a better idea than he is in practice — you’re aggressively aware that he’s just an actor showing off the way he’s playing against type rather than a character who’s amusing in his own right. There are other side figures who don’t click: Sebastian (Adhir Kalyan), Henry’s mustache-twirlingly evil rival for the top academic slot; stoner spelling bee champ Charlyne Phuc (Julia Ling), whose last name gets used for a lame joke; well-meaning assistant principal Brandon Ellis (Colin Hanks); a loopy former Deadhead teacher (Yeardley Smith). The movie’s big event — the spiking of bake sale brownies with THC crystals — takes place early on rather than toward the end, so it doesn’t result in the kind of delirious chaotic payoff you’d expect or want from the film. Students and teachers look dazed, lose focus and say some inexplicable things, and by the time the goofiness comes along, it’s too late. It is, horror of horrors, a portrayal of a mildly realistic high, which in the context of what should be an over-the-top film is really the last thing you want. What’s the use of a stoner film if it can’t convince you that there’s at least some fun to be had in the warm embrace of cannabis? Follow Alison Willmore on Twitter . Follow Movieline on Twitter .

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REVIEW: High School Makes Getting High Look Less Than Fun

‘Breaking Dawn’ Characters Meet Their ‘Destinies’ In ‘Part 2’

In lead up to Sunday’s MTV Movie Awards, ‘Twilight’ producer promises vampire series finale will give fans ‘closure.’ By Kara Warner Kristen Stewart in “Breaking Dawn – Part 2” Photo: Summit Judging by everything we know about the fifth and final installment in the “Twilight” series, “Breaking Dawn – Part 2” is going to be a fitting, action-packed and altogether epic conclusion to the