Tag Archives: cool

Filtered Flicks: This Week’s Most Stylish On Instagram (Beyoncé Gets Glittered Out, Swizz Beatz Shows His Jet Settin’ Swag & More!)

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Filtered Flicks: This Week’s Most Stylish On Instagram (Beyoncé Gets Glittered Out, Swizz Beatz Shows His Jet Settin’ Swag & More!)

Out Of Pocket: Chelsea Handler Talks Reckless “Had Any More Kids Lately, Girl?” And T.I. Puts Her In Her Place “Haven’t You Seen Django?” [Video]

This broad had to be slizzard! In case you missed it, Chelsea Handler got more than a lil bit out of pocket with T.I. on her “Chelsea Lately” show last night. Not only did she tell him it’d been awhile since she had a black guy, she made jokes about his criminal past, dissed R.Kelly, questioned if he’d had any outside kids recently and referred to him as “Girl” and “B**ch”… We gotta give it up to him for keeping his cool. We mighta had to smack a beyotch!

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Out Of Pocket: Chelsea Handler Talks Reckless “Had Any More Kids Lately, Girl?” And T.I. Puts Her In Her Place “Haven’t You Seen Django?” [Video]

Robert Zemeckis Says Bomb Mars Needs Moms Is ‘The Best 3-D Movie Since Avatar’

Disney’s 2011 family adventure Mars Needs Moms wasn’t just a box office disappointment; it was a box office disaster , one of the worst in movie history . Mars producer Robert Zemeckis , appearing at the Philadelphia Film Fest with his latest Oscar-hopeful, Flight , prefers to remember Mars Needs Moms another way: “It’s the best 3-D movie since Avatar .” Zemeckis’s bold answer matched the bold question that prompted his trip down memory lane during Flight ‘s post-screening Q&A session on Saturday night. Following a string of massive career hits ranging from the Back to the Future franchise to Oscar juggernaut Forrest Gump , the Zemeckis-produced Mars Needs Moms opened last year as the filmmaker’s most high profile critical and commercial failure. ImageMovers Digital, the Zemeckis-founded CG house that produced Mars as well as his own films The Polar Express , Beowulf , and A Christmas Carol , was shut down after completing Mars , while plans to embark on a Yellow Submarine pic with Disney were also scrapped; needless to say, it’s probably not Zemeckis’s favorite topic of conversation. (For what it’s worth, Flight , Zemeckis’s Denzel Washington -starring return to live-action film, played well with the Philly crowd.) But one Philadelphia Film Fest attendee was eager for answers. Film critic Martin Schneider penned a reasonably questioning if snarky review of Mars Needs Moms at the time of release, criticizing the film for a slew of offenses ranging from its animation to character development, with particular scrutiny of the film’s “anti-gay,” anti-progressive gender messaging. He seized the opportunity during the Philadelphia Film Fest closing night film event to share how offended he was by the film, asking Zemeckis to explain: What happened ? For his part, Zemeckis didn’t flinch. Prior to the film’s screening, Philadelphia Film Society Executive Director J. Andrew Greenblatt told the audience that the director would be taking questions, and that they could “ask him anything.” It’s tough to say whether or not Zemeckis expected the subject of his history-making bomb to pop up, but when faced by his accuser he kept his cool under pressure, like Denzel’s alcoholic hero Whip Whitaker. And then Zemeckis flew the airplane upside down, so to speak. “It was not marketed properly,” he said of the 3-D CG sci-fi flop, which cost a reported $150 million to make and made back just $38.9 million upon release, becoming the worst Disney performer of all time and one of the most miserable wide release 3-D openings in history. Zemeckis said Mars Needs Moms had been lost in the studio shuffle. He called it “breathtaking.” “It’s the best 3-D movie since Avatar ,” he continued. “It’s the way 3-D should be presented.” Meanwhile, in a career built on crowd-pleasers and after a decade spent attempting to bridge the uncanny valley with CG children’s films, Flight marks only the second film Zemeckis has directed to earn an R-rating. (His first? 1980s’s Used Cars .) Rated R “for drug and alcohol abuse, language, sexuality/nudity, and an intense action sequence,” Flight wasn’t gunning for anything less, given its full-tilt dive into the depths of addiction. “There was no way an adult drama was ever going to be anything other than R-rated,” said Zemeckis. Still, he earned applause with a parting shot at the MPAA: “I hate the ratings system. I think it’s horrible and despicable, and we should get rid of it.” Flight opens nationwide November 2. For more info on the Philadelphia Film Fest, head here . Follow Jen Yamato on Twitter . Follow Movieline on Twitter .

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Robert Zemeckis Says Bomb Mars Needs Moms Is ‘The Best 3-D Movie Since Avatar’

‘Kill Bond! Now!’ (But Not Before I Say Something Appropriately Evil) − The 10 Best Bond Villain Lines

Bond villainy is demanding work. Evil genius and a lust for world domination are crucial, but  future  Blofelds of the world take note,  a way with words — steeped in wit and curare, or whatever neurotoxin the cool kids are using these days — is essential.  Given that inevitable defeat and death are occupational hazards of obsessively pursuing the world’s greatest spy,  one of the few ways a Bond villain to distinguish himself from the other loser Bond villains is by delivering some of the most memorable lines of the movie. Sometimes it’s the little victories that count.  Without further unnecessary exposition, the 10 best lines delivered by Bond villains in ascending order. 10. “I like a girl in a bikini: no concealed weapons.” — Francisco Scaramanga, The Man With the Golden Gun The supernumerary-nippled Scaramanga, played by the great Christopher Lee, may not be one for sensible artillery purchases, but The Man with the Golden Gun certainly knows how to dress a woman for optimal security — and cleavage. 9. “I am invincible!” — Boris Grishenko, Goldeneye As Bond films go, Goldeneye  is relatively straightforward, but it does contain a few nods to the campier 007 flicks of yesteryear. One of them comes courtesy of  Grishenko (Alan Cumming), the Russian hacker  who ends every successful evasion of authority with a heavily accented proclamation of hubris that foreshadows his inevitable downfall. If only James Cameron had taken note before his controversial “I’m king of the world!” Oscar acceptance speech for Titanic.   8. “The distance between insanity and genius is measured only by success.” — Elliot Carver, Tomorrow Never Dies Carver (Jonathan Pryce) is a compelling villain in a not-so compelling Bond film about a William Randolph Hearst-like media mogul who uses his control over said media to kickstart global warfare. The above quote demonstrates the fine line between being unhinged and just plain evil. Fox News could not be reached for comment regarding his passing resemblance to Rupert Murdoch.  7. ““Such nice cheeks too. If only they were brains.” — Ernst Stavro Blofeld, Diamonds are Forever It’s no coincidence that Bond’s most long-lived adversary was also quite the wordsmith. With this little verbal bon bon, he  nicely captures the mixture of  arrogance and casual misogyny that makes Blofeld (in this instance, played by Charles Gray) one of the franchise’s best villains. 6. “Of course Vargas does not drink…does not smoke…does not make love. What do you do, Vargas?” — Emilio Largo, Thunderball In the hedonistic world of James Bond, it’s almost unthinkable that any character would abstain from the above-mentioned vices, let alone all three. No wonder Vargas chose assassin as a career. 5. “The first one won’t kill you. Not the second. Not even the third. Not until you crawl over here and kiss my foot!” — Red Grant, From Russia with Love Sean Connery’s Bond was a cold and ruthless secret agent, and as such, his adversaries were the stuff of legend, often digging into deeper and darker places than the more fleshed-out characters of the later films. Robert Shaw’s magnificent turn as the psychopathic Red Grant is one for the ages. 4. “This time, Mr. Bond, the pleasure will be all mine!” — Xenia Onatopp, Goldeneye This line from the 1995 Goldeneye  may be in keeping with the double entendres that distinguished so many of the earlier Bond films, but it’s delivered by the most confident, badass female villain (played by Famke Janssen) that Bond has ever faced.  The scene marks the moment when (most of) the vicious sexism of the 007 franchise was left behind.  3. “East, West, just points of the compass, each as stupid as the other.” — Dr. No, Dr. No Joseph Wiseman laid the framework for the Bond baddies, and consequently, for the spy villain archetype itself. He’s clinically insane, emotionally detached and obsessed with world domination, as demonstrated by the above sentiment.  2. “Kill Bond! Now!” — Ernst Stavro Blofeld, You Only Live Twice That really says it all in a neat but expressive package, doesn’t it?  Normally a man of refined taste and precise language, even Blofeld has his breaking point.   1. No Mr. Bond, I expect you to die.” — Auric Goldfinger, Goldfinger Goldfinger’s icily matter-of-fact response to the about-to-be-lasered Bond’s sneering inquiry, “I suppose you expect me to talk?”, is villainy at its streamlined best: no bad puns or goofball cackles, just pure malevolence.  Nobody chilled the blood like Gert Frobe. Nobody! John Jarzemsky is a contributor at LitReactor , Twitch , and can be read semi-regularly at his personal blog, the ineptly named Super Roller Disco Monkey Hullabaloo! or on twitter @jtjarzemsky. He is big in Japan.

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‘Kill Bond! Now!’ (But Not Before I Say Something Appropriately Evil) − The 10 Best Bond Villain Lines

ChitChatter: Alicia Keys Talks About Her New Album, Being “On Fire”, And Why Bey-Bey Collab Video Wasn’t Released

Funny how someone “on fire” could be so cold out here in the streets Alicia Keys Talks About Her New Album “Girl On Fire” Swizzy’s better half (depending on who you ask…) is back and ready to drop a new album full of loud screaming and drawn out words (Fi-iiiiiiiiiiiiirrrrrrrrrrrrrre) Via Essence Essence: You have five albums under your belt with a catalogue of classics. Girl on Fire is all about a new you. How are you going to serve up a brand new sound while still delivering more classics? Alicia Keys : I don’t think it’s really anything to be concerned about. I think that for me, I’ve always started my music mostly on the piano. There is a certain style of music that I just gravitate towards – that’s probably going to be a piano and a voice, and something kind of stripped back and simple. That’s going to happen naturally. Then there are other styles that come through or are new for me, or inspire me because they sound different. But nine times out of ten, they start at the piano. If they end up evolving and they have different sounds in them then it’s all good. The music always starts from home base. So you’ll always get what you’re looking for from me while also being able to grow with me to the next level. I think it’s a cool balance. When you hear the whole record, you’re going to love this one the best yet. E: How can someone be on fire like you? AK: By being yourself. By finding your passion. I think that’s the cool thing about being on fire. It’s about not trying to be anyone else. It’s about finding your comfort zone. It’s about setting yourself free and releasing things that might have held you back, people that might not fit with you anymore. It’s about stepping into your confidence and knowing that you trust yourself, your thoughts are valid, you’re smart, you know what to do and you trust your own spirit. I think it’s about stepping into your light and owning it, however it is. I think that’s what being on fire is. E: Finally, fans have been dying to know what ever happen to the “Put It In a Love Song” video you shot with Beyoncé ? AK: Ohhh man! Y’all aren’t going to leave me alone about that! Sometimes with creative things [it] all comes together and it’s (makes perfection kissing noise) and sometimes things almost come together and it’s better to just leave it. So we love that song. We had a ball shooting the video. It just so happens that the whole thing, for some reason or another, didn’t quite come together so we just decided to leave it. And that’s what happened. Yeah, ok, all that positive, “find yourself and be free” stuff sounds great, but the last lil bit about the failed Beyonce video sound suspect at BEST. Will you be checking for Alicia’s new music or has she over-stayed her musical welcome?? Image via Tumblr

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ChitChatter: Alicia Keys Talks About Her New Album, Being “On Fire”, And Why Bey-Bey Collab Video Wasn’t Released

Toronto Film Festival Pick Ups; Beasts Of The Southern Wild Wins Deauville Prize: Biz Break

In Monday’s round-up of news briefs, a quick look at weekend pick ups at the Toronto International Film Festival including The Place Beyond the Pines , Aftershock , Great Expectations and more that will head to a theater (hopefully) near you. Also Beasts Of The Southern Wild takes a top prize at the Deauville Film Festival in France. Focus Features Takes Toronto’s The Place Beyond the Pines The new drama starring Ryan Gosling, Bradley Cooper and Eva Mendes will be released in the U.S. via Focus Features. Directed by Derek Cianfrance ( Blue Valentine ). A World Premiere at the Toronto International Film Festival, the film explores the consequences of motorcycle rider Luke (Mr. Gosling)’s fateful decision to commit a crime to support his child. The incident renders him targeted by policeman Avery (Mr. Cooper), and the two men become locked on a tense collision course which will have a devastating impact on both of their families in the years following. Toronto’s Great Expectations Heads to U.S. Theaters The Toronto Gala starring Ralph Fiennes, Helena Bonham Carter, Jeremy Irvine, and Holliday Grainger, will head to theaters in North America via Outsource Media Group. Directed by Mike Newell, Great Expectations is a retelling of the classic and beloved Charles Dickens story of the young orphan Pip, who is given a chance to rise from his humble beginnings thanks to a mysterious benefactor. Moving through London’s class-ridden world as a gentleman, Pip uses his newfound position to pursue the beautiful Estella, a spoilt heiress he’s loved since childhood. Michel Gondry’s The We and the I Heads to N. American Theaters French director Michel Gondry’s Cannes Directors Fortnight opener The We and the I , which is having its N. American premiere at the Toronto International Film Festival, will open in theaters in the U.S. and Canada in early March. Distribution partners 108 Media and Paladin acquired the rights to the film that follows a group of Bronx high schoolers who board a city bus on their way home. With summer break ahead of them, and feeling more liberated than usual, this broad array of kids–the cool ones, the outsiders, and everyone in between–act out as only teenagers can and, in the course of one afternoon, their friendships, rivalries, ambitions, and anxieties are revealed. Strand Nabs In the Fog U.S. rights to Sergei Loznitsa’s In the Fog are headed to Strand Releasing. The film follows three men three men who find themselves deep in a forest during World War II and face a moral conflict. It received a FIPRESCI prize in Cannes. The film is currently playing Toronto. Leviathan Heads to Cinema Guild The doc by Lucien Castaing-Taylor will open theatrically in early 2013. The film takes a look at the commercial fishing business in the North Atlantic. It is having its North Americna premiere in Toronto and will have its U.S. debut at the upcoming New York Film Festival. Around the ‘net… Beasts of the Southern Wild, Una Noche Win Top Deauville Prizes Benh Zeitlin’s debut film won the Grand Prize at France’s Deauville Film Festival as well as the Cartier Revelation Award, while Lucy Mulloy’s “day in the life Cuban drama” took the Jury Prize. The International Critics Prize went to Michel Gondry’s The We and the I , THR reports . Dimension Scores Eli Roth’s Aftershock and Clown Dimension picked up rights to Aftershock , which is screening at the Toronto International Film Festival. The film is an earthquake thriller scripted by Roth, Nicolas Lopez & Guillermo Amoedo. The label headed by Bob Weinstein also picked up rights to Eli Roth’s Clown , which is based on a fan-made trailer that grabbed Roth’s attention after it went viral, Deadline reports .

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Toronto Film Festival Pick Ups; Beasts Of The Southern Wild Wins Deauville Prize: Biz Break

The Bay Trailer: Flesh-Eating Water Bug Horror, From The Oscar-Winning Director Of Rain Man

An outbreak of zombie-like symptoms plagues the residents of a waterfront town in The Bay , but I can’t get over the fact that Barry Levinson , the Oscar-winning director of Rain Man and the maker of such resume-tipping hits as Diner , Good Morning, Vietnam , Bugsy , and Wag the Dog is doing a found footage creature feature that doesn’t seem to offer terribly much new or fresh within the genre. Are things that bad, Barry? If you’d told me The Bay was simply another gimmicky wannabe horror hit from the makers of Paranormal Activity I wouldn’t have blinked twice. Maybe there’s some brilliant layered examination of humanity and the environment in how the nice white folks of Chesapeake Bay are being infested with gross waterborne roly poly bugs. This man made The Natural ! Sigh. I’m sure if interrogated, Levinson would cite some itch to explore new genres and filmmaking styles or step outside his comfort zone or whatever. His last theatrical release was the disappointing What Just Happened , and before that he made the Robin Willians comedy Man of the Year . Even that Gotti biopic is looking like The Godfather compared to this. But we shall see: The Bay screens at the Toronto Film Festival and opens in theaters on November 2. Add your thoughts below and while we’re at it, name your favorite Levinson flick that doesn’t involve flesh-eating bugs and shaky home video. Follow Jen Yamato on Twitter . Follow Movieline on Twitter .

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The Bay Trailer: Flesh-Eating Water Bug Horror, From The Oscar-Winning Director Of Rain Man

Lana Del Rey, Screenwriter?

Born to Die singer Lana Del Rey didn’t exactly conquer the music world with her polarizing entree into showbiz (her SNL appearance will go down as one of the stiffest performances in the history of television), so maybe channeling all that smoky ’60s-tinged mannequin angst into another medium is the ticket: “When I was starting, I had a vision of being a writer for film and that’s what I am doing now,” Del Rey (real name: Lizzy Grant) told Vogue Australia. “I’m so happy… Hopefully I will branch into film work and stay there. That will be my happy place.” [ Vogue AU via NME , Screen Junkies ]

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Lana Del Rey, Screenwriter?

WATCH: Monsters Inc. 3D Trailer Recalls A Time When It Wasn’t So Easy To Laugh

I’ll leave the jokes about how Monsters, Inc 3D has a new eye-popping look to Billy Crystal and, instead, ask if you remember where your head was at in November 2001 when this Pixar classic was released. If you lived in New York City and had a young child (as I did), you were probably extremely grateful  for  Monsters, Inc. because, even if your kid was too young to grasp what had happened at Ground Zero, you were not. Sitting in the cool dark of a movie theater  with my four-year-old and watching this funny film was a brief, welcome respite from the daily barrage of news reports about terrorists at our border, toxins in the air and the heavy layer of grief that blanketed the city. Monsters, Inc. made my kid laugh, and that made me laugh. And exhale. Monsters, Inc. 3D will be re-released on December 19. Follow Frank DiGiacomo on Twitter. Follow Movieline on Twitter.

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WATCH: Monsters Inc. 3D Trailer Recalls A Time When It Wasn’t So Easy To Laugh

Violante Placido flashing tits

Picture this, you are standing next to the river bank and in the cool refreshing water is a topless celeb called Violante Placido flashing her sweet body. That’s exactly what’s happening in this hot celeb movie clip, Continue reading