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AWOLNATION Still The ‘Underdog’ On Next Album

‘There’s a little chip on my shoulder,’ frontman Aaron Bruno tells MTV News of writing the follow-up to the band’s Megalithic Symphony. By James Montgomery AWOLNATION’s Aaron Bruno Photo: MTV News AWOLNATION’s Aaron Bruno already knows how he wants the follow-up to his band’s breakout (and epically titled) Megalithic Symphony album to sound. The key now is finding the time to actually write it. “I think the next record will be a little more raw, and a little more aggro, and a little stranger, but still have the nursery-rhyme feel of melody, because that’s the only way I know how to write,” he told MTV News. “I’m working on it now [while the band is on tour] and, really, it’s the only thing keeping me sane. Every day I wake up, and I’m so excited to first of all find a shower, and then have a coffee, and then do a couple of other things that I probably can’t mention, and then open up the computer and just see what happens. … It’s a nice break from the routine [of] playing the same old songs, meeting the same people, waking up at the same venues, same parking lots across the country.” Yes, such is life for AWOLNATION, who went from relative unknowns to rock-radio monsters based on a relentless tour schedule and the strength of hit singles “Sail” and “Not Your Fault.” Since bursting onto the radar, Bruno has seemingly spent every waking minute on the road, and it doesn’t look like that will change much anytime soon (AWOL are currently touring until the end of July). So needless to say, he’s itching to break the cycle and get into the studio to begin work on the new album. And no, he’s not about to shy away from the expectations that come with following a hit album. “I got a little chip on my shoulder with the songwriting and I’ve got a lot to say about the world, so there’s a little bit of a fist on this new record that I’m excited about,” he said. “I’ve always been the underdog my whole life, and the guys in my band, we all came up in the same situation, so this success is totally new and foreign for us, so I want to maintain the hunger of being the underdog and never feel complacent with the success and always want to reach more ears. Not necessarily to make money, but because I feel the music’s important.” And while Bruno’s relishing the opportunity to prove the naysayers wrong, he’s also trying to stop and appreciate just how far his band has come. Of course, given his nature, that’s proving to be easier said than done. “All of this seems like a joke to me. It doesn’t seem real. I wake up every day and I have to remind myself … this is really happening, it’s OK to enjoy it,” he laughed. “But I’ve had a hard time doing that because I’m constantly focused on the next thing.” Are you looking forward to new music from AWOLNation? Let us know in the comments! Related Artists AWOLNATION

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AWOLNATION Still The ‘Underdog’ On Next Album

How The Possession Poster Raises the Bar For the Horror Genre

It’s really easy to be cynical about horror movie posters. Most of them are garish, Photoshop nightmares unworthy of a second look. But we really owe it to ourselves to bask in the sublime surrealism of the one-sheet for The Possession . A poster like this one, for a low-budget horror film with a decent pedigree (Sam Raimi is among the producers) that will play as late-summer counterprogramming in multiplexes around the country, comes around, oh, never. I’ll grant you that it is of questionable construction. It’s flat and nearly monochromatic, the Photoshop is sloppy in spots (especially where the wrist meets the mouth), and it feels like a detail from the poster for another Raimi film, Drag Me to Hell : Still, there’s beauty in the simplicity. Take away the title, taglines, and credit block and you instantly know this is a person-possessed movie. No weird upside-down people , no impossible-for-even-the-most-elastic-yogi posing , no one stuck to the ceiling — just a person being mauled from the inside out by a demon clawing its way out of that person’s maw. Any other image meant to illustrate “possessed” looks like unicorns and rainbows in comparison. And why not? Reality is always stranger — and scarier — than fiction, and, my God, this really happened! Somewhere, out in the world, someone is telling the story about that time a girl they knew vomited up a gnarled ghoul hand that then ripped her face off. That’s the takeaway, anyhow, when “Based on a True Story” is placed above the poster’s horrific, inspired image. It’s an audacious juxtaposition. For nearly a decade, horror movies brandishing their ripped-from-reality bonafides have hewed to relatively realistic depictions of their content. The Exorcism of Emily Rose , for example, is atmospheric and unsettling in its depiction of a girl lost in foggy desolation. Similarly, the remake of The Amityville Horror exists in a scuzzy, off-balance suburbia, but it’s one that feels relatively in-step with our world. Even the ridiculous, porny poster for The Devil Inside feels grounded in some perversion of reality. Not so for The Possession . It’s a true story spewed forth from the interior worlds of Lovecraft and Dalí. Our first instinct is to laugh at the absurdity of selling a movie using this image as “based on a true story.” But disbelief quickly gives way to something like awe. On one hand it’s a complete inversion of how to market a real-person-possessed movie. Instead of people contorted by unseen supernatural forces — that is, something we can go in believing actually happened — we’re getting a person brutally face-hugged by a tangible hellspawn, a practical and realistic impossibility that subverts the scare power of these sorts of movies. It’s not frightening, after all, if we know it can’t really happen. (Shock cuts only go so far.) On the other hand, it’s a deft commentary on these kinds of films. We all know they’re ridiculous. But you’d never know it to look at their posters. From the images to the copy, they’re humorless voids of self-righteousness, like an ad for a sanctimonious documentary or a foreign art-house film. Except these are ads for movies about a kid puking, what, smoke? A scarf? Oil? Liquid gold? Or being suspended upside down, against one’s control . And on and on. The Possession one-sheet, in the grand Raimi tradition, is self-aware and calls attention to how ridiculous it all is while simultaneously giving us a good, solid modern horror movie image. I’d be surprised if the image on this poster is ever brought to life in The Possession (but here’s hoping!), and time will tell how grossly it misrepresents the tone and content of the film. But all that seems beside the point when you have a poster of such sly wit and artistry. PREVIOUSLY IN ONE-SHEET WONDER The Simple, Fan-Driven Pleasures of Moonrise Kingdom ‘s First Poster Dante A. Ciampaglia is a writer, editor and photographer in New York. You can find him on Twitter , Tumblr , and, occasionally, his blog .

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How The Possession Poster Raises the Bar For the Horror Genre

Jessica Simpson Weight Watchers Deal: Confirmed, Lucrative

It’s only been a week since Jessica Simpson gave birth to her beautiful baby girl, and the star is already thinking about slimming back down. The mother of Maxi has about three million reasons to, of course. According to ABC News, the 31-year-old singer signed a $3 million deal with Weight Watchers in which she’ll showcase her fit post-baby body. Jessica will star in a national campaign for the brand this year. That’s a lot of money to lose weight … not that she needs it. Jessica has numerous business endeavors, including perfume, lip gloss, beauty products, hair products and commercials and her Jessica Simpson Collection of handbags, shoes, accessories and and boots broke $1 billion in sales last year. Simpson and her fiance, Eric Johnson, welcomed their 9-lb., 13-ounce daughter Maxwell Drew on May 1. Despite reports that she’s already having a meltdown over going back to work, Jessica gushes that she’s happy as ever.

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Jessica Simpson Weight Watchers Deal: Confirmed, Lucrative

Miley Cyrus Tweets Love for Total Bomb of a Movie

LOL , the coming-of-age drama starring Miley Cyrus and Demi Moore, opened in limited release this weekend. And we mean VERY limited release : The movie played in seven cities across the country. Total. As a result, it earned about 1/1,000,000,000th of what The Avengers brought in : $46,500. Still, Miley has taken to Twitter and expressed gratitude for the dozen or so folks who did shell out their hard-earned money for this unfortunate flop. “Thank u so much for everyone who went to see LOL,” Cyrus Tweeted on Monday. “It is a film I loved making and I am proud of…. That’s really all that matters to me.” As for what the future holds for Cyrus at the box office? Analyst Len Klady isn’t optimistic. He tells Yahoo: “Miley Cyrus has a real image problem. Basically she’s been undone by Saturday Night Live … people don’t take her seriously.” And that’s, like, totally not cool for Miley and her team. But it might bode well for fans of this star’s music. The more flops she makes, the more likely it is that Cyrus wll return to the album scene.

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Miley Cyrus Tweets Love for Total Bomb of a Movie

What The Hell?? Texas Prison Inmate Gets Votes In Democratic Primary In West Virginia…”Anybody Buy Barack”

Texas Prison Inmate Gets Votes In Democratic Primary In West Virginia And all because people in West Virginia aren’t feelin Barack Obama: Just how unpopular is President Barack Obama in some parts of the country? Enough that a man in prison in Texas got 4 out of 10 votes in West Virginia’s Democratic presidential primary. The inmate, Keith Judd, is serving time at the Beaumont Federal Correctional Institution in Texas for making threats at the University of New Mexico in 1999. Obama received 59 percent of the vote to Judd’s 41 percent. For some West Virginia Democrats, simply running against Obama is enough to get Judd votes. “I voted against Obama,” said Ronnie Brown, a 43-year-old electrician from Cross Lanes who called himself a conservative Democrat. “I don’t like him. He didn’t carry the state before and I’m not going to let him carry it again.” When asked which presidential candidate he voted for, Brown said, “That guy out of Texas.” Judd was able to get on the state ballot by paying a $2,500 fee and filing a form known as a notarized certification of announcement, said Jake Glance, a spokesman for the Secretary of State’s office. Attracting at least 15 percent of the vote would normally qualify a candidate for a delegate to the Democratic National Convention. But state Democratic Party Executive Director Derek Scarbro said no one has filed to be a delegate for Judd. The state party also believes that Judd has failed to file paperwork required of presidential candidates, but officials continue to research the matter, Scarbro said. Voters in other conservative states showed their displeasure with Obama in Democratic primaries last March. “Keith Judd’s performance is embarrassing for Obama and our great state,” outgoing West Virginia GOP Chairman Mike Stuart said. Presumed Republican presidential nominee Mitt Romney won West Virginia’s GOP primary Tuesday with more than 69 percent of the vote, with 93 percent of precincts reporting. Rick Santorum followed with 12 percent, while Ron Paul had 11 percent. Brown, the Cross Lanes electrician, went to the polls Tuesday with his 22-year-old daughter, Emily. She planned to vote for Judd too until she found out where Judd has been living. “I’m not voting for somebody who’s in prison,” she said. She was certain about one thing: “I just want to vote against Barack Obama.” Wow. So people are willing to vote for some dude in prison with a shady ponytail just to vote “against Obama”?? SMH. Source

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What The Hell?? Texas Prison Inmate Gets Votes In Democratic Primary In West Virginia…”Anybody Buy Barack”

R.I.P. Maurice Sendak, Legendary Children’s Book Author Of “Where The Wild Things Are” Dead At 83

May he rest peacefully in the great library in the sky! Where The Wild Things Are Author Maurice Sendak Dead At 83 Maurice Sendak, author of the beloved children’s book, “Where the Wild Things Are,” has died. He was 83. Sendak’s longtime editor told the New York Times that Sendak died of complications from a stroke. The Brooklyn-born author had already written seven children’s books when, in 1963, Harper & Row published ”Where the Wild Things Are.” Sendak wrote and illustrated the unconventional story about an unruly boy named Max dressed in a wolf suit who, sent to his room by his mother as punishment for misbehaving, travels to a land of monsters and proves himself the wildest thing of all. Initially met with mixed reviews, the story quickly gained popularity and, in 1964, was awarded the Caldecott Medal, the country’s highest honor for children’s literature. Sendak is credited with injecting children’s literature with depth and psychological meaning, and his art was hailed for both its edginess and whimsy. ”Where the Wild Things Are” in particular inspired not only other writers, but also musicians and artists. An animated adaptation was created in 1973, and it was the subject of a hit film by director Spike Jonze in 2009. President Obama and his family read from ”Where the Wild Things Are” at this year’s White House Easter Egg Roll. Sendak wrote more than a dozen books in all and illustrated many more. His most recent, the picture book ”Bumble-Ardy,” was published in September. Congress and then-President Clinton presented Sendak with the National Medal of Arts in 1996. Sendak lived with his partner, Eugene Glenn, for 50 years until Glenn’s death in 2007. Sendak most recently lived in Danbury, Conn. This is truly sad news. We feel like our childhood heroes are going to the grave lately — Whitney Houston, Junior Seau and now Maurice Sendak! R.I.P. Source Photo Credit: PBS.org

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R.I.P. Maurice Sendak, Legendary Children’s Book Author Of “Where The Wild Things Are” Dead At 83

Maurice Sendak, Author Of ‘Where The Wild Things Are,’ Dead At 83

Sendak, best known for ‘Wild Things’ and ‘In the Night Kitchen,’ was known for his dark-edged humor and unconventional approach. By Gil Kaufman Maurice Sendak Photo: David Corio/Getty Images Beloved children’s author and illustrator Maurice Sendak, author of the classic boyhood adventure tale “Where the Wild Things Are,” died on Tuesday (May 8) at the age of 83. The New York Times reported that Sendak’s death was a result of complication from a recent stroke. Controversial, irascible and not entirely convinced that he was a children’s author, Sendak wrote literate, dark and moody picture books that explored the anxieties and fears of children, and their parents. Best known for 1963’s “Wild Things,” Sendak also wrote and illustrated the equally groundbreaking “In the Night Kitchen” (1970) and 1981’s “Outside Over There,” which completed a trilogy started with “Wild Things.” The self-taught author couldn’t be bothered with the traditions of children’s books, in which the Times noted, “young heroes and heroines were typically well scrubbed and even better behaved; nothing really bad ever happened for very long; and everything was tied up at the end in a neat, moralistic bow.” Instead, his subjects were often rude, selfish, obstinate and occasionally annoying and sometimes they ran away from home, or were kidnapped or, worst of all, their parents disappeared. Sendak’s illustrations looked like sepia-toned pages from a a 19th-century etching, sprinkled with sly wordplay and references that his youngest readers were unlikely to understand. Though not prolific, Sendak’s work was highly influential. In addition to the abovementioned books, he also created 1960’s “The Sign on Rosie’s Door,” the 1962 boxed set collection of four tiny booklets called “The Nutshell Library” and 1967’s “Higglety Pigglety Pop!” His first writing and illustration effort in 30 years, 2011’s “Bumble-Ardy,” told the story of an orphaned pig who throws a wild birthday party for himself. In addition to his writing, Sendak also designed theater sets and illustrated dozens of other works, including ones by such legendary authors as Hans Christian Andersen and Herman Melville to William Blake and Leo Tolstoy. But amid all the accolades for his work, it was the story of “Wild Things” hero Max that captured the hearts and minds of generations of readers. The irritable boy who likes to wear a wolf costume and sets sail for unforeseen adventures after being sent to his room without dinner was adapted by director Spike Jonze 
 into a moody feature film 
 in 2009. He was also the subject of a documentary, “Tell Them Anything You Want: A Portrait of Maurice Sendak,” by Lance Bangs, which was released by late Beastie Boys member Adam Yauch’s 
 Oscilloscope Laboratories. His books were not always a hit with some critics, who complained about the horrifying monsters in “Wild Things” and the nudity of the young hero of “Night Kitchen,” which subjected the book to censorship. But Sendak was undeterred, arguing that life is full of horrors and that children are not immune to the reality of death, loneliness and confusion. Born in Brooklyn, New York on June 10, 1928, Maurice Bernard Sendak was the son of Polish Jewish immigrant parents. The deaths of much of his extended family in the Holocaust imbued him with a sense of mortality early in life, which could explain the often bleak, danger-filled nature of many of his books and the peril of the children he wrote about. He was also a sickly child, which resulted in many days and weeks in bed that allowed his fertile imagination to bloom. He began his professional career as an illustrator working on window displays for F.A.O. Schwarz and segued into illustrating other author’s children’s books in the 1950s before venturing off to write his own books. A solitary man by nature, Sendak lived in Ridgefield, Connecticut with his companion of 50 years, psychiatrist Eugene Glynn, who died in 2007, as well as his dogs and his beloved Mozart records. Sendak appeared on Comedy Central’s “The Colbert Report” earlier this year and shared his wit and wisdom about children’s books with the host. “There is something in this country that is so opposed to understanding the complexity of children,” he said of the controversy kicked up by some of works. “I don’t write for children. I write … and somebody says, ‘That’s for children.’ I didn’t set out to make children happy or make life better for them or easier for them.”

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Maurice Sendak, Author Of ‘Where The Wild Things Are,’ Dead At 83

Socialist François Hollande Wins French Presidential Election

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See the live blog Telegraph UK , ” Hollande defeats Sarkozy to win French presidential election .” And at Los Angeles Times , ” Hollande wins French presidential race: Victory could change how Europe tackles debt crisis “: PARIS — Socialist Francois Hollande was elected president of France on Sunday, defeating conservative incumbent Nicolas Sarkozy in a race that focused heavily on the country’s economic… Broadcasting platform : YouTube Source : American Power Discovery Date : 06/05/2012 19:16 Number of articles : 2

Socialist François Hollande Wins French Presidential Election

My name is Anood, I am 14 years old. My Bieber experience…

My name is Anood, I am 14 years old. My Bieber experience happened on the 23rd of April 2012. I heard that Justin would be in London from the 23rd of April until the 26th of April. Since I was on spring break I decided to go and try to meet Justin. I travelled from my country (Kuwait) to London which was about a 8 hour flight. When I arrived in London I went to the hotel that Justin was staying at. When I arrived there was a couple of beliebers waiting, but not a lot. I waited for about 2 hours. Suddenly Moshi, Kenny and Alfredo came. I asked if I could take a picture with Kenny and Alfredo and they accepted. They both went into their van and drove away. I waited about 4 more hours when suddenly we saw Justin through his hotel window, waving and taking his shirt off. At that time the hotel was packed with beliebers. So many people came, that they had to call the police. We waited around 10 more minutes when suddenly Justin’s car came out and drove away, but thank God his car got stuck in traffic. All the beliebers started running behind his car when suddenly Justin came out the roof top of his car! He started waving and when I got close to him, he smiled at me and touched my hand. Then his car drove away. I never thought in a million years I could meet Justin because I live so far away and he would never visit my country. But Never Say Never and dream big! -@werockkidrauhl Go here to read the rest: My name is Anood, I am 14 years old. My Bieber experience…

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My name is Anood, I am 14 years old. My Bieber experience…

REVIEW: Amiable Cast Makes The Best Exotic Marigold Hotel Worth a Visit

As mild, comforting and vaguely colonial as beans on toast, The Best Exotic Marigold Hotel brings together some of Britain’s top-shelf acting treasures for a story of late-life awakenings and self-discovery in India. Directed by John Madden (of Shakespeare in Love and, more recently, The Debt ), the film is, underneath its surface of warm fuzzies, a precision instrument aimed directly at the heart of its intended, underserved older audience. As predictable a path as it follows, it delivers exactly what it sets out to — a feel-good tale with equal portions of romance, tempered melancholy, transformation and low-key fish-out-of-water humor. And if the mechanics at work here are more than obvious, they’re also a fair price to pay for getting to see Bill Nighy joke with Judi Dench about his inability to fix a telephone, Maggie Smith force down local food in order to be polite, Tom Wilkinson join in a game of pickup cricket and Penelope Wilton look terrified during a tuk-tuk ride. The seven retirees in the main ensemble end up in Jaipur, enticed by marketing materials for a hotel “for the elderly and beautiful” that turn out to be more aspirational than actual. The place is run-down, some of the rooms don’t have doors and others have been taken over by wildlife — the manager Sonny (an aggressively animated Dev Patel) has unquashable enthusiasm but not particular skill for running a place or raising money to make much-needed fixes. Fortunately for him, most of his guests can’t afford to leave — they’ve outsourced their retirement to India rather than face living the rest of their lives tucked away or lauded as if they had already died. Housewife Evelyn (Dench) is there because the husband she always trusted to take care of things has passed away and left her in debt, forcing her to sell the apartment in which they lived. Douglas (Nighy) and his wife of almost 40 years Jean (Penelope Wilton) invested their savings in their daughter’s internet startup (the mystery of the online world to these characters is a recurring joke) — she’s been unable to pay them back, forcing them to either move to a depressing senior citizens community or out of the country entirely. Madge (Celia Imrie) and Norman (Ronald Pickup) are looking for love or, barring that, to get laid — they’re both anxious to prove to themselves that that part of their lives isn’t over. Muriel (Maggie Smith) is a former housekeeper who’s reluctantly left England in order to avoid a long wait for a hip replacement surgery. And Tom Wilkinson is Graham, a high court judge who’s gay (“nowadays more in theory than in practice,” he explains) and has returned to the place in which he grew up to track down his first love. Add to this Sonny’s attempts to date call-center worker Sunaina (Tena Desae) despite his mother’s (Lillete Dubey) desire to arrange his marriage to someone else and have him give up the hotel, and you have enough plot threads to easily carry the film through its unhurried two-hour runtime. And most of them work — Nighy and Dench are especially luminous playing explorers of the city who fall in love with India and with the renewed sense of possibility in their lives, their reserve giving way to tentative but genuine joy and an unexpected connection. Wilkinson is so disarmingly self-deprecating as Graham that it takes a while to realize that the confessions he’s making to his new friends are the most open he’s been in his life. Smith operates with the same glorious crabbiness she’s perfected in her recent roles, though the film’s attempt to treat her first as adorably racist and then as a uniting figure thanks to her transformative friendship with a maid is impossible to swallow even with her enjoyable performance. The Best Exotic Marigold Hotel portrays the city in which it’s set as chaotic, colorful and lively, but also ultimately a backdrop — this is not a film about India, it’s one about growing old in a terribly British fashion. “Can we be blamed for feeling that we are too old to change?” Evelyn muses in one of her blog posts that in voiceover periodically mark the story. While we in the audience have always known that’s not the case — that’s why we’re watching the film — the pleasure is in watching the characters on screen realize the fact themselves, to their delight. Follow Alison Willmore on Twitter . Follow Movieline on Twitter .

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REVIEW: Amiable Cast Makes The Best Exotic Marigold Hotel Worth a Visit