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Bad Boy’s MGK And French Montana Headline XXL Freshman Concert

Iggy Azalea, Don Trip and Roscoe Dash take the stage to celebrate hip-hop magazine’s freshman class. By Rob Markman, with additional reporting by Nadeska Alexis Machine Gun Kelly performs at XXL ‘s Freshman show on Monday Photo: Steve Mack/ FilmMagic NEW YORK — On his 1986 classic “Eric B. is President,” the great Rakim famously rapped “MC means move the crowd,” and last night the 2012 XXL Magazine Freshman class did just that — well, the bulk of them anyway. On Monday night, the rap mag, in conjunction with sponsors like Monster Energy Drink and Reebok, held its annual rookie concert, showcasing Machine Gun Kelly , French Montana , Future, Danny Brown , Hopsin, Macklemore, Roscoe Dash, Iggy Azalea, Don Trip and Kid Ink. Things started a bit slow as the crowd filed in to the Best Buy Theater in Times Square. It was approximately 8 p.m. when L.A. MC Kid Ink took the stage to perform joints from his Wheels Up mixtape; Don Trip followed with a poignant performance that included his soul-bearing “Letter to My Son.” It was 9 p.m. when the night’s hosts, Hot 97’s Cipha Sounds and Peter Rosenberg, introduced Iggy Azalea, XXL ‘s first-ever female freshman. She started with “My World” from her Ignorant Art mixtape and ended with her latest single “Murda Bizness” sans her Grand Hustle mentor T.I. “I wish Tip was here,” Iggy told MTV News on Monday just hours before she hit the stage. “It’s so sad that he’s not.” A few other ATL talents were in attendance though. Roscoe Dash ran through a collection of his own hits and high-powered collaborations like Waka Flocka Flame’s “No Hands” and Big Sean’s “Marvin & Chardonnay.” Then Seattle rapper Macklemore brought a tremendous amount of pageantry to the stage, being the only freshman to rock with a horn player. Hopsin came out to his “Ill Mind of Hopsin 4,” the song where he takes aim at Odd Future. “All these no-flow, gimmicky-ass, fired-up behaviors/ With wack beats and gap teeth like Tyler, the Creator,” he spit as the crowd cheered in approval. Hop continued to thrill the crowd by bringing out Tech N9ne to perform their collaborative single “Am I Psycho.” However, things took a turn when Detroit rapper Danny Brown took the stage with the tongue-in-cheek single, “Radio Song.” The crowd jeered in disapproval, but later turned around when he brought out snubbed- XXL freshman Schoolboy Q. As the night began to wind down, XXL rolled out their heaviest hitters. Atlanta’s Future, with an astronaut mascot in tow, promoted his upcoming April 17 album Pluto by rocking songs like “Tony Montana” and his current single “Same Damn Time.” Hometown hero French Montana was next up. Not only did the Coke Boy perform all of his underground favorites like “Choppa, Choppa Down” and “Everything’s a Go,” French and his team flooded the stage to deliver his biggest hit “Shot Caller.” He then brought out Bad Boy labelmate Red Caf

Kristen Wiig, Jason Sudeikis And Andy Samberg: What’s After ‘SNL’?

While it will be a big loss for the show, we think all three can move on to strong careers. By John Mitchell Kristen Wiig, Jason Sudeikis and Andy Samberg Photo: Getty Images The news that Kristen Wiig, Jason Sudeikis and Andy Samberg may leave “Saturday Night Live” at the end of the current season has fans wondering why their favorite stars are looking to jump and how they’ll fare once they’ve departed the safety of the sketch-comedy institution to pursue TV and movie stardom. Neither Sudeikis nor Samberg has commented on the rumors , but on Alec Baldwin’s podcast Monday, Wiig did address the departure talk, though she neither confirmed nor denied the chatter. “I don’t know,” Wiig told Baldwin when asked if her tenure as one of the most beloved “SNL” performers was nearly up. “Everyone has to leave … and I will say that when I do leave, it’s not because I’m sick of it and not because I see something better or anything like that. It’s just that it’s time. When I do leave, it will be the hardest thing.” While some “SNL” performers have had shaky post-show careers, plenty have had great success, and there’s no reason to think Wiig, Samberg and Sudeikis won’t do the same. All three have plenty of projects lined up and a history of behind-the-scenes work that makes us think they’ll be just fine. Let’s take a look at what these three have cooking: Kristen Wiig Wiig is arguably the biggest star of the current “SNL” cast. She’s been on the show for nearly seven years and has received three Outstanding Supporting Actress in a Comedy Series Emmy nominations for her performance on the show. Her characters Gilly and the Target Lady and her impersonations of Kathie Lee Gifford, Nancy Pelosi and Taylor Swift are among the show’s most well-known. If she does leave, it will be a major loss for the show, but like Wiig told frequent “SNL” host Baldwin, “Everyone has to leave.” Like many successful comediennes before her, Wiig honed her comic talents as a performer and writer with the Groundlings comedy troupe. The latter talent served her particularly well last year, earning her an Oscar nomination for co-writing the screenplay to her hit film “Bridesmaids,” which grossed nearly $170 million in the US. Perhaps in preparation for her inevitable “SNL” departure, she’s recently been taking on dramatic parts — as in the just released “Friends With Kids” and the upcoming “Freezing People Is Easy” — and even her planned laughers skew away from the screwball comedy where she made her name, including “Imogene,” about a playwright who stages a suicide to win back her ex but ends up in the custody of her gambling-addict mother, and “The Comedian,” which will be directed by Sean Penn and co-star Robert De Niro. Prediction : Pretty, smart and an undeniable double threat, Wiig will be just fine. She’s got a long list of promising projects in the works, indicating that while she’s already a household name, she’s probably set for even bigger things. Jason Sudeikis Like Wiig, Sudeikis is currently enjoying a surge of interest from the film community. While his recent “Good Old Fashioned Orgy” was a miss, Sudeikis found modest box-office success with the comedy “Hall Pass” and scored an even bigger smash last summer with “Horrible Bosses,” which was a $117 million-grossing hit in the U.S. and pulled in another $92 million overseas. Sudeikis has found himself in some pretty ideal company if he’s looking to launch a long-term career in big-screen comedies. He already has “The Campaign,” co-starring Will Ferrell and Zach Galifianakis, in the can, as well as a still-untitled short-film compilation (think “Paris, je t’aime”) that co-stars, in some fashion, everyone from Kate Winslet and Hugh Jackman to Elizabeth Banks and Emma Stone. The actor is also carving out quite a TV niche, appearing regularly on HBO’s acclaimed “Eastbound & Down” and as a voice on the animated “Cleveland Show.” Prediction : Sudeikis’ reputation for being easy to work with should not be underestimated here. Comedians are notoriously touchy subjects, so it’s not surprising that his easygoing nature has quickly made him a go-to for directors looking for a handsome funny guy. And let’s face it: There will always be a role for the handsome funny guy. But if he wants to prove himself to be more than a one-trick pony, he needs to take on a dramatic role in the near future. Might we suggest an ensemble pic from a director like Paul Thomas Anderson, Steven Soderbergh or David O. Russell? That way, if he’s good, critics will call him a “scene stealer,” but if he’s not great, he would blend into the background. Andy Samberg Samberg’s departure is perhaps the biggest risk of the three “SNL” castmembers reportedly looking to fly the coop. Unlike Wiig and Sudeikis, he has not been the lead or major featured player in a successful film. Indeed, he’s been a supporting player in a number of misfires and is a hard sell as a leading man. He’s going to make a go of it with the upcoming Sundance Film Fest crowd pleaser “Celeste and Jesse Forever,” and there seems to be a lot of interest in his upcoming summer comedy with Adam Sandler, “That’s My Boy.” But Samberg’s problem may lie in the very thing that’s made him famous: his goofball shtick. The Digital Shorts he brought to “SNL” with his Lonely Island crew have been insanely popular, but Samberg has so far been at his best in small doses. To make a strange analogy, there’s a reason Leslie Knope is the lead character on “Parks and Recreation” instead of Ron Swanson or Tom Haverford. It’s because wild and crazy works for supporting characters, but leads have to be able convey far more depth and connect with audiences. Samberg has yet to prove he can do that. Prediction : He may have a rough go of things until he finds his footing, but if he’s able to bring the kind of creativity and innovation to his post-“SNL” career as he did to his time on the show, he’ll figure things out. He really needs to dial it back and prove he can be more than the zany sidekick. Which “SNL” star do you think will have the most success after leaving the show? Let us know in the comments below!

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Kristen Wiig, Jason Sudeikis And Andy Samberg: What’s After ‘SNL’?

Lindsay Lohan Nabs ‘Glee’ Role

One Direction’s ‘What Makes You Beautiful’ rumored for Fox comedy, which will also feature Whoopi Goldberg. By Jocelyn Vena Lindsay Lohan Photo: FilmMagic Lindsay Lohan is confirmed to make an appearance on “Glee.” The announcement comes in a wave of casting news for the hit Fox comedy, which includes a spot for comedian and talk-show host Whoopi Goldberg. A rep for Lohan confirmed the casting to E! News . In a May episode of the show, Lohan is rumored to be onboard to play herself as a judge at Nationals. Lindsay’s mother, Dina, once took issue with the show for poking fun at her after the show included a scene in which Katie Couric informed Jane Lynch’s character, Sue Sylvester, that she beat out Dina and her dog Sparky to make the list of the “world’s biggest losers.” Dina had said, “It’s a shame as the dance numbers are amazing, but the writers need to be nice and more creative as opposed to being hurtful.” Lohan has recently been making strides to get back into the acting spotlight. She hosted “Saturday Night Live” this season and is in talks to play the late Elizabeth Taylor in a small-screen biopic. As for Goldberg, she’ll be in three episodes in May, playing a New York Academy of the Dramatic Arts professor (Carmen Tibideaux) who travels to Ohio to meet with Kurt and Rachel about possible acceptance into the school. In other “Glee” news, rumor has it One Direction might be following in the Wanted’s footsteps , getting covered on the show. Matthew Morrison reportedly told the Sun that the cast will be covering the boy band’s single, “What Makes You Beautiful.” “I’ve just heard of them, they’re really taking over the States,” Morrison said. “We are covering one of their songs on ‘Glee’: ‘What Makes You Beautiful.’ I need to YouTube it to practice.” A rep for the band hadn’t responded to MTV News’ request for confirmation by press time. Related Artists Lindsay Lohan

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Lindsay Lohan Nabs ‘Glee’ Role

Justin Bieber’s ‘Boyfriend’ Poised For Big Debut

The lead single off Believe could sell 400,000 downloads in its first week. By Jocelyn Vena Justin Bieber Photo: WireImage He’s beloved by millions of teenage girls who already think of him as their “Boyfriend,” and now Justin Bieber ‘s edgier track seems poised to be one of the teen star’s biggest hits yet. According to Billboard, the song, which dropped Monday, could sell upwards of 400,000 downloads in its first week, giving it a big push on next week’s Billboard Hot 100 chart. This would give the singer his best sales week for a song to date in his career. His biggest thus far belongs to “Never Say Never,” which moved 199,000 downloads in its first week, eventually peaking at #5 on the Digital Songs chart. Based on the estimates for his Hot 100 debut (which takes into account radio airplay, sales and streaming data), Bieber could land in the top five going into next week. So far, his most ubiquitous track, “Baby,” is also his highest debut on the Hot 100, having landed at #5 in 2010. It seems that radio is also embracing the lead Believe single . While Bieber has always had a large fanbase and solid record sales, radio airplay has eluded him a bit. But Billboard further reports that this song could land him in a solid place on the Pop Songs top 10 based on early airplay. So far, he’s only managed to land at #14 in 2009 with “One Time” and #16 with “Baby.” “Boyfriend” was co-produced and co-written by Mike Posner, who explained to MTV News that they always intended to make a song that would shift Bieber’s career from tween heartthrob to legitimate pop star. “I think our goal was to make something that me and my friends could listen to in the car,” Posner explained. “I think we’ve all known Justin since he was 13, and that’s not the kid I was in the studio with anymore. He’s an 18-year-old. He skateboards with Lil Wayne and hangs out with Lil Twist. Those are his homies. And he listens to hip-hop and he’s a really cool kid. He’s not like a corny guy.” Related Videos Happy Birthday, Justin Bieber! Related Photos Justin Bieber’s Birthday: Celebrating 18! Related Artists Justin Bieber

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Justin Bieber’s ‘Boyfriend’ Poised For Big Debut

Adam Lambert Early Recordings To Be Released

Lawsuit clears way for release of music recorded before Lambert’s ‘American Idol’ run. By Gil Kaufman Adam Lambert Photo: Getty/ Jason LaVeris You already knew

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Adam Lambert Early Recordings To Be Released

Oscar Chat: A Conversation With Best Cinematography Nominees Jeff Cronenweth and Robert Richardson

The films almost couldn’t be more different: Hugo is an epic, 3-D family film that wraps us up in a warm glow, and The Girl With the Dragon Tattoo is a chilling murder mystery set in the stifling Nordic winter. Robert Richardson and Jeff Cronenweth — the cinematographers (pictured above R-L) tasked with making these respective worlds believable — will contend this weekend for an Oscar for Best Cinematography (along with The Artist ‘s Guillaume Schiffman, The Tree of Life ‘s Emmanuel Lubezki and War Horse ‘s Janusz Kaminski). Movieline spoke with Cronenweth and Richardson about their approach and style on their nominated films as well as their recognition from the Academy. What did the narrative of this film demand of you in terms of style? 
 CRONENWETH: A murder mystery in and of itself has its own set of dramatic license and techniques to implore. But with Dragon Tattoo being the first book of the incredibly detailed Stieg Larsson trilogy and set in the Swedish countryside during a particularly harsh winter, we inherited certain esthetic obligations, the most obvious one being the cold and how it affects the lives of our characters. It was imperative that we afforded the audience to appreciate that visually through quality and color of light and through sound effects. RICHARDSON: The narrative of Hugo slipped from the seed of Brian Selznick’s illustrations — in that respect all departments enhanced the reality of the world that Hugo lived within — that became the foundation of our style.

 How much did you collaborate with your director on the message of each scene? 
 CRONENWETH: Well, there is always a conversation about the impetus of each scene and the purpose of each shot within that scene. Then on the shoot day, when we actually rehearse with the cast and block the scene, we apply those discussions but stay open to discovery. RICHARDSON: Communication with Marty [Scorsese] is extremely specific — there is not a shot within his storyboards that does not have a purpose — in the same light his concept of what each scenes “message” might be is a reflection of this degree of precision — in respect to collaboration — generally it is less about collaboration of origin of concept and more about collaborating on manner and methods of achievement of his vision.

 This year, there’s a mix of digital and film among the nominees for Best Cinematography. How much does shooting on film vs. digital matter to you? 
 CRONENWETH: I still like the notion that some formats support certain stories better than others, and I like the idea that we are afforded the luxury of different story telling tools. But having said that I feel the gap between the two has closed for all intents and purposes. RICHARDSON: Digital capture and film capture both have their advantages and disadvantages. I shot Hugo on digital with the Alexa and am now in the process of shooting Django Unchained on 35mm anamorphic. I feel comfortable with either digital or film — the director and the project should determine the course of choice.

 Does this digital-film diversity among cinematographers make it a more exciting race, and how so? CRONENWETH : I think the drastically different subject matter and story styles are a more interesting conversation than the digital vs. film. Black-and-white silent-period movie, a 3-D children’s fairy tale colorful and dramatic, WWII fantasy about a horse beautifully epic and classic, a story of life shot free-flowing with available light crosscut with nature’s marvels, and a murder mystery set in the Swedish country in the middle of winter. 
 RICHARDSON: I am uncertain about this question. The product should speak for itself. I sense that perhaps you are making too much of too little. In the end (I believe) not one of the projects is not in some manner a digital collaboration — the digital intermediate currently is placed between capture and presentation — the number of screens with which to view a film capture and traditional chemical treatment is on a rapid decline — most presentations are now digital cinema and that percentage will rise exponentially — was The Artist shot on black and white? I am uncertain, but I would hazard the guess that it was shot on color film and then in post had the color removed, meaning regardless of capture most projects at some point become digitized. With that in mind I would ask if you might tell me where does digital and film begin and or end. Furthermore, what is the percentage of films that you have viewed this year that were captured on film, processed, printed for dailies and distributed on film to the cinema? Sadly, cinemas with film as the primary source are disappearing. We need to remain open to change. That does not require one to divorce the past but to respect and process both the present and the future. 

 Are there any colleagues you would’ve liked to see nominated for best cinematography this year? CRONENWETH: Newton Thomas Sigel for Drive . RICHARDSON: Far too many to list. 

 Who is accompanying you to the ceremony? CRONENWETH: My beautiful girlfriend Tyne Doyle.
 RICHARDSON: My wife, Stephanie Martin, will be accompanying me to the Oscars as she did to the BAFTAs.

 How are you following this film? What is your next project? 
 CRONENWETH: Directing commercials at the moment and reading scripts. RICHARDSON: I followed Hugo with World War Z (Marc Forster), and I am currently filming Django Unchained (Quentin Tarantino). MORE 2012 OSCAR ROUNDTABLES & CHATS Best Costume Design Best Documentary Feature Best Foreign-Language Feature

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Oscar Chat: A Conversation With Best Cinematography Nominees Jeff Cronenweth and Robert Richardson

These Turntables Double as an Interactive Display [Video]

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Modern DJs use setups that allow their vinyl turntables to control the digital music on their laptops. But instead of staring at a screen all night, this projector-enhanced setup turns their wheels of steel into an interactive display. More » Broadcasting platform : Vimeo Source : Gizmodo Discovery Date : 23/02/2012 16:33 Number of articles : 2

These Turntables Double as an Interactive Display [Video]

Whitney Houston’s Memorial: What We Know So Far

Before Saturday’s memorial, we take a look back at a week’s worth of news following the untimely passing of a pop icon. By John Mitchell Whitney Houston Photo: Jan Persson/ Getty Images Music fans around the world were shocked when reports of Whitney Houston ‘s unexpected death were confirmed last Saturday. The singer had been staying at the Beverly Hilton Hotel as she prepared for Clive Davis’ annual pre-Grammy party and was seen out on the town in the days before her passing. While the Los Angeles County coroner’s office has not confirmed the cause of the legendary “I Will Always Love You” singer’s death, a lethal mix of prescription medication and alcohol is heavily rumored to be the culprit. The week since Houston’s passing has been a hectic one, as officials scramble to find out what killed the singer and whether negligence on the part of medical professionals treating her is at least partially to blame. Meanwhile, Houston’s family, friends, fans and music-industry peers continue to mourn the star, who will be laid to rest Saturday (February 18) in her native Newark, New Jersey . Flags across the state will be flown at half-staff this weekend out of respect for Houston. With so much information pouring in since Houston’s death, it’s been difficult to discern what is fact, speculation and pure rumor. So as the world prepares for her memorial service, we have pulled together what we know so far about Houston’s passing, the impact it’s had on the entertainment industry, the reaction of her fans, family and friends, and her legacy. Houston’s Untimely Death Twitter first ignited with rumors of Houston’s death last Saturday after emergency medical professionals were called to the Beverly Hilton Hotel. The sad rumor was confirmed to MTV News by Houston’s rep, Kristen Foster, with Beverly Hills Police Lieutenant Mark Rosen telling on-scene reporters , “Someone in her entourage found her unresponsive in her room. … Our detectives are still in the room, and her body is still here as well. I can confirm that Whitney Houston was pronounced dead at 3:55 p.m. this afternoon at the Beverly Hilton Hotel. We received a call at 3:43 p.m. from hotel security and Beverly Hills Fire, and police responded minutes later.” Houston was found in the bathtub of her hotel suite by a member of her personal staff. Paramedics initiated CPR on the “I Will Always Love You” singer but were unable to revive her. No illegal drugs were found in Houston’s suite, however, prescription medication was discovered . On Monday, Assistant Chief Coroner Ed Winter of the Los Angeles County coroner’s office downplayed speculation that Houston had succumbed to an accidental overdose, saying “not many prescription bottles” were found, adding that the amount of medication found did not correspond with the amounts typically present in deaths attributed to overdose. Rather, the current leading theory remains that it was combining those medications (heavily rumored to be Xanax and other mood-altering benzodiazepines) with alcohol that led to the star’s death . Houston’s family is, of course, deeply distraught over her unexpected passing. Daughter Bobbi Kristina Brown was taken by paramedics from the Beverly Hilton Hotel to Los Angeles’ Cedars-Sinai Medical Center in a state of emotional distress early Sunday. Her father and Houston’s ex-husband, Bobby Brown , flew to California to be with his daughter after breaking down himself onstage Saturday night. “First of all, I want to tell you that I love you all,” Brown told the audience at a New Edition concert in Mississippi. “Second, I would like to say, ‘I love you Whitney.’ The hardest thing for me to do is come on this stage.” Houston’s family released a statement, saying, “We are devastated by the loss of our beloved Whitney. This is an unimaginable tragedy and we will miss her terribly. We appreciate the outpouring of love and support from her fans and friends.” Music-Industry Reaction The reaction to Houston’s death was swift, as stars expressed their grief on Twitter, in statements through their representatives and in person to press assembled at the 54th Grammy Awards on Sunday — just one day after her passing. The most immediate responses to her death hit Twitter early Saturday evening. Mariah Carey was among the first to issue a statement, tweeting, “My heartfelt condolences to Whitney’s family and to all her millions of fans throughout the world. She will never be forgotten as one of the greatest voices to ever grace the earth.” Rihanna and Nicki Minaj hit the social network to express their sadness soon after. Rihanna wrote, “No words! Just tears #DearWhitney.” Unable to hide her grief, Minaj was a bit more profane, tweeting, “Jesus Christ, not Whitney Houston. Greatest of all time,” along with a vintage photo of the late singer alongside Michael Jackson. “The loss of Whitney Houston is painful. I remember meeting Whitney for the first time when I was 15. She was the ultimate legend. The ultimate woman,” Beyonc

Super Producer Sonny Digital Steps Into The HotSpotLight [VIDEO]

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Sonny Digital producer of ‘Racks on Racks’ and ‘Same Damn Time’ stopped by Hot 107.9 to chop it up with B high about his rise to stardom and how he gets down in the studio. Check out the video below.

Super Producer Sonny Digital Steps Into The HotSpotLight [VIDEO]

Digitals, Musical Short Film About Communication Overload

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“Digitals” by Chris Crutchfield is a humorous musical short film about communication overload in the digital age. The music for the video is made up of beeps and tones from an orchestra of digital devices. One day I got an email, an sms, a phone call, a Facebook message and two tweets all within about Broadcasting platform : Vimeo Source : Laughing Squid Discovery Date : 31/01/2012 18:29 Number of articles : 2

Digitals, Musical Short Film About Communication Overload