Tag Archives: director

Quentin Tarantino Hints At Retirement And Getting High On ‘Django Unchained’

Quentin Tarantino has one of the most eagerly awaited films of 2012 and most audiences won’t get a first glimpse until Christmas, but that hasn’t stopped speculation that it may be an Oscar contender and may be one of the Pulp Fiction filmmaker’s best to date. Yet, Django Unchained may be the beginning of his filmmaking sunset, the director hinted. In an interview with Playboy , Tarantino said that he doesn’t want to be an “old-man filmmaker,” and saying flat-out that he wants to “stop at a certain point.” “Directors don’t get better as they get older. Usually the worst films in their filmography are those last four at the end. I am all about my filmography, and one bad film fucks up three good ones … When directors get out-of-date, it’s not pretty.” Tarantino, who has the big 5-0 staring him in the face said he wants to come out on a creative high-note, but he’s not quite sure when that end may come, though he seems to think he’s most of the way there. “I’m on a journey that needs to have an end and not be about me trying to get another job,” he said. “I want this artistic journey to have a climax. I want to work toward something. You stop when you stop, but in a fanciful world, 10 movies in my filmography would be nice. I’ve made seven. If I have a change of heart, if I come up with a new story, I could come back. But if I stop at 10, that would be okay as an artistic statement.” Beyond retirement, Tarantino gave some insight to his creative process and the use of an occasional (or maybe not-so-occasional) joint while tapping his creative juices. While he partakes, he said he’s completely grounded while in production. “I wouldn’t do anything impaired while making a movie,” he offered. “I don’t so much write high, but say you’re thinking about a musical sequence. You smoke a joint, you put on some music, you listen to it and you come up with some good ideas. …I don’t need pot to write, but it’s kind of cool.” Continuing, he added that he is apt to take liberties with history in order to give the audience an unexpected twist and to simply make stories his own: “You turn on a movie and know how things are going to go in most films. Every once in a while films don’t play by the rules. It’s liberating when you don’t know what’s happening next. …I thought, What about telling these kinds of stories my way – rough and tough but gratifying at the end?” Initially, Tarantino had sought out Will Smith as Django, the title lead in the film about a slave-turned bounty hunger who sets out to rescue his wife from a brutal plantation owner, but then momentum segued toward Jamie Foxx. “[Will and I] spent quite a few hours together over a weekend when he was in New York doing Men in Black 3 . …I think half the process was an excuse for us to hang out and spend time with one another. …It just wasn’t 100 percent right, and we didn’t have time to try to make it that way.” About Leonardo DiCaprio’s villain, Calvin Candie, Tarantino said that he despised the character, which is an about-face of sorts for the filmmaker who typically finds an affinity with his bad guys. “I hated Candie, and I normally like my villains no matter how bad they are. …what I’m always trying to do…is get you to kind of like these guys, despite on-screen evidence that you shouldn’t. Despite the things they do and say and despite their agenda. I also like making people laugh at fucked-up shit.” And should the filmmaker retire as he has hinted, might he settle down? Tarantino gives his take on a more domesticated – Quentin Tarantino: “If I had a wife, I would probably be more polite. She would make me write thank-you notes, which I won’t do on my own. I wouldn’t be such a caveman. If I want to live in Paris for a year, what the fuck? I can. I don’t have to arrange anything; I can just do it. If there is an actor or director I want to get obsessed with and study their films for the next 12 days, I can do that. The perfect person would be a Playmate who would enjoy that.” [ Source: Playboy ]

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Quentin Tarantino Hints At Retirement And Getting High On ‘Django Unchained’

Quentin Tarantino Hints At Retirement And Getting High On ‘Django Unchained’

Quentin Tarantino has one of the most eagerly awaited films of 2012 and most audiences won’t get a first glimpse until Christmas, but that hasn’t stopped speculation that it may be an Oscar contender and may be one of the Pulp Fiction filmmaker’s best to date. Yet, Django Unchained may be the beginning of his filmmaking sunset, the director hinted. In an interview with Playboy , Tarantino said that he doesn’t want to be an “old-man filmmaker,” and saying flat-out that he wants to “stop at a certain point.” “Directors don’t get better as they get older. Usually the worst films in their filmography are those last four at the end. I am all about my filmography, and one bad film fucks up three good ones … When directors get out-of-date, it’s not pretty.” Tarantino, who has the big 5-0 staring him in the face said he wants to come out on a creative high-note, but he’s not quite sure when that end may come, though he seems to think he’s most of the way there. “I’m on a journey that needs to have an end and not be about me trying to get another job,” he said. “I want this artistic journey to have a climax. I want to work toward something. You stop when you stop, but in a fanciful world, 10 movies in my filmography would be nice. I’ve made seven. If I have a change of heart, if I come up with a new story, I could come back. But if I stop at 10, that would be okay as an artistic statement.” Beyond retirement, Tarantino gave some insight to his creative process and the use of an occasional (or maybe not-so-occasional) joint while tapping his creative juices. While he partakes, he said he’s completely grounded while in production. “I wouldn’t do anything impaired while making a movie,” he offered. “I don’t so much write high, but say you’re thinking about a musical sequence. You smoke a joint, you put on some music, you listen to it and you come up with some good ideas. …I don’t need pot to write, but it’s kind of cool.” Continuing, he added that he is apt to take liberties with history in order to give the audience an unexpected twist and to simply make stories his own: “You turn on a movie and know how things are going to go in most films. Every once in a while films don’t play by the rules. It’s liberating when you don’t know what’s happening next. …I thought, What about telling these kinds of stories my way – rough and tough but gratifying at the end?” Initially, Tarantino had sought out Will Smith as Django, the title lead in the film about a slave-turned bounty hunger who sets out to rescue his wife from a brutal plantation owner, but then momentum segued toward Jamie Foxx. “[Will and I] spent quite a few hours together over a weekend when he was in New York doing Men in Black 3 . …I think half the process was an excuse for us to hang out and spend time with one another. …It just wasn’t 100 percent right, and we didn’t have time to try to make it that way.” About Leonardo DiCaprio’s villain, Calvin Candie, Tarantino said that he despised the character, which is an about-face of sorts for the filmmaker who typically finds an affinity with his bad guys. “I hated Candie, and I normally like my villains no matter how bad they are. …what I’m always trying to do…is get you to kind of like these guys, despite on-screen evidence that you shouldn’t. Despite the things they do and say and despite their agenda. I also like making people laugh at fucked-up shit.” And should the filmmaker retire as he has hinted, might he settle down? Tarantino gives his take on a more domesticated – Quentin Tarantino: “If I had a wife, I would probably be more polite. She would make me write thank-you notes, which I won’t do on my own. I wouldn’t be such a caveman. If I want to live in Paris for a year, what the fuck? I can. I don’t have to arrange anything; I can just do it. If there is an actor or director I want to get obsessed with and study their films for the next 12 days, I can do that. The perfect person would be a Playmate who would enjoy that.” [ Source: Playboy ]

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Quentin Tarantino Hints At Retirement And Getting High On ‘Django Unchained’

Paula Broadwell to Jill Kelley: You Like Touching Petraeus Under the Table?

The content of the emails sent by David Petraeus’ mistress Paula Broadwell to Jill Kelley – her perceived rival for the CIA chief’s extramarital affections – are slowly being revealed. In one email, Broadwell told Kelley she saw her touching Petraeus provocatively under the table and wondered if her husband was aware of her actions. Most of the other messages sent by Paula Broadwell (left) were similar, with one investigator calling them “kind of cat-fight stuff,” according to the Wall Street Journal. Broadwell also accused Jill Kelley of “parading” around MacDill Air Force Base in Tampa, where Kelley was a volunteer liaison arranging social events. David Petraeus, a retired four-star U.S. Army general, was based there from 2008-2010; he was appointed as Director of the CIA 14 months ago. “The [ emails ] were like, ‘Who do you think you are? … You parade around the base … Take it down a notch,'” said a source of Broadwell’s accusations toward Kelley. Kelley is believed to have contacted a friend at the FBI regarding the emails; the bureau investigated and uncovered Petraeus’ affair with Broadwell. Petraeus resigned and admitted the affair Friday. He and Holly Petraeus have been married for 37 years and have two grown children together. Herself a married mother of three, Kelley has issued a statement saying, “We and our family have been friends with Gen. Petraeus for over five years.” “We respect his family’s privacy and want the same for us and our three children.” Kelley has adamantly denied any involvement with Petraeus of a sexual nature.

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Paula Broadwell to Jill Kelley: You Like Touching Petraeus Under the Table?

Paula Broadwell to Jill Kelley: You Like Touching Petraeus Under the Table?

The content of the emails sent by David Petraeus’ mistress Paula Broadwell to Jill Kelley – her perceived rival for the CIA chief’s extramarital affections – are slowly being revealed. In one email, Broadwell told Kelley she saw her touching Petraeus provocatively under the table and wondered if her husband was aware of her actions. Most of the other messages sent by Paula Broadwell (left) were similar, with one investigator calling them “kind of cat-fight stuff,” according to the Wall Street Journal. Broadwell also accused Jill Kelley of “parading” around MacDill Air Force Base in Tampa, where Kelley was a volunteer liaison arranging social events. David Petraeus, a retired four-star U.S. Army general, was based there from 2008-2010; he was appointed as Director of the CIA 14 months ago. “The [ emails ] were like, ‘Who do you think you are? … You parade around the base … Take it down a notch,'” said a source of Broadwell’s accusations toward Kelley. Kelley is believed to have contacted a friend at the FBI regarding the emails; the bureau investigated and uncovered Petraeus’ affair with Broadwell. Petraeus resigned and admitted the affair Friday. He and Holly Petraeus have been married for 37 years and have two grown children together. Herself a married mother of three, Kelley has issued a statement saying, “We and our family have been friends with Gen. Petraeus for over five years.” “We respect his family’s privacy and want the same for us and our three children.” Kelley has adamantly denied any involvement with Petraeus of a sexual nature.

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Paula Broadwell to Jill Kelley: You Like Touching Petraeus Under the Table?

Cooper On De Niro In ‘Silver Linings Playbook’: Calling Him Dad Came ‘From A Real Place’

Bradley Cooper  says it wasn’t a stretch to call Robert De Niro “Dad” in Silver Linings Playbook . The Hangover actor plays Pat Solitano, the bipolar son of De Niro’s extremely OCD Pat Solitano, Sr. in the film, and at the New York premiere party ,  Cooper told us that his prior working relationship with De Niro on Limitless , which blossomed into a friendship, made it easy to channel that familial bond with the Taxi Driver actor.  At a press conference for the movie earlier that day,  Cooper, who lost his actual father in 2011,  told the gathered media that he had trepidations about playing the role of a Philadelphia area man struggling with bipolar disorder. “He really did champion me” to get the part, Cooper said of De Niro, adding that he decided to take the role, in part, because, “I knew that I could say ‘Dad’ and look at him and it would come from a real place.” During the party at the Royalton hotel in midtown Manhattan, I asked Cooper to elaborate upon that comment, and he replied that because of his work with De Niro on their last movie,  “We sort of became great friends,” adding: “I love him.”  That relationship, he explained, became “a real bonus” when it came to the onscreen dynamic of the two actors in Silver Linings Playbook .  With any movie role, Cooper explained, “You need certain anchors, and when I would say say the word ‘Dad’ to him, it just felt very deep and grounded.” In the David O. Russell -directed movie, De Niro gives his most authentic performance as a father since he directed himself in the 1993 picture A Bronx Tale .  He even weeps in the movie — an unscripted moment that was caught on the last take of a highly charged scene shot in the attic of the Solitano family home.  Russell, who, during the press conference, repeatedly referred to the veteran actor as “Mr. De Niro,” said the emotional moment caught him completely off-guard. “I was behind him in the attic going, ‘What’s happening?'” the director recalled. Russell’s son, Matthew, who plays a nosy teen-aged neighbor with a video camera, struggled with a different emotion while shooting a confrontational scene with De Niro: nervous laughter. The director recalled at the press conference that his son said to him that acting opposite De Niro ” was like waking up in Raging Bull . ”  Russell said that he chided his son for the inappropriate outburst, telling him,  “You’ve got to stop laughing.”  But De Niro, he added, figured out a way to work with Matthew’s anxious laughter to ratchet up tension in the scene. Silver Linings Playbook opens in limited release on Friday. Follow Frank DiGiacomo on Twitter. Follow Movieline on Twitter.

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Cooper On De Niro In ‘Silver Linings Playbook’: Calling Him Dad Came ‘From A Real Place’

One Direction’s ‘Little Things’ Shows ‘Anarchy Around Them’

Director Vaughan Arnell opens up to MTV News about working with 1D on their still unannounced next music video. By Jocelyn Vena Harry Styles in One Direction’s “Little Things” music video Photo: Columbia Records

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One Direction’s ‘Little Things’ Shows ‘Anarchy Around Them’

Paul Giamatti, Billy Bob Thornton and Jacki Weaver Join JFK Drama; Josh Duhamel Eyes You’re Not You: Biz Break

Also in Wednesday morning’s round-up of news briefs, film critic/festival programmer Scott Foundas joins the Village Voice ‘s publications; Gerard Butler eyes a WWII-era drama; and Bryan Singer is confirmed for X-Men . Scott Foundas Joins Village Voice As Principal Film Writer Foundas served as Associate Program Director at the Film Society of Lincoln Center. Prior to that he was the film editor at the Village Voice ‘s sister paper, LA Weekly . Foundas’ features and reviews will appear in all of the Voice Media Group’s publications, including: Village Voice (New York), LA Weekly (Los Angeles), Westword (Denver), New Times (Phoenix), Houston Press, Dallas Observer, Riverfront Times (St. Louis), New Times (Miami), City Pages (Minneapolis), New Times (Broward), SF Weekly (San Francisco), Seattle Weekly, and OC Weekly (Orange County). He will begin December 3rd. Around the ‘net… Paul Giamatti, Billy Bob Thornton and Jacki Weaver Join JFK Drama Parkland The drama centers on the chaotic events that occurred at Parkland Hospital in Dallas on the day that JFK was assassinated Tom Hanks is producing, Collider reports . Gerard Butler Joins Dynamo The story is based on the landmark soccer game that took place between an occupied Ukrainian soccer team and their Nazi occupiers during WWII. Butler will play Nikolai Trusevich, the all-star goalie who served as a leader for the team and inspired the war-ravaged city of Kiev. Dynamo will shoot in 2013 in Europe, Deadline reports . Josh Duhamel Eyes Hilary Swank, Emmy Rossum in You’re Not You Duhamel is in negotiations to star in the drama, which tells the story of a self-absorbed college student who undergoes a life change when she begins a part-time job taking care of a woman (Swank) who has Lou Gehrig’s disease. George C. Wolfe ( Nights in Rodanthe ) is directing, THR reports . Bryan Singer to Direct X-Men Singer will return to the franchise he helped launch. He’ll direct X-Men: Days of Future Past , the next installment of 20th Century Fox’s superhero series. Michael Fassbender, James McAvoy and Jennifer Lawrence will return. Fox hopes to make the July 18, 2014 release date it set for the sequel, Deadline reports .

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Paul Giamatti, Billy Bob Thornton and Jacki Weaver Join JFK Drama; Josh Duhamel Eyes You’re Not You: Biz Break

The Best Exotic Marigold Hotel To Cash In Again With 2nd Installment

Retirement can be so lucrative, it is worth a re-do. The surprise box office smash The Best Exotic Marigold Hotel will likely get another whirl. Raking in $130 million worldwide with a budget of only $10 million – those are golden box office numbers. The John Madden-directed film starred Judi Dench , Tom Wilkinson, Maggie Smith and Billy Nighy as English retirees in India. Screenwriter Ol Parker will write the script for Marigold 2, which does not have an official title. Dench, Nighy, and Smith are apparently willing to head back into a charmed retirement once again, according to Moviescope. It is not known if John Madden will be making a return to the director’s chair for the second installment. Based on author Deborah Moggach’s novel The Foolish Things , the box office triumphant was seen by some as evidence that a gap exists in the market for films serving an older demographic. Maggie Smith recently criticized Hollywood for youth obsession, saying that films that portray older people have historically performed well at the box office. “It seems to me there is a change in what audiences want to see,” she said. “I can only hope that’s correct, because there’s an awful lot of people of my age around now and we outnumber the others,” she said. “I don’t think films about elderly people have been made very much. But I think of [films like] Cocoon and Driving Miss Daisy and they always seem to be fairly successful, so it’s a bit baffling as to why everybody has to be treated as if they were five years old.” Smith is currently starring in the third season of the hit British television series Downton Abbey , which will be released in the U.S. in January. Dench is starring as 007’s boss M in the latest Bond pic Skyfall , which opens in the U.S. next month. [ Moviescope , The Guardian ]

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The Best Exotic Marigold Hotel To Cash In Again With 2nd Installment

Robert Zemeckis Says Bomb Mars Needs Moms Is ‘The Best 3-D Movie Since Avatar’

Disney’s 2011 family adventure Mars Needs Moms wasn’t just a box office disappointment; it was a box office disaster , one of the worst in movie history . Mars producer Robert Zemeckis , appearing at the Philadelphia Film Fest with his latest Oscar-hopeful, Flight , prefers to remember Mars Needs Moms another way: “It’s the best 3-D movie since Avatar .” Zemeckis’s bold answer matched the bold question that prompted his trip down memory lane during Flight ‘s post-screening Q&A session on Saturday night. Following a string of massive career hits ranging from the Back to the Future franchise to Oscar juggernaut Forrest Gump , the Zemeckis-produced Mars Needs Moms opened last year as the filmmaker’s most high profile critical and commercial failure. ImageMovers Digital, the Zemeckis-founded CG house that produced Mars as well as his own films The Polar Express , Beowulf , and A Christmas Carol , was shut down after completing Mars , while plans to embark on a Yellow Submarine pic with Disney were also scrapped; needless to say, it’s probably not Zemeckis’s favorite topic of conversation. (For what it’s worth, Flight , Zemeckis’s Denzel Washington -starring return to live-action film, played well with the Philly crowd.) But one Philadelphia Film Fest attendee was eager for answers. Film critic Martin Schneider penned a reasonably questioning if snarky review of Mars Needs Moms at the time of release, criticizing the film for a slew of offenses ranging from its animation to character development, with particular scrutiny of the film’s “anti-gay,” anti-progressive gender messaging. He seized the opportunity during the Philadelphia Film Fest closing night film event to share how offended he was by the film, asking Zemeckis to explain: What happened ? For his part, Zemeckis didn’t flinch. Prior to the film’s screening, Philadelphia Film Society Executive Director J. Andrew Greenblatt told the audience that the director would be taking questions, and that they could “ask him anything.” It’s tough to say whether or not Zemeckis expected the subject of his history-making bomb to pop up, but when faced by his accuser he kept his cool under pressure, like Denzel’s alcoholic hero Whip Whitaker. And then Zemeckis flew the airplane upside down, so to speak. “It was not marketed properly,” he said of the 3-D CG sci-fi flop, which cost a reported $150 million to make and made back just $38.9 million upon release, becoming the worst Disney performer of all time and one of the most miserable wide release 3-D openings in history. Zemeckis said Mars Needs Moms had been lost in the studio shuffle. He called it “breathtaking.” “It’s the best 3-D movie since Avatar ,” he continued. “It’s the way 3-D should be presented.” Meanwhile, in a career built on crowd-pleasers and after a decade spent attempting to bridge the uncanny valley with CG children’s films, Flight marks only the second film Zemeckis has directed to earn an R-rating. (His first? 1980s’s Used Cars .) Rated R “for drug and alcohol abuse, language, sexuality/nudity, and an intense action sequence,” Flight wasn’t gunning for anything less, given its full-tilt dive into the depths of addiction. “There was no way an adult drama was ever going to be anything other than R-rated,” said Zemeckis. Still, he earned applause with a parting shot at the MPAA: “I hate the ratings system. I think it’s horrible and despicable, and we should get rid of it.” Flight opens nationwide November 2. For more info on the Philadelphia Film Fest, head here . Follow Jen Yamato on Twitter . Follow Movieline on Twitter .

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Robert Zemeckis Says Bomb Mars Needs Moms Is ‘The Best 3-D Movie Since Avatar’

Robert Zemeckis Says Bomb Mars Needs Moms Is ‘The Best 3-D Movie Since Avatar’

Disney’s 2011 family adventure Mars Needs Moms wasn’t just a box office disappointment; it was a box office disaster , one of the worst in movie history . Mars producer Robert Zemeckis , appearing at the Philadelphia Film Fest with his latest Oscar-hopeful, Flight , prefers to remember Mars Needs Moms another way: “It’s the best 3-D movie since Avatar .” Zemeckis’s bold answer matched the bold question that prompted his trip down memory lane during Flight ‘s post-screening Q&A session on Saturday night. Following a string of massive career hits ranging from the Back to the Future franchise to Oscar juggernaut Forrest Gump , the Zemeckis-produced Mars Needs Moms opened last year as the filmmaker’s most high profile critical and commercial failure. ImageMovers Digital, the Zemeckis-founded CG house that produced Mars as well as his own films The Polar Express , Beowulf , and A Christmas Carol , was shut down after completing Mars , while plans to embark on a Yellow Submarine pic with Disney were also scrapped; needless to say, it’s probably not Zemeckis’s favorite topic of conversation. (For what it’s worth, Flight , Zemeckis’s Denzel Washington -starring return to live-action film, played well with the Philly crowd.) But one Philadelphia Film Fest attendee was eager for answers. Film critic Martin Schneider penned a reasonably questioning if snarky review of Mars Needs Moms at the time of release, criticizing the film for a slew of offenses ranging from its animation to character development, with particular scrutiny of the film’s “anti-gay,” anti-progressive gender messaging. He seized the opportunity during the Philadelphia Film Fest closing night film event to share how offended he was by the film, asking Zemeckis to explain: What happened ? For his part, Zemeckis didn’t flinch. Prior to the film’s screening, Philadelphia Film Society Executive Director J. Andrew Greenblatt told the audience that the director would be taking questions, and that they could “ask him anything.” It’s tough to say whether or not Zemeckis expected the subject of his history-making bomb to pop up, but when faced by his accuser he kept his cool under pressure, like Denzel’s alcoholic hero Whip Whitaker. And then Zemeckis flew the airplane upside down, so to speak. “It was not marketed properly,” he said of the 3-D CG sci-fi flop, which cost a reported $150 million to make and made back just $38.9 million upon release, becoming the worst Disney performer of all time and one of the most miserable wide release 3-D openings in history. Zemeckis said Mars Needs Moms had been lost in the studio shuffle. He called it “breathtaking.” “It’s the best 3-D movie since Avatar ,” he continued. “It’s the way 3-D should be presented.” Meanwhile, in a career built on crowd-pleasers and after a decade spent attempting to bridge the uncanny valley with CG children’s films, Flight marks only the second film Zemeckis has directed to earn an R-rating. (His first? 1980s’s Used Cars .) Rated R “for drug and alcohol abuse, language, sexuality/nudity, and an intense action sequence,” Flight wasn’t gunning for anything less, given its full-tilt dive into the depths of addiction. “There was no way an adult drama was ever going to be anything other than R-rated,” said Zemeckis. Still, he earned applause with a parting shot at the MPAA: “I hate the ratings system. I think it’s horrible and despicable, and we should get rid of it.” Flight opens nationwide November 2. For more info on the Philadelphia Film Fest, head here . Follow Jen Yamato on Twitter . Follow Movieline on Twitter .

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Robert Zemeckis Says Bomb Mars Needs Moms Is ‘The Best 3-D Movie Since Avatar’