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Robert Zemeckis Says Bomb Mars Needs Moms Is ‘The Best 3-D Movie Since Avatar’

Disney’s 2011 family adventure Mars Needs Moms wasn’t just a box office disappointment; it was a box office disaster , one of the worst in movie history . Mars producer Robert Zemeckis , appearing at the Philadelphia Film Fest with his latest Oscar-hopeful, Flight , prefers to remember Mars Needs Moms another way: “It’s the best 3-D movie since Avatar .” Zemeckis’s bold answer matched the bold question that prompted his trip down memory lane during Flight ‘s post-screening Q&A session on Saturday night. Following a string of massive career hits ranging from the Back to the Future franchise to Oscar juggernaut Forrest Gump , the Zemeckis-produced Mars Needs Moms opened last year as the filmmaker’s most high profile critical and commercial failure. ImageMovers Digital, the Zemeckis-founded CG house that produced Mars as well as his own films The Polar Express , Beowulf , and A Christmas Carol , was shut down after completing Mars , while plans to embark on a Yellow Submarine pic with Disney were also scrapped; needless to say, it’s probably not Zemeckis’s favorite topic of conversation. (For what it’s worth, Flight , Zemeckis’s Denzel Washington -starring return to live-action film, played well with the Philly crowd.) But one Philadelphia Film Fest attendee was eager for answers. Film critic Martin Schneider penned a reasonably questioning if snarky review of Mars Needs Moms at the time of release, criticizing the film for a slew of offenses ranging from its animation to character development, with particular scrutiny of the film’s “anti-gay,” anti-progressive gender messaging. He seized the opportunity during the Philadelphia Film Fest closing night film event to share how offended he was by the film, asking Zemeckis to explain: What happened ? For his part, Zemeckis didn’t flinch. Prior to the film’s screening, Philadelphia Film Society Executive Director J. Andrew Greenblatt told the audience that the director would be taking questions, and that they could “ask him anything.” It’s tough to say whether or not Zemeckis expected the subject of his history-making bomb to pop up, but when faced by his accuser he kept his cool under pressure, like Denzel’s alcoholic hero Whip Whitaker. And then Zemeckis flew the airplane upside down, so to speak. “It was not marketed properly,” he said of the 3-D CG sci-fi flop, which cost a reported $150 million to make and made back just $38.9 million upon release, becoming the worst Disney performer of all time and one of the most miserable wide release 3-D openings in history. Zemeckis said Mars Needs Moms had been lost in the studio shuffle. He called it “breathtaking.” “It’s the best 3-D movie since Avatar ,” he continued. “It’s the way 3-D should be presented.” Meanwhile, in a career built on crowd-pleasers and after a decade spent attempting to bridge the uncanny valley with CG children’s films, Flight marks only the second film Zemeckis has directed to earn an R-rating. (His first? 1980s’s Used Cars .) Rated R “for drug and alcohol abuse, language, sexuality/nudity, and an intense action sequence,” Flight wasn’t gunning for anything less, given its full-tilt dive into the depths of addiction. “There was no way an adult drama was ever going to be anything other than R-rated,” said Zemeckis. Still, he earned applause with a parting shot at the MPAA: “I hate the ratings system. I think it’s horrible and despicable, and we should get rid of it.” Flight opens nationwide November 2. For more info on the Philadelphia Film Fest, head here . Follow Jen Yamato on Twitter . Follow Movieline on Twitter .

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Robert Zemeckis Says Bomb Mars Needs Moms Is ‘The Best 3-D Movie Since Avatar’

James Cameron Snatches ‘The Informationist’ Movie Rights

Director’s next project with producer Jon Landau will follow ‘Avatar’ sequels. By Carly Wolkoff James Cameron Photo: Getty Images

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James Cameron Snatches ‘The Informationist’ Movie Rights

Steven Spielberg Says He’s ‘No Longer Interested’ In Action Pics

Jaws , Indiana Jones , Jurassic Park – Steven Spielberg has set the bar for the worldwide blockbuster. Sure, he’s taken praise for other genre as well, including his Best Director win for Schindler’s List (and another for Saving Private Ryan five years later). On the cusp of his Lincoln premiere for the closing night of the AFI Fest next month, the wildly successful director-producer-writer said he is “no longer attracted” to action films, even as some are on his plate. CBS’ 60 Minutes spotlighted the director and his latest Oscar-buzzed film, which had a sneak “work-in-progress” screening at the recent New York Film Festival. The filmmaker reiterated what many of those first crowds said about the film, describing it as less action-packed than many of his previous titles. “I knew I could do the action in my sleep at this point in my career,” he said. “In my life, the action doesn’t hold any … it doesn’t attract me any more.” Was that a possible moment of exuberation considering the feature is widely tipped to be a mass contender this awards season? Spielberg, however, is set to direct Sci-Fi thriller Robopocalypse , which is set in the aftermath of a robot uprising and a quick check of his IMDb page has him set to direct a possible Indiana Jones 5 . Also during the segments on the popular long-running Sunday night news program that his latest, about the 16th President of the United States, focusing on the last months of his Administration when he and abolitionists labored to pass the 13th Amendment soon after his re-election on the waning days of the Civil War, was partly inspired by a reconciliation with his father. “[President Lincoln] was the father of the nation in need of repair,” said Spielberg. “And in a sense, the movies I’ve made recently have reflected the positive relationships that my dad and I have enjoyed for 20 [to] 25 years.” “I was an outsider. The kid that played clarinet at band, which I did,” said Spielberg, who shared that he was bullied at school. He dealt with severe anti-Semitic attacks at school and said he denied his Jewishness for “a long time.” While his mother noted during the interview that he and his father were not close, it was in fact his dad who gave him something that would change his life – a camera. Though his parents later divorced when his mother left after falling for her husband’s friend, Spielberg didn’t know for years the circumstances of their break-up. He idolized his mother and used his sentiment, channeling it to the maternal character Dee Wallace in E.T. In Schindler’s List , Spielberg said, “I did everything I needed to do to tell the story the way I thought the story should be told, to give it as much integrity as I could, never expecting it to make a dollar. The film went on to deliver a worldwide box office haul of $321million and win best picture and director Oscars at the 1994 Academy Awards.” It was his turn at facing down the anti-Semitism he felt growing up. In his latest, starring Daniel Day-Lewis, Spielberg researched for the topic for 12 years. “I think the film is very relevant to today. It’s about leadership. And it’s about telling the truth. I think there was a sense of darkness for him…He had to end slavery and abolish the war. And there was darkness in his personal life.” [ Sources: The Guardian , CBS 60 Minutes ]

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Steven Spielberg Says He’s ‘No Longer Interested’ In Action Pics

Tim Burton Eyed Michael Jackson For House Of Wax

Tim Burton had brought up the idea of Frankenweenie long before he finally was given the go-ahead. Development for the stop motion animated film dates back to late 2005, but didn’t finally come out until recently. He went on to direct Sweeney Todd , Alice in Wonderland and Dark Shadows before his latest time in the director’s chair. But the hold-off with Frankenweenie begs a follow-up question: What other ideas did the Scissorhands filmmaker ever have that didn’t make it to the big screen? Apparently the answer is Michael Jackson . Speaking with Yahoo! Movies, U.K., Burton, who received an award along with partner Helena Bonham Carter at the recently concluded London Film Festival where Frankenweenie had its European debut, said that he once proposed a pic starring the pop legend who died tragically in 2009. “My favorite one was when I tried to convince the studio to make my idea of a musical version of House Of Wax with Michael Jackson,” said Burton. “It was many years ago but that’s the one that springs to mind.” Though a collaboration between the eccentric Thriller superstar and the off-beat Oscar-nominated filmmaker might have been a journey in filmmaking spectacle, the idea apparently had a quick demise. “They did not go for that one at all,” said Burton. Re-made from a 1953 horror in 2005 starring Paris Hilton, the story follows a group of teens who are stranded near a strange wax museum. They soon begin to fight in a struggle to survive from becoming the exhibit’s newest acquisition. [ Source: Yhaoo! Movies U.K. ]

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Tim Burton Eyed Michael Jackson For House Of Wax

Dark Knight Rises Cinematographer Calls The Avengers ‘Appalling’

They were two of the biggest movies in terms of box office this summer – and likely for all of 2012, yet the battle between The Dark Knight Rises and Marvel’s The Avengers opened a new front in the artistic sphere. TDKR made just over $1.07 billion worldwide (with a $250 million production budget), while Marvel’s The Avengers roared on with a $1.511 billion worldwide gross (and a production budget reportedly at $220 million). One cinematographer offered up his own impressions about the rival’s merits, calling it “appalling.” Wally Pfister won an Oscar for Inception as well as three nominations for Batman Begins , The Presige and The Dark Knight . He is even embarking on his own foray into the director chair on an upcoming project next year said that his past work as a news reporter and in documentary helped him to “reduce the amount of artifice” in his work. Though he has won recognition for his work with TDKR director Christopher Nolan on the Batman franchise, he admitted to not being much of a “super hero fan” and said his reaction was surprise when Nolan first approached him about doing Batman Begins . “I was like, really? A guy in a rubber suit?” Pfister is quoted as saying in the Herald-Tribune speaking to a film class in Sarasota, FL. He also gave his opinions on Marvel’s The Avengers , when asked what was most important in shooting a film. “What’s really important is storytelling. None of it matters if it doesn’t support the story,” said Pfister. “I thought The Avengers was an appalling film. They’d shoot from some odd angle and I’d think, why is the camera there? Oh, I see, because they spent half a million on the set and they have to show it off. It took me completely out of the movie. I was driven bonkers by that illogical form of storytelling.” Pfister, who along with Nolan has been steadfast advocate of film over digital, said The Prestige was his most “artistically fulfilling” and prefers TDKR among the Batman films. “I liked my work best in the last one, of course, because anything I felt I’d done wrong on each one, I’d right on the next one,” he said. He added that he’d “never say never” to any Batman 4 project. “I’m fortunate enough to have been successful enough that now I want to fulfill myself artistically. I guess I might do it right at the point where I had to sell my house.” His directorial debut is currently casting, but only gave a hint at details. “I can’t talk too much about it. It’s a present-day science fiction film, a fairly big concept. It’s bigger budget — not as big as Batman , but not independent. [ Sources: Herald-Tribune , Huffington Post , Box Office Mojo ]

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Dark Knight Rises Cinematographer Calls The Avengers ‘Appalling’

‘Beautiful Creatures’ Score To Include Alice Englert-Penned Song

Director Richard LaGravenese discusses music’s ‘swamptronic’ sound and Beatles connection. By Amy Wilkinson Jeremy Irons and Alice Englert in “Beautiful Creatures” Photo: Warner Bros.

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‘Beautiful Creatures’ Score To Include Alice Englert-Penned Song

Charlize Theron nude

Here she is once again posing for the camera but this time for the photographer and not the director as in this collection she is nude and gold, wet and see-through and showing off her tits topless in screen captures Continue reading

Ben Affleck Eyes Next Directing/Acting Gig; R.I.P. Cinematographer Harris Savides: Biz Break

Also in Thursday afternoon’s round-up of news briefs: Val Kilmer will receive kudos from the Dallas Film Society; Jodie Foster takes on Money for her next directorial project. Also, Tribeca Film Festival names a new Deputy Executive Director and the Independent Filmmaker Project (IFP) launches a major new initiative; Dallas Film Society to Fete Val Kilmer Kilmer will be honored by the Dallas Film Society at their annual fall fundraiser, “The Art of Film” on November 16th. He will be presented with the Dallas Star Award November 16th followed by a conversation during the event by film critic Elvis Mitchell. Nicholas Apps Joins Tribeca Film Festival As Deputy Executive Director Tribeca named Apps Deputy E.D. effective October 15rh. He will report to Executive Director Beth Janson spearheading individual giving and corporate sponsorship initiatives, and marketing and communications efforts for Tribeca Film Institute, the year-round nonprofit founded by Robert De Niro, Jane Rosenthal, and Craig Hatkoff. IFP to Develop and Operate “Made in New York” Media Center Independent film advocacy group Independent Filmmaker Project (IFP) will develop and operate a new Media Center in New York City. Bringing together traditional media and emerging technologies, IFP aims to make the Media Center “a hub for filmmakers, content creators, and entrepreneurs to work together under one roof.” Located in DUMBO in Brooklyn, it is set to open in spring 2013. More information can be found at their website . Around the ‘net… Cinematographer Harris Savides Dies Harris Savides, the acclaimed cinematographer who worked frequently with Gus Van Sant and David Fincher, has died at 55. Savides died Wednesday night, his representatives at The Skouras Agency confirmed Thursday. Savides was known for vividly recreating the hazy hues of 1970s cinema in films like Fincher’s Zodiac , Ridley Scott’s American Gangster and Sofia Coppola’s Somewhere , and for mesmerizingly fluid, long takes with Van Sant in movies including Last Days , ‘ Elephant and Gerry , A.P. reports . Ben Affleck Eyes Live By Night as Next Directing Gig The director/actor is in talks with Warner Bros. to make Live By Night which, like Argo , he will write, direct, produce and star in. The story is based on the novel by Dennis Lehane. Set during Prohibition, the focus is on Joe Coughlin, the black sheep son of a police captain who gets involved in escalating levels of organized crime, Deadline reports . Jodie Foster to Direct Money Monster Foster will direct the drama about a TV personality whose insider trading tips have made him the money guru of Wall Street. A viewer, however, loses all his money on a tip from the insider and takes him hostage on air. Ratings soar as the country is gripped by the drama. Production is set for early 2013, Deadline reports .

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Ben Affleck Eyes Next Directing/Acting Gig; R.I.P. Cinematographer Harris Savides: Biz Break

Chris Hemsworth Eyes American Assassin; Fox’s Sean Hannity to Make Film Debut: Biz Break

Also in Thursday morning’s round-up of news briefs: Tim Burton launches the London Film Festival with his latest; Toronto surf pic heads to U.S. theaters and Variety is set to end its pay wall. Storm Surfers 3-D Heads to U.S. Theaters The 2012 Toronto Film Festival documentary is directed by Christopher Nelius and Justin McMillan. The film follows Tom, Ross and surf forecaster Ben Matson’s adventures as they track and chase giant storms across the Great Southern Ocean, braving gigantic waves, freezing conditions and near-death experiences. Using state-of-the-art 3D technology the feature is narrated by Oscar nominee Toni Collette. XLrator Media acquired U.S. rights to the film. Around the ‘net… CBS Films Courts Chris Hemsworth to Play Terrorist Hunter in American Assassin Based on Vince Flynn’s bestselling novel series, CBS Films is offering Chris Hemsworth $10 million to star as terrorist hunter Mitch Rapp in American Assassin It is the 11th book in Flynn’s series of espionage novels, Deadline reports . Sean Hannity to Make Film Debut in Atlas Shrugged: Part II In the film that opens Friday, Hannity plays the host of a TV show similar to his own on Fox News. The film is set several years in the future when the conservative commentator will presumably be off the air. Hannity is a fan of the book Atlas Shrugged and its author Ayn Rand, a fierce defender of capitalism, THR reports . Frankenweenie Opens London Film Festival Filmmaker Tim Burton has said he is “honored” that his stop-motion 3D animation Frankenweenie has opened the BFI London Film Festival. “It was made here, so it has extra special meaning,” the director told the BBC at the film’s European premiere. Variety’s Pay Wall to End One day after the official announcement PMC Media acquired trade publication Variety, its new owner said at a town hall meeting at Variety’s L.A. office that the pay wall will come down. Variety has been mostly inaccessible to non-subscribers online since the pay wall was instituted, Deadline reports . ( PMC is the parent company of Movieline ).

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Chris Hemsworth Eyes American Assassin; Fox’s Sean Hannity to Make Film Debut: Biz Break

Uma Thurman Joins Lars Von Trier’s Nymphomaniac; Bernardo Bertolucci Heads To AFI Fest: Biz Break

Also in Wednesday morning’s round-up of news briefs: IDFA, the world’s biggest documentary film festival picks its opening feature. Tim Burton and Helena Bonham Carter are set for London Film Festival honors. Wes Anderson adds to his next project. And Ryan Reynolds eyes a psychological thriller. AFI Fest Taps Bernardo Bertolucci as Guest Artistic Director The Oscar-winning Italian director and screenwriter has selected four features for his special sidebar program at the festival including 42nd Street (DIR Lloyd Bacon), La Regle du Jeu (DIR Jean Renoir), Sunrise (DIR F.W. Murnau) and Vivre Ca Vie (DIR Jean-Luc Godard). In addition, the festival will present Electric Chair , a behind-the-scenes film about the making of Bertolucci’s new movie, Me and You . Bertolucci has written and directed over 25 films, including The Last Emperor and Last Tango in Paris . The 2012 AFI Fest takes place November 1 – 8 in Los Angeles. Wrong Time Wrong Place to Open 25th International Documentary Film Festival Amsterdam The film is described by the world’s biggest documentary festival as “an essay on the insignificance of life and the role played by chance.” The non-fiction feature directed by John Appel revolves around the events of July 22nd, 2011 in Norway, when 77 people were killed in the bomb attacks in Oslo and the shootings on the island of Utoya. IDFA will take place November 14 – 25 in Amsterdam, The Netherlands. Tim Burton and Helena Bonham Carter to Receive London Film Festival Honors Burton and Bonham Carter will receive the British Film Institute’s highest honor, the BFI Fellowship at the 56th BFI London Film Festival, which opens October 20th, which will open with Burton’s Frankenweenie . Around the ‘net… Uma Thurman Joins Lars von Trier’s Nymphomaniac Thurman has joined the cast in the controversial Danish director’s erotic drama in a role that is unclear. Nymphomaniac stars Charlotte Gainsbourg, Stellan Skarsgard, Shia LaBeouf, Jamie Bell, Stacy Martin, Connie Nielsen and Christian Slater. The film will be released in both soft and hard core versions in 2013, THR reports . Ralph Fiennes to Star in Wes Anderson’s Grand Budapest Hotel The film is Wes Anderson’s follow-up to his successful Moonrise Kingdom . The project also stars Bill Murray, Jude Law and Owen Wilson, Deadline reports . Ryan Reynolds Eyes The Voices Reynolds is in early talks with Mandalay Vision and Vertigo Entertainment to star in the psychological thriller that will be directed by Marjane Satrapi from a script by Paranormal Activity ‘s Michael R. Perry. His possible role revolves around a strange bathtub factory worker who longs for the attention of a co-worker. Their relationship takes a sudden murderous twist, but his evil speaking cat and benevolent talking dog lead him to salvation, Deadline reports .

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Uma Thurman Joins Lars Von Trier’s Nymphomaniac; Bernardo Bertolucci Heads To AFI Fest: Biz Break