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‘The Last Airbender’: The Reviews Are In!

Critics say the 3-D epic will be a hit with the kids, but grownups may tire of its flashy effects. By Eric Ditzian Nicola Peltz as Katara in “The Last Airbender Photo: Paramount Pictures M. Night Shyamalan’s “The Last Airbender,” adapted from the popular Nickelodeon animated series into a live-action, CGI-heavy, 3-D epic, arrives in a crowded summer movie season of “Eclipse” vampires and “Toy Story 3” playthings. Is there room for “Airbender” and its fire-throwing, water-controlling warriors at the cinema? It certainly seems that way, as the film is tracking to gross over $45 million across the long holiday weekend. And while the reviews are decidedly mixed, MTV News’ Kurt Loder reports that the movie’s target audience at one advance screening was nothing short of ecstatic. “Early reviews in the theater-full of little kids I saw ‘The Last Airbender’ with were enthusiastic: whoops and wows scattered throughout and a chorus of cheers at the end,” he wrote. “The movie is filled with heroic feats, high-kicking martial arts and elaborate digital imagery, and this is the audience it’s aimed at.” Indeed, the reviewers who pay deference to the film’s core viewers do offer the most positive reviews. “This is strictly for the preteens who like their heroes young, their morals simple and their villains clear,” writes Scott Bowles of USA Today. “And Shyamalan delivers. Credit the director for emphasizing the film’s multiple fight scenes, which crackle, particularly for a kids’ movie. This could have played like ‘Spy Kids Know Kung Fu,’ but [star Noah] Ringer is a real martial arts prodigy, and co-star Dev Patel (‘Slumdog Millionaire’) trained for months. It shows.” What of the film’s visual effects? Each of the nations in the fantastical world of “Airbender” has the ability to manipulate one element: air, fire, water or earth. With the help of the animators from Industrial Light & Magic, those powers come to fairly badass life. But not everyone remained impressed for the film’s entire running time. “[T]he bending of the elements is, I’ll admit, kind of, sort of cool,” writes Michael O’Sullivan of the Washington Post. “Walls of dirt rise up to repel fireballs. Oceans surge and turn to ice. And [Ringer’s] Aang rides around on a hang glider that unfolds from a staff he carries. After a while, though, all the fighting between people hurling rocks, flames, water balloons and blasts of air at each other starts to resemble, as a waggish friend noted, one long game of rock, paper, scissors. It gets real old real fast.” Owen Gleiberman of Entertainment Weekly sees parallels to previous epic films, but the comparison is not always a flattering one for “Airbender.” “The movie is ‘Star Wars’ with martial arts, plus a touch of ‘The Last Emperor.’ Technically, it’s not badly done; I enjoyed the physical clash of elements, the water balls rising like sculpture in the air. The trouble with ‘The Last Airbender’ is that Aang, as a character, is a saintly abstraction (Noah Ringer plays him with a sensitive pout that grows cloying), and he’s surrounded by generic young actors who are like place holders for real stars. Your eyes are sometimes dazzled, but you’re shut out of the spectacle because there’s no one of any force or charm or stature to identify with.” We’ll give Josh Tyler of CinemaBlend the final word: “[T]his is an achingly beautiful film full of stunning special effects, driven by a powerful score, and based on material so good that even the worst script of the year couldn’t entirely ruin it. It’s worth putting up with M. Night the writer to enjoy the work of M. Night the director.” Check out everything we’ve got on “The Last Airbender.” For breaking news and previews of the latest comic book movies — updated around the clock — visit SplashPage.MTV.com . Related Videos ‘The Last Airbender’ Clips MTV Rough Cut: ‘The Last Airbender’ Related Photos ‘The Last Airbender’ Premieres In New York The Powers & Creatures Of ‘The Last Airbender’

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‘The Last Airbender’: The Reviews Are In!

MSNBC Host Calls Leftist Advocacy Group Co-Founded By Obama ‘Non-Partisan’

ROTF, laughing my Demos off . . . Barack Obama is president.  Oil is gushing in the gulf.  America was eliminated from the World Cup.  Looking for a laugh break? Try this: MSNBC has described DEMOS as “non-partisan.”  OK, I hadn’t heard of them, either.  But their web site just happens to mention that Barack Obama is “a founding Board member of Demos.” But that didn’t stop Chris Hayes of the lefty Nation mag, on MSNBC this evening subbing for Ed Schultz, from, yes, describing DEMOS as “non-partisan” in introducing the group’s Washington, DC director, Heather McGhee.  And who is Heather?  From the DEMOS site: “previously, she was the Deputy Policy Director, Domestic and Economic Policy, for the John Edwards for President 2008 campaign.” View video here . Predictably, McGhee spoke in favor of the Dems’ financial regulation bill.  Her argument included this pro-Obama gem: “People understand that we’ve now got someone in Washington watching out for the consumer,” etc.  Don’t you sleep better at night knowing Barack Obama’s in the White House? Poking around the DEMOS web site, we find this  description of the group’s “four overarching goals”:     *  a more equitable economy with widely shared prosperity and opportunity;     * a vibrant and inclusive democracy with high levels of voting and civic engagement;     * an empowered public sector that works for the common good;     * and responsible U.S. engagement in an interdependent world. Shall we translate?: income redistribution, lax voting enforcement, bigger government, weaker defense. Yup, sure sounds non-partisan to me! Note: My first instinct was to Google “DEMOS” + “Soros,” and while I can’t independently verify it for the time being, sure enough I got some hits, as here , listing the group as being funded by the far-left’s biggest financier.

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MSNBC Host Calls Leftist Advocacy Group Co-Founded By Obama ‘Non-Partisan’

Eclipse Director David Slade: ‘I Have No Idea Why Anyone Would Hire Me!’

When David Slade was announced as the director of the third Twilight film, Eclipse , it seemed like a risky proposition: he had only made two other movies ( Hard Candy and 30 Days of Night ), and both indicated a sensibility that might be too aggressive for the romantic Stephenie Meyer series. Perhaps that’s exactly what the franchise needed, though, as Slade’s turned in a well-received installment that’s a good deal more propulsive than Chris Weitz’s sluggish New Moon . The day after Eclipse’s Los Angeles premiere, Slade was still riding high from the audience’s reaction as he talked to Movieline about the tough shoot, his thoughts on the controversial Breaking Dawn , and the follow-up he definitely isn’t making next.

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Eclipse Director David Slade: ‘I Have No Idea Why Anyone Would Hire Me!’

Ready For an Ice Road Truckers Movie?

Fox is said to be interested in developing a feature film based on the History Channel reality hit Ice Road Truckers — or at least that’s what director John Moore intimated on Monday. “We’ll turn it into a mission movie that harkens back to Towering Inferno , Jaws , or The Guns of Navarone ,” Moore told Deadline. “You got a problem, go solve it.” Indeed, and Moore is the man to do it. Lord knows if anybody has an eye for huge crap sliding out of control, it’s the director of Max Payne and that Omen remake. [ Deadline ]

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Ready For an Ice Road Truckers Movie?

‘Eclipse’ Director David Slade Reveals Kristen Stewart’s Deleted Scenes

‘There’s a lovely scene between Angela and Bella where they’re just two girls getting along,’ filmmaker says of possible ‘Eclipse’ DVD bonuses. By Eric Ditzian, with reporting by Josh Horowitz David Slade Photo: MTV News Last November, “New Moon” director Chris Weitz told us that the DVD release of the second film in the “Twilight” franchise would deliver 20 minutes of deleted footage for hungry fans. But when the disc dropped in March, no such scenes were included on virtually any available version . Weitz eventually copped to the mistake, but “Twilight” fans might remain wary about promises of deleted scenes for the DVD of “Eclipse.” So approach director David Slade’s statements with both the usual enthusiasm and abundant caution, because he’s promised MTV News that the DVD will definitely contain deleted scenes — and at least two will feature Kristen Stewart’s Bella Swan. “There’s a lovely scene between Angela and Bella where they’re just two girls getting along and they’re just talking about girl stuff, about jealousy,” said Slade of the two high school friends. “Bella’s so completely and utterly wrapped up in all of this stuff — that Angela has no idea about — [and Bella] is blind to the basic human stuff in front of her. It’s a lovely scene, and I’m sure it will be on the DVD. It just stopped the film dead. The film had a pace and it just stopped dead.” Indeed, there is very little in “Eclipse” of Bella in her high school setting: one or two scenes in the cafeteria, a brief graduation scene, and not much else. Rather, the movie focuses on the Bella-Edward-Jacob love triangle and the growing threat Victoria and her army of newborn vampires pose to the community. With a film that runs just over two hours, a director is simply forced to make tough choices. “It was one of those things we ended up reluctantly removing, but it will be there for later, for prosperity,” Slade said of the scene. Aside from Bella and Angela’s conversation, Slade admitted that not much was left on the cutting-room floor. “There’s not much fat,” he said. But there is a touching scene between Bella and her father that fans can get excited to see. “We did this one scene of Charlie just telling Bella how proud he is of her, which was wonderful and really touching,” Slade said. “But again, it just kind of stopped you.” Check out everything we’ve got on “The Twilight Saga: Eclipse.” For young Hollywood news, fashion and “Twilight” updates around the clock, visit HollywoodCrush.MTV.com . Related Videos MTV Rough Cut: ‘Twilight Saga: Eclipse’ Director, Screenwriter Related Photos ‘The Twilight Saga: Eclipse’

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‘Eclipse’ Director David Slade Reveals Kristen Stewart’s Deleted Scenes

Oliver Stone Lauds Hugo Chavez, Criticizes Action Against Iran on ABC’s GMA

Liberal director Oliver Stone revealed his anti-American bent on Monday’s Good Morning America, praising the rise of mainly left-wing leaders across South America and even went so far to support Brazilian President Lula da Silva for “trying to strike to deal with Iran,” wildly predicting ” it’s going to be like North Vietnam again ” if the U.S. pursued sanctions against the country. Anchor George Stephanopoulos interviewed the Oscar-winning director 44 minutes into the 8 am Eastern hour. Stephanopoulos referenced how Stone has “tackled war, Wall Street, and the Kennedy assassination” and is now “taking on South America. He says our neighbors to the south haven’t gotten a fair shake from the American media, and, armed with a camera, he’s set out on a road trip to try to change that.” Before asking about Chavez, Stephanopoulos played a clip from Stone’s documentary “South of the Border,” which included a sound bite from CNN’s John Roberts that gave the impression that the anchor was condemning the Venezuelan leader: “He’s more dangerous than Bin Laden, and the effects of Chavez, his war against America, could eclipse those of 9/11.” Actually, Roberts, in the January 15, 2009 segment from his American Morning program, actually was reading a quote from a book by his guest, Doug Schoen: “Right off the bat, in the very front of the book, you quote Otto Reich, who was the former ambassador to Venezuela back in the 1980s, as saying that he’s more dangerous than bin Laden and the effects of Chavez, his war against America could eclipse those of 9/11.” Earlier, the ABC anchor asked, “Why take this on?” The director characterized the left-wing trend in leaders in South America as a “march towards reform” and praised these favorite leaders on the continent without naming them: STONE: They have democratically-elected leaders who look like the people who elected them. They have a priest in Paraguay. They have a woman in Argentina. They have an Indian leader- the first Indian- in Bolivia. They have an economist in Ecuador and they have a soldier who’s poor- comes from a poor family- who was elected three times in Venezuela- that’s Hugo Chavez. These are good people. When you look in their eyes, you see it, and you see it on film. That’s why you have to do a  film because on paper, it sometimes it didn’t come across, you know? The leader of Paraguay, Fernando Lugo, is actually a former Catholic bishop who admitted that he fathered a child with a woman in her 20s when he was still a bishop. Lugo led a mainly left-wing coalition into office when he was elected in 2008. Argentina’s president, Cristina Fernandez de Kirchner, nationalized $30 billion in private pension funds late in 2008. Bolivian President Evo Morales and Ecuador’s executive, Rafael Correa , are both avowed socialists. The ABC anchor later pressed the director on his endorsement of his Venezuelan “soldier:” STEPHANOPOULOS (live): Do you believe Hugo Chavez is a good person? STONE: Yes, I do- absolutely . STEPHANOPOULOS: But even the United Nations has said that Hugo Chavez has not been a paragon of free speech- his crackdown on the media in his own country. STONE: I have not seen that report. I know that- you know, there’s no pattern of censorship in this country . I’ve been there. So, you can see it. You can go down to South America, spend three days, and you’ll see the most vibrant opposition in the world . STEPHANOPOULOS: One of the reasons the United States has put a lot of pressure on Chavez is over oil, you believe, and there was particular opposition from the Bush administration. How do you think the relationship may change, now that President Obama is in office? STONE: Well, I hope it changes because America seems to want to control every oil-producing nation in the world, whether it’s Iraq or Iran or Venezuela. Since Stone named Iran, Stephanopoulos mentioned how “the president of Brazil [is] trying to strike a deal with Iran, counter to what the Obama administration is looking for.” The director replied that this move as a ” good thing .” When the anchor asked why, Stone made his “North Vietnam” comparison: STONE: Because- well, the march to sanctions in Iran. We want sanctions. We want- it seems to me, once they start intercepting their ships, we’re going to be in a- it’s going to be like North Vietnam again. We’re going to get into a position where we’re going to get closer to war. There’s no reason for to us go to war in Iran, any more than there was a reason to go in Iraq – STEPHANOPOULOS: Even if they want to build a nuclear weapon? STONE: Hmm? STEPHANOPOULOS: Even if they want to build a nuclear weapon? STONE: I think that has to be discussed. So the Oscar winner not only acted as a left-wing apologist but also vouched for inaction against a nation who has nuclear ambitions and has made threats against its neighbors. Stephanopoulos and Stone concluded by briefly discussing how the director was also releasing a sequel to his acclaimed 1987 movie, “Wall Street.” After thanking his guest, the ABC anchor noted that “‘South of the Border’ is open in New York now” as a title graphic for the movie flashed on screen. But, in a parallel to Stone’s edit of Roberts, the graphic that ABC used for the movie was actually cropped from its movie poster which emulated left-wing propaganda art . Eagle’s talons represented United States’s power in South America on the poster, which were mounted on top of South America which was appropriately painted red.

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Oliver Stone Lauds Hugo Chavez, Criticizes Action Against Iran on ABC’s GMA

Peggy West Milwaukee Democrat Don’t Know Arizona Borders Mexico YouTube Video

Milwaukee County Supervisor Peggy West, Democrat, seems knew Google well but not the Google maps. She also forgot about YouTube. added by: f4schennai

Democrat county supervisor: Arizona is not a border state

OK, well this may explain why Democrats don't understand why Arizona passed SB 1070. http://www.youtube.com/watch?v=WQp8M0bkarM&feature=player_embedded According to her, Arizona is not a border state. No, it's “removed from the border.” After making a comment that is so obviously ignorant…what needs to be said? Meanwhile, we are finding out that there is a nexus between Hezbollah and the Mexican drug gangs… http://www.foxnews.com/politics/2010/06/25/congresswoman-raises-red-flag-hezboll… You'd think this intel would inspire the Federal Govt–that would be Obama–to take our border issues seriously, as a matter of national defense. But no. This week Obama met with Arizona Senator Kyle, who reports that Obama refuses to seal the border until the Republicans agree to work with him for “immigration reform”…also known as “AMNESTY”. http://www.youtube.com/watch?v=IpyrlX52TwA And now we learn that Obama has decided to appoint a Sanctuary City kook to head ICE. http://www.foxnews.com/politics/2010/06/24/obama-administration-picks-critic-imm… The Obama administration has tapped an outspoken critic of immigration enforcement on the local level to oversee and promote partnerships between federal and local officials on the issue. Harold Hurtt, a former police chief in Houston and Phoenix, has been hired as the director for the U.S. Immigration and Customs Enforcement's Office of State and Local Coordination. …as a police chief, Hurtt was a supporter of “sanctuary city” policies, by which illegal immigrants who don't commit crimes can live without fear of exposure or detainment because police don't check for immigration papers. What other evidence do you need to prove that the Democrats are out of touch…and are just being stupid? added by: curtisreed

Peter Jackson Reportedly Negotiating To Direct ‘The Hobbit’

Guillermo del Toro stepped down as director just over three weeks ago. By Eric Ditzian Peter Jackson Photo: MTV News In a stunning development in the long-delayed big-screen adaptation of “The Hobbit,” just over three weeks after Guillermo del Toro abandoned directorial duties , Peter Jackson is reportedly negotiating to step into the director’s chair for the two-part production. Deadline.com reports that Jackson is in the midst of negotiations with Warner Bros., New Line and MGM. Jackson, of course, is intimately familiar with Middle-earth, having directed the three installments of the “Lord of the Rings” franchise and winning the Oscar for directing in 2003. He was already co-writing the “Hobbit” screenplays, based on the 1937 book by J.R.R. Tolkien, and shepherding development as a producer. And while rumors surfaced last week that Jackson was being courted to direct as well, that possibility seemed like wishful thinking for Tolkienites. Both “Hobbit” films are said to be gearing up to shoot back-to-back in Jackson’s native New Zealand. MGM has been waging a very public struggle with financial issues, and Deadline repots that the studio is being encouraged to “loosen the purse strings and make the movies happen.” Since del Toro left the production late last month, after two years of pre-production, directors like David Yates (“Harry Potter and the Deathly Hallows”) and Neill Blomkamp (“District 9”) have been rumored to be circling the job. But Jackson and his creative team have reportedly scheduled trips to London and Los Angeles to meet with potential actors, lending further credence to the idea that Jackson will, in fact, take on “Hobbit” directing duties. MTV News’ requests for comment from Jackson’s representative and MGM were not returned as of press time. Check out everything we’ve got on “The Hobbit.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com .

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Peter Jackson Reportedly Negotiating To Direct ‘The Hobbit’

‘Dogtooth’: Home School, By Kurt Loder

The kids aren’t all right. No wonder. “Dogtooth” Photo: Boo Productions “Dogtooth” is an art movie from Greece that’s so open-ended, you wonder if whatever it is it’s supposed to mean has dribbled out the back door. For the first 20 minutes or so, anyway. Then a story begins to gather shape, and the picture, already strange, becomes very creepy. Three nameless siblings, two girls and a boy, apparently in their late teens, live in a remotely located house with their father (Christos Stergioglou) and mother (Michele Valley). In the sizable grounds outside, there are palm trees and a swimming pool and a high wooden fence that rings the entire property. The kids, we eventually realize, have never been allowed to venture beyond this barrier. Inside, there’s a television set, but it’s used only to show boring family videotapes shot by their father. There’s one telephone, but it’s hidden at the back of a shelf — the kids have never seen it. Their days pass blandly. They are home-schooled by their mother in a most unusual way. Her vocabulary instruction imparts the information that a carbine is a bird and a zombie is a little yellow flower. Occasionally, the father has his son (Hristos Passalis) and two daughters (Aggeliki Papoulia and Mary Tsoni) get down on all fours and bark like dogs. The father is a boss at a nondescript factory. We see him arriving home in his Mercedes with an employee, a young woman named Christina (Anna Kalaitzidou), who has been blindfolded for the drive. The father takes her into his son’s bedroom and leaves. Christina and the son shed their clothes and have perfunctory sex. (The sex and the full-frontal nudity in the movie have the arousing quality of a calculus lecture.) When they’re done, the father takes Christina back to the factory. The movie offers small islands of incident. When a cat — an alien creature — finds its way onto the property one day, the son responds violently. (PETA people will want to avert their eyes at this point.) The siblings explore each other’s bodies in a bathtub, wordlessly, as if tracing the shapes on statues. When Christina, on another of her regular visits, sneaks into the bedroom of one of the girls, offering a small gift, the girl says, “What do I have to lick?” Is there any escape from this bizarre existence? Theoretically, yes. The children have been told they can leave home as soon as their canine teeth — their dogteeth — fall out. The kids don’t realize that this means never. Not in any natural way. The story is inscrutable. Is it an indictment of home schooling? Of middle-class paranoia? Of what? The distinctively talented director, Giorgos Lanthimos, offers no answers, or even suggestions. He observes the family with placid objectivity. When someone in a facial closeup is doing something with his hands, we don’t see it. When a character stands up out of frame, the camera stays put. (The shots are beautifully composed.) Even at the end, when we’re hoping for a jailbreak moment, the director leaves us hanging in itchy uncertainty. The movie is irritating and disturbing, and when it’s over, we want to put it behind us. It just won’t stay there. For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com .

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‘Dogtooth’: Home School, By Kurt Loder