Officially Licensed : Justin Bieber Tattoo Girls T-Shirts Justin Bieber Signature Girls’ Black T-Shirt Justin Bieber Glow Photo Girls T-Shirt Girls t-shirt features all-over design of Justin Bieber’s face with sunset 1 – Justin Bieber T-Shirts. 2 – Victoria’s Secret – Embellished tee Justin Bieber T-shirt for Juniors/Girls Bench Design New S-XL Bieber fever: Two girls express their love for the singer on their t-shirts Wear Your Love For Justin Bieber With Justin Bieber T-Shirts, Sweatpants, coming wearing JoBros fan T-Shirts (Mostly girls). So the Justin Bieber JUSTIN BIEBER KIDS SHIRTS – JUSTIN BIEBER KIDS SIZED GLOW T-SHIRTS – FOR I also love the other Justin Bieber shirt! I love Justin!!!”. 5 – Justin Bieber Justin Bieber Justin Bieber Stripes Girlie Tee Official Justin Bieber Tattoo Girls T-Shirt, Justin Bieber t-shirts and Black girls t-shirt features Justin Bieber vertical logo with image in ALL NEW JUSTIN BIEBER POUT TEE JUSTIN BIEBER Stencil drip girls t-shirt Justin Bieber T Shirts for Girls Official Justin Bieber Glow Photo Girls T-Shirt, Justin Bieber t-shirts and Move over Crips and Bloods — Justin Bieber is so bad-ass, JUSTIN BIEBER T-SHIRT SET – SEXY JUSTIN FAN COLLECTION – JUSTIN BIEBER
Here’s some nipple for fashion cuz models are prostitutes or at least high class escorts disguised as non-prosititutes…you know willing to get naked for money as long as there is prestige attached to it…whether it be a magazine brand or a genius photographer….you know the kind of girl who pretends she’s wholesome and good…until you really lay it out for her and show her how if she does what she’s told she will never have to work a normal job…she won’t ever have to work…it’s the pornstar hustle classed up for the girls who don’t want to be pornstars…the getting a bitch naked for “art” even if “art” is code for “getting a bitch naked”… You know what I’m getting at…and you also know I’m not complaining…and you probably know I wish I had this kind of persuasive ability to use on everyday girls who just need that little push to give me the titty pics I deserve… Her name is Olga Sherer…..such a feminine name on such a feminine creature…Olga….like the whispers in the spring breeze….OLLLLLGAAAAAAAWWWWW….like a lulabye easing my troubled mind….OHHHHHHLLLLLLLLLLGGGGGGUUUUHHHHHHHHHHHHH…..who I am I playing…shit sounds like I sound when throwing up my inner most organs after too much whiskey. Tits for Fashion.
‘It’s an honor to write for one of pop music’s biggest icons,’ she tells MTV News. By Kelley L. Carter, with additional reporting by Jocelyn Vena Britney Spears “Til The World Ends” cover art Photo: Jive Britney Spears’ new single, “Till the World Ends” is dance-floor ready — just ask Ke$ha. The pop star in her own right wrote the just-released track, which was produced by Dr. Luke and Max Martin. “I consider myself a songwriter before and above everything else, so it’s an honor to write for one of pop music’s biggest icons. And I hope it gets everyone’s ass on the dance floor cuz y’all know that’s what K-Monay does best!” the singer said in an exclusive statement to MTV News. The single was posted by Perez Hilton on Thursday afternoon (March 3), after speculation earlier in the day that it would hit radio next week. “Till the World Ends” is a swirling, “beat the beat” track, ready for late nights spent “dancing till the world ends” as she sings on the fast-paced party jam. “This kitten got your tongue tied in knots I see/ Spit it out ’cause I’m dying for company,” a confident Spears purrs. Later in the song, she sings: “See the sunlight/ We ain’t stopping/ Keep on dancing till the world ends/ If you feel it/ Let it happen/ Keep on dancing till the world ends.” Last month, Ke$ha talked with Spin.com about the song, saying it’s about the power of an artist performing a great gig. “That song is me imagining her and any female musician touring the world,” she said. “You know, when you go out, and you’re having an amazing, magical night and you don’t want to go to sleep and you want it to last until the world ends.” This new track is the latest single from Spears’ forthcoming Femme Fatale, which drops March 29. What do you think about the latest Britney song? Let us know in the comments! Related Artists Britney Spears Ke$ha
Casey Abrams, Lauren Alaina, Scotty McCreery and more make up voter-approved top 10. By Gil Kaufman Stefano Langon performs on “American Idol” Photo: FOX After what’s felt like years (OK, just two months), “American Idol” finally got to its first live elimination show Thursday night (March 3), and it was not pretty. The biggest cut-down in show history came after host Ryan Seacrest said more than 40 million votes were cast over two performance nights. The good news was that favorites like Lauren Alaina, Casey Abrams, Thia Megia and Jacob Lusk made the cut, but that meant that a few beloved singers like Brett Loewenstern and Julie Zorrilla were eliminated as the show revealed its top 13 finalists. After copious time-killing segments, Ryan Seacrest finally got to the first elimination nearly 25 minutes into the two-hour episode, with country boy Scotty McCreery moseying into the top 10 while Robbie Rosen was sent packing. Next up were Clint Jun Gamboa, Jovany Barreto and Jordan Dorsey. After blowing it with Usher’s “OMG,” Dorsey got the hook, along with karaoke host and eyeglass aficionado Gamboa and Barreto. The girls were in the hot seat next, and it was hard to believe that Pia Toscano and Alaina were standing next to each other, since Toscano got a standing ovation and high praise from the judges, and Alaina has been a favorite for weeks. It was good news for 16-year-old Alaina and, of course, for Toscano as well, as Seacrest reveled in his favorite game of elimination psych-out. But when Ta-Tynisa Wilson and Julie Zorrilla came up, after a night when both blew their chances with subpar performances, it was no surprise that both missed out on the top 10. It was hard to know who might lose out when glamazon Kendra Chantelle, baby-diva Ashthon Jones and funky bilingual singer Karen Rodriguez took center stage, though. Shockingly Jones was sent packing, as was Chantelle, with Rodriguez filling out the third women’s slot. Young Luther Vandross-alike Lusk huddled up next to bearded wild man and budding sex symbol Abrams and cutie crooner Tim Halperin. Lusk sang hallelujah when he got the call, and to no one’s surprise, Abrams was next, as Halperin made the long walk. The hits kept on coming, as funky soul singer Naima Adedapo, 16-year-old wunderkind Megia and blues mama Lauren Turner all got the boot. With only two spots left, Adedapo and Turner got some bad news, as Megia became the second high-schooler to get a magic ticket. It was anyone’s guess who would be out when two of this season’s standouts, spunky ginger Loewenstern and flair-loving showman Paul McDonald stepped up to the spotlight. Alas, sensitive teen Loewenstern would have to hope for a wild-card spot, as McDonald got the call. Vying for the final spot on the girls’ bench were Haley Reinhart and resident quirk Rachel Zevita, who went over the cliff on Wednesday night with a mannered cover of Fiona Apple’s “Criminal.” Without much drama, Reinhart got the call, as multiple-auditioner Zevita washed out. The judges were digging Stefano Langone on Tuesday night, certainly more than James Durbin, who took a chance with a Judas Priest song and may have overplayed his rocker card. But only one of the roommates could snag the final men’s spot, so it was curtains for Langone and joy for Lambert-like rocker Durbin. With 14 singers vying for the wild card, the judges chose six to get another chance. Jones was up first, strutting to her spot to sing the song that made Jennifer Hudson a star, the “Dreamgirls” classic “And I Am Telling You I’m Not Going,” giving it plenty of attitude, but coming off a bit shouty as she played to the rafters in an attempt to work her way back. Steven Tyler thought she brought it again, Jennifer Lopez felt the passion and Randy Jackson loved the attitude. Langone picked Smokie Norful’s emotional ballad “I Need You Now,” filling the tune with lots of passion and turning it into a tour de force that tugged heartstrings and seemed to punch his ticket. Randy loved that Stefano picked one of his favorites and Lopez said he nailed it when he needed to. Chantelle got the next shot with Hoagy Carmichael’s “Georgia on My Mind,” starting out low and breathy and then climbing into her high, sweet range and hitting a series of giant notes near the end that felt like her attempt to swing for the fences. Jackson wasn’t sure where it was going at first but said she totally pulled it off. Barreto dedicated Jon Secada’s “Angel” to the woman he once loved, figuring he’d try to curry some favor as well by singing a half Spanish/ half English tune. His vocals were strong and moving, but it was unclear if it was enough to get him back in the mix. All Lopez could say was “you did all you could do,” which didn’t sound promising. Tyler called Adedapo, which meant the definitive end of the line for Zorrilla, Turner and Wilson. At first Naima didn’t seem to have enough in the tank to take on soul icon Donny Hathaway’s “For all we Know,” but she gave it her all and put some smooth soul into the performance. Tyler felt she dug deep, but Naima’s tears signaled that she didn’t feel confident. The final shot went to Rosen, meaning Gamboa, Dorsey, Loewenstern and Halperin said bye-bye. Double-R chose Elton John’s “Sorry Seems to be the Hardest Hard,” reworking the song into a kind of flamenco torch song, which he sang while flashing his puppy-dog eyes and over-emoting by several measures. Jackson called it nice and tender, saying the decision was going to be a brutal one. After the break, the judges weren’t ready, so Seacrest cued up the glittery video for Lopez’s “On the Floor” to give them a chance to deliberate some more. With time running out, it was redemption time for Jones and Langone, as well as Adedapo, who helped fill out the top 13. The first live performance shows of the season kick off next Wednesday. Do you agree with the top 13? Did your favorite make it? Let us know what you think in comments below! Don’t miss “Idol Party Live” every Thursday on MTV.com, following the “American Idol” results show, for analysis, celebrity guests and even some karaoke — get in the conversation by tweeting with the hashtag #idolparty ! In the meantime, get your “Idol” fix on MTV News’ “American Idol” page , where you’ll find all the latest news, interviews and opinions.
I saw on Twitter that Kim Kardashian was sucking Perez Hilton’s dick like it was Ray J in her Sex Tape cuz she was releasing a new song and I guess wanted his stamp of approval…or at least as much press as she can get for her shit…knowing he caters to 14 year old girls, he’s a good starting point…not to mention he’ll do anything if you acknowledge he exists…. That said, here’s the song, that is not even a song…She’s not even singing…..She’s talking nonsense over a shitty beat on repeat…. They just know anything they shit out people will eat the fuck up…including Ryan Seacrest who premiered her song…and who also is the executive producer on her show and making millions off her – of course he’ll play it again…. Either way, I am not surprised her song is about her jam though, I mean based on her fatness, I figure her jam or any of her sugary foods are her object of desire…you know her one true love that is always there for her, I mean other than black man dick… What a fucking joke…a joke that is gonna make millions….proving yet again there is no integrity left in Hollywood….it is just mainstream crap… If she really wanted a real hit, she would have let herself get pissed on like in her sex tape that made her….I guess we’ll have to wait for the video… buy her sex tape cuz I like when Kardashian’s Pussy Makes me Money
I call Carmen Electra Carmen Sandiego cuz I don’t know where in the world she is….You know since her career died and she pretty much disappeared. I’m witty like that, you know almost comedic genius except for the whole “it’s not funny” part…at least not funny according to her ex husband and my twitter best friend Dave Navarro who told me I was an idiot when I wrote that…which would have hurt my feelings if I had feelings.. That said, here are some pictures of Carmen Electra, clearly still alive, dressed for St Patrick’s day, stretching in all kinds of good ways next to the pool, even if this isn’t the 90s and she’s not the hottest fake tits on MTV….even if she’s no longer in her 20s….even if she looks like Fergie….even if she’s wearing too much clothes…it’s good enough for me cuz I’m the kind of guy who likes watching local yoga troops in action…it’s like free porn in the park during the summers…and free porn is always good porn…even if the girls in the shit justify why it’s free…if you know what I mean…
One of the more depressing parts of my life is that Megan Fox ads for Armani, where she is in her underwear, are the biggest story for my site and I have to write about he site like I fucking care…. One of the more depressing parts of David from 90210’s life is that the only work he can get as an actor is on Desperate Housewives, but I guess when you unemployed housewife in real life looks like this, whoring yourself for bad television cuz you suck is the least of your concerns… What it comes down to is that I see hot girls half naked everyday, they don’t have the marketing budgets behind them to be Megan Fox hype, which is 95 percent hype, but that makes their facebook albums are more fun to jerk off to….creeper.
I call Carmen Electra Carmen Sandiego cuz I don’t know where in the world she is….You know since her career died and she pretty much disappeared. I’m witty like that, you know almost comedic genius except for the whole “it’s not funny” part…at least not funny according to her ex husband and my twitter best friend Dave Navarro who told me I was an idiot when I wrote that…which would have hurt my feelings if I had feelings.. That said, here are some pictures of Carmen Electra, clearly still alive, dressed for St Patrick’s day, stretching in all kinds of good ways next to the pool, even if this isn’t the 90s and she’s not the hottest fake tits on MTV….even if she’s no longer in her 20s….even if she looks like Fergie….even if she’s wearing too much clothes…it’s good enough for me cuz I’m the kind of guy who likes watching local yoga troops in action…it’s like free porn in the park during the summers…and free porn is always good porn…even if the girls in the shit justify why it’s free…if you know what I mean…
Reality star premieres ‘Jam (Turn It Up)’ on Ryan Seacrest’s radio show. Kim Kardashian Photo: Gilbert Carrasquillo/ Getty Images Kim Kardashian wants her fans to “turn it up.” Her new single made its world premiere on Ryan Seacrest’s radio show on Wednesday (March 2). The track called “Jam (Turn It Up)” hit the airwaves with one mission: to make people dance. The song is a loopy, Auto-Tuned, club-banging party jam about, well, club life. It was produced by The-Dream. “And they playin’ my jam/ They playin’ my jam/ Turn it up, turn it up (DJ)/ Turn it up, so I can rock the night away (away),” she sings on the bouncy chorus. She then goes on to sing sexy phrases like “Ima burn it out tonight, it’s goin’ down/ By live via satellite/ And all I see is angels in my eyes/ Buzz got me way up in the sky/ Maybach in the front (the front)/ Pick out any boy that I want (I want)/ DJ here I am/ Feeling good, feeling great, just got paid.” On the song’s bridge, Kim describes club scenes with “Girls in the building/ Fellas in the club/ Boys spending money/ Girls looking good/ I’m on the floor, living my life/ Feeling so good, feeling so right/ Got my hands up/ Celebrate like it’s my birthday/ Five more shots of tequila/ I’m thirsty/ Feeling so good, I’m feeling so great/ Tonight.” “It’s a fun dance song,” Kim told Seacrest, going on to describe the response it got in Las Vegas . “We played it in Tao in Vegas and the whole crowd was singing along in the end.” When asked about plans for an album, she said, “Absolutely nothing. Just have fun. It’s all in fun.” She even tweeted about the radio debut of her song, which will be featured on her show “Kourtney and Kim Take Manhattan” on Sunday. “The song will go up on itunes, proceeds going to St. Jude’s Children’s Research Hospital,” she wrote. “This was just a fun new experience! I am so glad I went for it! And the proceeds to JAM are being donated to St. Jude’s Children’s Hospital.” Related Photos The Evolution Of: Kim Kardashian
We preview the band’s third album, which recalls their Fever heyday and pushes past Pretty. Odd., in Bigger Than the Sound. Panic! at the Disco Photo: Jennifer Tzar/ Atlantic Records Just who, at this point in their career, after a breakout album, a benign follow-up, and a near breakup, are Panic! at the Disco? Are they the frilly dramaturges made famous by A Fever You Can’t Sweat Out ? The stony, California-dreamin’ canyon children that showed up on Pretty. Odd. ? Or, with the release of their third album, Vices & Virtues (due March 22), have they transformed themselves once again? Well, yes to the latter. And no. Because while Vices sees Panic! physically changed (it’s their first album since the departure of guitarist Ryan Ross and bassist Jon Walker, it is very much an album that harks back to their halcyon days. A whirling, whooshing thing that’s long on dramatics — trilling strings, chittering electronics, Haunted Mansion histrionics — and short on pretty much everything from their Pretty. Odd. period. That’s not entirely true, of course. The second half of Vices is highlighted by a pair of songs — the hazy acoustic number “Always” and the herky-jerky “Sarah Smiles” (no relation to the Hall & Oates tune of nearly the same name) — that recall some of Odd. ‘s finer moments. But for the most part, it feels very much like the logical successor to Fever, almost as if their underappreciated sophomore album never happened. That’s probably to be expected … after all, Panic’s remaining two members, Brendon Urie and Spencer Smith have made no bones about the fact that Vices represents “a new band … [and] a new start,” and freed from songwriter Ross’ whims, they’ve made the album unquestionably their own. But just what does their version of Panic! at the Disco entail? Well, if you’ve heard first single “The Ballad of Mona Lisa,” you have a pretty good idea. That song not only kicks off the album, but it serves as a blueprint for pretty much everything Panic! 3.0: namely, an absolute corker of a chorus surrounded by various fantasyland accoutrements. Vices & Virtues is loaded with chippy Casio beats, handclaps, stirring strings, crunchy guitars, blaring horns, chiming bells and an assortment of things that go bump in the night. Urie and Smith told me with much pride that, aside from the horns, they pretty much played everything on the disc, which not only lends credence to their dedication, but also sort of tips their hand: The strategy this time out is clear — more is most definitely more. Because over 10 quick tracks, there’s not a studio trick Panic don’t employ, an instrument they don’t fit in. One can imagine the pure glee Urie and Smith must’ve had making the thing, like kids left to their own devices in a sonic candy shop. Of course, that freedom works both to their benefit and their detriment. Songs like “Let’s Kill Tonight” and album-closer “Nearly Witches (Ever Since We Met)” pile on the strings and spooky sound effects (and the choirs and Jeff Lynne vocal harmonies), yet still remain lithe, thanks in no small part to Urie’s vocal theatrics and Smith’s steady hand. But bursting-at-the-seams tracks like “Memories,” which starts out as a widescreen Killers tribute but morphs into an arabesque exercise in excess, and “The Calendar,” which dabbles in Lite FM R&B, feel strangely leaden, something that even the heaviest Fever tunes managed to avoid. But really, those are the only two missteps that warrant attention. And that, in and of itself, is a minor accomplishment. Vices is at its very core a studio album, one stuffed with ideas and instrumentation, which not only positions Panic! as perhaps this generation’s Brian-Wilsons-on-a-budget, but serves as a solid starting point for wherever Urie and Smith choose to go from here. It’s not exactly new, not exactly old, but it’s definitely something. Call it a fresh start, a return to form, a re-imaging of the past, just don’t call it Pretty. Odd. because that ship has sailed. Panic! are back to their old tricks, exclamation point and all … and perhaps that was the secret ingredient all along. Because if there’s one thing Vices & Virtues is, it’s exuberant. If you’re not excited, you should be. What do you want to hear from Panic! on their new album? Tell us in the comments! Related Videos MTV News Extended Play: Panic! At The Disco
