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Citizen Ruth: Looking Back at Alexander Payne’s Prescient Abortion Satire

What’s the Film : Citizen Ruth (1996), available on DVD and Hulu Why it’s an Inessential Essential : The premise — one woman’s attempt to have an abortion turns into a national debate and bidding war — was a bold choice out of the gate for writer-director Alexander Payne. Citizen Ruth is his first feature film, and like his subsequent work, it has a biting wit, absurdities from every corner, and deeply flawed characters. Ruth (Laura Dern) is a dim-witted screw-up who is pregnant for the fifth time; her four offspring have been placed elsewhere because of her addiction to inhalants. When she is charged with a felony for huffing “patio sealant,” the judge coerces her to terminate the pregnancy. In jail, she meets anti-abortion crusaders who start a tug-of-war with pro-choice rivals over the unborn child, who becomes widely known as Baby Tanya after a clinic doctor manipulates Ruth into imagining keeping it. Tackling this tricky subject matter, Payne found an unreal story to tell, except that part of it was real. In the DVD commentary, he and co-writer Jim Taylor reveal that the plot was inspired by the true story of a woman who was offered money by anti-abortion and pro-choice camps to honor their respective wishes for her fetus. The parallels to reality don’t stop there. In one of Dern’s best unhinged moments, Ruth screams at two overzealous medical staffers at a clinic, who then pull out all the stops and force her to watch a video of abortion footage. That seems far-fetched, though maybe not in places like Arizona, where a lawmaker recently proposed a bill that would require women to watch an abortion before having one. The state representative, Terri Proud, calls her idea “(The) Reproductive Games.” Truth is catchier than fiction. Why We Recommend It Now : Released in 1996, Citizen Ruth resonates today, of course, because the issue of affordable health care has evolved into a fight over reproductive rights. Although Baby Tanya, were she real/alive, would be old enough to have a Sweet 16 party this year, not much has changed in the public discourse. Payne skewers the radicals on both sides, who are largely motivated by impressing their leaders — Tippi Hedren, for example, as a mother/god figure to the lunatic pro-choice activists. Their behavior is over the top, but their ideologies still echo. Among the points the movie makes so nicely is that extremists tend to lose sight of the real people and issues involved. When Sandra Fluke testified about hormonal birth control, the point she made — that the drug treats medical conditions — was lost once Rush Limbaugh piped in and turned Fluke into an abstraction and a “prostitute.” Ruth is unfit to be a mother, yet a contingent of crazies think she should take a stab at parenthood, aided by 15 grand, because somehow it’ll just all work out. There’s something to be said for laughing so we don’t cry, and Citizen Ruth allows us to do that. The DVD has few extras, but it does feature a revealing commentary track from Payne, Taylor, Dern and production designer Jane Ann Stewart. Explaining that the film doesn’t take sides, Stewart says her team strived to make both camps look a little foolish. Payne gets to the heart of the matter, saying, “Jane, you asked me, ‘Is nothing sacred?’ And it’s true. Everything is sacred, and nothing is sacred. Everyone is open for being examined as a human being.” Other Interesting Trivia : Payne says the film’s limited release was probably the reason he didn’t receive one threatening letter over it, though he was concerned about potential violence at the time from groups like the Army of God. Dern recalls a conversation with the women who ran Planned Parenthood in Texas, who called her to say how much they loved being mocked in the film. Also, let the end credits roll a couple minutes for a hint at Ruth’s fate. PREVIOUS INESSENTIAL ESSENTIALS The Last Temptation of Christ The Sitter

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Citizen Ruth: Looking Back at Alexander Payne’s Prescient Abortion Satire

Matthew Weiner is Here: Owen Wilson, Zach Galifianakis to Star in Feature Directing Debut

This just in at ML HQ: Esteemed Mad Men creator and occasional director Matthew Weiner will make his feature filmmaking debut with You Are Here , to co-star Owen Wilson and Zach Galifianakis in a “funny, charming, and deeply honest film about who we were, who we are, and discovering the power to embrace life, no matter how much you screw it up.” There is also a road trip! And possibly Amy Poehler! Read on for full details from producer Gilbert Films. ========= LOS ANGELES, March 28 — Gilbert Films announced today that their next theatrical film project, YOU ARE HERE, will start production in May 2012 in North Carolina. The film, written and to be directed by Matthew Weiner (creator of Emmy and Golden Globe winning series MAD MEN, writer/executive producer of THE SOPRANOS) will star Owen Wilson (MIDNIGHT IN PARIS, WEDDING CRASHERS) and Zach Galifianakis (THE HANGOVER, DUE DATE). Discussions are underway for Amy Poehler (PARKS & RECREATION) to co-star. Weiner will be making his big screen debut after having directed numerous episodes of the award-winning MAD MEN through its five years of production. Gary Gilbert, Scott Hornbacher, and Jordan Horowitz will produce. Lionsgate is handling international sales. Local weatherman and freewheeling bachelor Steve Dallas (Wilson) and bi-polar man-child Ben (Galafinakis) are childhood best friends who embark on a road trip home after Ben discovers that his estranged father has passed away. Once there, Ben is shocked to learn that his eccentric father had big plans for him and he’s inherited a whole lot more than his father’s money. As Ben struggles with his new responsibilities, his friendship with Steve is tested by the complications of his inheritance, his sister Terry’s (Poehler) ambition, and Steve’s desire to be with his father’s beautiful young widow Angela. YOU ARE HERE is a funny, charming, and deeply honest film about who we were, who we are, and discovering the power to embrace life, no matter how much you screw it up. “This movie has been my passion for eight years and to see it come together with Owen and Zach and Amy is a dream come true,” said Weiner. “I can’t wait to get started because the movie is about everything I care about and I’m tired of reading it out loud to my friends.” Noted Gilbert: “We are thrilled to finally bring this project to the screen. Matt is one of the brightest creative minds in television, and we are confident that this project will solidify the same reputation for him in the world of narrative film.” ###

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Matthew Weiner is Here: Owen Wilson, Zach Galifianakis to Star in Feature Directing Debut

Regina Hall Gets Her Freak On With Kevin While Talking About “Think Like A Man” [VIDEO]

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Actress Regina Hall gets hot and heavy while on set with Kevin Hart for an interview for “Think Like A Man”. We are sure this was all fun and games after Kevin Hart said “he shoots blanks”. Check out the …

Regina Hall Gets Her Freak On With Kevin While Talking About “Think Like A Man” [VIDEO]

Regina Hall Gets Her Freak On With Kevin While Talking About “Think Like A Man” [VIDEO]

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Actress Regina Hall gets hot and heavy while on set with Kevin Hart for an interview for “Think Like A Man”. We are sure this was all fun and games after Kevin Hart said “he shoots blanks”. Check out the …

Regina Hall Gets Her Freak On With Kevin While Talking About “Think Like A Man” [VIDEO]

ABC Monsters

http://vimeo.com/moogaloop.swf?clip_id=38933303

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(vimeo link) Can you name all the movie monsters, A to Z? Language warning for one word. -via Breakfast Links Broadcasting platform : Vimeo Source : Neatorama Discovery Date : 27/03/2012 19:31 Number of articles : 2

ABC Monsters

On Joel Kinnaman and the Thing About RoboCop’s Eyes

I always thought what made the original RoboCop so affecting was the transition of Alex Murphy from family man and upstanding cop to firing-squad target to crime-fighting machine to vulnerable yet indestructible emo-robot hybrid. It made for an ingeniously subtle arc against which to project the rest of Paul Verhoeven’s pulpy, gory social satire, and Peter Weller’s performance — essentially three performances layered atop and influencing each other — provided the foundation on which the film has held up for a quarter-century. So I don’t know what to make of… this , from RoboCop remake star Joel Kinnaman (via MTV ): RoboCop is going to be a lot more human. The first movie is one of my favorite movies. I love it. Of course, Verhoeven has that very special tone, and it’s not going to have that tone. It’s a re-imagination of it. There’s a lot of stuff from the original. There are some details and throwbacks, but this version is a much better acting piece, for Alex Murphy and especially when he is RoboCop. It’s much more challenging. It’s not going to be jaw action. They’re still working on the suit and how it’s going to look, but the visor is going to be see-through. You’re going to see his eyes. I mean, OK? If only Weller had had a more “challenging” role in 1987! Think of how much better RoboCop would have turned out. Moreover — giving Kinnaman and director José Padilha the benefit of the doubt, even — what’s the upside of giving Murphy’s remade face away before the big third-act reveal? Wasn’t the point not that we “see his eyes,” but that we see through his eyes — everything from domestic flashbacks to Clarence Boddicker spitting on his mask? Which then forces us to reconcile the human with the robot, especially once those eyes are revealed? I’m pulling for this movie, I swear, but this just seems like a fundamental misunderstanding of character. This is the leading man we’re talking about! I’ll take “details and throwbacks,” sure, but don’t leave out the heart and soul. [ MTV via AICN ] Follow S.T. VanAirsdale on Twitter . Follow Movieline on Twitter .

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On Joel Kinnaman and the Thing About RoboCop’s Eyes

GALLERY: Tarsem on the Late Eiko Ishioka and the Fairytale Look of Mirror Mirror

He’s painted cinematic landscapes of psychosexual kink ( The Cell ), childhood fantasy ( The Fall ), and ancient Greek 3-D abs ( Immortals ), but in this week’s Mirror Mirror director Tarsem takes a turn into uncharted territory: The family-friendly fairytale. Turning his attentions to the story of Snow White , Tarsem creates another visually rich fantasyland of imagination — and gives the fabled princess a post-modern streak to boot — with the help of the late Oscar-winning costume designer and longtime collaborator Eiko Ishioka ( Mishima: A Life in Four Chapters , Bram Stoker’s Dracula , Spider-Man: Turn off the Dark ), who passed away in January at the age of 73. In an exclusive chat, Tarsem takes Movieline through his work with Ishioka and the whimsical, inventive, and utterly imaginative designs of Mirror Mirror that comprise their final collaboration on film. GALLERY: Tarsem on Eiko Ishioka and the Fairytale Look of Mirror Mirror Head over to the Mirror Mirror Gallery here for Tarsem’s notes on the costumes, design, and visual inspirations for Mirror Mirror , or scroll down for additional thoughts as Tarsem discusses his relationship with Ishioka, his approach to the Snow White mythology, and his plans to take a break from heavily visual storytelling with his next project. ON HIS LONGTIME COLLABORATION WITH EIKO ISHIOKA Tarsem says he was looking for a break from his heavily visual films when he decided to take on Mirror Mirror for the chance to work one last time with Ishioka, who succumbed to cancer only months after production wrapped. “On a personal level I did not want to do more than three visual films,” he said, “but the reason that really pushed it together was that I knew that Eiko did not have more than a year to go. She did not have more than a movie left in her. I said, okay, let’s do a visual film. Eiko’s kind of like me, unfortunately – she has only two gears, full speed or off, and I just knew that she wanted to work.” ON THE IMPORTANCE OF MAKING SNOW WHITE A HEROINE CAPABLE OF SAVING HERSELF Tarsem’s Snow White (played by Lily Collins ) springs into action as a swashbuckling bandit princess in Mirror Mirror’s post-modern take — a far cry from the original Disney animation. Tarsem sought to make a family film that simultaneously rejected the “damsel in distress” angle. “I had done three R-rated movies and thought I wanted to do a family film,” he said. “Everyone asked me again and again if I wanted to do a gritty, R-rated Snow White and I said no! The original story, as beloved as it is, is a ten-minute story. It’s just about vanity. I’d never seen the original animation until about a month ago, and I thought I would like to have a different take on it.” ON THE OTHER SNOW WHITE MOVIE, SNOW WHITE AND THE HUNTSMAN Tarsem had to scrap plans to release Mirror Mirror in 3-D in order to get into theaters ahead of the competition — Rupert Sanders’ action adventure Snow White and the Huntsman , starring Kristen Stewart . “We had to come out first because we are a smaller movie than the big, grand action-adventure,” Tarsem explained. “It’s always easier to sell those on a trailer. I said, ‘We have to come first.’ They could afford to come second, but we couldn’t afford to come second.” ON HIS NEXT MOVIE — A ‘NON-VISUAL’ PROJECT “By that I don’t mean handheld, gritty, running around stuff — it’s not going to be Law & Order – but a contemporary tale. The film I’m going towards right now is a very simple drone attack from the perspective of the guys who fly the planes that are actually flying in Africa, but they do it from a little container in the desert. It’s a drone attack, so what are the politics involved in saying, ‘Go ahead and do this’ and just watching the collateral damage of when you can give a go-ahead and when you cannot, and how the same act feels completely different on the ground than for the people in the sky who come and knock them out? It’s what right now I’m gearing towards, but anything that’s interesting right now that isn’t fantasy oriented, a tale that isn’t completely designed, is what I want to do. This is the closest I’m to it right now and I’m going to go for it.” GALLERY: Tarsem on Eiko Ishioka and the Fairytale Look of Mirror Mirror Mirror Mirror is in theaters Friday. Follow Jen Yamato on Twitter . Follow Movieline on Twitter .

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GALLERY: Tarsem on the Late Eiko Ishioka and the Fairytale Look of Mirror Mirror

Michael Bay Explains it All

The Ninja Turtles Culture War just gets better : “Paramount marketing changed the name. They made the title simple. The characters you all remember are exactly the same, and yes they still act like teenagers. Everything you remember, why you liked the characters, is in the movie. This script is being developed by two very smart writers, with one of the original creators of Ninja Turtles . They care VERY MUCH about making this film for the fans. Everyone on this team cares about the fans. Just give them a chance. Jonathan the director , is a major fan of the whole franchise. HE’S NOT GOING TO LET YOU DOWN.” [ Shoot For the Edit ]

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Michael Bay Explains it All

Ashley Benson & Lucy Hale Bikini Party

I’ve posted a whole bunch of pictures of Selena Gomez and Vanessa Hudgens running around in their bikinis down in Florida while filming the almost certainly straight-to-DVD movie Spring Breaker , so I thought it was only fair to give a couple of other girls from the movie a chance to shine. Here are Ashley Benson and Lucy Hale frolicking on the beach together in their bikinis…. Sort of. Alright so this Lucy Hale chick might not actually be in the movie, but she looks pretty good in her bikini top so who gives a crap.

Fergie And Josh Duhamel Don’t Want Kids ‘This Second’

‘But we want to have a family, so that is in the cards,’ singer tells MTV News. By Christina Garibaldi Fergie Photo: MTV News Now that Fergie has some extra time on her hands since the Black Eyed Peas announced they were on an indefinite hiatus , the singer is now focusing on the important things. No, not working on a solo album or judging “The X Factor” ; she’s concentrating on spending time with her husband of three years, Josh Duhamel . The “Glamorous” singer married the “Transformers” star back in 2009 after five years of dating, which, by Hollywood standards, is an impressively lengthy marriage. So what’s their secret? Well, according to Fergie it’s quite simple. “We like each other, we like hanging out together, we have fun,” Fergie told MTV News last week. “We have fun in the kitchen cooking and singing silly songs, not to give too much away, not going any further than that, but we have a good time together, and it’s nice to get to have that quality time. We enjoy it.” Now that Fergie and Duhamel will be spending much more time together, many are wondering if they plan on starting a family. “It’s not happening yet, I can tell you that definitely,” Fergie said. “But we want to have a family, so that is in the cards, but it’s just not this second.” In the meantime, Fergie is spending her downtime concentrating on her shoe line and fragrances and visiting her husband on set. “I got to go to his set for his movie that he’s been filming, where he has the mohawk, ‘Scenic Route,’ ” Fergie said. “So I’m very thankful for that film, for giving him a mohawk, because I’m quite enjoying it right now.” Fergie is no stranger to starring in movies of her own. The singer appeared in “Nine” and “Poseidon” and isn’t ruling out the possibility of one day getting back on the big screen. “I would love to,” Fergie said of wanting to do another film. “It’s going to be when I have the time and the energy and really have that commitment to something, but right now, I’m just enjoying the break. I’m open, I’m open for future things, I’m just planting my feet down. Eight years of being on the road, and now I’ve been off the road, what, five months? And I’m still traveling back and forth, New York, different places. I’m enjoying this time of just being home for that long of a period. But yeah, film definitely in the future, but like I said, no plans right now.” Do you think Fergie should do another movie? Let us know in the comments! Related Artists Fergie

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Fergie And Josh Duhamel Don’t Want Kids ‘This Second’