Source: Andy Kropa / Getty Fox News Guest Star Parker Says EBT Users Should Be Shamed Leave it to the folks at Faux News to dig up ne’er-do-well negroes who love nothing more than to get on national television and slander their own people. Enter Star Parker. Star took her triflin’ a$$ onto Donald Trump’s favorite cable news show Fox & Friends to heartlessly argue that poor people and those who can’t quite make ends meet should be shamed into getting off of public assistance. Peep what she said via HuffPo : “But now it’s like an EBT swipe card, it’s a debit card,” Parker continued. “So they take the shame out of it. The next thing you know you have an economic crash.” Oh, but there’s more. “These guys are not working. They’re watching. They’re watching porn, they’re watching TV, they’re watching women, they’re watching everything, but they’re not working. And this is what this initiative is attempting to do, is to get them back into their own lives so that they can prosper.” This broad is a real piece of work. Press play below. Fox guest Star Parker also asserted that actually, it's good when people feel ashamed to be on welfare, because food stamps once “had this stigma about them so people wouldn't want to be on them” pic.twitter.com/SLILxitow2 — Bobby Lewis (@revrrlewis) January 2, 2019 Smh. Smfh.
Robin Tunney is 45, which I guess isn’t that big of a deal, considering I am older than her, and we live in an era where 25 isn’t the sexual peak of a woman, it’s not the cut off point anymore, it’s not that once a girl turns 30 she’s dead to me, and I’m not sure if it has to do with modern science, or my own accepting my own age, or our own mortality, or maybe I’m tired of looking at all these hot 20-25 year olds and find something exciting about a menopausal / pre-menopausal pussy that has seen some shit over the years….I don’t know.. maybe the young girls are too annoying, the older pussy gets it and is less crazy…WHO knows… What I do know is that this chick is Robin Tunney, she’s from some show called the Metalist and Prison Break, two shows I haven’t seen thanks to not owning a TV or cable because fuck that… She was probably most relevant in Encino Man, Pauly Shore makes all girls relevant, at least in the 90s…. I think she should be most relevant for her natural hangers, in a world of fake tits, the natural hanger tits bring me joy, the speak to my soul, their sag, their lift…like Euopean beach tits…i dig the Den Mother, teaching the youngs how to do…all mom bodied and breast feeding sag…hot to me. TO SEE MORE OLD LADY TIT CLICK HERE The post Robin Tunney 45 Year Old Tits of the Day appeared first on DrunkenStepFather.com .
She’s come a long way from playing Pauly Shore’s love interest in Son in Law, but busty beauty Carla Gugino has become one of our favorite naked brunettes.
I don’t recall the 1994 Pauly Shore/Andy Dick effort In the Army Now being a “huge box office success and fan favorite,” but I’m happy to take the co-stars’ words for it if it means leaving well-enough alone and not foisting In the Army Again on an unsuspecting population still reeling from a decade of war abroad. Even if it means not seeing them save “Katey Parry [sic] from a USO show gone bad” — our national psyche has endured enough, has it not? That’s all I’ve got for this announcement , which unfortunately coincided with Memorial Day weekend and will not be ignored : Beverly Hills (MMD Newswire) May 23, 2012 — (www.FilmOn.com) – Yesterday, over looking Cannon Drive in the heart of Beverly Hills, Pauly Shore was a guest on Andy Dick Live, a weekly live internet TV show filmed at FilmOn.TV Studios. Among girls in bikinis and Andy Dicks [sic] usual group of crazies, Andy and Pauly discussed their past films including their huge box office success and fan favorite, In The Army Now . “I’ve always said we should do In The Army Again ,” said Andy Dick. “We should rescue Katey Parry [sic] from a USO show gone bad or something.” Pauly Shore loved the idea. “We just need a script and someone to back the project and I’m in.” Billionaire and FilmOn.TV CEO Alki David jumped in, “I’ll back it if both of you star in it.” Right there streaming live, film history was made. Andy Dick says a treatment is already written and they will be writing the script as soon as possible. Good grief. I mean, where’s Judicial Watch to investigate these guys’ military-flick aspirations when you need them? [ MMD via AV Club ]
I don’t recall the 1994 Pauly Shore/Andy Dick effort In the Army Now being a “huge box office success and fan favorite,” but I’m happy to take the co-stars’ words for it if it means leaving well-enough alone and not foisting In the Army Again on an unsuspecting population still reeling from a decade of war abroad. Even if it means not seeing them save “Katey Parry [sic] from a USO show gone bad” — our national psyche has endured enough, has it not? That’s all I’ve got for this announcement , which unfortunately coincided with Memorial Day weekend and will not be ignored : Beverly Hills (MMD Newswire) May 23, 2012 — (www.FilmOn.com) – Yesterday, over looking Cannon Drive in the heart of Beverly Hills, Pauly Shore was a guest on Andy Dick Live, a weekly live internet TV show filmed at FilmOn.TV Studios. Among girls in bikinis and Andy Dicks [sic] usual group of crazies, Andy and Pauly discussed their past films including their huge box office success and fan favorite, In The Army Now . “I’ve always said we should do In The Army Again ,” said Andy Dick. “We should rescue Katey Parry [sic] from a USO show gone bad or something.” Pauly Shore loved the idea. “We just need a script and someone to back the project and I’m in.” Billionaire and FilmOn.TV CEO Alki David jumped in, “I’ll back it if both of you star in it.” Right there streaming live, film history was made. Andy Dick says a treatment is already written and they will be writing the script as soon as possible. Good grief. I mean, where’s Judicial Watch to investigate these guys’ military-flick aspirations when you need them? [ MMD via AV Club ]
How’s this for a dramatic break-up story? After a nine-year relationship with SDB Partners, Chris Pine opted to part ways via email. Having worked with the actor for pretty much his entire career to date, during which time he rose from guest slots on ER and CSI: Miami to nabbing Star Trek and this week’s slick rom-com This Means War , Pine’s former agents weren’t going to be dumped so easily; they’re suing Pine for millions in back- and future-commissions with a lawsuit that puts his salaries on blast. All of which means that today we get to play “Guess That Salary – Chris Pine Edition!” As you ponder the fiscal worth of Pine’s charm, chops, and star power, consider the trajectory his career has taken since his film debut in 2004’s The Princess Diaries 2: Royal Engagement . I recall feeling compassion for Pine when, in 2006, he found himself stuck opposite Lindsay Lohan in Just My Luck and playing a sightless virgin in Blind Dating ; can’t say his agents were doing a great service for him with those unfortunate turns. But then came Smokin Aces , with Pine near-unrecognizable as the eldest Tremor brother, and within a few years Pine landed the career-making role of Captain James T. Kirk in J.J. Abrams’ Star Trek . Still, Star Trek fame wasn’t enough to help Pine open the long-delayed horror pic Carriers in the fall of 2009, but soon enough he found himself sharing the screen with Denzel Washington (and a runaway train) in Unstoppable , which boosted his profile. Now he’s billed along with fellow up and comer Tom Hardy and Reese Witherspoon in the love triangle spy romance This Means War , a slick $70M Valentine’s week offering from McG which in the very least showcases Pine’s pretty blue eyes, comic timing, and leading man swagger. And according to the SDB lawsuit (obtained by The Hollywood Reporter ), these last few years of rising stardom have brought Pine to quite an enviable place: For This Means War he was reportedly paid $5 million. ( Unstoppable nabbed him a $3 million paycheck, while he’s set to earn a base salary of $4 million, $8 million, and $12 million for the planned Jack Ryan series.) What say you, Movieliners? Is Pine’s star rising in accordance with his salary? Chris Pine Sued By Former Agents; ‘This Means War,’ ‘Star Trek 2’ Salary Revealed [THR]
Billy Bob Thornton ’s Jayne Mansfield’s Car , screening in competition here at the Berlinale , is a sprawl of a movie, wonderful in some small, intimate ways but confounding when you step back to look at the bigger picture. This is a multi-generational family story set in late-1960s Alabama: A curmudgeonly patriarch, played by Robert Duvall, learns that his ex-wife, who’d long ago decamped to England to marry another man, has died; he’s forced to open his home to the second husband (John Hurt) and his two children when they arrive in the United States for the funeral. Duvall’s three sons, all veterans of the second World War, include Robert Patrick, who served but never saw action; Kevin Bacon, who worked as a medic and now, at the height of the Vietnam War protest, has become a pot-smoking peacenik; and Thornton, a former pilot whose mind has been addled by his wartime experience. Duvall also has a daughter, played by the gifted actress Katharine LaNasa (who may be best known for her work on TV shows like Big Love ), a flirtatious blonde who feels she sometimes gets lost in this family of strong and/or confused and/or ineffectual men. In fact, there’s a lot of “and/or” in Jayne Mansfield’s Car . (The title refers to the wrecked vehicle in which the Hollywood bombshell died in 1967, which makes its way to Duvall’s town as a morbid curio.) Thornton and cowriter Tom Epperson try to cram in so many relationship dynamics that the ensuing conflicts begin to lose significance. Duvall resents Hurt; Duvall’s sons all resent their father. Characters have crushes that amount to nothing, to the point where you wonder what these developments are even doing in the story. And while these disparate family members have been brought together by a death, no one, not even her own children, has much to say about the woman who has just died – she’s a screenwriter’s device in a handy casket. It doesn’t help that the three brothers, particularly Bacon’s character, are weirdly anachronistic for World War II vets. In 1969, most of those guys weren’t smoking pot or otherwise acting like petulant teenagers; at around age 50, they would have been, or would have been expected to be, certified grown-up men. This is the first picture Thornton has directed in 11 years – the last was the 2001 comedy Daddy and Them – and he isn’t fully in control of this messy, unfocused material. But he does have some terrific actors in his corner: Hurt and Duvall, in particular, are great fun to watch. But what struck me most about Jayne Mansfield’s Car – and it’s the single biggest reason to see the movie – is Thornton’s performance. This is the part that actors who work as directors usually mess up: They can’t direct themselves. (There are notable exceptions, of course, like Orson Welles or Laurence Olivier, but who wants to try to measure up to them ?) Yet Thornton is so relaxed here, and so believably befuddled, that your heart reaches out to him. There’s something extremely vulnerable-looking about Billy Bob: That too-big head on that too-skinny body (which now, at middle age, also features a slight, real-live-person paunch, as opposed to chiseled movie-star abs). He’s superb in an awkwardly tender seduction scene with Frances O’Connor (who plays his late mother’s English stepdaughter) – he stands before her literally and figuratively stripped down, his emotions distilled into something so intense and beautiful that it’s almost painful to watch. I suppose, after playing a scene like that, an actor-director could easily enough watch the playback and say, “Yep, that works.” But can Thornton himself really see how wonderful it is? Particularly in the midst of a movie that, scene for scene, doesn’t really work? Maybe the performance comes from a place where objective assessment recedes and instinct takes over. However it happened, it’s a small, sturdy miracle. Read more of Movieline’s Berlinale coverage here . Follow Stephanie Zacharek on Twitter . Follow Movieline on Twitter .
Good news, Pauly Shore fans! Hot on the heels of his recent appearance in last fall’s Bucky Larson: Born to Be A Star , the Weasel himself is heading back to the spotlight with a new feature comedy about a Jersey Shore -style guido wrongly accused of murder who’s forced to hide out in the country, where he develops a knack for bootlegging moonshine. It’s called — simply, poetically — Whiskey Business . What’s that? Tell you MORE?? Developed by CMT and airing March 25 on the cable network, Whiskey Business sees Shore pile on the fake tanner and douchebag airs as “Nicky, (Pauly Shore), the son of New Jersey’s most powerful crime boss. Nicky is supposed to follow in his father’s footsteps, but he’d much rather DJ and mix cocktails at a local club.” Who wouldn’t? “When Nicky is framed for murder he didn’t commit, he goes on the run to escape the law and ends up in a small Tennessee town where he sticks out like a sore thumb. Nicky brings some Jersey Shore to the Deep South and is treated with Southern Hospitality and is befriended by a cast of characters, including country cougar Trina (Tanya Tucker). At first Nicky is as suspicious of the townspeople’s moonshine as they are of his fake tan, but he soon bonds with the residents to take down Gilly (John Schneider), the town’s corrupt sheriff.” I know what you’re thinking: How have we survived this long as a people without a movie called Whiskey Business , let alone the historical meeting of the MTV-spawned Pauly and Jersey Shores? (Fun fact: There is one movie listed on IMDb about wacky pet shenanigans called Frisky Business and another involving naughty bondage, but no other Whiskey Business to date.) I don’t know, either, but I do know that these behind-the-scenes photos and stills Shore posted to his Facebook fan page during filming (including the Saddest. Fist bump. Ever. ) only make this even more of a must-DVR occasion. In a press release, Mary Beth Cunin, SVP Programming Strategy at CMT, explained the move to produce an original Shore vehicle. “Pauly Shore is a CMT fan-favorite and we’re thrilled to be in business with him on this movie… Pauly’s movie Son In Law is one of CMT’s top performers, so to find a new vehicle to showcase his talent and popularity is an exciting opportunity.” Ah, Son in Law . Suddenly it all makes even more sense. Looks like Shore’s on his way to being “the West Coast’s Woody Allen” after all! [ Deadline , Facebook ]
Say hello to goddess number-three. Great Britain’s The Sun is reporting that infamous Hollywood club-goer Megan Levant has joined Charlie Sheen’s stable of willing women, as she’s been seen entering and leaving the actor’s Beverly Hills home over the last few weeks. According to her Twitter account, Megan Levant likes “porn and vodka.” It’s like she’s advertising for Charlie Sheen! Incredibly, Sheen might be a romantic upgrade for Levant, who has been linked in the past to Pauly Shore and Simon Rex. The 26-year old allegedly hung out on a yacht with fellow sex slaves Rachel Oberline and Natalie Kenly last month and is known as a major party animal. Says a source to the newspaper: “Megan is well-known on the club scene – mostly for her filthy antics. She often goes out wearing next to nothing and is not shy about sex. She loves porn and is a regular visitor to the Playboy Mansion.” Soon enough, if this report is true, she’ll also be a regular visitor to the free clinic.
Filed under: Charlie Sheen , Michelle Bomshell McGee , Bree Olson , Hot Vegas Bombshell McGee was the number two chick in Charlie Sheen ‘s Las Vegas porntourage … TMZ has learned. We’re told Bombshell and Bree befriended each other hours before their on-stage makeout session for Pauly Shore’s comedy show at The Palms on Sunday.… Read more
