Tag Archives: record

Trey Songz’s ‘Bottoms Up’ Video Premieres

Clip features Nicki Minaj in a ‘funhouse’ atmosphere. By Jayson Rodriguez Trey Songz in the video for “Bottoms Up” Photo: Atlantic Records Trey Songz premiered the first video from his forthcoming album Pleasure, Pain & Pleasure on BET’s 106 & Park Tuesday night, the up-tempo “Bottoms Up,” featuring Nicki Minaj . The clip was directed by Anthony Mandler (Jay-Z, Rihanna, Drake) and shows the singer in a funhouse type of environment. Clad in all black, from his suit to his dark sunglasses, Trey Songz is surrounded by women dancing seductively behind glass walls. Themes of bondage and voyeurism are teased throughout the clip as the singer makes his way around the space, while quick edits and lighting changes create a frenetic vibe. Songz described the video as a tool that “heightens” the energy of the track. ” ‘Bottoms Up,’ I feel, is a very creative video,” he told MTV News earlier this month from the set. “[It’s] different from me or what’s expected from me and anything I’ve shot for that matter. Anthony used a lot of different shooting techniques. I think it heightens whatever it is that the song has already — the drive, the vigor, the club anthem, the energy in the record is definitely heightened in the video.” Nicki Minaj guests both on the song and in the clip, and Songz said the femcee did an “excellent job” contributing to “Bottoms Up.” Minaj spits, “Yelling, all around the world, do you hear me/ Do you like my body, Anna Nicki?/ Rest in peace to Anna Nicole Smith.” Minaj sports a blond wig and snug black bustier in the video. “She definitely comes in and spazzes,” the singer said. “She brings a different energy to the record. I wanted her to take it to a different place and that’s what she did, even in the video.” What do you think about Trey Songz’s “Bottoms Up” video? Let us know in the comments! Related Artists Trey Songz Nicki Minaj

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Trey Songz’s ‘Bottoms Up’ Video Premieres

Linkin Park Promise ‘Catalyst’ Video Will Be ‘Very Different’

Joe Hahn ‘likes to go for something big,’ bassist Phoenix Farrell says of LP DJ’s vision for new clip. By James Montgomery Linkin Park Photo: Rob Loud/Getty Images Linkin Park have spent much of the past year touting the overall insanity of their upcoming A Thousand Suns album (it’s a “grandiose insanity,” in case you were wondering), and that idea certainly carries over into the first single, an aching slice of synth doomery titled “The Catalyst” . It seems that, every step of the way, the band is trying very hard to move beyond their nu-metal roots. So it should come as no surprise, too, that the video for “Catalyst” is a far different animal. “[Linkin Park DJ] Joe [Hahn] directed it, and Joe likes to create things visually, likes to go for something big,” LP bassist Dave “Phoenix” Farrell told MTV News. “So the look of it is very different. There’s a lot of energy in it, and for me, that’s what makes for a good video. It adds something to the song, and that’s what makes me like this particular video even more.” Farrell wouldn’t spill any details of the video — it’ll have it debut here on August 25 on MTV.com and VH1.com — but he did hint that it would be in keeping with the artistic theme of Suns (due September 14), which means that Linkin Park fans should gear up for a whole lot of blurry, digitally-scarred WTF-ery … sort of like the cover of the album. “For this record, I think we were able to be in front of the curve for a lot of things. We were working on art, and we’ve been working on it nonstop, because we really wanted to incorporate it in everything,” Farrell said. “And in the case of the album cover, we released it in little pieces, gradually constructing it out of nothing, and fans were seeing all kinds of stuff, they saw people’s faces and everything … none of that was intentionally there.” So, will the secret of the Thousand Suns cover be revealed in “The Catalyst” video? Probably not. After all, the guys in Linkin Park aren’t even really sure what the image is supposed to be. “I don’t want to say what I think it is — I don’t know — but I don’t want to ruin it for anyone. It’s a good reference for the record itself,” Farrell said. “I would go so far as to say it’s anything you want it to be.” “The Catalyst” video premieres at midnight on August 25 (technically that’s the 26th) on MTV.com and VH1.com, and then on MTV, VH1, MTV2, mtvU, MTV Hits, MTV Tr3s and all MTV international territories (MTV, VH1 and MTV2 at 8 p.m. ET/PT on August 26). What do you think of Linkin Park’s sound on their new single “The Catalyst”? Tell us in the comments! Related Artists Linkin Park

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Linkin Park Promise ‘Catalyst’ Video Will Be ‘Very Different’

Tillman Story Stuck With R-Rating

In another era, Harvey Weinstein would have forcibly pulled a PG-13 from the backs of the MPAA ratings board members’ throats if he had to. Not so much today, when he and the makers of the documentary The Tillman Story saw its R-rating upheld for “excessive language.” So, for the record: F-bombs delivered either in a sexual context or one in which your own troops fatally shoot you? Automatic “R.” Are we clear? [ The Wrap ]

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Tillman Story Stuck With R-Rating

Flo Rida ‘Looks Forward’ To David Guetta Bringing Home A VMA

Guetta is up against Lady Gaga, Usher and others for Best Dance Music Video at the 2010 Video Music Awards. By Akshay Bhansali David Guetta Photo: Raymond Boyd/Michael Ochs Archives/Getty Images As if working with the Black Eyed Peas, Akon and Rihanna weren’t enough of a signal of international dance music’s crossover star David Guetta ‘s two-year ascension to the top of the American urban pop-music scene, the French house-music producer is up for a Moonman at this year’s Video Music Awards . Nominated for Best Dance Music Video for his hit single “Sexy Chick,” featuring Akon, Guetta is up against some stiff competition for his big night in L.A. on September 12. His fellow nominees include Usher for “OMG,” German dance group Cascada (remember “Everytime We Touch”?) for “Evacuate the Dancefloor” and Enrique Iglesias’ “I Like It,” featuring Snooki, the Situation and company. And let’s not forget the biggest of elephants in the room, Lady Gaga for “Bad Romance.” Still, DGuetta’s boy, rapper Flo Rida, with whom he currently has a top 10 hit in Europe with “Club Can’t Handle Me,” thinks his chances of winning are rather good. “My reaction to David Guetta being nominated for ‘Best Dance Video’? Well, he’s definitely a household name,” Flo told MTV UK today in London. “Not just nationally, but he’s internationally known. He’s a passionate dude about his music and he gets the party crunk. I look forward to him taking that home.” “The genius of him is the fact that he is a perfectionist. He strives to make sure that a record has the right gumbo,” Flo said using the analogy of the Southern dish of random ingredients that somehow just tastes right. “It moves you — having you bob your head. If you are a dancer, it will make you try some new moves. David Guetta has that work ethic and that drive to make sure he has the #1 party record, like we do right now with ‘Club Can’t Handle Me.’ ” And while fans will have to wait till the big night to find out if Guetta proves the victor, Flo Rida has a special message for all you David Guetta fans out there. “To David Guetta and his fans, y’all make sure and support him,” Flo said. “David, you know you work hard. You grind. Win or lose, I feel like you are still the winner because you have fans that are very loyal to you. So do your thing. Keep your head up.” The 27th annual MTV Video Music Awards will be broadcast live from the Nokia Theatre in Los Angeles on Sunday, September 12, at 9 p.m. ET. Fans can go to VMA.MTV.com (or text VMA to 97979 if they are Verizon subscribers) to vote for the winners in general categories, including Best New Artist, from Tuesday (August 3) through September 12. Related Videos Go Gaga Over The 2010 VMA Nominees Related Artists David Guetta Flo Rida

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Flo Rida ‘Looks Forward’ To David Guetta Bringing Home A VMA

Trey Songz Says ‘Bottoms Up’ Is ‘Heightened’ By ‘Funhouse’ Video

Nicki Minaj ‘comes in and she kills it,’ singer says about guest MC. By Mawuse Ziegbe Trey Songz Photo: MTV News Trey Songz’s latest track, “Bottoms Up,” may be about knocking back some drinks at the bar, but the singer said the accompanying video is anything but the typical bottle-popping scene. Instead of taking inspiration solely from the song’s party-startin’ lyrics, Songz said that he’s stepping out of the box when it comes to the track’s visuals. ” ‘Bottoms Up,’ I feel, is a very creative video. [It’s] different from the norm, different than what I feel is expected of me and anything I’ve shot for that matter,” he told MTV News on the set of the video. “[Director] Anthony [Mandler] used a lot of different shooting techniques and I think it heightens whatever it is that the song has already. The drive, the vigor, the club anthem, the energy in the record is definitely heightened with this video.” Songz broke down the concept of the upcoming “Bottoms Up” video — the first single from Passion, Pain & Pleasure — which, despite the song’s club-friendly appeal, resembles a surreal circus versus a crowded bar. “It’s as if I’m walking through some kind of funhouse, filled with women and different seductive things,” Songz said. The crooner added that Mandler works some visual magic to get the carnival-esque theme just right. “There’s a two-way mirror that’s a dope effect that he uses. And the lighting shows, and then you see women and then you don’t and then you see them and then you don’t.” “Bottoms Up” MC Nicki Minaj also added some dimension to the track in the form of her rapid-fire verse, and Songz said she brought the same high energy from the studio to the screen. “Nicki Minaj does an excellent job. She comes in and does exactly what I got her on the record for. She comes in and she kills it,” he gushed. “I wanted her to make the record different. I wanted her to take it to a different place and that’s exactly what she did. Even in the video, she made a major contribution … from her hair to her outfits to the way she raps and how theatrical she is in her delivery.” Are you excited to see what Trey and Nicki do onscreen for “Bottoms Up”? Tell us in the comments!

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Trey Songz Says ‘Bottoms Up’ Is ‘Heightened’ By ‘Funhouse’ Video

Justin Bieber takes estrogen pills

Justin Bieber#39;s voice has got deeper if you see some recent you tube videos live. and also you are wrong, my baby would never do that. k cool?ツ and he will never lose his #39;boyish charm#39; . that boy has swagger. Justin Bieber is taking estrogen pills so that his voice will not change for as long as possible AKA his record label can milk as much money out of him until his voice gets deeper and he loses his boyish charm. I mean, he is 16 years old?! He should#39;ve hit puberty 2-3 years ag

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Justin Bieber takes estrogen pills

M.I.A. ‘Didn’t Care About’ New Album, Diplo Says

‘All she has is a bunch of yes men around her and they kinda suck,’ producer tells BlackBook magazine. By Gil Kaufman M.I.A. Photo: Jeff Kravitz/ FilmMagic The last time producer Diplo was quoted talking about M.I.A. ‘s ///Y/&#92 album, he got caught in an Internet sinkhole when he referred to the noisome disc as a “turd” in joking response to a question from a fan about what sounded like a toilet flushing on the song “Tell Me Why.” He shrugged off that controversy, saying that the many music blogs that quickly headlined his slam of his collaborator’s music were “trippin’.” Diplo has since made a number of controversial remarks about the album and how it represented a breach in the once-close musical relationship he had with M.I.A., implying that he felt a bit locked out this time around. But in a new interview with BlackBook magazine , Diplo pulls no punches, making it very clear that he is not onboard with the sound of the album. “She didn’t care about it. I was in the studio with her, she didn’t write anything,” he said of M.I.A. “Me and [collaborator] Switch tried our best to be quality control of the record and she didn’t want that. She kind of went on her own way … I was like, Look, nobody in your crew — we were the only people she could trust, and our asses were on the line too. We got here because of working with people like her. We care about the way things sound, and when the people that she works with don’t, then it’s f—ed up.” Of course, Diplo was not naming names, and he noted that “she’s got talent in every aspect,” praising M.I.A.’s big ideas and ability to make things happen, but he lamented that the singer may have fallen into the usual trap of surrounding herself with sycophants. “All she has is a bunch of yes men around her and they kinda suck,” he said. “I burned like 20 bridges with her. I build my own bridges, it doesn’t matter. I’m honest. As soon as she comes to terms with what she does then we can work again. One of us has to be like, We f—ed up, and then we can do it again.” Last month, Diplo told MTV UK that M.I.A. “didn’t want to put any of my records on it like last time. She will do anything to discredit me.” And in the BlackBook interview, he added that he was a bit shocked at some of the backlash M.I.A. has gotten over the album. “I am surprised by it,” he said. “She like, retired because she married a dude and she didn’t care about music. She only did it again because ‘Paper Planes’ did blow up in the end. It gave her a second wind, but she didn’t have any hunger anymore. She already got a full table … but besides that I think she’s amazing and she’ll put another record out that’s going to be f—in’ sick because I think she needs to get grounded at some point.” For her part, the outspoken singer seems to have taken the high road and has not shot back at Diplo so far, recently telling MTV News that she’s very proud of the “3-D” sound of the album, saying she likes the aggressive, rattling drill bit effects on tracks like “Steppin’ Up.” Spokespeople for Diplo and M.I.A. could not be reached for comment at press time. What do you think of Diplo’s comments? Tell us below. Related Videos MTV News Extended Play: M.I.A. Related Artists M.I.A.

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M.I.A. ‘Didn’t Care About’ New Album, Diplo Says

Patrick Stump Clears Up Rumors About Solo Album On Twitter

‘I was tempted out of my cave by misinformation,’ he says of his recent tweets. By James Montgomery Patrick Stump Photo: Brendan Hoffman/Getty Images Patrick Stump has never really been the most tech-savvy dude — his social networking presence isn’t exactly what you would call robust — so, when he took to his Twitter account late Friday (July 16), it was clearly because he had something important to say. “This is the first tweet I’m typing myself,” he wrote on the page, which, up until this point, had been maintained/updated by someone else. “Gonna clear up some misinformation.” At issue were stories about his upcoming solo album , several of which seemed to insinuate that he’d no longer be playing every instrument on the disc ( something he’s long maintained ), but would be joined on the album by former Taking Back Sunday bassist Matt Rubano and drummer Mike Fasano. “Matt Rubano is playing in my band, he’s a genius, but he is not playing on the record,” Stump wrote. “Mike Fasano isn’t playing on the record either, he’s my drum tech, and a damn good one … I’m still playing everything on the record and it’s almost done.” Considering that the Rubano stuff had been circulating since late May, you get a pretty good idea of how often Stump checks in online. But, since he had momentum, he also used his Twitter to address a Washington Post blog post that quoted him as saying his debut disc would feature “outsider folk.” ” ‘Outsider folk’ was a misquote. I said, ‘Outsider funk,’ but it’s not even really that anymore,” he wrote. “It’s basically an R&B album, but as they say, ‘Talking about music is like dancing about architecture …’ You’ll have to just hear yourself.” He closed by promising that fans would be hearing his much-discussed solo debut very soon, writing, “Patience will be rewarded. I guarantee no Chinese Democracy. ” MTV News sent Stump an e-mail to see if he had anything to add to his, uh, addendums, and, somewhat surprisingly, we got a response — one that hinted, in a very funny way, that fans probably shouldn’t expect another outpouring of Tweets like this any time soon. “The only thing I have to add: I still don’t dig Twitter. To paraphrase Lee Marvin, ‘I know my career must be doing great ’cause I’m getting quoted incorrectly,’ ” Stump wrote. “I was tempted out of my cave by misinformation. But you’ll never see me tweet what I had for lunch.” Related Artists Patrick Stump Fall Out Boy

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Patrick Stump Clears Up Rumors About Solo Album On Twitter

Drake’s ‘Fancy’ Was Mary J. Blige’s Song First, Swizz Beatz Reveals

Producer also says Drizzy wanted Andre 3000 on the track along with him and T.I. By Shaheem Reid Drake Photo: Michael Caulfield/ WireImage Drake ‘s new single “Fancy” almost ended up on two other albums before it finally landed on Thank Me Later. ” ‘Fancy’ has been well-traveled,” said Swizz Beatz, who produced the song. “It started off as a Swizz record. Then I got Mary [J. Blige] on it. It was supposed to be on her [ Stronger With Each Tear ], but we missed the deadline. Then I pulled it back for my [upcoming] record. Then five o’clock one morning, on the phone speaking with Drake, he’s in a different time zone, we’re trying to figure out what he needs [for his album]. He’s like, ‘Yo, I just need a record for the ladies.’ I’m on my computer playing him joints over the phone. Then I played him ‘Fancy.’ I was like, ‘You want something like this?’ But I was playing it as a reference.” On the original version of “Fancy,” Swizz raps about an educated girl who works at the Guggenheim Museum, while MJB sang about an independent female. “She got it all together,” Blige sings. “She don’t need you to help her/ She got her own paper/ She don’t need you to take her on a shopping spree/ My girl’s fancy, fly and free.” Drake didn’t want something like what Swizz played; he wanted that exact song for his album. “He was like, ‘That’s the record I need,’ ” Swizz recalled. “I said, ‘OK, I’ll make you that.’ ” Drake replied: “No. That’s the record I need.” Swizzy gave up the goods. “I’m a producer first,” Swizz said. “So he can have the record. I’m still on it, it’s still love. He’s a heck of an artist, and I feel no ways but honored.” The finished version of the song we hear on the album features Drake, Swizz and Tip, but at least one other MC was on the wish list to be on the song. “Andre 3000 was supposed to be on ‘Fancy,’ ” Swizz revealed. “Drake had a group of people he wanted to be on it: Andre, Tip, this one, that one. But the deadline for the album rushed a lot of things. [Drake] can tell you the rest, but Tip just wound up being on it. Which I’m cool with, cause that’s the homie.” Drake is filming the videos for “Fancy” and “Miss Me” this week in Atlanta. Are you glad “Fancy” ended up with Drake? Let us know in the comments! Related Videos ‘Drake: Better Than Good Enough’ Related Photos Drake’s Style: From A To Drizzy

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Drake’s ‘Fancy’ Was Mary J. Blige’s Song First, Swizz Beatz Reveals

Beck Falsely Claims Navy Not Involved In Oil Spill Clean Up

photo via flickr Is it worthwhile to correct the record when it comes to Glenn Beck? The self-described “rodeo clown” has made a habit of saying outrageous comments to get media attention and properly enrage his audience, but words have consequences, of course, so despite his cynical plays it’s still necessary to correct his wild pronouncements. Beck’s latest misstatement involves the Navy’s actions in the BP Deepwater disaster. Beck claims they haven’t been brought in, but naturally the truth is the exact opposite. … Read the full story on TreeHugger

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Beck Falsely Claims Navy Not Involved In Oil Spill Clean Up