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Ann Romney seems like a harmless enough nice lady but maybe, like Mitt, she should stay at least 500 feet away from the word “wealthy,” for the rest of the year. [YouTube] Broadcasting platform : YouTube Source : Wonkette Discovery Date : 05/03/2012 22:58 Number of articles : 2
Millionairess Ann Romney Somehow Doesn’t Even Consider Herself ‘Wealthy’
Posted in Celebrities, Gossip, Hot Stuff, TV, Videos
Tagged detected, from-the-word, Hollywood, missing, nice-lady, romney, romney-somehow, TMZ, Year, Youtube
She’s no longer a sex offender, but she still looks like a girl I can sex offend…I was never a true school sex offender with a teen fantasy…I was also ok banging anyone over 18 who are small and tight rockin a body like a 15 year old….it happens….just make sure they are under 27 cuz 27 is both the year celebs with drug addictions die and the year girls start planning getting knocked up….cuz I know all women may be crazy….but teenager must be he fucking worst….all confused about their periods and unable to suck dick proper….that’s why sex offenders never made sense to me…there are so many tiny hot pussies out there with some mileage…it’s better lik that….I mean just look at this Gomez booty pop….amazing.
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Selena Gomez Twitter Bikini Pic of the Day
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Phoebe Price is nominated by the Leukemia & Lymphoma Society for Woman of the Year 2012! Phoebe’s father died of leukemia, so she’s trying to help the charitable organization raise over $100000 to help other victims. Way to go, Phoebe!
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Tagged father-died, missing, phoebe-price, price, TMZ, Videos, woman, woman of the year, Year
No female has won since 2007, but the ladies proved on Wednesday that it may be their year to take back the crown. By Adam Graham Jessica Sanchez on “American Idol” Photo: Fox It was ladies’ night on “American Idol” Wednesday (February 29), and if the performances of the Top 12 females are any indication, it could be the ladies’ season as well. Indeed, Tuesday’s shaky performances from the guys may have had fans worried about this year’s installment of “Idol.” But several ladies turned in big, show-stealing songs on Wednesday that restored faith to the season at hand. And while no female has won “Idol” since Jordin Sparks took the crown back in 2007, this could be the year a woman puts an end to that dry spell. Fittingly, this potential female domination comes at a time when the biggest force in pop music is Adele, and the chart-topping diva’s presence loomed large over Wednesday’s show. Not only was Adele’s name was invoked several times, but two performers — Jen Hirsh and Elise Testone — took on the very same Adele song, “One and Only.” (What, one of them couldn’t switch to “Rolling in the Deep”?) With her take on “One and Only,” Hirsh hit some of the evening’s biggest notes, and Jennifer Lopez said she “felt the feeling of the song.” Steven Tyler, meanwhile, told Hirsh, “You’ve got what it takes.” Testone’s equally powerful “One and Only,” which closed the show, caused Randy Jackson to call her “a force to be reckoned with,” though both he and the other judges seemed concerned Testone could get lost in the mix with the other singers. “I hope America got it,” Lopez told her, somewhat worriedly. If America doesn’t “get it,” the judges have a chance to step in: On Thursday’s show, the five top males and the five top females will be passed on to the next round, and the judges will get a chance to choose wild card contestants. Whether that will result in a Top 13 or a Top 12 was not explained on the show. Other standouts included Skylar Laine, who threw down on the stage with a energetic, rockin’ take on Faces’ “Stay With Me.” “It’s like Tina Turner went country!” J. Lo gushed, while Jackson compared her to “Reba (McEntire) mixed with Kelly Clarkson.” Laine even took her own breath away; the Mississippi native complained at the end of her performance her dress was so tight she could hardly breathe. Jessica Sanchez said she suffered from swollen vocal chords earlier in the week and was worried she wouldn’t be able to perform up to her usual level, but she blew the judges away with her version of Dreamgirls’ “Love You I Do.” “That girl can sing!” said an enthusiastic Jackson, saying she turned in one of the best performances of the first two nights. Lopez praised her and said she’s beyond her years, while Sanchez herself seemed taken aback from the judges’ overwhelmingly positive reactions. Hollie Cavanagh “slayed the biggest dragon” of the evening by taking on Christina Aguilera’s “Reflection,” Jackson said, and she fared well, even if her combination of inspirational ballad and tight minidress read awkwardly on camera. “It wasn’t all perfect,” Jackson said, “but the parts that were brilliant were genius.” Lopez called her one of the competition’s frontrunners. Shannon MaGrane — whose baseball-player father seems to still have a bone to pick with Tyler over his comments toward his daughter during the auditions — sang “Go Light Your World,” a contemporary Christian song that was “in my soul and in my gut,” she explained, although it’s not well known. But the risk seemed to have paid off: Not only did Jackson and Tyler praise her powerful vocals, MaGrane gave Lopez her first “goosies” — that’s Lopez-speak for goosebumps — of the season. Hallie Day’s “Feeling Good” had her looking “like a star,” Lopez said, but Jackson said he wasn’t sure what direction she was headed in, awkwardly mentioning Adele and Lana Del Rey as would-be contemporaries. Day said she loves soul music and sees herself singing torch songs in the vein of — you guessed it — Adele. Brielle Von Hugel started out her version of Otis Redding’s “(Sittin’ on) The Dock of the Bay” by sitting on the stage, surrounded by her male co-stars (including Phillip Phillips and Heejun Han). She stood up, marched across the stage and showed off what Jackson called a bit of Janis Joplin in her voice. Lopez called her “a true performer” and said people underestimate her as a contestant. Erika Von Pelt showed off her rock side (her words) with Heart’s “What About Love,” and Tyler called her confidence “magical.” Still, the judges knew she had more to give, and Lopez urged her, “next time, let loose on us.” Jackson said her mix of confidence and restraint recalled — wouldn’t you know it? — Adele. Baylie Brown had the misfortune of following Laine’s showstopper of a performance, and her static take on the Lonestar ballad “Amazed” felt safe and a bit boring. “I’ve heard you sing better,” Tyler told her, and Lopez called it “shaky all the way through.” Jackson said Brown “never seized control of the song.” With her take on Carrie Underwood’s “Cowboy Casanova,” which opened the show, Chelsea Sorrell didn’t do much but recall Underwood’s more memorable version of the song. And the most stinging critique of the evening came when Jackson said Haley Johnsen’s version of the Eurythmics’ “Sweet Dreams” “was a bit of a nightmare, for me, instead of a dream.” What did you think of Wednesday’s “Idol”? Do you think a female will win this year? Let us know in the comments! Related Photos ‘American Idol’ Season 11 Top 24 And Wildcard Contestants
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‘American Idol’ Ladies Own The Night
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Tagged Christian, daughter, jennifer-lopez, judges, lopez, Mtv, news article, stage, wednesday, Year
‘We’re thrilled to have him,’ Academy Awards producer Brian Grazer says. By Ryan J. Downey Sacha Baron Cohen as General Aladeen in “The Dictator” Photo: Paramount Action heroes like Rambo may not give in to threats, but Oscar producers caved to “The Dictator.” Of course, it’s all in good fun. In an interview with “Extra,” producer Brian Grazer confirmed Sacha Baron Cohen will arrive at the Academy Awards on Sunday as his character from his forthcoming political satire, contrary to earlier reports. “We’re thrilled to have him and he’ll be on the red carpet, I guess, dressed as the ‘dictator,’ ” he told “Extra.” Grazer, a producer on movies like “A Beautiful Mind” and “Apollo 13,” is also producing this year’s Oscars. In “The Dictator,” Baron Cohen adds the totalitarian leader of a fictitious country to his list of alter egos, which already included Ali G, Borat and Bruno, all of whom have headlined feature films since launching on “The Ali G Show.” He played a supporting role in Best Picture nominee “Hugo” but was insistent about attending the awards show in character as Admiral General Shabazz Aladeen. Earlier on Friday (February 24), the English actor and comedian called in to the “Today” show (as Aladeen) to address his alleged ban from awards. The “Today” interview came on the heels of a video message on the website for “The Republic of Wadiya,” in which the dictator made a number of threats. “On behalf of the nation of Wadiya, I am outraged at being banned from the Oscars by the Academy of Motion Pictures, Arts and Zionists,” General Aladeen said in the video. “While I applaud the Academy for taking away my right to free speech, I warn you that if you do not lift your sanctions and give me my tickets back by 12 p.m. on Sunday, you will face unimaginable consequences.” Back in 2007, Oscar producers wouldn’t allow the actor to appear in character as Borat. At press time, a spokesperson for the Academy told The Hollywood Reporter she had not heard about the plans for Cohen for Sunday. “The Dictator” arrives in theaters May 11. The MTV Movies team has the 2012 Oscars covered! Stick with us for everything you need to know leading up to the awards show, and head to Next Movie for a printable Oscar ballot . On Sunday, tune into MTV.com at 5 p.m. ET for our two-and-a-half-hour red-carpet live stream and updates on the night’s big winners. To join the live conversation, tweet @MTVNews with the hashtag #Oscars.
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Sacha Baron Cohen Will Attend Oscars As ‘The Dictator’
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Tagged attention, awards, dictator, female-vocalist, free-speech, Hollywood, live, Movies, Mtv, news article, picture, Pictures, Taylor Swift, TMZ, Year
Country superstar declines Kevin McGuire’s prom invitation on Facebook — but she has a better idea. By Ryan J. Downey Taylor Swift at the 2011 Academy of Country Music awards Photo: Getty Images Taylor Swift has asked a fan to be her date to an awards show, and it all started on Facebook. Less than 24 hours after the sister of a leukemia-stricken New Jersey teen made a plea to the country star in an online video, Swift responded via her official Facebook page. “Kevin, I’m so sorry but I won’t be able to make it to your prom,” she wrote. “But I was wondering, the ACM Awards are coming up… Would you be my date?” Swift’s camp confirmed to MTV News that the Facebook post is legit. Kevin McGuire, an 18-year-old high school football star, has his sister to thank for the invitation. Looking for ways to support her brother as he underwent treatment for a relapse of the disease he was diagnosed with five years ago, Tori McGuire set up the “Taylor Swift Take Kevin McGuire to Prom!” Facebook page, which had nearly 100,000 followers at press time. The Twitter hashtag #TeamKevin had gotten the attention of a number of celebrities, including Perez Hilton, Travie McCoy, Michael Vick and Troy Aikman. “All throughout Kevin’s treatment he kept his character intact, remained playing basketball, and even started varsity football as a freshman,” she wrote on the Facebook page. “Kevin is known throughout the community as the High school’s ‘real life SUPER MAN!’ Tragically, Kevin had a relapse, and is now fighting cancer for the second time. Kevin is the kindest, most noble 18 year old a person could even fathom meeting, and throughout his ups and downs Kevin never even questioned ‘why me?’ Nothing, and I mean NOTHING brightens Kevin’s day more than Taylor Swift. Kevin DESERVES more than anyone a special event in his life.” Comments quickly flooded Swift’s post and new remarks appeared on McGuire’s Facebook page as well. “Congrats! The ACMs are way better than the prom!” wrote Connie Spross, a supporter. The 47th annual Academy of Country Music Awards are scheduled to take place Sunday, April 1, in Nashville. Swift is nominated for several awards, including Entertainer of the Year, Female Vocalist of the Year and Video of the Year. What do you think of Taylor’s response to Kevin? Let us know in the comments! Related Artists Taylor Swift
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Taylor Swift Invites New Jersey Teen To ACM Awards
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Tagged artists, attention, bennyhollywood, Celebrities, country-music, female-vocalist, kevin, life, News, prom, Taylor Swift, TMZ, Year
Each Wednesday for the past five months, my colleague S.T. VanAirsdale has fearlessly navigated the ever-shifting Academy Awards tides with his weekly Oscar Index , a gig that’s enough to make even the most intrepid seafaring mortal long for dry land. It’s in sight, Stu! By this coming Monday morning, all of our meticulously calibrated predictions, as well as our wayward hopes for our own personal favorites, will amount to little more than scraps of speared whale blubber, receding in the distance as we move toward next year’s Oscar broadcast. But let’s not get ahead of ourselves. There’s still time to savor the last-minute glitter wave. To that end, here are my own Oscar predictions for each category, followed by the candidates I wish would win. BEST PICTURE I loved The Artist when I first saw it last May, and I’ve seen it twice since. It has, of course, become de rigueur to adopt the “It’s not so great” stance when talking about the picture. But that’s not where my heart lies, and I’ve already spent ample time, both publicly (over at Slate Movie Club ) and privately, defending the movie from the “Meh” Brigade. So, yeah, I hope it wins. But I also have a great deal of fondness for both Moneyball and Midnight in Paris , as well as for War Horse , whose old-school movie grandness appears to be sorely out of fashion, and more’s the pity. Will win : The Artist Should win : The Artist BEST DIRECTOR I still don’t understand how you can have nine Best Picture nominees and only five Best Director nominees. What, does the Academy think these pictures direct themselves? Of course, in the case of Extremely Loud and Incredibly Close , you’d be forgiven for thinking so, but never mind. Woody Allen has given us his best movie in years – many years – with Midnight in Paris, so I would probably quaff an extra dose of Champagne if he were to win. But my Best Director choice nearly always aligns with my Best Picture choice, which leads us to Hazanavicius. Will win : Michel Hazanavicius, The Artist Should win : Michel Hazanvicius, The Artist BEST ACTOR As I voted in numerous critics’ groups at the end of 2011, I put the same three names on every Best Actor ballot: Jean Dujardin, Gary Oldman and Brad Pitt (the latter for Moneyball only, though I concede that in The Tree of Life, he works his ass off for a director who cares little for actors). I would be thrilled if any of the three were to win, with perhaps a slight edge – about the width of a pencil mustache – going to Dujardin. Will win : Jean Dujardin Should win : Jean Dujardin or Brad Pitt or Gary Oldman – please don’t make me choose! BEST ACTRESS Although Michelle Williams gave my favorite female performance of the year, in My Week with Marilyn, for so many years now I’ve been watching Viola Davis doing superb work – always the quiet, unflashy kind – that I would be thrilled to see her win for The Help. Poor Glenn Close – I don’t want to look at Albert’s or anyone else’s nobbs, thanks very much. And while I greatly dislike Meryl Streep’s high-toned mimicry in The Iron Lady , the one thing that would really drive me ‘round the bend is another trilling, faux-gracious acceptance speech from La Streep. Oh God, no, please. Will win : Viola Davis, The Help Should win : Viola Davis, The Help BEST SUPPORTING ACTOR This is the category for which I have the least enthusiasm: These performances are all fine, but I don’t see any sparks of mad genius in them. (Not even Branagh’s amusing channeling of Olivier qualifies.) I can live with a Christopher Plummer win, if only because it’s about time for Old Mr. Grouchypants. Will win : Christopher Plummer, Beginners Should win : Christopher Plummer, Beginners BEST SUPPORTING ACTRESS Octavia Spencer is the real charmer in this category, and she has the benefit of being both an unknown and the underdog. Jessica Chastain is lovely in The Help, but she’s even better in a little-seen movie from a few years back called Jolene, in which she played a forerunner of the same character. Bérénice Bejo is extremely winning in The Artist , but I’d still prefer to see Spencer win. While it’s laudatory that the Academy should nominate a comedic actress for this award, I’d prefer it not to be the brassy McCarthy. And while McTeer is quite moving in Albert Nobbs, I truly am looking forward, as I said earlier, to a nobb-free Sunday evening. Will win : Octavia Spencer, The Help Should win : Octavia Spencer, The Help BEST CINEMATOGRAPHY I have my fingers crossed for either Guillame Schiffman for The Artist or Janusz Kaminski for the unfairly maligned – and gorgeous — War Horse. (I wish Kaminski could follow me around with a key light every moment of my life – I’d kill to look as luminous as that horse does.) But I fear the winner will be Emmanuel Lubezki for The Tree of Life. I love Lubezski, but not The Tree of Life ‘s brand of sterile, calculated beauty. Will win : Emmanuel Lubezki, The Tree of Life Should win : Guillame Schiffman for The Artist or Janusz Kaminski for War Horse. BEST ANIMATED PICTURE Generally, I’m with Mark Harris : I don’t much care about this category. Except when I do. And this year, I found what I thought was a firm favorite in Fernando Trueba and Javier Mariscal’s lovely, mostly hand-drawn Latin jazz romance Chico & Rita. . Then I saw Alain Gagnol and Jean-Loup Felicioli’s A Cat in Paris – another hand-drawn adventure, this one about a winsome and mysterious cat burglar padding his way through the world’s most mysterious and beautiful city – and I fell even more deeply in love. I would be thrilled to see either picture win, though I suspect the honor will go to Gore Verbinski’s Rango, which is at least clever and lively. Will win : Rango Should win : A Cat in Paris or Chico & Rita Follow Stephanie Zacharek on Twitter . Follow Movieline on Twitter .
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Oscar Predictions: Stephanie Zacharek on Who Will (and Who Should) Win on Hollywood’s Biggest Night
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Tagged a cat in paris, albert-nobbs, billy-crystal, chico & rita, christopher, doug benson, dragon-tattoo, meryl-streep, movie, Movies, Oscars, plummer, TMZ, Year
The Academy Awards telecast stopped being a one-screen experience years ago. An Oscar viewing party is all well and good, but with a computer or phone nearby, a virtual theater full of people will enhance the experience from the first red-carpet arrivals to the music playing over the Best Picture winner’s speech. Yes, your friends are witty and can also fetch you a beer, but the best jokes about the winners, losers and everything in between are on Twitter. Some professionals make watching the Oscars simply worth the hours (and hours) spent. Doug Benson is one of them. A stand-up comedian and writer — including penning jokes for award shows — Benson began recording a weekly podcast called Doug Loves Movies in 2006. Movieline talked with the devoted movie fan about the fleeting art of live-tweeting cinema’s greatest night, who the best hosts are and whether the Oscars ever really pull off comedy. Are you live-tweeting the Oscars this year? How many ceremonies (Oscars, Golden Globes) have you done? I’m planning on it. As long as I can get Internet access wherever I’m watching the show. … I live-tweet every show that I can, as long as everyone is seeing it live at the same time. The Grammys are on a tape delay on the West Coast, so it’s not fun live-tweeting that when the East Coast saw it all hours before. What’s been the entertainment value of the Oscar ceremonies of the past few years? There is very little entertainment value. That’s why I live-tweet during it. To entertain myself and anyone else who might find the whole thing boring. I love movies, and I love that the Oscars honor filmmakers that do great work, but the whole thing is usually a fucking slog. The Golden Globes were so boring this year, I lost interest in live-tweeting it halfway through. Do you think the Twitter/comedian commentariat builds up the mythology of the Oscars? It makes the Oscars more tolerable, for sure. Which is good for the Oscars, I guess. When the jokes are lacking on the show, people can turn to Twitter for some laughs, instead of turning the show off and finding something of value to do with their night. What do you think about the relationship between comedy and the Oscars? Having written for several award shows, I know that banter is tough to pull off, even by performers known for their comedic chops. Because the whole setup is so artificial, and the audience in the auditorium really doesn’t give a shit about hearing jokes. They just want to win or lose and go to a party. Should most presenters stick to non-comedic intros? That can be even more deadly than trying to be funny. When the Oscars trot out an actor to tell us how sound editing works, the home audience trots to the kitchen or the bathroom. My favorite intro I ever wrote for someone, which was actually approved and said by Jennifer Jason Leigh on the Independent Spirit Awards: “Without screenwriting, movies would be plays.” Is there anything you’re looking forward to at the Oscars this year? Billy Crystal singing about Extremely Loud and Incredibly Close. It’s always weird to me that he sings a medley about nominated movies, even if it’s serious shit like Schindler’s List and Saving Private Ryan . Where would you rank Billy Crystal among the past Oscar hosts? Definitely up there with Johnny Carson and Bob Hope as the best. Those guys know how to say something funny after something silly just happened, and in a self-deprecating way. I liked when Steve Martin and Alec Baldwin hosted together. I even liked the David Letterman year. A comedian is always going to be the best choice. Follow Doug Benson’s Academy Awards live-tweeting at @DougBenson . [Photo: Robyn Von Swank]
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Comic Doug Benson on the Ups, Downs and Delights of Live-Tweeting the Oscars
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Tagged Academy Awards, awards, bennyhollywood, billy-crystal, doug benson, dragon-tattoo, film, Hollywood, movie, project, Twitter, Year
The films almost couldn’t be more different: Hugo is an epic, 3-D family film that wraps us up in a warm glow, and The Girl With the Dragon Tattoo is a chilling murder mystery set in the stifling Nordic winter. Robert Richardson and Jeff Cronenweth — the cinematographers (pictured above R-L) tasked with making these respective worlds believable — will contend this weekend for an Oscar for Best Cinematography (along with The Artist ‘s Guillaume Schiffman, The Tree of Life ‘s Emmanuel Lubezki and War Horse ‘s Janusz Kaminski). Movieline spoke with Cronenweth and Richardson about their approach and style on their nominated films as well as their recognition from the Academy. What did the narrative of this film demand of you in terms of style? CRONENWETH: A murder mystery in and of itself has its own set of dramatic license and techniques to implore. But with Dragon Tattoo being the first book of the incredibly detailed Stieg Larsson trilogy and set in the Swedish countryside during a particularly harsh winter, we inherited certain esthetic obligations, the most obvious one being the cold and how it affects the lives of our characters. It was imperative that we afforded the audience to appreciate that visually through quality and color of light and through sound effects. RICHARDSON: The narrative of Hugo slipped from the seed of Brian Selznick’s illustrations — in that respect all departments enhanced the reality of the world that Hugo lived within — that became the foundation of our style. How much did you collaborate with your director on the message of each scene? CRONENWETH: Well, there is always a conversation about the impetus of each scene and the purpose of each shot within that scene. Then on the shoot day, when we actually rehearse with the cast and block the scene, we apply those discussions but stay open to discovery. RICHARDSON: Communication with Marty [Scorsese] is extremely specific — there is not a shot within his storyboards that does not have a purpose — in the same light his concept of what each scenes “message” might be is a reflection of this degree of precision — in respect to collaboration — generally it is less about collaboration of origin of concept and more about collaborating on manner and methods of achievement of his vision. This year, there’s a mix of digital and film among the nominees for Best Cinematography. How much does shooting on film vs. digital matter to you? CRONENWETH: I still like the notion that some formats support certain stories better than others, and I like the idea that we are afforded the luxury of different story telling tools. But having said that I feel the gap between the two has closed for all intents and purposes. RICHARDSON: Digital capture and film capture both have their advantages and disadvantages. I shot Hugo on digital with the Alexa and am now in the process of shooting Django Unchained on 35mm anamorphic. I feel comfortable with either digital or film — the director and the project should determine the course of choice. Does this digital-film diversity among cinematographers make it a more exciting race, and how so? CRONENWETH : I think the drastically different subject matter and story styles are a more interesting conversation than the digital vs. film. Black-and-white silent-period movie, a 3-D children’s fairy tale colorful and dramatic, WWII fantasy about a horse beautifully epic and classic, a story of life shot free-flowing with available light crosscut with nature’s marvels, and a murder mystery set in the Swedish country in the middle of winter. RICHARDSON: I am uncertain about this question. The product should speak for itself. I sense that perhaps you are making too much of too little. In the end (I believe) not one of the projects is not in some manner a digital collaboration — the digital intermediate currently is placed between capture and presentation — the number of screens with which to view a film capture and traditional chemical treatment is on a rapid decline — most presentations are now digital cinema and that percentage will rise exponentially — was The Artist shot on black and white? I am uncertain, but I would hazard the guess that it was shot on color film and then in post had the color removed, meaning regardless of capture most projects at some point become digitized. With that in mind I would ask if you might tell me where does digital and film begin and or end. Furthermore, what is the percentage of films that you have viewed this year that were captured on film, processed, printed for dailies and distributed on film to the cinema? Sadly, cinemas with film as the primary source are disappearing. We need to remain open to change. That does not require one to divorce the past but to respect and process both the present and the future. Are there any colleagues you would’ve liked to see nominated for best cinematography this year? CRONENWETH: Newton Thomas Sigel for Drive . RICHARDSON: Far too many to list. Who is accompanying you to the ceremony? CRONENWETH: My beautiful girlfriend Tyne Doyle. RICHARDSON: My wife, Stephanie Martin, will be accompanying me to the Oscars as she did to the BAFTAs. How are you following this film? What is your next project? CRONENWETH: Directing commercials at the moment and reading scripts. RICHARDSON: I followed Hugo with World War Z (Marc Forster), and I am currently filming Django Unchained (Quentin Tarantino). MORE 2012 OSCAR ROUNDTABLES & CHATS Best Costume Design Best Documentary Feature Best Foreign-Language Feature
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Oscar Chat: A Conversation With Best Cinematography Nominees Jeff Cronenweth and Robert Richardson
Posted in Celebrities, Gossip, Hollywood, Hot Stuff, News
Tagged awards, brian selznick, communication, digital, dragon-tattoo, drastically, invalid, mma, New Movie, project, review, robert richardson, the oscars, TMZ, Year
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OutKast is the greatest hip hop group to come out of Atlanta and they’re arguably the greatest hip hop group of all time. In a recent interview with GQ Magazine, Andre 3000 talked about his upcoming solo album, as well as when fans can expect another OutKast album. Andre 3000: There’s been a lot of talk on the Internet about an OutKast album and I have to say that as of now, there are no plans for another OutKast album. There’s a lot of music on the horizon. I’ve been living off the excitement of new artists. I’ve been privileged to have these new artists kind of reach out and grab back and say, “Hey, Andre, we want you on this song.” So I’ve been taking those calls and for the last two years, I’ve been doing collaborations. So these new artists have kind of been keeping me alive. I’ve just really been feeding off of that and this year I think I’m planning to do a solo project. I don’t know when it will come out, but hopefully it’ll come out this year. As far as OutKast, I really don’t know if or when that will happen. GQ: What’s the new solo album going to be like? Andre 3000: The only thing I can really say is I’m going to get back to having fun because that’s what it was all about when I started this in high school—with OutKast—those were like high school dreams. I’m 36 now, so I have grown-man dreams. This album will just be me being myself as normal. Source: GQ Magazine
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Tagged big boi, celeb news, crosspost, final, greatest, magazine, outkast, whitney houston, Year
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