Tag Archives: song

Coldplay Premiere ‘Every Teardrop Is A Waterfall’ Video

New clip is a brightly-colored, paint-covered celebration of everyday life. By James Montgomery Coldplay’s Chris Martin in their “Every Teardrop is a Waterfall” music video Photo: Capitol It’s probably impossible to measure how many gallons of paint — glow-in-the-dark, high-gloss, Krylon, etc. — were used in the making of Coldplay’s brand-new “Every Teardrop Is a Waterfall” video, which premiered Wednesday (June 29). But suffice it to say, it was probably a lot. It seems that paint, gloriously splashed and joyously hued, is a recurring theme in the band’s upcoming fifth album; while you can infer from that what you will, in the case of Coldplay’s “Waterfall” clip, the end result is one that matches the sheer uplift of the song itself. This is a video that shakes you to life. Filmed mainly in stop-motion, the video follows Chris Martin and his mates as they wander through, above and, eventually, outside a decaying urban expanse, their music — and, of course, the paint — breathing new life into its crumbling husk. In a way, that’s sort of like the song, too. Martin’s lyrics are very much about the power his old records possess; they imbue ordinary life with the extraordinary. Aside from the paint, the clip’s use of stop-motion recalls earlier Coldplay videos, most notably “Strawberry Swing,” but they’ve always had a thing for messing with the constraints of time (see the shot-in-reverse “The Scientist” or “Christmas Lights” for proof). Their new one matches the exuberance of “Swing” and the childlike wonder of “Lights,” and, unlike “The Scientist,” there isn’t a single horrifying car wreck to be seen. But mostly it’s about all that paint, those colors and the ability they have to brighten everyday life. Just like Martin sings, every siren can be a symphony and every heartbeat can build a cathedral. With “Every Teardrop Is a Waterfall,” Coldplay prove that they’re always on message, even when they’re making a glorious mess. Related Artists Coldplay

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Coldplay Premiere ‘Every Teardrop Is A Waterfall’ Video

Listen To Beyonce’s Album “4″ [Listening Session]

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Beyonce dropped her fourth album “4″ today and we are giving you the chance to listen to it before you buy it (unless you already purchased it and just want to listen anyway). Check out our very own, Regina Mitchell’s top 4 picks from “4.” Top 4 Songs On Beyonce’s “4″ Album Beyonce Covers Cleo Magazine & Featured In Time

Listen To Beyonce’s Album “4″ [Listening Session]

Top 5 Songs On Big Sean’s “Finally Famous”

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Today, Detroit rapper Big Sean released his debut album on Kanye West ‘s G.O.O.D. Music label. When I listen to Finally Famous , I can’t help but draw comparisons to Drake ; both artists are obsessed with fame and women, and their lyrical content reflects that. But unlike Drake’s Thank Me Later , Big Sean’s debut album is markedly superior in terms of production and musicality, thanks to No I.D.  While I also like The Neptunes produced “Get It” and the playful “High” featuring none other than Wiz Khalifa, these are my top five songs: Big Sean Speaks On Drake Biting His Rhyme Style [VIDEO] Kelly Rowland Ft. Big Sean “Lay It On Me” [NEW MUSIC] 5. “Memories” featuring John Legend produced by No I.D. I’m a fan of songs that allow me to connect with the artist on a deeper level.  So I like that Big Sean reveals himself on this track. The strings, piano, guitar, and layered vocals reinforce the sincere and sentimental vibe. 4. “Wait For Me” featuring Lupe Fiasco produced No I.D. and Exile Okay, so this sample just made my soul smile.  And the fact that Lupe Fiasco jumps on is an automatic enhancement to the song. 3. “My Last” featuring Chris Brown produced by No I.D. Catchy.  Fun and easy to sing along to.  If you’ve heard this song on the radio recently, I’m sure you already know why this song is on my list! 2. “So Much More” produced No I.D. Comparable to Kanye West’s “Cheers” on College Dropout , this song nearly tops my list (mainly because the sample is so hot)!  And unlike most, I like listening to rappers babble about their journey to stardom … seriously. 1. “I Do It” produced by No I.D. and The Legendary Traxster Let me just say, this beat is hard!  And some of lyrics have me laughing my head off.  I’ve probably listened to this song too many times.  If you’re looking for a song to give you an ego boost, press play. Are These BP Artists Good Enough to Get Signed? 2011 BET Award Winners & Recap FACT OF THE DAY: Foxy Brown Was Not Always Foxy FACT OF THE DAY: LL Cool J Dropped Out Of High School To Record His Debut Album

Top 5 Songs On Big Sean’s “Finally Famous”

Evanescence’s New Album ‘All Over The Place,’ Amy Lee Says

Follow-up to The Open Door, due October 4, ‘smacks you right in the face,’ singer says. By James Montgomery Evanescence’s Amy Lee Photo: Getty Images Amy Lee is having a hard time talking about Evanescence’s upcoming album , partially because she’s out of practice — it’s been a while since the band’s frontwoman has had to run the press gauntlet, after all — but mostly because she keeps using words like “fun” to describe it. And even she realizes how odd that seems. “I can’t give a good quote about it, because it’s probably the heaviest record we’ve ever done, but we’re having a great time making it,” the singer said, laughing. “I don’t want to say the word ‘fun,’ but it is … it’s totally fun. We’re just going for it. So I don’t want to say that it’s ‘expressing the pain of a thousand sorrows,’ because it’s not that. I mean, it’s just more mature; it’s just a great record. It’s hard to sum it up.” Of course, she’s quick to add that “fun” doesn’t necessarily mean “silly or poppy.” “It doesn’t translate right … I’m having fun; we’re all having fun,” she explained, “And there are moments where you can hear that.” But Lee will be the first one to admit that, when Evanescence return in October with their first album in five years, they’ll be a very different beast indeed. Case in point: the first single, which, though she won’t reveal the title, is one she feels comfortable describing as a definite departure for the band. “It’s really different for us. It doesn’t sound like any Evanescence track you’ve heard before,” she said. “It’s heavy, but the melodies and stuff, I feel like I just did what I wanted. I just literally sang what I wanted to sing, because it was fun and it kind of made me smile, and that ended up being the really fun, cool, catchy thing that got everybody hooked on it.” And though it’s different, Lee knows that there’s plenty riding on the band’s comeback single, which is why, even if she was smiling when she recorded it, the song’s still got plenty of the band’s trademark growl, too. And the same goes for the album. “You always have to think about that. We have to go through making the decisions with the label, and see what they’re going to push,” she explained. “We don’t get to do whatever we want all the time, so the single has to sound like a hit. But, for us, we want more than that. “There’s a lot I want to get across all at once, before I lose anybody’s attention. So, the song that I think is the first single is the song that wraps it all up. It’s got a cool meaning, a lot of great lyrics going on, it also just smacks you right in the face and it’s heavy and it’s great … I think that there’s a couple songs that meet that same criteria.” To that end, though she (accidentally) uses words like “fun” to describe it, the new Evanescence album might just be the next logical step for the band: The same themes are there, but for the first time in her career, Lee is writing about them (and herself) in new ways. At the end of the day, as has always been the case, catharsis is key. “There are themes of brokenness, the quest for freedom, and then there’s songs that are just about falling in love … it’s just all over the place,” she said, laughing. “There’s this beautiful song that — it’s definitely going to make the album, or I will kill someone — it’s not like a single or anything, it’s just this epic album track that’s about loss from the perspective of someone losing someone in a tragedy, and it’s really cool to listen back to that, too. “That’s not something I did on The Open Door. The Open Door was all about me and my personal experiences. And there’s some moments on this one that are actually taken from things that I watched go down, from my friends and stuff like that. But really, whatever makes me feel the most, that’s what’s on the record, because that’s what I need to get off my chest.” Are you excited for the new Evanescence album? Share your thoughts in the comments below! Related Artists Evanescence

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Evanescence’s New Album ‘All Over The Place,’ Amy Lee Says

Pray – Justin Bieber (Amor Cover)

JB.. duet?!?! sincerely, Alex. Love this song, Justin killed it on this track, new fav!! It reminds me of Michael Jackson’s We are the World.. beautiful & inspiring. I hope you all like my rendition of Pray!! : ) download the MP3 here: www.mediafire.com big shoutie to @KpLovesDemi who makes all AMORCOVERS audio files for you all. BAMF! www.AlexandraAmorMusic.com http://www.youtube.com/v/R2SXK3BgITg?f=videos&app=youtube_gdata Go here to see the original: Pray – Justin Bieber (Amor Cover)

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Pray – Justin Bieber (Amor Cover)

Coldplay – “Major Minus”

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The princes of the teardrop waterfall return with another new song for internet streaming in advance of this Sunday’s digital EP. It’s called “Major Minus” and it’s streaming here: (via P4K) The Every Teardrop Is A Waterfall EP is out digitally Sunday 7/26 via iTunes. The set features this song, the “Teardrop,” and one more Broadcasting platform : YouTube Source : Stereogum Discovery Date : 23/06/2011 23:06 Number of articles : 2

Coldplay – “Major Minus”

Lil Wayne On ‘Stan’ Redo ‘Dear Anne’: ‘I Just Don’t Like It’

Weezy reveals to XXL that the Swizz Beatz collabo was intended for 2008’s Tha Carter III. By Alvin Blanco Lil Wayne and Swizz Beatz in 2007 Photo: Theo Wargo/WireImage Lil Wayne is his own biggest critic. Although the Swizz Beatz-produced “Dear Anne (Stan Part 2)” leaked online weeks ago to generally positive reviews, Lil Tunechi is not particularly fond of the song. Swizz Beatz talked to Mixtape Daily about his collaboration with Weezy last year, mentioning that the song’s beat was originally intended for Eminem . But after Em passed on recording a “Stan 2” for his Recovery album, Weezy recorded the song and Swizz hoped to include it on his upcoming Haute Living album. However, Weezy told XXL that “Dear Anne” is a holdover from his multiplatinum 2008 album. “That was actually a record for Tha Carter III that just leaked,” Wayne told the magazine. “It leaked out, and everybody’s thinking that it’s going on Tha Carter IV ’cause I was actually gonna put it on Tha Carter IV. But I had been listening to it and didn’t like it. I don’t like it ’cause the song, all the verses are old. And me being a perfectionist, I hate going with old verses.” Despite Wayne’s trepidation, some heads in his YMCMB camp think the song should be a go. “Mack and Tez and them, they love it,” Wayne said, referring to Young Money president/artist Mack Maine and his manager Cortez Bryant, respectively. “They be like, ‘Man, you trippin’, you killed it.’ I be like, ‘Did you hear what I just said? I don’t wanna do that anymore.’ But I heard that the ‘Anne’ song has been getting buzzed up and everybody’s buzzin’ about it, so it might end up one of those you might have to put on the album, you know what I mean. But I ain’t trippin’ on it like that; I don’t like the song. I love the beat; I love the idea. I don’t like my execution. I don’t like what I did. I don’t like how I delivered on it. The idea that I had for it, I didn’t accomplish that, what I thought I was gonna do. ‘Cause I was tryna make it a situation song. And I just don’t like it.” Wayne may have to decide whether “Dear Anne” makes the cut sooner than later. Reportedly, the “How to Love” rapper’s long-delayed Tha Carter IV ‘s release date has been moved up by a week to August 22. Lil Wayne is on the cover of XXL magazine’s July/August 2011 issue, hitting newsstands July 12. What do you think of “Anne”? Share your thoughts in the comments! Related Artists Lil Wayne

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Lil Wayne On ‘Stan’ Redo ‘Dear Anne’: ‘I Just Don’t Like It’

that shoul be me video – justin bieber w/ lyrics

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that shoul be me video – justin bieber w/ lyrics

Drake Addresses His ‘Trust Issues’ In New Song

‘Let them girls in and tell them all leave their cell phones on the table where we see ’em,’ Drake raps on potential Take Care track. By Rob Markman Drake Photo: Roger Kisby/ Getty Images Drake unapologetically wears his heart on his sleeve. The Toronto-born lyricist’s breakout 2009 mixtape So Far Gone, with its calming melodies and relationship-based narratives, painted Drizzy as a hopeless romantic who just couldn’t get it right. Large portions of his debut album, Thank Me Later, helped solidify that notion. And now, in preparation of his upcoming sophomore LP, Take Care, Drake finally admits that he has “Trust Issues.” Early Tuesday morning (June 21), Drizzy posted the subdued song on his October’s Very Own blog with the message: “Did my own little thing using some other thing I did. You know.” The “other thing” is in reference to the hook Drake laid on DJ Khaled’s latest single, “I’m On One,” which he interpolates on this new four-minute and forty-two second track. “All I care about is money and the city that I’m from,” he croons at the opening of “Trust Issues.” The song’s basic kick- and snare-drum pattern is placed atop a bed of muted keys, putting Drake’s lullaby-like melody on full display. As he begins his verse, Drake expresses to his lover that he doesn’t trust “these bitches” to mix his drink because they might catch him “slippin’ ” and “put in something different.” Considering his celebrity, it’s easy to see why he is guarded; he further illustrates a little more than halfway through the song when he picks up the tempo with a rapped verse. When meeting new women, the Young Money MC takes extra precautions: “Let them girls in and tell them all leave their cell phones on the table where we see ’em.” Whether or not the song will appear on the upcoming LP remains to be seen, but when fans download the file following the link from October’s Very Own, the MP3 is labeled with Take Care in the album field. In the end, “Trust Issues” brings no resolution; instead, it serves as a semi-explanation as to why Drake is how he is. Is the song another part of the story that Drizzy alluded to when posting previous tracks “Dreams Money Can Buy” and “Marvin’s Room” ? When he released the former, Drake wrote, “Not my single. Just a piece of my story,” and when he dropped the latter, he then messaged, “Another piece of the story. Single coming in July. Take Care coming Oct. 24th.” What do you think of Drake’s “Trust Issues”? Let us know in the comments! Related Artists Drake

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Drake Addresses His ‘Trust Issues’ In New Song

Drake Addresses His ‘Trust Issues’ In New Song

‘Let them girls in and tell them all leave their cell phones on the table where we see ’em,’ Drake raps on potential Take Care track. By Rob Markman Drake Photo: Roger Kisby/ Getty Images Drake unapologetically wears his heart on his sleeve. The Toronto-born lyricist’s breakout 2009 mixtape So Far Gone, with its calming melodies and relationship-based narratives, painted Drizzy as a hopeless romantic who just couldn’t get it right. Large portions of his debut album, Thank Me Later, helped solidify that notion. And now, in preparation of his upcoming sophomore LP, Take Care, Drake finally admits that he has “Trust Issues.” Early Tuesday morning (June 21), Drizzy posted the subdued song on his October’s Very Own blog with the message: “Did my own little thing using some other thing I did. You know.” The “other thing” is in reference to the hook Drake laid on DJ Khaled’s latest single, “I’m On One,” which he interpolates on this new four-minute and forty-two second track. “All I care about is money and the city that I’m from,” he croons at the opening of “Trust Issues.” The song’s basic kick- and snare-drum pattern is placed atop a bed of muted keys, putting Drake’s lullaby-like melody on full display. As he begins his verse, Drake expresses to his lover that he doesn’t trust “these bitches” to mix his drink because they might catch him “slippin’ ” and “put in something different.” Considering his celebrity, it’s easy to see why he is guarded; he further illustrates a little more than halfway through the song when he picks up the tempo with a rapped verse. When meeting new women, the Young Money MC takes extra precautions: “Let them girls in and tell them all leave their cell phones on the table where we see ’em.” Whether or not the song will appear on the upcoming LP remains to be seen, but when fans download the file following the link from October’s Very Own, the MP3 is labeled with Take Care in the album field. In the end, “Trust Issues” brings no resolution; instead, it serves as a semi-explanation as to why Drake is how he is. Is the song another part of the story that Drizzy alluded to when posting previous tracks “Dreams Money Can Buy” and “Marvin’s Room” ? When he released the former, Drake wrote, “Not my single. Just a piece of my story,” and when he dropped the latter, he then messaged, “Another piece of the story. Single coming in July. Take Care coming Oct. 24th.” What do you think of Drake’s “Trust Issues”? Let us know in the comments! Related Artists Drake

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Drake Addresses His ‘Trust Issues’ In New Song