So there’s good news and bad news about Madonna’s W.E. , whose Venice/Toronto festival coming-out parties made more of a splash for the Material Girl’s attitude toward hydrangeas than for being the type of classy, prestigious filmmaking breakthrough its principals had anticipated. Critics, including Movieline’s own Stephanie Zacharek , were cool toward W.E. at best, with some beating it apart like a glossy piñata. That’s the bad news. The good news is that we know what that calls for, especially with Harvey Weinstein at the domestic-distribution reins: Recut!
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Madonna to Cut W.E. in Attempt to Salvage Awards Hopes
