If you’ve been living under a smallish, dislodged boulder for the past few months and want to be completely surprised by what happens in Danny Boyle’s harrowing, uplifting, abusive, exhilarating, calculating and exceedingly clever 127 Hours, stop reading now. I mean it. Because you won’t want to know that in 127 Hours James Franco, as real-life mountain climber Aron Ralston, cuts his own arm off with a — OK, that I’m not going to tell you, because I just don’t want to spoil the effect of seeing this unassuming if somewhat diabolical-looking implement for the first time.
See the article here:
127 Hours: Danny Boyle, James Franco and the Little Tool That Could
