Already sick of next year’s April Fools’ Day? Renew your faith with this Funny or Die preview for Rebecca Black’s “Friday” film adaptation, Sunday Comes Afterwards , which sounds like a delightful Tennessee Williams tale. Unfortunately, it’s an apocalyptic thriller. The lack of Auto-Tune during Rebecca’s triumphant call of “I don’t want this world to ennnnnd ” is a cinematic touchstone for the ages.
Originally posted here:
Rebecca Black’s Film Debut Sunday Comes Afterwards: A Musical Armageddon
