1950-ongoing : WORLDWIDE. George Orwell's grim novel of totalitarianism, 1984, and his satirical political novel, Animal Farm, describe all too well the mechanisms of oppression and distortion of the truth by the state and the realities of political power. Orwell was opposed to totalitarianism in all its forms, whether Stalinist, fascist or pseudo-democratic. Ironically, Orwell had unknowingly fallen into the clutches of the very propagandists and distorters of truth he vilified and satirized. His British publisher, Fredric Warburg, was secretly working for the CIA. Warburg would later become notorious for publishing and distributing a CIA propaganda magazine, Encounter, for one of the CIA's countless front organizations, the ironically named Congress for Cultural Freedom. Following Orwell's death in 1950, Warburg persuades his widow to unwittingly sell the movie rights to 1984 and Animal Farm to the CIA's Office of Policy Coordination (OPC), a creation of Rockefeller cousin, Hitler Project kingpin and Nazi shyster cum CIA head, Allen Dulles. According to its secret charter, OPC's activities on behalf of the “free” world include propaganda, economic warfare, sabotage, demolition and subversion. Two of the CIA's Psychological Warfare Workshop staff obtain the screen rights to Orwell's novels. The head of the operation is none other than CIA operative Howard Hunt, who will later become infamous as a member of the Watergate gang of criminals. Hunt selects Louis De Rochemont to be the producer of the animated Animal Farm at Paramount. De Rochemont has considerable experience with propaganda, having created The March of Time series for Henry Luce and, during the Second World War, working with the U.S. Navy's propaganda film unit. To meet the CIA's objectives, the ending of Animal Farm is changed and the point of the story, that cruel capitalist farmers are no better masters than tyrannical Stalinist pigs, is destroyed. The CIA's sanitized version of Animal Farm is distributed around the world by a CIA front, the U.S. “Information” Agency (USIA). The CIA then produces 1984 in Britain in 1954. Inevitably, Orwell's message is distorted and perverted by the CIA to suit the goals of the U.S. ruling class. The CIA's Orwellian sabotage of two of the most powerful political works in literature is a masterstroke of pre-emptive mind control. As the psychological warfare experts at the CIA are only too aware, a successful movie, like television, can be seen by tens or hundreds of millions of people and, consisting of graphic images, is much more powerful and widely assimilated than the written word. By sabotaging the movie versions of 1984 and Animal Farm, the CIA effectively stopped the vast majority of Americans ever learning of the relevance of Orwell's writing to their own situation. The role of the CIA in sabotaging Orwell's masterpieces is hidden for half a century. To the present day, many American school teachers use the CIA's movie version of 1984 to “teach” the novel, spoonfeeding young Americans “prolefeed” created by the CIA rather than the true, chilling and all too relevant message of Orwell's book. added by: WhiteNoise
