When it comes to animation, kids like bright colors, and often adults do too. That’s just one reason to applaud Gore Verbinski’s Rango for having the courage of its convictions: Once you get past the ho-hum candy-color-pop of the opening sequence, the movie’s palette unfolds in various shades of sandy ochre, earth taupe, thundercloud gray and many, many permutations of mud brown. I wasn’t sure if I wanted to watch Rango or wear it.
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REVIEW: Gore Verbinski Loves the Uglies in Rango
