The latest entry from the “If it makes you feel terrible, it must be great!” school of filmmaking, Alejandro González Iñárritu’s Biutiful has it all: Charming, intelligent, wholly innocent children who suffer at the hands of their wackadoodle manic-depressive mother. Desperate immigrants who toil away under exploitive working conditions for greedy employers who care more about profits than about human lives. Dead babies. Cancer. Nothing says “Awards Season” like feel-bad cinema, and with Biutiful, Iñárritu hauls out the big guns.
Link:
REVIEW: Javier Bardem Saves the Overwrought, Overmanipulative Biutiful
