An executive and an underling are working late in a plushly appointed living room at the start of Love Crime , a twisty French drama about office competition and revenge that’s the final film from director Alain Corneau, who passed away last year. The exec treats the other employee in a way that would send any real-world worker running off to gather evidence for a sexual harassment lawsuit — invading the young woman’s personal space, telling her how pretty she looks when she smiles, leaning into her throat to smell traces of her perfume.
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REVIEW: Kristin Scott Thomas and Ludivine Sagnier Play Workplace Power Games in Love Crime
