If Sherlock Holmes could be successfully steampunked into a rakish action hero, there’s no reason The Three Musketeers couldn’t be gearpunked into some tolerable 17th century equivalent — and Athos, Porthos, Aramis and young D’A rtagnan are actually soldiers, so no serious character tweaking is required to send them off into repeated swashbuckling setpieces. It’s not the addition of airships and male dangly earrings that make Paul W.S. Anderson’s take on Alexandre Dumas’ classic, much-adapted adventure such a drag, it’s everything else — the incoherence, the anvil-heavy dialogue, the lack of anything beyond the broadest of characterizations.
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REVIEW: The Three Musketeers is a Tedious, Incoherent Drag
