Will Ferrell and John C. Reilly will star in ‘Holmes & Watson,’ a comedic retelling of ‘Sherlock Holmes’ which involves some Alan Menken-penned love songs.
Here’s everybody’s favorite hot weirdo Miley Cyrus wearing one of her weirdest outfits yet. According to my sources, it was to perform at some annual charity variety show for James Franco’s Bar Mitzvah. And now that I know Miley’s available for birthday parties, I’m going to try to get her to play mine next. I don’t care what songs she does. As long as she shows up dressed like this, it’ll be worth every penny. » view all 12 photos Photos: WENN.com
I don’t know when Victoria Justice and Melanie Iglesias became best friends and started showing up everywhere together, but first it was the Sherlock Holmes opening night , and now here’s my new favorite lesbian fantasy together at some Veuve Clicquot party in LA. Here’s hoping these two hit the beach next. Fingers crossed! » view all 12 photos Photos: WENN.com
Christmas Day was anything but misérable for Les Misérables at the box office. The Oscar hopeful scored the second biggest single-day Christmas opening, cashing in with $18 million, according to Hollywood.com . The total is only overshadowed by the $24.6 million that Sherlock Holmes took in in 2009, though it should be noted that day fell on a Friday. So, Les Mis holds the record, at least for the next twelve months, as the biggest non-Christmas Day opening in addition to the highest ever for a musical. Not to be scoffed at, Quentin Tarantino’s Django Unchained cashed in with the third biggest Christmas launch, grossing $15 million. The Hobbit: An Unexpected Journey , which bowed in mid-December domestically, grossed $11.3 million Tuesday, while Fox’s family comedy Parental Guidance with Billy Crystal and Bette Midler came in fourth with $6.5 million. Tom Cruise starrer Jack Reacher took in $5.3 million Tuesday, brining its five-day total to $23.3 million. Overall, Christmas Day generated $73 million at the box office, another solid showing for a 2012 that has proved a generally good one for Hollywood. The Top five Christmas Day openings: 1. Sherlock Holmes , Warner Bros. – $24,608,941 Christmas 2009 2. Les Miserables , Universal – $18 million (estimated) Christmas 2012 3. Django Unchained , The Weinstein Company – $15 million (estimated) Christmas 2012 4. Marley and Me , Fox – $14,380,980 Christmas 2008 5. The Curious Case of Benjamin Button , Paramount – $11,871,831 Christmas 2008 [ Source: Hollywood.com ]
Samuel L. Jackson has created, as he put it, ” the most reprehensible negro in cinema history ,” with his portrayal of Stephen, the slave who runs Calvin Candie’s ( Leonardo DiCaprio ) Candyland plantation in Django Unchained . But, the actor told Movieline that he’s even more despicable in scenes that were cut from the final print of Quentin Tarantino’s spaghetti southern. Jackson’s character treats his fellow slaves with great cruelty as runs his master’s plantation with an iron fist and a calculating intellect. “I am the power behind the throne …the Spook Cheney of Candyland,” Jackson said of his role at a jammed press conference for the movie on Sunday morning that included Tarantino, Jamie Foxx , Kerry Washington , Christoph Waltz , DiCaprio, Don Johnson, Walton Goggins and Jonah Hill , despite that last actor’s miniscule cameo as a Klansman identified only as “Bag Head #2.”. Jackson’s sinister performance is one of the artistic high points of the movie and will have cineastes dissecting the complexity of his character for a long time to come. And if Tarantino decides to release a director’s cut of Django Unchained , there will be much more to discuss. In an interview with Jackson that will run in its entirety later this week, the actor told me, “There are scenes we shot that aren’t in the movie in which I do some things that are way more reprehensible than the things you actually see on screen.” Without getting too spoilery here, Jackson explained that a pivotal scene in which Django is captured originally ran much longer and involved Stephen torturing Foxx’s character. ” I burn his nipples off with a hot poker. I do all kinds of shit to him in that scene that would have just made people go Ahhhhh!” said Jackson, squirming in his seat for effect. (Tarantino may finally have shot a sequence more horrific than the ear removal sequence in Reservoir Dogs .) He added that the hot poker scene amounts to payback for another, earlier scene that was also cut from the movie in which Stephen and Django ( Jamie Foxx ) have a physical altercation upon the latter character’s arrival at Candyland. Although the tension between Django and Stephen is palpable in the final cut of the movie, Jackson said it underscored the two characters enmity for each other. Jackson also told me that the excised torture scene was his favorite of the movie, in part, because he got to explain to Django, “I’m doing this because you put your hands on me.” Although there’s no shortage of bloody brutality in the cut of Django Unchained that will open in theaters on Christmas Day, Tarantino explained that the scenes he cut would add a lot to the plot and in some ways change the story. Though he said, “I wouldn’t be surprised if I did” eventually release a director’s cut of the movie, “I want this to be the story for a while.” Follow Frank DiGiacomo on Twitter. Follow Movieline on Twitter.
Game developer Crytek has hired director Albert Hughes to bring its Crysis gaming franchise to the big screen. Half of the Hughes brothers team behind Menace II Society and T he Book of Eli , Albert is directing The 7 Wonders Of Crysis 3 , an online series set in a reforested future New York 2047. Behold the teaser: Production companies often have trouble converting video game properties to film, which is why Crytek isn’t bothering — with the production companies. Using no actors or movie cameras, Hughes is directing the game engine itself, rendering his cinematic vision with the same software players will use to shoot each other in the face. And here are four reasons to look forward to it. 1. The Greatest Graphics The Crysis series has always been famous for its stunning visuals. While other games worry about the mass-market, Crytek’s approach is “Bring us your most powerful and expensive computers and we will make them cry gorgeously detailed tears with realistic fluid dynamics.” Its CryEngine is the heart of the entire company, rendering massive, fantastically detailed worlds. In fact, Crytek’s first game, Far Cry, began as a technology demo which impressed people so hard it was developed into a full game. The engine has been constantly updated every since. The latest iteration, CryEngine 3, eats supercomputers and spits out state-of-the-art graphics cards. 2. A True Video-Game Movie It was only a matter of time until someone saw video games and asked “Wait a minute, why do we even still need people?” The answer is lots of reasons. But when most of the people in your film are extras designed to catch the heroes’ bullets, those reasons become less important. The technology for vactors — “virtual actors” — simply isn’t ready yet. But computers have been better than reality at special effects for years. Live-action movies already use computers for all the difficult bits. So when you’re setting the entire movie inside a computer, the whole world’s a stage: a special-effects stage loaded with pyrotechnics. And when you consider that Crysis 3 is about a nanosuit-enhanced soldier battling corrupt security forces, like the guy above, whose name is “Psycho,” and aliens, which do you think will be a bigger part of that story: facial expressions or explosions? Big-name videogames have become more like movies every year. Where once the player was a roving character exploring a maze of hallways, now they’re a single cog in a vast cinematic machine. Carefully guided from set piece to set piece by invisible walls and an omnipresent director, distributing cutscenes between every 10 explosions. Setting the game to “play” itself by hiring a director to say what happens instead of a gamer is just the logical next step in that evolution. 3. The Product Is The Advertisement Calling The 7 Wonders of Crysis 3 a fusion of video games and cinematics would be incomplete. It’s really a combination of video games, cinematics, and advertising. And that’s no bad thing. Sure, it’s blatantly designed to show off the proprietary Crytek graphics, but video games, movies, and adverts are the three fields most based on showing off amazing visuals and compelling stories that completely capture our attention. The resulting cinematic chimera has great promise. After all, Guy Ritchie has already directed an ad for Black Ops II . When the guy behind the Sherlock Holmes franchise is directing the star of that franchise in a video-game commercial, anyone who doubts they’re just as big as movies simply hasn’t been paying attention. Besides, any product is meant to be its own advertisement. Here that advice is literally true. Games As Art (And New Ideas) Hybridization always creates new ideas. And the only people still arguing about whether video games are art were eligible to retire before we started playing them. Even the most violent shooter can be stuffed with artistic flourish and deeper meanings. Bioshock was a beautiful steampunk fantasy which turned a generation onto Atlas Shrugged . The “soldier shoots other soldiers, also aliens” might not sound like a vehicle for quite as much content, but it’s beautiful. Crysis has always been about binaries, and not just in the 1s and 0s that make it happen. Every aspect of the games has a duality. You fight armed human soldiers, then inexplicable aliens. You’re outfitted with state-of-the-art technology but find yourself enmeshed in nature. You’re encased in a nanotechnological miracle of body-enhancing armor and you find yourself wielding a bow and arrow. And it looks awesome. And it looks awesome. The series started on Dec 12. You can watch the first episode right now on the Crysis YouTube channel . (Be sure to choose max HD quality for the full effect.) Luke McKinney loves the real world, but only because it has movies and video games in it. He responds to every tweet . Follow Luke McKinney on Twitter. Follow Movieline on Twitter.
Although Disney and LucasFilm remain officially mum, The Hollywood Reporter says Empire Strikes Back / Return of the Jedi screenwriter Lawrence Kasdan and X-Men: The Last Stand / Sherlock Holmes scribe Simon Kinsberg have signed on to write Star Wars sequels following Michael Arndt ‘s Star Wars Episode VII . Deadline first posted the rumor of Kasdan and Kinsberg’s involvement, but THR confirms with more from unnamed “sources.” Per THR , “the pair will write either Episode VIII or Episode IX — their exact division of responsibilities is yet to be determined — and they will also come aboard to produce the films.” One of these two hires gives me great confidence in the future of the Star Wars franchise; the other one is more of a question mark. (Guess which is which?) Not only did Kasdan co-write Episodes V and VI , he also nabbed sole screenwriting credit on Raiders of the Lost Ark , went on to write and direct Body Heat , The Big Chill , and Wyatt Earp , and gave us the gift that was The Bodyguard script, for which we should all be forever grateful. Kinsberg, in a ten-year career so far, has earned sole screenwriting credits for Mr. and Mrs. Smith and xXx: State of the Union , and his most recently produced project was Abraham Lincoln: Vampire Hunter — a decent-enough resume by Hollywood standards, but we’re talking Star Wars here. There’s a legacy at stake. That said, if Kinsberg can get Tom Hardy, Chris Pine, Brad Pitt, and Angelina Jolie to don Jedi robes, I’ll consider the slate wiped clean for This Means War . [via THR ]
Look, people: If you keep giving Jason Friedberg and Aaron Seltzer money to make their cheap-o spoof flicks, they’re going to keep the lowest common denominator drivel coming. Case in point: The Starving Games , the next in the duo’s empire of big screen parodies, will take aim at Lionsgate’s mega-hit The Hunger Games with a little something for every fanboy and girl. Variety reports : “Though The Hunger Games will be front and center for many of the jokes, other pics to be pilloried include The Avengers , Sherlock Holmes and the finale of the Harry Potter franchise.” Ready, aim, spoof. [ Variety ]
Well, not free free, but still: Hollywood superproducer Joel Silver is looking for a new studio home for his Silver Pictures operation, with which Warner Bros. will officially part ways at the end of 2012. The separation marks the close of a 25-year relationship that yielded blockbuster franchises from Lethal Weapon to The Matrix to Sherlock Holmes — and more than a few shouting matches, outstanding loans and other troubling legacies. Nikki Finke has the juicy details at Deadline, largely focusing on the ongoing battles between Silver and Warner Bros. boss Jeff Robinov: Robinov used his own surrogates to make Silver aware that the studio was about to “address the economics” of his Warner Bros. deal if — and that was a big “if” — it was renewed at the end of the year. Which Silver correctly interpreted as meaning a drastic reduction in his already greatly reduced contract terms even though the studio had not yet presented any details. Robinov counted on Silver imploding, which is exactly what happened. It’s well known in Hollywood that the lavish-living Silver has relied on a longstanding series of loans from Warner Bros. by taking advances against the money due him on his movies. Once he leaves Warner Bros., Silver must repay those loans. Will another studio be willing to let him borrow in an arrangement which Silver’s lawyer Bert Fields once described as “a running account between them”? Yikes. Finke suggests Universal as a possible fit, which is as good a guess as any with Silver pal Ron Meyer (whose daughter also works for Silver) running the ship. Or maybe not! Anyone out there need a 59-year-old terror to watch your lot and spend your money? Suggestions welcome… [ Deadline ]
Critics aren’t buying into the love triangle between Reese Witherspoon, Chris Pine and Tom Hardy. By Kara Warner Tom Hardy and Chris Pine in “This Means War” Photo: 20th Century Fox “This Means War” has all the makings of a perfect romantic comedy/ action flick, including the very attractive and high-caliber stars Reese Witherspoon, Chris Pine and Tom Hardy, the capable direction of McG, comic relief from Chelsea Handler and a script from the guys whose combined talents have brought us “Mr. and Mrs. Smith,” “Sherlock Holmes,” “Role Models” and “Just Go With It.” The story revolves around two best friends and highly skilled CIA agents who fall in love with the same woman and go to war with each other in an effort to win her heart. We imagine the filmmakers set out to make a fun, if only slightly farfetched, popcorn flick, but the critical masses couldn’t seem to suspend their disbelief. The film has a 30 percent Fresh Rating on Rotten Tomatoes . Read on as we fight through the “This Means War” reviews! The Story “Having great-looking stars who have the added bonus of actually being able to act makes the noisy romp “This Means War” more tolerable that it ought to be. It’s essentially a love-triangle version of “Mr. and Mrs. Smith,” rendered even more bombastic in the hands of “Charlie’s Angels” director McG. (Simon Kinberg, who wrote the 2005 film that spawned Brangelina, shares script credit here with Timothy Dowling.) So you’ve got your sport utility vehicles tumbling in slow motion, your gravity-defying shootouts and your obligatory explosions galore. Naturally, the premise is the most high-concept, contrived confection: Two CIA agents (Chris Pine and Tom Hardy) who happen to be best friends also happen to fall in love with the same woman (Reese Witherspoon), who has no idea these guys know each other. They promise their shared pursuit won’t ruin their friendship, but good luck with all that.” — Christy Lemire, The Associated Press The Bromance Factor “The relationship that truly sizzles — from the sentiment to the satire — is the one between FDR (Pine) and Tuck (Hardy), with Pine and Hardy pulling off one of the better bromances in recent memory. … Hardy (“Inception”) and Pine (“Star Trek”) are the heart of the film — proving to be excellent opposing sides of the same coin. Both balance their characters’ cynicism with a certain sweetness, their chemistry fairly crackling, electrifying the screen almost any time they’re sharing it, whether taking down a bad guy or squabbling about who is more lovable (it’s a tossup). With Lauren, on the other hand, they are basically gentlemen, so not electrifying.” — Betsy Sharkey, Los Angeles Times The Suspension of Disbelief Factor, or Lack Therof “And in the film’s opening minutes, it feels as if that might be the desired effect: It’s loaded with overblown action chestnuts like from-the-hip gunplay, people dangling from the sides of skyscrapers and a gruff commanding officer. (That would be Angela Bassett, who shows up periodically to growl at her charges in a role that might have been hilarious had anyone thought to write anything legitimately funny for her.) But a good parody takes a finesse that isn’t in the vocabulary of McG, a bargain-basement Michael Bay more concerned with cool than coherence. Instead we get utter nonsense like a video store with a database that conveniently includes customer photos for the CIA to tap into. (Related: These characters are, in 2012, going to a video store?) In another scene, FDR wrestles on the floor with a small dog that has just attacked him, as Lauren stands 5 feet away, oblivious. The Farrelly brothers should sue the producers not for stealing the scene outright from ‘There’s Something About Mary,’ but for imitating it so badly.” — Ian Buckwalter, NPR The Final Word “Part spy caper, part buddy picture, part romantic comedy, part raunchy-girl-talk sex farce, This Means War has been assembled with all the haphazardness of an amateur science experiment. The project was directed by the amped-up industry go-getter McG (Charlie’s Angels), and it’s had a long trial-and-error history. The initial script dates back a century — or at least about a decade — and the string of famous guys who didn’t take the dual lead male roles reportedly includes Bradley Cooper, Seth Rogen, Sam Worthington, and, stretching even further back, Chris Rock and Martin Lawrence. All this fiddling and fumbling shows on the screen. And yet, and yet … I confess I enjoyed everything that’s all over the place about the finished product. ‘This Means War’ may have been hammered together by brute Hollywood force, but there’s this going for it: It’s game to throw in anything that’ll keep the motor running.” — Lisa Schwarzbaum, Entertainment Weekly Check out everything we’ve got on “This Means War.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com . Related Videos MTV First: This Means War Related Photos ‘This Means War’: A Look At Past Sexy Secret Agents