Tag Archives: sherlock-holmes

‘This Means War’: The Reviews Are In!

Critics aren’t buying into the love triangle between Reese Witherspoon, Chris Pine and Tom Hardy. By Kara Warner Tom Hardy and Chris Pine in “This Means War” Photo: 20th Century Fox “This Means War” has all the makings of a perfect romantic comedy/ action flick, including the very attractive and high-caliber stars Reese Witherspoon, Chris Pine and Tom Hardy, the capable direction of McG, comic relief from Chelsea Handler and a script from the guys whose combined talents have brought us “Mr. and Mrs. Smith,” “Sherlock Holmes,” “Role Models” and “Just Go With It.” The story revolves around two best friends and highly skilled CIA agents who fall in love with the same woman and go to war with each other in an effort to win her heart. We imagine the filmmakers set out to make a fun, if only slightly farfetched, popcorn flick, but the critical masses couldn’t seem to suspend their disbelief. The film has a 30 percent Fresh Rating on Rotten Tomatoes . Read on as we fight through the “This Means War” reviews! The Story “Having great-looking stars who have the added bonus of actually being able to act makes the noisy romp “This Means War” more tolerable that it ought to be. It’s essentially a love-triangle version of “Mr. and Mrs. Smith,” rendered even more bombastic in the hands of “Charlie’s Angels” director McG. (Simon Kinberg, who wrote the 2005 film that spawned Brangelina, shares script credit here with Timothy Dowling.) So you’ve got your sport utility vehicles tumbling in slow motion, your gravity-defying shootouts and your obligatory explosions galore. Naturally, the premise is the most high-concept, contrived confection: Two CIA agents (Chris Pine and Tom Hardy) who happen to be best friends also happen to fall in love with the same woman (Reese Witherspoon), who has no idea these guys know each other. They promise their shared pursuit won’t ruin their friendship, but good luck with all that.” — Christy Lemire, The Associated Press The Bromance Factor “The relationship that truly sizzles — from the sentiment to the satire — is the one between FDR (Pine) and Tuck (Hardy), with Pine and Hardy pulling off one of the better bromances in recent memory. … Hardy (“Inception”) and Pine (“Star Trek”) are the heart of the film — proving to be excellent opposing sides of the same coin. Both balance their characters’ cynicism with a certain sweetness, their chemistry fairly crackling, electrifying the screen almost any time they’re sharing it, whether taking down a bad guy or squabbling about who is more lovable (it’s a tossup). With Lauren, on the other hand, they are basically gentlemen, so not electrifying.” — Betsy Sharkey, Los Angeles Times The Suspension of Disbelief Factor, or Lack Therof “And in the film’s opening minutes, it feels as if that might be the desired effect: It’s loaded with overblown action chestnuts like from-the-hip gunplay, people dangling from the sides of skyscrapers and a gruff commanding officer. (That would be Angela Bassett, who shows up periodically to growl at her charges in a role that might have been hilarious had anyone thought to write anything legitimately funny for her.) But a good parody takes a finesse that isn’t in the vocabulary of McG, a bargain-basement Michael Bay more concerned with cool than coherence. Instead we get utter nonsense like a video store with a database that conveniently includes customer photos for the CIA to tap into. (Related: These characters are, in 2012, going to a video store?) In another scene, FDR wrestles on the floor with a small dog that has just attacked him, as Lauren stands 5 feet away, oblivious. The Farrelly brothers should sue the producers not for stealing the scene outright from ‘There’s Something About Mary,’ but for imitating it so badly.” — Ian Buckwalter, NPR The Final Word “Part spy caper, part buddy picture, part romantic comedy, part raunchy-girl-talk sex farce, This Means War has been assembled with all the haphazardness of an amateur science experiment. The project was directed by the amped-up industry go-getter McG (Charlie’s Angels), and it’s had a long trial-and-error history. The initial script dates back a century — or at least about a decade — and the string of famous guys who didn’t take the dual lead male roles reportedly includes Bradley Cooper, Seth Rogen, Sam Worthington, and, stretching even further back, Chris Rock and Martin Lawrence. All this fiddling and fumbling shows on the screen. And yet, and yet … I confess I enjoyed everything that’s all over the place about the finished product. ‘This Means War’ may have been hammered together by brute Hollywood force, but there’s this going for it: It’s game to throw in anything that’ll keep the motor running.” — Lisa Schwarzbaum, Entertainment Weekly Check out everything we’ve got on “This Means War.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com . Related Videos MTV First: This Means War Related Photos ‘This Means War’: A Look At Past Sexy Secret Agents

Here is the original post:
‘This Means War’: The Reviews Are In!

‘This Means War’: The Reviews Are In!

Critics aren’t buying into the love triangle between Reese Witherspoon, Chris Pine and Tom Hardy. By Kara Warner Tom Hardy and Chris Pine in “This Means War” Photo: 20th Century Fox “This Means War” has all the makings of a perfect romantic comedy/ action flick, including the very attractive and high-caliber stars Reese Witherspoon, Chris Pine and Tom Hardy, the capable direction of McG, comic relief from Chelsea Handler and a script from the guys whose combined talents have brought us “Mr. and Mrs. Smith,” “Sherlock Holmes,” “Role Models” and “Just Go With It.” The story revolves around two best friends and highly skilled CIA agents who fall in love with the same woman and go to war with each other in an effort to win her heart. We imagine the filmmakers set out to make a fun, if only slightly farfetched, popcorn flick, but the critical masses couldn’t seem to suspend their disbelief. The film has a 30 percent Fresh Rating on Rotten Tomatoes . Read on as we fight through the “This Means War” reviews! The Story “Having great-looking stars who have the added bonus of actually being able to act makes the noisy romp “This Means War” more tolerable that it ought to be. It’s essentially a love-triangle version of “Mr. and Mrs. Smith,” rendered even more bombastic in the hands of “Charlie’s Angels” director McG. (Simon Kinberg, who wrote the 2005 film that spawned Brangelina, shares script credit here with Timothy Dowling.) So you’ve got your sport utility vehicles tumbling in slow motion, your gravity-defying shootouts and your obligatory explosions galore. Naturally, the premise is the most high-concept, contrived confection: Two CIA agents (Chris Pine and Tom Hardy) who happen to be best friends also happen to fall in love with the same woman (Reese Witherspoon), who has no idea these guys know each other. They promise their shared pursuit won’t ruin their friendship, but good luck with all that.” — Christy Lemire, The Associated Press The Bromance Factor “The relationship that truly sizzles — from the sentiment to the satire — is the one between FDR (Pine) and Tuck (Hardy), with Pine and Hardy pulling off one of the better bromances in recent memory. … Hardy (“Inception”) and Pine (“Star Trek”) are the heart of the film — proving to be excellent opposing sides of the same coin. Both balance their characters’ cynicism with a certain sweetness, their chemistry fairly crackling, electrifying the screen almost any time they’re sharing it, whether taking down a bad guy or squabbling about who is more lovable (it’s a tossup). With Lauren, on the other hand, they are basically gentlemen, so not electrifying.” — Betsy Sharkey, Los Angeles Times The Suspension of Disbelief Factor, or Lack Therof “And in the film’s opening minutes, it feels as if that might be the desired effect: It’s loaded with overblown action chestnuts like from-the-hip gunplay, people dangling from the sides of skyscrapers and a gruff commanding officer. (That would be Angela Bassett, who shows up periodically to growl at her charges in a role that might have been hilarious had anyone thought to write anything legitimately funny for her.) But a good parody takes a finesse that isn’t in the vocabulary of McG, a bargain-basement Michael Bay more concerned with cool than coherence. Instead we get utter nonsense like a video store with a database that conveniently includes customer photos for the CIA to tap into. (Related: These characters are, in 2012, going to a video store?) In another scene, FDR wrestles on the floor with a small dog that has just attacked him, as Lauren stands 5 feet away, oblivious. The Farrelly brothers should sue the producers not for stealing the scene outright from ‘There’s Something About Mary,’ but for imitating it so badly.” — Ian Buckwalter, NPR The Final Word “Part spy caper, part buddy picture, part romantic comedy, part raunchy-girl-talk sex farce, This Means War has been assembled with all the haphazardness of an amateur science experiment. The project was directed by the amped-up industry go-getter McG (Charlie’s Angels), and it’s had a long trial-and-error history. The initial script dates back a century — or at least about a decade — and the string of famous guys who didn’t take the dual lead male roles reportedly includes Bradley Cooper, Seth Rogen, Sam Worthington, and, stretching even further back, Chris Rock and Martin Lawrence. All this fiddling and fumbling shows on the screen. And yet, and yet … I confess I enjoyed everything that’s all over the place about the finished product. ‘This Means War’ may have been hammered together by brute Hollywood force, but there’s this going for it: It’s game to throw in anything that’ll keep the motor running.” — Lisa Schwarzbaum, Entertainment Weekly Check out everything we’ve got on “This Means War.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com . Related Videos MTV First: This Means War Related Photos ‘This Means War’: A Look At Past Sexy Secret Agents

Go here to read the rest:
‘This Means War’: The Reviews Are In!

Robert Downey Jr. Welcomes a Baby Boy!

You don’t need to be Sherlock Holmes to spot the excitement in the following story: Robert Downey Jr. is a new father! The actor’s wife, Susan, gave birth to Exton Elias Downey at 7:24 a.m. today in Los Angeles, with the star’s rep confirming to People : “Everyone is healthy and they couldn’t be happier.”

Underworld: Awakening Wins Weekend Box Office

Kate Beckinsale’s return to the franchise propelled Underworld: Awakening to a big box office win this weekend. George Lucas’ Red Tails came in second in revenue. Those out to see Kate, who plays leather-clad vampire warrior Selene, kick some serious behind managed helped the film bring in $24.3 million its opening weekend. Was it worth it, though? Movie Fanatic’s Underworld: Awakening review is mixed, but in strictly financial terms, it easily topped Red Tails ‘ $19.4 million haul. Underworld Awakening Trailer Mark Wahlberg’s Contraband grossed $12.2 million, causing it to fall from first to third in the box office. Extremely Loud & Incredibly Close pulled in $10.5 million. Nos. 5-10: Haywire ($9.0 million), Beauty & the Beast 3D ($8.6 million), Joyful Noise ($6.1 million) , Mission Impossible: Ghost Protocol ($5.5 million) , Sherlock Holmes: A Game of Shadows ($4.8 million) , The Girl with the Dragon Tattoo ($3.8 million).

Continue reading here:
Underworld: Awakening Wins Weekend Box Office

Weekend Receipts: Devil Inside Stinks All the Way to No. 1

There was good news and bad news at the movies over the weekend, where the first big box office frame of the new year showed a nice bounce from the sluggishness afflicting the end of 2011. The bad news? The comeback was led by the film equivalent of a dirty diaper. Let’s have a look. 1. The Devil Inside Gross: $34,500,000 (new) Screens: 2,285 (PSA $15,098) Weeks: 1 Paramount’s microbudget Insurge label scored big again with its found-footage horror goods — well, maybe not “goods,” as the demonic-possession flick nabbed an ultra-rare CinemaScore of “F.” Wow! People hated this movie! So for those of you keeping track at home: $34.5 million worth of viewers went home nursing the aftertaste of battery acid, while Paramount now has the highest-grossing R-rated January opener ever. It’s nice to see 2012 off to such a mutually rewarding start at the multiplex. 2. Mission: Impossible – Ghost Protocol Gross: $20,500,000 ($170,201,000) Screens: 3,555 (PSA $5,767) Weeks: 4 (Change: -30.3%) At least there’s this as well from the ‘Mount. Put it on a parade float and let’s just move on. 3. Sherlock Holmes: A Game of Shadows Gross: $14,055,000 ($157,415,000) Screens: 3,603 (PSA $3,901) Weeks: 4 (Change: -32.7%) While no slouch, Holmes 2 looks decreasingly likely to match Iron Man 2 ‘s fest of besting the original at the box office, which I guess means Paramount (along with Marvel) can take even more consolation in having the superior Robert Downey Jr. franchise. To which Warners is all, “Oh yeah? Well, we have the best Jude Law franchise!” To which Paramount is all, “Jude who?” To which Warners is all, “Nice CinemaScore!” To which Paramount is all, “[Stony-faced fuming silence].” 4. The Girl with the Dragon Tattoo Gross: $11,300,000 ($76,836,000) Screens: 2,950 (PSA: $3,831) Weeks: 3 (Change: -23.8%) Let’s hope this silences once and for all the critics who’ve called out Dragon Tattoo ‘s performance as underwhelming or soft: It’s doing pretty freaking well for a 150-minute R-rated rapey miserablist romp. $100 million is less than two weeks away at this rate, and $200 million is hardly out of the question if and when Oscar’s grace shines upon it. 5. Alvin and the Chipmunks: Chipwrecked Gross: $9,500,000 ($111,588,000) Screens: 3,425 (PSA $2,774) Weeks: 4 (Change: -42%) Against all odds, Chipwrecked continues to demonstrate its appeal among the naked crackhead demographic sturdy legs heading into its second month. High-five! [Figures via Box Office Mojo ] Follow S.T. VanAirsdale on Twitter . Follow Movieline on Twitter .

Read more here:
Weekend Receipts: Devil Inside Stinks All the Way to No. 1

The Devil Inside Tops Weekend Box Office

The Devil Inside bested the box office with a $34.5 million debut this weekend. The performance was the third-biggest ever for a January opener, and enough to knock Mission: Impossible – Ghost Protocol out of the coveted No. 1 spot. Hollywood, which saw ticket sales hit a 15-year low last year, is off to a good start in 2012 as ticket sales surged 30 percent over the same weekend in ’11. The Devil Inside Trailer Though demoted to No. 2, Ghost Protocol held well, coming up with $20.5 million, and hitting the $400 million mark worldwide. Sherlock Holmes was third. Meryl Streep, meanwhile, was the hottest ticket by a different metric, with The Iron Lady averaging a weekend-best $34,420 at each theater it played in. Here’s a complete look at the weekend’s top movies by revenue: The Devil Inside, $34.5 million Mission: Impossible-Ghost Protocol, $20.5 million Sherlock Holmes: A Game of Shadows, $14.1 million The Girl With the Dragon Tattoo, $11.4 million Alvin and the Chipmunks: Chipwrecked, $9.5 million War Horse, $8.6 million We Bought a Zoo, $8.5 million The Adventures of Tintin, $6.6 million Tinker Tailor Soldier Spy, $5.8 million New Year’s Eve, $3.3 million

Excerpt from:
The Devil Inside Tops Weekend Box Office

Benedict Cumberbatch Is Star Trek 2’s Villain

Here’s cause for excitement for J.J. Abrams ’s Star Trek sequel , set to debut May 2013: British actor Benedict Cumberbatch has signed on to join returning cast members Chris Pine, Zachary Quinto, and Co. Better news: He’s reportedly playing the villain. If your first thought is “Benewhat Cumberwho?” see why you should take this as very good news after the jump. Thirty five year-old Cumberbatch has been active in theater, TV, and film for a decade, but had a banner last few years with roles in The Whistleblower , BBC’s Sherlock , and this awards season’s Tinker Tailor Soldier Spy and War Horse . His acerbic take on Sherlock Holmes is probably his best known and best loved work of late, but his turn as Gary Oldman ’s skeptical but loyal right hand man in Tinker Tailor is another recent highlight; next year he’ll pull double duty in The Hobbit voicing the dragon Smaug and the Necromancer for Peter Jackson. (If you were lucky/smart enough to catch last year’s brilliant British satire Four Lions , you might recall Cumberbatch’s cameo as a frustrated negotiator trying in vain to break through to a bunch of inept terrorists.) There’s a somewhat delicate, dangerous edge to Cumberbatch that could play well against the all-American machismo of Pine’s Kirk in Star Trek 2 , though details on Cumberbatch’s character have yet to be revealed. And look! Tinker Tailor co-star Tom Hardy , another Brit breakout, had this to say of Cumberbatch’s acting prowess from back when they starred in the 2007 BBC biopic Stuart: A Life Backwards . So take it from fellow one-time Trek villain Hardy ( Star Trek Nemesis ) and the growing legion of stateside Cumberbatch fanatics: This casting sounds like a promising move on Abrams’ part. What say you, Trekkers? [ Deadline , Variety ]

View post:
Benedict Cumberbatch Is Star Trek 2’s Villain

Friday Box Office: Nobody Bought A Zoo

A slumpy month at the box office showed little sign of abating on Friday, when the holdovers Mission: Impossible – Ghost Protocol , Sherlock Holmes: A Game of Shadows and Alvin and the Chipmunks: Chipwrecked fought off a trio of high-octane newcomers — including the abysmally performing We Bought a Zoo — to lead the early holiday-weekend competition. Your Friday Box Office is here. 1. MISSION: IMPOSSIBLE – GHOST PROTOCOL : $9,740,000 ($42,175,000) 2. SHERLOCK HOLMES: A GAME OF SHADOWS : $6,785,000 ($65,539,000) 3. ALVIN AND THE CHIPMUNKS: CHIPWRECKED : $5,400,000 ($42,340,000) 4. THE GIRL WITH THE DRAGON TATTOO : $4,600,000 ($12,976,000) 5. THE ADVENTURES OF TINTIN : $3,525,000 ($11,532,000) 6. WE BOUGHT A ZOO : $3,000,000 (new) [Figures via Box Office Mojo ]

Read more:
Friday Box Office: Nobody Bought A Zoo

‘Sherlock Holmes’ Mistake Turns Into Action Highlight

‘A Game of Shadows’ director Guy Ritchie recalls how one shot was turned into his favorite action sequence. By Kara Warner Noomi Rapace, Robert Downey Jr. and Jude Law in “Sherlock Holmes: A Game of Shadows” Photo: Daniel Smith/ Warner Bros There’s a lot to like about Guy Ritchie’s big-screen versions of the adventures of Arthur Conan Doyle’s famous literary hero Sherlock Holmes, the latest of which, “Sherlock Holmes: A Game of Shadows,” just arrived in theaters. One of the most likable elements is that Holmes (Robert Downey Jr.) is a bit of a badass, which Ritchie has showcased with as many action sequences as possible. Those who’ve seen “A Game of Shadows” know that the “forest escape” scene is the most impressive of the bunch. In a nutshell, Holmes, Watson (Jude Law) and Madam Sim (Noomi Rapace) are running through a forest, trying not to get hit by the sniper pursuing them or one of the many bombs being hurled their way. The sequence has that patented Ritchie finesse. It features a mix of real-time action and slow motion so the audience can fully invest in all the stunning detail, even if that detail is people being blown to bits. When MTV News caught up with Downey and Ritchie, we asked how that sequence — which was written simply as “they run through the forest” in the script — came to be. “It was the height of the winter, and there was a phantom camera on essentially a remote-controlled, high-speed track,” Downey recalled of the setup. “So we were trying to sync ourselves with the remote-controlled track. It’s really interesting stuff. I think Guy really had an idea for how he wanted [it] to look and feel, and we accomplished it, thank God. It was freezing out there!” Ritchie revealed that although he had planned every detail to make the scene as big as it could be, a technician’s blunder forced him to make some unplanned changes that actually improved the sequence. “I threw a lot of moving parts at it. We had ideas, and all in all, it came together in a way I hoped it was going to come together. One of the technicians missed one of the shots, which was the most fundamental shot of Robert and Jude running through the woods. I’ve only got one shot of them doing that, because the guy forgot to record the rest of it,” he said. “So I string this shot out, but what it meant is that I could scream at someone else and realize there was a lot more that could be extracted from this scene, so I went back for three or four more days and absolutely wrung its neck,” Ritchie explained of stretching the one shot of Downey and Law to fill time. ” … Somewhere, some poor technician got fired somewhere because he forgot to record it, but really, I’m indebted to him.” Check out everything we’ve got on “Sherlock Holmes: A Game of Shadows.” For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com .

Read the rest here:
‘Sherlock Holmes’ Mistake Turns Into Action Highlight

Weekend Receipts: Sherlock Beats Chipmunks, But Ethan Hunt Wins

Sherlock Holmes may have won the weekend with a modest debut, but was it the real box office winner? Not with Tom Cruise and the Mission: Impossible gang around to flaunt their fab limited release per-screen average in everyone’s faces, a precursor to next week’s Christmastime blitz. And, yeah. The new Chipmunks is out. A moment of silence for all the poor souls who helped it debut in the number two slot. I’d wager even David Cross feels for you.

More here:
Weekend Receipts: Sherlock Beats Chipmunks, But Ethan Hunt Wins