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Will ‘Kinky Boots’ Be The Next ‘Hairspray’?

I saw Kinky Boots  at the Al Hirschfeld Theater on Broadway the other night, and by intermission, I was convinced that it could be another  Hairspray : a movie that finds success as a Broadway musical and then returns to the big screen as a movie musical. You may recall that  Hairspray started out as a modestly budgeted 1988 film by John Waters that starred Ricki Lake as Tracy Turnblad , the late, great drag queen Divine , in his last movie performance, as Tracy’s mother, and Blondie’s Deborah Harry .  The film did okay at the box office but became a cult favorite when it was released to the home video market. But that was just the beginning of its journey through American popular culture. In 2002, producer Margo Lion , composer Marc Shaiman and writer Thomas Meehan adapted Hairspray for the stage. They cast Marissa Jane Winokur in the role of Tracy and Harvey Fierstein in the part that Divine played, Tracy’s mother, and ended up with a Broadway hit. Re-enter New Line , which distributed the original film, and became involved in re-adapting the stage version as a movie musical. This time, John Travolta played Tracy’s mother , and, once again, audiences bought tickets. Like Hairspray , Kinky Boots began as a modest 2005 comedy film that was written by Tim Firth ( Calendar Girls ) and Geoff Deane , directed by Julian Jerrold and starred a baby-faced Joel Edgerton , who’s about to look a whole lot more manly in The Great Gatsby .  The film has only grossed a little over $10 million worldwide, according to Box Office Mojo , but it enjoys cult status among the trendsetting fashion crowd — as does Waters, by the way — because it involves two favorite topics: shoes and drag queens. The movie and the play are loosely based on a real story: At a time when staid Northampton, England shoe manufacturers were going out of business, the WJ Brooks Ltd. shoe manufacturer there reinvented itself by making racy boots and shoes for drag queens and the fetish trade. The company is now known as Divine Footwear (yet another odd tie to the original  Hairspray .) In the movie (and stage production), the factory’s reluctant new proprietor Charlie — who takes over when his father dies — hires a drag queen named Lola as chief shoe designer, which causes much controversy among his conservative blue-collar workforce When you check out the clip below, keep in the mind that the original movie was not a musical, but it did feature this musical performance by Lola (Chiwetel Ejiofor): These Boots Are Made For Talkin’ Cut to April 4, when Kinky Boots , the musical opened on Broadway. Produced by  Daryl Roth and Hal Luftig , the show’s book was written by Harvey Fierstein — there’s that Hairspray connection again — with songs and lyrics by Cyndi Lauper , who knows how to write upbeat, crowd-pleasing music. The night I saw the production,  the crowd loved it, and, last week,  Kinky Boots  enjoyed its first grosses over $1 million as well a berth among the five top-earning shows on Broadway. Here’s a glimpse: Sole Power The show also seems to be drawing noteworthy producers who’ve worked in both theater and film, including David Geffen ( Dreamgirls ) and Paula Wagner ( Jack Reacher , The Heiress ). As you can see from the photo above, Waters and Barry Manilow also caught the play. If Kinky Boots continues to pack in the out-of-town crowds, I could see it enjoying a second life as a movie musical. I bet most of the cast of Les Miserables would be interested. Who would you cast? Follow Frank DiGiacomo on  Twitter. Follow Movieline on  Twitter. [ Box Office Mojo ]

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Will ‘Kinky Boots’ Be The Next ‘Hairspray’?

‘Only God Forgives’ Red Band Trailer: The Zen Of Ryan

To counter the operatic heat of Baz Luhrmann’s The Great Gatsby , I now bring you the cinematic cool of Nicolas Winding Refn   and Ryan Gosling . A zen-like calm dominates this red band trailer for Only God Forgives , despite some very violent shit going down. In the filmmaking duo’s follow-up to the similarly cool Drive , Gosling reportedly plays a drug smuggler who descends into Bangkok underworld to avenge his brother’s death, and production stills of a battered Gosling certainly suggest that brutality will rule the day. The red band trailer  contains plenty of mayhem, to, but with Gosling playing calm, cool-and-lethal — ” wanna fight?” is going to get a lot of usage in the weeks to come — that song with the music-box chimes playing over a lot of the action, even the scene where the guy gets his hands knifed to the restaurant table seem, well, all part of God’s beautiful plan, man. Check it out: The Zen of Ryan Follow Frank DiGiacomo on  Twitter. Follow Movieline on  Twitter.

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‘Only God Forgives’ Red Band Trailer: The Zen Of Ryan

Twilight Of ‘The Host’: A Sequel Is Not Likely

Has  The Host   already entered its twilight as a potential film franchise? Stephenie Meyer has said she envisions her sci-fi follow-up to the blockbuster Twilight novel franchise, as a three-novel story arc , but the probability of those future books translating into a movie trilogy is looking iffy at best. A spokeswoman for  The Host  says information regarding the probability of a sequel “is not available at this time,” but the film’s dismal opening weekend  does not bode well for a follow-up.  The hordes who swarmed the film adaptations of Meyer’s Twilight saga apparently did not find a romance about a parasitic alien nearly as compelling because they did not show up at the cineplex last weekend. The Host ‘s Box Office Sales Were Dismal According to Box Office Mojo , The Host did $10.6 million its opening weekend, and as of April 2, it has made only $23.5 million worldwide — little more than half of its $40-million production budget. International box office results, which have become increasingly important, also lagged behind domestic. (In comparison, G.I. Joe: Retaliation , which is getting a sequel, has grossed almost $140 million worldwide at the box office as of April 2.) But that’s not the only factor that makes a sequel unlikely. At the Los Angeles premiere of The Host  on March 19, Meyer told EW.com that she was still working on the second novel.  (The movie’s director Andrew Niccol, who expressed interested in helming a sequel even cracked, “Show me the book, Stephenie….You shouldn’t be here. You should be home writing.” The Follow-Up Novel Isn’t Finished The longer Meyer takes to finish the book, the greater the likelihood that the already meager interest in the movie version of  The Host — and any sequel it might spawn — will dissipate further, while the first film’s cast members, who’ve expressed an interest in doing a sequel, grow older and commit to other films. In other words, you have a better chance of contracting a tapeworm than seeing a sequel to The Host . [ Box Office Mojo , EW.com ] Follow Frank DiGiacomo on  Twitter. Follow Movieline on  Twitter.

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Twilight Of ‘The Host’: A Sequel Is Not Likely

Twilight Finale Flirted With An R-Rating

There’s a ballyhooed sex scene between Bella and Edward that received a respectable 8 on ML’s Scream-O-Meter , but it apparently was some violence that almost earned Twilight Saga: Breaking Dawn Part 2 an R-rating from the Motion Picture Association of America (MPAA), which would have caused quite a stir and conundrums in Twi-hard Land, which still counts quite a large crowd of teens among its ranks (not that that crafty crowd wouldn’t have found a way). Still, the ” Restricted: Children Under 17 Require Accompanying Parent or Adult Guardian ” would smack of potential box office blues for a franchise riding on a gangbuster turn-out and a final cash infusion for Summit, the franchise’s distributor. Initially, Breaking Dawn Part 2 received the R because of some extreme violence by way of beheadings, according to the Los Angeles Times. “Certainly, with any other movie, there are a thousand ways to kill people,” director Bill Condon told the Times. “With this one, it’s a variation on the same theme. If they were going to be offended by the idea of beheadings, we would have had no movie.” But the MPAA holds the ratings whip and the filmmaker said that some parts of the film were modified in order to give the multi-billion dollar franchise’s finale a more access-friendly PG-13 (The offending ‘R’ scenes should make for great marketing come DVD time at the end of the day). Sill, this isn’t the first time the world’s favorite vampires have sashayed with the only over 17 threat. Breaking Dawn Part 1 nearly received the R due to a sex scene (sex is often more titillating to the MPAA than violence which it more frequently tolerates, so those beheadings must’ve been doozies!) Kristen Stewart told Glamour that the original sex scenes in the first Breaking Dawn had even surprised her. “It was so weird, it didn’t even feel like we were doing a Twilight film. I was like, ‘Bella! What are you doing? Wow! What is happening here?!’ It was very surreal. We [originally] got rated R. They re-cut it.” [ Sources: The Huffington Post , Glamour , Los Angeles Times ]

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Twilight Finale Flirted With An R-Rating

You Tell Us: Is Channing Tatum Really Sexier Than Robert Pattinson?

So the good news is pouring in for Channing Tatum  today.  In addition to nabbing People’s Sexiest Man Alive  honor, GQ  magazine chose the Magic Mike   star as its Movie Star of the Year, part of its annual Men of the Year issue. That means Tatum and his strong chin will be gracing at least two magazine covers in the coming weeks, and that’s got me wondering: where is the Twi-hard outrage over Robert Pattinson being snubbed?  With the sun finally setting on The Twilight Saga , it’s remarkable that RPatz — who had the crowds thrilling and screaming at the Breaking Dawn Part 2 premiere earlier this week— did not nab Sexiest Man honors once since 2008 when the film franchise debuted. Hugh Jackman graced People’ s cover in 2008; Johnny Depp in 2009; Ryan Reynolds in 2010; and Bradley Cooper  in 2011. Related Story: Check out Movieline’s photo gallery of Robert Pattinson, Kristen Stewart  & Co. at the Breaking Dawn 2 premiere. Pattinson, who seems more concerned with being an actor than a screen idol, probably isn’t terribly interested in such an accolade, and he’s in good company. Last year, People ‘s decision to choose Cooper over Ryan Gosling sparked quite a furor among Baby Goose’s fans,  along with the rumor that the magazine had actually wanted to put Gosling on the cover but went with Cooper when the Drive actor, who’s all about the work, declined to give them an interview or participate in a photo shoot. ( People and Gosling’s publicist denied this at the time.) Still, I’m betting Pattinson’s fans are feeling miffed right now, and I’d like to gauge the depth of that dissatisfaction by inviting them — and any other lover of big-screen beefcake — to vote for the actor they would crown the sexiest man alive if they were calling the shots at People . I’ve listed five choices, including Tatum, Pattinson and Gosling. The rest is up to you. If you feel there’s a better candidate out there than the available choices, write him in the comments box and I’ll add him to the poll. As for what People ‘s honor will mean for Tatum besides a butt load of publicity, I don’t see any real correlation between People’s coronation and an actor’s career. The year that has passed since Cooper got the People cover has been a good one for the actor, given the success of Limitless and his fine performances in  The Place Beyond The Pines , which will be released next year (and also stars Gosling), and Silver Linings Playbook ,  which opens Friday, and is generating Oscar buzz for the actor. But if you go back to 2010 Sexiest Man Alive Ryan Reynolds , the year that followed his anointing saw him star in the critically savaged Green Lantern,  which, according to Box Office Mojo has only made about $20 million more (worldwide)  than its $200-million production budget. Let’s see which way the wind blows for Tatum. Take Our Poll [Box Office Mojo] Follow Frank DiGiacomo on Twitter. Follow Movieline on Twitter.

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You Tell Us: Is Channing Tatum Really Sexier Than Robert Pattinson?

Ice Age Freezes Spider-Man: Weekend Receipts

The last pre- Dark Knight Rises weekend at the multiplex came and went without much incident, unless you call The Amazing Spider-Man losing his grip on the No. 1 spot after one week an “incident.” You decide! Either way, your Weekend Receipts are here. 1. Ice Age: Continental Drift Gross: $46,000,000 (new) Screens: 3,881 (PSA: $11,853) Weeks: 1 The Ice Age franchise celebrated its 10th anniversary by rolling its opening-weekend domestic gross back to 2002 prices — the fourth installment of the series earned almost precisely what the original earned out of gate a decade ago. It still amounts to only the third highest opening of the series, but Fox will take it (not to mention deposing one-week wonder The Amazing Spider-Man for No. 1). 2. The Amazing Spider-Man Gross: $35,000,000 ($200,900,000) Screens: 4,318 (PSA $8,106) Weeks: 2 (Change: -43.6%) It took 11 days — including a holiday — for Sony’s comics reboot to hit the $200 million mark domestically. That’s fine and all, but in the summer of The Avengers and mere days ahead of the Dark Knight Rises megastorm that will wipe Spider-Man off the map, it’s not really good enough, is it? 3. Ted Gross: $22,147,000 ($158,993,000) Screens: 3,303 (PSA: $6,705) Weeks: 3 (Change: -31.2%) Time and time again over the last few weeks, the one conversation that seems to come up among me and people whose taste I generally trust involves the title Ted and the phrase, “It was better than I expected.” If its box-office hold after three weeks is any indication, I am not the only one having this conversation. 4. Brave Gross: $10,695,000 ($195,596,000) Screens: 3,392 (PSA $3,153) Weeks: 4 (Change: -45.5%) Another reasonably good hold here, though what’s really worth watching is how the overseas grosses start to mount over the next two months of foreign rollouts . The slowest of slow burns — Brave indeed! 5. Magic Mike Gross: $9,030,000 ($91,850,000) Screens: 3,090 (PSA $2,922) Weeks: 3 (Change: -42.3%) Yeah, I’d say a sequel might be worth a try. [Figures via Box Office Mojo ] Follow S.T. VanAirsdale on Twitter . Follow Movieline on Twitter .

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Ice Age Freezes Spider-Man: Weekend Receipts

Weekend Receipts: Wow, Pretty Much Everyone Went to the Movies

Congratulations to Hollywood for taking back the weekend from pop stars extant, dead or otherwise and shattering the record for Valentine’s Day weekend movie attendance. What a great time to be alive! Ahem. Your Weekend Receipts are here. 1. The Vow Gross: $41.700,000 (new) Screens: 2,958 (PSA $14,097) Weeks: 1 If we learned anything over the last few days, it’s never to underestimate America’s love for a very handsome steak . 2. Safe House Gross: $39,300,000 (new) Screens: 3,119 (PSA $12,600) Weeks: 1 Whatever obscure spell or human sacrifice Ryan Reynolds and his agents used to stabilize the star’s track record appears to have worked! Or maybe it was just a matter of getting Denzel Washington to co-star. All right, never mind. 3. Journey 2: The Mysterious Island Gross: $27,550,000 (new) Screens: 3,470 (PSA $7,939) Weeks: 1 I’ve been sitting here for the last 10 minutes thinking of anything at all to say about this, and it all comes back to Whitney Houston and some variation of “Everyone mourns differently,” so perhaps it’s best to just skip it. 4. Star Wars Episode 1: The Phantom Menace 3-D Gross: $23,000,000 (new) Screens: 2,655 (PSA $8,663) Weeks: 1 Underwhelming fourth place for a blatant 3-D cash-grab should be enough to brighten any Monday — at least until you realize there are five more of these things coming your way. (Sorry.) 5. Chronicle Gross: $12,300,000 ($40,167,000) Screens: 2,908 (PSA 4,230) Weeks: 2 (change: -44.1%) Well, it looks like we just bought ourselves a sequel. Great? [Figures via Box Office Mojo ] Follow S.T. VanAirsdale on Twitter . Follow Movieline on Twitter .

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Weekend Receipts: Wow, Pretty Much Everyone Went to the Movies

Weekend Receipts: Chronicle, Woman in Black Make For Potent 1-2 Punch

Two supernatural thrillers joined a pair of spooky holdovers in the top five of this weekend’s box office, where one of the world’s biggest stars was no match for the low-budget telepathic shenanigans of Team Chronicle . And, er, what happened to Drew Barrymore? Your Weekend Receipts are here. 1. Chronicle Gross: $22,000,000 (new) Screens: 2,907 (PSA $7,568) Weeks: 1 The found-footage phenomenon continues! It’s only a matter of time before Martin Scorsese is inspired to legitimize the genre with the story of a boy who lives in a train station and unearths the secret identity of an old toy-seller with the help of obscure archival film thought lost to the ages. Oh, wait. 2. The Woman in Black Gross: $21,000,000 (new) Screens: 2,855 (PSA $7,356) Weeks: 1 “What did they see?” indeed. Daniel Radcliffe’s strong post- Harry Potter debut indicated as much about his smart choices as they did about his loyal fan base. I still don’t understand how that Allen Ginsberg role is going to work, but at least he’s on the board as bankable beyond the Hogwarts bubble. 3. The Grey Gross: $9,500,000 ($34,756,000) Screens: 3,208 (PSA $2,961) Weeks: 2 (Change: -51.7%) Yikes. For all the credit I gave Neeson last week, it’s worth noting that The Grey sustained an unusually high week-two drop — nearly three times higher than Taken in 2009, and well above even last year’s Unknown . What gives, America? That’s just mean. 4. Big Miracle Gross: $8,500,000 (new) Screens: 2,129 (PSA $3,992) Weeks: 1 Cue the “Who’s going to free Drew Barrymore’s career from the thickening, encroaching arctic ice ?” lines in 3…2… OK, forget it. 5. Underworld: Awakening Gross: $5,600,000 ($54,353,000) Screens: 2,636 (PSA $2,124) Weeks: 3 (Change: -54.7%) More like Underworld: Sleepening ! Seriously, folks, I’ve got nothing. [Figures via Box Office Mojo ] Follow S.T. VanAirsdale on Twitter . Follow Movieline on Twitter .

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Weekend Receipts: Chronicle, Woman in Black Make For Potent 1-2 Punch

Friday Box Office: Mission: Totally Possible

Post-yuletide holiday crowds flocked to the same trio of sequels that dominated the Christmas box office — Mission: Impossible – Ghost Protocol , Sherlock Holmes: A Game of Shadows , and Alvin and the Chipmunks: Chipwrecked — while Summit newcomer The Darkest Hour limped into theaters waaaay under the radar. Meanwhile, Tom Cruise will be ringing in the new year with a number 1 box office finish, made all the sweeter by projections that Ghost Protocol will overtake the $134 million domestic take of the series’ last installment by Monday. Dive into your Friday Box Office! 1. MISSION: IMPOSSIBLE – GHOST PROTOCOL : $10,700,000 ($113,589,000) 2. SHERLOCK HOLMES: A GAME OF SHADOWS : $7,650,000 ($117,654,000) 3. ALVIN AND THE CHIPMUNKS: CHIPWRECKED : $7,125,000 ($83,484,000) 4. THE GIRL WITH THE DRAGON TATTOO : $5,350,000 ($46,161,000) 5. THE ADVENTURES OF TINTIN : $4,900,000 ($32,387,000) 9. THE DARKEST HOUR : $1,700,000 (new) [Figures via Box Office Mojo ]

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Friday Box Office: Mission: Totally Possible

Merry Christmas! Here’s An Alternative Lady Christmas Songlist

Yeah, I can’t get over Rooney Mara’s Dragon Tattoo getup. It’s so… dated? Swedish? Remarkably cliche? And yet entrancing? Anyway, it has alternative connotations, and that brings me to Movieline’s Christmas indulgence of the day: alternative women covers of yuletide classics. I couldn’t find an embed of Liz Phair’s recent “Baby It’s Cold Outside” cover with the band Wheat, please consider that the unofficial sixth entry on this list. Take us to the Grinch, Aimee Mann! The glorious and still-somehow-underrated Aimee Mann’s superior Christmas disc One More Drifter in the Snow contains a bunch of amazing covers, but the gnarliest one has got to be “You’re a Mean One, Mr. Grinch.” Super droll, winking, and cool. As always for the Oscar-nominated Mann. Sinead O’Connor, perhaps the single most poignant voice of the past 25 years, has covered “Ode to Billie Joe,””Chiquitita,” and “Don’t Cry for Me, Argentina” with great success, but I’m particularly partial to her version of “Silent Night.” It’s the perfect forum for her childlike, yet commanding tone. Kate Bush. There is no other Kate Bush. In this ’79 Christmas special, she woos you with that ethereal voice that trilled about the plight of Cathy and Heathcliff in “Wuthering Heights.” Now that every hipster in sight waits eagerly for her new releases, acquaint yourself with the kooky wraith we first met on The Kick Inside . Tori Amos is an obvious heir to Kate Bush’s legacy of cooing vulnerability and mystical lyrics, but her cover skills are pretty singular. Check out her live versions of “Father Figure” and “Like a Prayer” for maximum intimacy, but this Christmas jam is also sufficient. Patti Smith’s brief cover of “White Christmas” is lovely. Since you presumably already know her covers of “Smells Like Teen Spirit” and “Rolling in the Deep,” you’ll be refreshed to find tiny version of Irving Berlin’s classic.