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M.I.A: Framed by a French Fry [Feuds]

M.I.A. was so pissed about her New York Times Magazine profile that she tweeted writer Lynn Hirschberg’s phone number and then made a diss track about her. What a baby , right? Well. She had a good reason to be mad. More

M.I.A. Escalates Feud With Reporter, Releases ‘I’m A Singer’ Dis Track

Singer posts audio excerpts of New York Times interview and a retaliatory new song on her label’s website. By Gil Kaufman M.I.A. Photo: Michael Buckner/ Getty Images M.I.A. has made it crystal clear that she didn’t take kindly to her portrayal in last week’s New York Times Magazine profile. First, she Twitter-tacked by posting the phone number of the piece’s author, journalist Lynn Hirschberg, and over the Memorial Day weekend, she escalated the battle by posting excerpts of the interview on her label’s website and dropping a biting dis track, “I’m a Singer.” Over a slow-rolling, elastic beat, M.I.A. appears to take direct aim at Hirschberg, rapping, “And the story’s always f—ed by the time it hits/ Why the hell would journalists be thick as s—/ Cuz lies equals power equals politics.” The sing-songy chorus of the spare, electro tune claims, “I’m a singer/ Never said anything else/ I didn’t lie to you/ Thinkin’ of somebody else,” adding, “You can talk sh– to me I’m used to it/ You can make me hard with the wounds that I have to lick/ You can pick on me and I can see it at a click.” After promising to publish an “unedited” version of the interview this weekend, so far M.I.A. has only posted two provocative clips under the headline “War Crimes and French Fries.” In one, a woman who appears to be Hirschberg (identified as “NYT interviewer”) can be heard excitedly greeting the artist and then elaborately ordering french fries, while the other clip (labeled “Interviewee”) contains a quote that’s an apparent reaction to a question about M.I.A.’s attempts to shed light on the dire political situation in Sri Lanka. “It wasn’t about me, and me getting to the Oscars,” she is heard saying in the clip. “Or me going to the Grammys. That doesn’t mean anything. The whole point of that journey was so you can go, ‘Hey, 50,000 people are going to die next month, here’s your opportunity to help, and no one did. And they still died! It wasn’t about accolades or fame.” Though the diss track is labeled “New Song!!!” and alludes to the U.S. Army allegedly spying on M.I.A. because of her political beliefs and other injustices against the singer based on her public comments, other than the dig about thick legs, it does not make any other identifiable references to the Hirschberg flap. It was not clear at press time if the tune was recently recorded in direct response to the Times piece, or if it was originally intended for M.I.A.’s upcoming album ///Y/. The whole thing got started after M.I.A. took issue with some of the reporting veteran journalist Hirschberg did in the story. In it, Hirschberg debunked the rapper’s claims that she hasn’t seen her father in years, contacted the Sri Lanka Democracy Forum to balance out her version of the country’s war against the Tamil Tiger military group, pointed out that the singer lives in “very white, very wealthy Brentwood [California]” with her fianc

M.I.A. Admits ‘Born Free’ Video Copies Lady Gaga’s ‘Telephone’

‘Both our videos are road movies. We kill people, and they kill people,’ singer tells New York Times. By James Montgomery M.I.A. Photo: Jon Kopaloff/ FilmMagic She might not have many nice things to say about Lady Gaga lately, but M.I.A. freely admits that her controversial “Born Free” video took more than a little inspiration from Gaga. Like, way more than a little. “With our video, we were really copying ‘Telephone,’ ” M.I.A. told the New York Times Magazine in a feature set to run on Sunday (May 30). “Both our videos are road movies. We kill people, and they kill people. They start out in a prison, and we start out in a squat, hunting people down.” But the (sorta) pleasantries end there, as M.I.A. went on to land another jab against Gaga. “All I’ll say is, it’s upsetting when babies say ‘ga-ga’ now,” the British/Sri Lankan artist told the magazine. “It used to be innocent. Now, they’re calling her name.” She said she gets annoyed when LG is praised for her originality — saying she mostly borrows from ABBA — and positively livid when her rival is compared to Madonna. “You can’t really say that Gaga is culturally a change,” she said. “Madonna was truly unique.” Of course, in the same feature, M.I.A.’s pal — and “Born Free” director — Romain Gavras gets far nastier, joking to the Times ‘ Lynn Hirschberg that “Madonna was pretty. … Pop stars should be pretty.” M.I.A. explained that she and Gavras had originally intended to shoot the “Born Free” clip on the U.S.-Mexican border, but ultimately had to move production to Los Angeles because, as she put it, “Interscope won.” And she told Hirschberg that she purposely avoided showing the completed video to the folks at the label (to which both she and Gaga are signed) because “the Interscope lawyers will want to send [it] to a censorship board.” (Of course, Interscope head Jimmy Iovine told the Times that not only did he see the video, but that it “was more than fine with me. … I didn’t even have a blink.”) Building on that concept, M.I.A. said she’s planning a stage show based entirely on censorship, with the audience’s every move monitored and recorded, and individuals singled out and asked to leave if they violate certain rules. “I want to be like the government,” she said. “It could be interesting.” Which video do you prefer, Lady Gaga’s “Telephone” or M.I.A.’s “Born Free”? Tell us why in the comments. Related Artists M.I.A. Lady Gaga

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M.I.A. Admits ‘Born Free’ Video Copies Lady Gaga’s ‘Telephone’