Also in Wednesday morning’s round-up of news briefs, the Directors Guild of America set up dates for its awards. France has chosen its submission for foreign-language Oscar consideration. And, the producer of 2016: Obama’s America denies racism charge. The Directors Guild of America Sets Nominations Dates The DGA has set dates for its 65th annual awards schedule. It will announce five feature film nominees Thursday, January 10th and television nominees Friday, January 11th. Documentary nominees will be announced Monday, January 14th and the actual awards will take place Saturday, February 2nd. Around the ‘net… James Cameron May Add Chinese Na’vi to Avatar Sequels “For Avatar , we can certainly use Chinese actors as performance-capture actors because any accent issues will hide within the Na’vi accent,” Cameron is quoted saying in THR . “So we can have Chinese Na’vi; [and in the live-action sequences] we can also have Chinese actors who speak English in the film. We are projecting a future in Avatar , and if you project that future out, it is logical that there would be a number of Chinese amongst the contingent on Pandora.” France Chooses The Intouchables For Oscar Submission The comedy about a quadriplegic millionaire and his ex-con caregiver, has been selected as France’s official submission for next year’s foreign language film Oscar. Directed by Olivier Nakache and Eric Toledano, the movie has become the highest-grossing French production ever, earning more than $360 million at the global box office, The Guardian reports . Producer of 2016: Obama’s America Denies Charges of Racism After charges by Entertainment Weekly that likened the film to a Republican strategy that appeals to racist sentiments in American society, producer Gerald Molen ( Jurassic Park ) said the charges that the film are racist are “patently ridiculous” in an interview with the website Mediate, Shadow and Act reports . Egypt Issues Arrest Warrants For Anti-Islam Video The country’s general prosecutor issued arrest warrants for seven Egyptians that are Coptic Christians and Florida-based American pastor Terry Jones on charges linked to the YouTube video that has caused riots throughout the Middle East and beyond, Innocence of Muslims . The office said they face the death penalty if convicted, Deadline reports .
This is Thursday in Cannes: Zac Efron in tighty-whities, Nicole Kidman as a luscious sex kitten, Matthew McConaughey as a journalist with a sexual secret and a very creepy John Cusack. Such was just the tip of the iceberg this morning in Lee Daniels’s outrageous The Paperboy , which will have its world premiere tonight as the festival hits its final swing. Opinions seemed to range wildly in all directions following the film’s early morning screening: Applause and cries of “Bravo!” mixed with boos, laughter and a swift rush out of the huge Lumière Theatre to get reaction from Daniels and the cast at the press conference. The conversation in the press room took cues from the film’s flamboyant flare, and then it went from there. What many girls (and some boys) may have secretly wished to see back in the High School Musical days they can now get a big dose of it here: Efron is tan, trim and spends a good chunk of his scenes in his underwear, at one point dancing in the rain in his briefs with a very platinum and seductive Nicole Kidman. Never one to mince words, Lee Daniels set the record straight when asked about Zac Efron being “eroticized” in the new film: “He’s good looking, the camera can’t help but love him… And I’m a gay man – you know!” “I don’t think I was supposed to feel comfortable,” said Efron, laughing after Daniels’s quip. “This character is learning the ways of the world and it is uncomfortable. It was a great character to play.” Based on a novel by Pete Dexter, The Paperboy is set in late ’60s Florida. Efron plays Jack, a young guy who’s aimless and living with his dad and soon-to-be step mother. His older brother (McConaughey) is a journalist who comes to town to investigate a death-row inmate (John Cusack) he believes is wrongly convicted of murder. Meanwhile, Cusack is corresponding with a platinum blonde (Nicole Kidman) with a fabulous wardrobe, fake eye-lashes and pillowy lips. She’s also the object of Jack’s raging hormones — and things get complicated. “I felt like I was let out of some cage,” Cusack said Thursday morning in Cannes about his role. “Lee [Daniels] and I talked at the Chateau Marmont about a film I made called The Grifters and then he looked at me and said, ‘I think you have more to give than you’ve been giving lately,’ and that is just music to an actor’s ears.” In 2010’s Rabbit Hole , Nicole Kidman earned an Oscar nomination as an upper middle-class mother in mourning following the untimely death of her young son. Her Paperboy character Charlotte Bless could not present more of a contrast: Simulating sex in a prison visitation room, wearing flashy outfits and playing an untamed seductress, she at one point comes to Jack’s rescue after he’s attacked by a swarm of jellyfish. While he lays barely conscious on the sand as welts appear on his six-pack, she gives him the remedy required to treat a jellyfish sting. “I had to step into the character and put myself in a place where I didn’t step out of it,” Kidman said. She explained that she met Daniels at a party while she was promoting Rabbit Hole and became curious about how she might fit one day into one of his films. “I haven’t seen the movie yet and I’m nervous about seeing it, but that’s my job – to give over myself to someone and have them bring out in me what I can give.” “I had the most lovely time in the world playing with Nicole,” Efron followed. “I’ve been in love with her since Moulin Rouge . It was the best opportunity in the world.” The Paperboy is loaded with laughs especially for audiences who appreciate a bit of camp, but the film also takes a darker, more serious turn and Thursday’s post-screening followed the movie’s lead. Daniels, who received a Best Director Oscar nomination in 2011 for Precious , said that all the characters in The Paperboy are real for him personally, from the young kid to the woman who writes letters to prisoners to the house servant (played by Macy Gray). He also said he knows the prisoner. “I live in the truth. Every character here I know,” he said. “My brother — I raised his children. He has been in jail for murder. So I know this cat and when [Cusack] did anything that’s not true, I said, ‘You have to come at me in a different way.'” Continuing, Daniels said: “I say this to all filmmakers: You never take no for an answer. Making sure my vision is executed means never taking no, never.” “Lee has a hyper-sensitive mind, and as soon as you nail it he says, ‘Now, where can we take it?'” McConaughey said. Daniels offered up that McConaughey will be in his next film, The Butler , as John F. Kennedy. Cusack will play Richard Nixon. Starring Forest Whitaker as the White House butler who served multiple U.S. presidents, the cast also includes Kidman and Oprah Winfrey. Lee said that the new film will be decidedly more PG-13 than The Paperboy . Read more of Movieline’s Cannes 2012 coverage here . [Top image of (L-R) Zac Efron, John Cusack, Lee Daniels, Matthew McConaughey, Nicole Kidman and Macy Gray: AFP/Getty Images]
The Intouchables hits so many audience-pleasing buttons, meticulously and dutifully, that it ought to be called The Irresistibles . This is the French movie you’ve been hearing about, a megahit in its native country and currently spreading across Europe like a cheerful, robust strain of flu. Based on a true story about a wheelchair-bound rich guy and his caretaker, a small-time crook from the projects, The Intouchables is a movie about life, love and the enduring power of Earth Wind & Fire. You have been forewarned. Actually, The Intouchables isn’t bad — its merely shameless, but at least it’s overtly so. The picture, written and directed by Eric Toledano and Olivier Nakache, stars François Cluzet as Philippe, the lonely wheelchair guy. Philippe is paralyzed from the neck down, the victim of a paragliding accident; he also lost his beloved wife years ago and is left with only a wiseacre teenage daughter who barely features in the story (she’s played, in a few fleeting, pouty scenes, by Alba Gaïa Kraghede Bellugi) and a houseful of servants, some of whom — like the super-efficient Yvonne (played by the earthbound and appealing Anne Le Ny) — seem to actually care for him. But Philippe also needs a strong, masculine caretaker, and when a strapping Senegalese fellow named Driss (Omar Sy) applies for the job, he’s hired almost against his own wishes. (He’d shown up for the interview at Philippe’s tony Paris mansionette only to get his papers signed, showing that he’d attempted to find work, in order to receive state benefits.) Philippe is an aesthete, a lover of fine art and classical music, and he has everything money can buy. But he needs a pal and a few laughs, as well as a companion who will treat him normally and not like a freak. When a concerned friend, suspicious of Driss and his motives, warns Philippe, “These street people have no pity,” Philippe responds firmly, “That’s what I want — no pity.” Driss, for his part, provides Philippe with more Live! Laugh! Love! moments than you or I could possibly count, despite the fact that he comes from a tough neighborhood and has some unresolved family troubles. And even though he steals a precious Fabergé egg — one with great sentimental value — from Philippe’s collection of same, the two form an indissoluble bond. Driss cheers Philippe up with his bad puns, he grins and/or dances infectiously whenever he hears “September” or “Boogie Wonderland,” and he helps Philippe court a new lady love. Philippe gradually loses his glum demeanor (Cluzet is really good at the glum stuff) and becomes guardedly cheerful, enjoying life for the first time in eons. Not much else happens in The Intouchables , though not much else needs to. The movie has the carefully calibrated inner workings of a watch movement: As it efficiently ticks away, it speaks to everything we want and need to believe about human frailty and the importance of connection. Toledano and Nakache keep the gears running smoothly — to their credit, they don’t throw in any moments of serious endangerment in order to up the drama quotient. (They were inspired to make the film after seeing a documentary about the real-life Philippe, Philippe Pozzo di Borgo, and his relationship with a man named Abdel, a young guy from the projects who came to work for him and changed his life around.) The friendship between Philippe and Driss, as the filmmakers present it, certainly is solid and life-changing, on both sides. I hesitate to use the term “magical Negro” because I think the term is too carelessly slapped onto any story in which white people learn something from people of color. Even in our racially mixed world — particularly here in the United States — the reality is that most white people live mostly around other white people, and sometimes it really does take an encounter with someone whose life, and whose skin color, is not like yours to shake things up. If you ask me, those encounters are less magical than they are necessary. That said, there is something a little magical about Driss, but that could be just because Sy is a charming, criminally likable presence. Sy has worked extensively in French movies and television, and he appeared in a previous feature made by Toledano and Nakache, the 2006 comedy Those Happy Days . (He also appeared in Jean-Pierre Jeunet’s 2009 whimsical windup toy Micmacs .) Sy makes The Intouchables worth watching, not because he adequately fulfills any perceived notion of the joyful person of color, but because he quite simply seems filled with joy. He earns bonus points for maintaining such boundless joie de vivre even as he spends so much time hanging around a French sourpuss like Cluzet’s Philippe. The Intouchables is not particularly complex, but it certainly hits its target. Whether or not you want that target hit is up to you. Meanwhile, Sy’s performance almost makes you forget how calculated the whole thing is. Plus, Driss is damn right about Earth Wind & Fire. Follow Stephanie Zacharek on Twitter . Follow Movieline on Twitter .
