I remember January 15, 2009, like it was yesterday — the first day of the Sundance Film Festival, where filmmakers Glenn Ficarra and John Requa had just checked in at fest headquarters and seated themselves in the industry lounge for a morning snack. They had brought with them their directorial debut and arguably Sundance’s biggest bidding-war candidate, I Love You Phillip Morris . I watched them field one phone call, then another, then depart almost as quickly as they arrived, thinking the filmmakers were at the hectic beginning of everyone’s festival dream. Instead, as a new court ruling suggests, it was the first day of their worst nightmare.
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I Love You Phillip Morris’ New Likely Release Date: Never
