Drive sound editor Lon Bender, up for the Oscar against The Girl with the Dragon Tattoo , Hugo , Transformers: Dark of the Moon , and War Horse , on director Nicolas Refn ‘s unusual sound requests: “In the sound world, there often is a propensity to want, at least for things like car chases, guns or weapons, to use sounds of the real weapons or the real cars. But when I went to Nic to talk about car engines and the specificity of the kind of cars they were, he said, ‘I don’t even have a driver’s license and I’ve never driven a car. I don’t care what they sound like! They just have to sound exciting.’” [ NYT ]
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Excitement Over Accuracy = Key to Oscar-Nommed Sound of Drive
