Tag Archives: newswire

‘Koch’ Debuts In New York As Former Mayor Ed Koch Dies At 88

Call it strangely eerie or a fitting send off, on the same day that former New York mayor Ed Koch died, a new documentary about him and titled simply, Koch will open in the city he lead and will be buried in. Koch, who served as NYC mayor from 1978 – 1989 over three terms, died at 2am Eastern Time from congestive heart failure, according to the New York Times. Directed by first-time filmmaker Neil Barsky, Koch offers a portrait of the combative, humorous and straight-talking mayor who also served as a Congressman before taking the city’s highest office. The film chronicles the history of NYC alongside Koch’s tenure, which began as the city faced the depths of near bankruptcy and malaise in the late ’70s. As he served in the ’80s, the city faced racial strife and the dawn of the AIDS crisis as well as homelessness and the ascendance of Wall Street wealth in the go-go ’80s. In 1987 he famously refused a permit for the New York Giants to have a ticker tape parade to celebrate their victory at Super Bowl XXI because the team had moved to the Meadowland Complex over the river in New Jersey some years prior. “If they want a parade, let them parade in front of the oil drums in Moonachie,” said Koch referring to the town near the Giants’ adopted home. Koch also left his touch on the entertainment world, even serving as judge on The People’s Court after his mayorship and even as a film critic through his we show, Mayor At the Movies , according to Deadline.com. He also appeared in dozens of films and television shows including The Muppets Take Manhattan , Sex and the City , Spin City and of course, Saturday Night Live . Zeitgeist Films will open Koch , which premiered at last October’s Hamptons International Film Festival, at the Angelika and Lincoln Plaza theaters in Manhattan this weekend. It will head to other areas of the city in the coming weeks in addition to other U.S. cities in a slow roll-out. “I spoke to him on the day of the premiere [from the hospital] and he said, ‘don’t let the applause go to your head,'” Barsky said Friday morning on local news station, New York One. “He’s the ultimate publicist for himself and the city. It’s very regrettable he couldn’t attend the premiere of what I think is an affectionate film.” Koch log line: Former Mayor Ed Koch is the quintessential New Yorker. Still ferocious, charismatic, and hilariously blunt, the now 88-year-old Koch ruled New York from 1978 to 1989—a down-and-dirty decade of grit, graffiti, near-bankruptcy and rampant crime. First-time filmmaker (and former Wall Street Journal reporter) Neil Barsky has crafted an intimate and revealing portrait of this intensely private man, his legacy as a political titan, and the town he helped transform. The tumult of his three terms included a fiercely competitive 1977 election; an infamous 1980 transit strike; the burgeoning AIDS epidemic; landmark housing renewal initiatives; and an irreparable municipal corruption scandal. Through candid interviews and rare archival footage, Koch thrillingly chronicles the personal and political toll of running the world’s most wondrous city in a time of upheaval and reinvention. [ Sources: Deadline , NYT , New York One ]

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‘Koch’ Debuts In New York As Former Mayor Ed Koch Dies At 88

Jessica Chastain Eyes Liv Ullmann ‘Miss Julie’

Jessica Chastain is riding high with her critically acclaimed Oscar-nominated performance in Zero Dark Thirty , but her next gig may be a bit of an about-face from her role at the center of covert operations to snuff out Bin Laden. Chastain will star in a film adaptation of August Strindberg’s play Miss Julie , which will be directed by Swedish actor-director Liv Ullmann . Colin Farrell and Samantha Morton will also star in the film, according to The Guardian. Written in 1888, Miss Julie helped pave the way in utilizing theatrical naturalism in telling its story of class and power. The story revolves around the daughter of a count who falls for her father’s footman. Originally set at a Swedish country house in 1874, it is unclear if Ullmann will set the movie version of the story there or if she’ll pick a different period and locale. The last major adaptation of the play was a Mike Figgis-directed version which starred Saffron Burrows and Peter Mullan as the leads. Ullmann starred in ten of legendary filmmaker Ingmar Bergman’s movies and took up directing in the 1992 family drama Sophie . Miss Julie will be her fourth feature, though her last film, Faithless was released in 2000. [Source: The Guardian ]

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Jessica Chastain Eyes Liv Ullmann ‘Miss Julie’

WATCH: Happy Trailer, Hans! Alan Rickman Is Still The Best ‘Die Hard’ Villain

Holy Nakatomi Plaza! July 15 marks the 25th anniversary of the release of the original Die Hard , a movie that occupies a revered place in my pantheon of smart-ass films. And with the latest sequel, A Good Day to Die Hard , hitting theaters on Feb. 14,  Fox has released the Die Hard: 25th Anniversary Collection on Blu-Ray. In addition to the first four Die Hard movies, the set includes a Decoding Die Hard bonus disc of featurettes. Included is Bad to the Bone , posted below, which celebrates the various villains that Bruce Willis’  character, John McClane, has gone up against over the course of his totally implausible but highly entertaining life of coincidental run-ins with evil terrorists and master criminals. You really don’t need to watch the clip to understand this about the franchise: Alan Rickman , who played  deliciously contemptuous  Hans Gruber n the first film, remains, far and away, the best Die Hard baddie of the franchise. His simpering imitation of an American hostage when McClane first encounters him is a thing of enduring beauty. Why Rickman hasn’t been made a Bond villain by now is beyond me. Follow Frank DiGiacomo on Twitter. Follow Movieline on Twitter.

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WATCH: Happy Trailer, Hans! Alan Rickman Is Still The Best ‘Die Hard’ Villain

Steven Soderbergh: Movies ‘Don’t Matter As Much Anymore Culturally’

Even as retirement looms, Steven Soderbergh still has a feature in the pipeline destined for the big screen. But as his theatrical career apparently heads toward its sunset, the Oscar-winning filmmaker is taking a swing at the movie-making machine that has left him – at least now – not wanting to make more pictures. [ Related: Soderbergh’s Liberace Pic ‘Behind The Candelabra’: What’s ‘Too Gay’ for Hollywood? ] Soderbergh’s retirement has been discussed since he first announced it in 2011. In that time he has brought a number of films to theaters including Contagion , Haywire , Magic Mike and the soon-to-be released Side Effects next month. He also is finishing the Liberace feature Behind the Candelabra starring Michael Douglas and Matt Damon for HBO. “The worst development in filmmmaking – particularly in the last five years – is how badly directors are treated,” he said to Vulture. It’s become absolutely horrible the way the people with the money decide they can fart in the kitchen, to put it bluntly. It’s not just studios – it’s who is financing a film. I guess I don’t understand the assumption that the director is presumptively wrong about what the audience wants or needs when they are the first audience, in a way. And probably got into making movies because of being in that audience.” Soderbergh recalled when filmmakers were allowed more latitude and noted that seasoned audiences had spotted the trend and have turned to television instead. “It’s true that when I was growing up, there was a sort of division: respect was accorded to people who made great movies and to people who made movies that made a lot of money,” he said. “And that division just doesn’t exist anymore. Now it’s just the people who make a lot of money.” Continuing he added that television, which has become an increasingly important outlet for auteurs, indie filmmaker and even veterans of Hollywood and the measure of success both creatively and in absolute numbers is more flexible. “I’ve said before, I think that the audience for the kinds of movies I grew up liking has migrated to television,” he said. “The format really allows for the narrow and deep approach that I like. Three and a half million people watching a show on cable is a success. That many people seeing a movie is not a success. I just don’t think movies matter as much any more, culturally.” Side Effects will have its world premiere at the Berlin International Film Festival next month. [ Sources: Vulture , The Guardian ]

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Steven Soderbergh: Movies ‘Don’t Matter As Much Anymore Culturally’

J.J. Abrams, Master Of The Universe: Nears Deal To Direct ‘Star Wars Episode 7’

J.J. Abrams appears to have cornered the universe.  Both The Wrap and The Hollywood Reporter are reporting that the filmmaker behind the rebooted Star Trek franchise is close to sealing a deal to direct Disney’s Star Wars Episode 7 , which means he will boldly go to a galaxy far far away very shortly.  Abrams office wasn’t commenting on the story when I called, but if the deal is indeed finalized, it will be interesting to see how fan boys for whom Star Wars vs. Star Trek is the equivalent of Beatles vs. Stones, and Paramount, the studio behind, Star Trek Into Darkness ,  will react to the story. As Indiewire’s Kevin Jagernauth astutely pointed out, “we can’t [imagine] the studio being thrilled that press rounds for Star Trek Into Darkness will essentially become non-stop questions about Star Wars: Episode 7  unless that subject is strictly taken off the table (not that people still won’t try anyway). Moreover, one wonders if we can ever live in a galaxy where nerds will be happy with the same director shephereding both Star Wars and Star Trek . Then again, Abrams has done a very smart job of revitalizing the Star Trek franchise, and making it relevant to a much broader audience than the Trekkie contingent. At the same time, he’s shown respect to die-hard fans by (mostly) respecting the canon. (I was always a Star Wars guy, and he’s got me hooked on this whole who-is-Benedict-Cumberbatch thing.)   Star Wars could benefit from a similar update. If Abrams and Bad Robot do take on the Force and the Dark Side, you can be sure there will be plenty of guessing games about the identity of the villains who will be plaguing the Jedi and Droids that populate the newest entry in the Star Wars saga. Reports are that producer Kathleen Kennedy convinced Abrams to take on the daunting job.  She must be very good at persuasion. In November, Abrams told HollywoodLife that he wasn’t the right man for the job.  “Look, Star Wars  is one of my favorite movies of all time,” Abrams said adding:  “I frankly feel that – I almost feel that, in a weird way, the opportunity for whomever it is to direct that movie, it comes with the burden of being that kind of iconic movie and series. I was never a big Star Trek  fan growing up, so for me, working on ‘Star Trek’ didn’t have any of that, you know, almost fatal sacrilege, and so, I am looking forward more than anyone to the next iterations of ‘Star Wars,’ but I believe I will be going as a paying moviegoer!” More on Star Wars Episode 7:  ‘Star Wars Episode 7’: Is The Force With The Ladies For A Change? [ Indiewire ,  The Wrap , The Hollywood Reporter ] Follow Frank DiGiacomo on Twitter. Follow Movieline on Twitter. 

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J.J. Abrams, Master Of The Universe: Nears Deal To Direct ‘Star Wars Episode 7’

Sundance Debuts 13 Films Across Platforms Through Its ‘Artists Services’

Even as it gears up for the launch of the Sundance Film Festival Thursday, the Sundance Institute unveiled 13 titles it is making available through a variety of platforms through its “Artist Services” program. Films include 2012 Sundance Film Festival titles Detropia , I Am Not A Hipster , The Atomic States of America and We’re Not Broke . Artist Services films are available on an array of online platforms including iTunes, Amazon Instant Video, Hulu, SnagFilms, Netflix, SundanceNOW, VUDU, YouTube and more. “With the proliferation of new digital outlets these days, Sundance Institute saw a real need to help filmmakers and producers easily access these platforms and to provide  information on how best to navigate and take advantage of independent distribution,” commented Keri Putnam, Executive Director, Sundance Institute in a statement. “It’s exciting to see these filmmakers charting their own path towards finding audiences.” Sundance titles available starting January 15th: The American Astronaut (Director and Screenwriter: Cory McAbee) — Sundance Institute Screenwriter’s Lab Fellow Cory McAbee stars in his sci-fi feature film as an interplanetary trader. The film also stars 2012 Independent Spirit Award nominee James Ransone (Starlet, HBO’s Treme and The Wire) as Bodysuit. (2001 Sundance Film Festival)       The Atomic States of America (Directors: Don Argott and Sheena M. Joyce) — Don Argott and Sheena M. Joyce’s provocative documentary takes viewers on a journey to nuclear reactor communities across the country. (2012 Sundance Film Festival) Budrus (Director: Julia Bachas) — Documentary filmmaker Julia Bacha’s award-winning 2009 documentary follows a Palestinian community organizer who unites local Fatah and Hamas members along with Israeli supporters in an unarmed movement to save the village of Budrus from destruction by Israel’s Separation Barrier. Budrus was produced by Just Vision, a nonprofit dedicated to increasing the power and  legitimacy of Palestinians and Israelis working nonviolently to end the occupation and  resolve the conflict. (2009 Sundance Documentary Film Grant) Detropia (Directors: Heidi Ewing and Rachel Grady) — Winner of the Best Documentary Editing Award at the 2012 Sundance Film Festival and nominated for Gotham and Cinema Eye awards, Detropia chronicles the lives of several Detroiters trying to survive and make sense of what is happening to their city – once an industrial utopia, now on the brink of bankruptcy.  (2012 Sundance Documentary Film Grant, 2012 Sundance Film Festival) High School Record (Director and Screenwriter: Ben Wolfinsohn) — In Ben Wolfinsohn’s semi-improvised 2005 “mock doc,” four exceptionally awkward 17-year-olds struggle through their senior year as moments of humiliation and triumph are caught on tape in a documentary shot by fellow classmates at a performing arts high school. (2005 Sundance Film Festival) I Am Not A Hipster (Director and Screenwriter: Destin Daniel Cretton) — Featuring music by indie electronic band, Canines, and a break-out performance by Dominic Bogart (Flash Forward), Cretton’s music-focused drama premiered at sold-out screenings at the 2012 Sundance Film Festival. (2011 and 2012 Cinereach Project at Sundance Institute Grant, 2012 Sundance Film Festival) Primer (Director and Screenwriter: Shane Carruth) — Shane Carruth’s cult classic won the Grand Jury Prize and Alfred P. Sloan Prize at the 2004 Sundance Film Festival. Timed to the premiere of the director’s much-anticipated follow-up film, Upstream Color, at the 2013 Sundance Film Festival. (2004 Sundance Film Festival) Pursuit of Loneliness (Director and Screenwriter: Laurence Thrush) — Award-winning director Laurence Thrush’s (Left Handed) 2012 Sundance Film Festival premiere stars a cast of non-professional actors depicted in their own workplace roles. (2012 Sundance Film Festival) The Slaughter Rule (Directors: Alex Smith and Andrew Smith) — David Morse (Treme) and Ryan Gosling (Drive) star in Alex and Andrew Smith’s feature writing-directorial debut about a fatherless high-school quarterback. Nominated for the Independent Spirit Awards’ John Cassavetes Award.. (2002 Sundance Film Festival) Stingray Sam (Director and screenwriter: Cory McAbee) — Cory McAbee’s 2009 follow up to The American Astronaut features writer-director McAbee as Stingray Sam and “Crugie” as The Quasar Kid, two space convicts in a series of episodic adventures narrated by David Hyde Pierce (Frasier). (2009 Sundance Film Festival) to.get.her (Director and screenwriter: Erica Dunton) — Five teenage girls with a shared secret get together for a weekend of “no consequences” in this 2011 Sundance Film Festival premiere that won the Best of NEXT Audience Award. Actress-model Jazzy De Lisser stars in a “mystery” written and directed by Erica Dunton (The 27 Club). (2011 Sundance Film Festival) Wave Twisters (Directors: Eric Henry and Syd Garon) — Animators Syd Garon (Superheroes, Last Call at the Oasis) and Eric Henry’s “turntablism-based musical” won the 2001 Midnight Films Audience Award at the 2001 SXSW Film Festival. Scripted to a recording by “scratch” artist DJ Qbert, Wave Twisters follows a group of heroes traveling through inner-space on a quest to save the lost art of Hip Hop. (2001 Sundance Film Festival) We’re Not Broke (Directors: Karin Hayes and Victoria Bruce) — A timely exposé on how the government has allowed U.S. corporations to avoid paying taxes, and the growing wave of discontent that is has fostered. A 2012 Sundance Film Festival premiere from the filmmakers of The Kidnapping of Ingrid Betancourt. (2012 Sundance Film Festival)

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Sundance Debuts 13 Films Across Platforms Through Its ‘Artists Services’

Metallica Movie Heads To Theaters Via Resurrected Picturehouse Founder Bob Berney

The headline for moviegoers here is that the new feature Metallica Through the Never is headed to theaters. What is more significant is how it will get there. Longtime distribution figure Bob Berney is resurrecting a label he once headed, Picturehouse, to serve as CEO, while a veteran in the filmmaking scene in her own right, Jeanne Berney, will serve as president of the label, which will be based in New York. Metallica Through the Never stars members of the band as well as Dane DeHaan ( The Amazing Spider-Man 2 ) who plays a young band crew member. He is sent out on an urgent mission while the band is playing a live set in front of a sold-out crown and unexpectedly finds his world turned completely upside down. The re-fashioned Picturehouse will open the film August 9th. “Metallica’s way of doing things is to jump into unexplored creative endeavors with no safety net whatsoever,” said Metallica drummer Lars Ulrich. “Putting this movie together for the last couple of years has been a pretty wild ride, and we’ve definitely done our share of flying without a net!  Bringing Bob and Jeanne and the new Picturehouse team in at this point provides us with a much needed level of security for the distribution of the film. Their spirit of independence and desire to work outside the box is something we can relate to in every way, and this makes them both a welcome addition and a natural fit in the Metallica family.” The new Picturehouse plans to acquire, market and theatrically release independent films from the U.S. and around the world, beginning with two to three films this year and increasing its output to four to five features in 2014 and six or seven in subsequent years it said Tuesday. Bob Berney helped launch the original Picturehouse in April 2005 as a joint venture between Time Warner’s HBO and New Line Cinema divisions. During that tenure, the company released Guilermo del Toro’s Pan’s Labyrinth which won three Oscars; Olivier Dahan’s La Vie en Rose (winner of two Academy Awards, including best actress for Marion Cotillard); Sergei Bodrov’s Mongol ; Patricia Rozema’s Kit Kittredge: An American Girl ; Robert Altman’s A Prairie Home Companion ; and Seth Gordon’s documentary The King of Kong: A Fistful of Quarters . Time Warner later folded Picturehouse and New Line into the general Warner Bros. operations and the brand continued to live in the home entertainment and television releases of its films. Most recently Berney co-founded and served as president of theatrical distribution of FilmDistrict, overseeing the roll outs of Insidious, Soul Surfer, Don’t Be Afraid Of The Dark and Drive . Prior to Picturehouse he worked at IFC Films, where he acquired and oversaw the release of films including the $240-million surprise hit My Big Fat Greek Wedding and Y Tu Mamá También . Later he served as president and partner of Newmarket Films, releasing features including Mel Gibson’s $370 million-grossing The Passion of the Christ as well as Monster , which earned Charlize Theron the Best Actress Academy Award; and Whale Rider , a little-known Toronto International Film Festival find that also received a Best Actress nomination. Newmarket sold its distribution operation to Time Warner as part of the formation of Picturehouse. Entertainment marketing veteran Jeanne Berney most recently served as Executive Vice President of Marketing at FilmDistrict. Before that, she was Executive Vice President of Marketing and Administration for Apparition. Jeanne Berney also served as Director of Public Relations and Marketing at the Film Society of Lincoln Center, where she was responsible for the campaigns for all of the Society’s year-round programs.

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Metallica Movie Heads To Theaters Via Resurrected Picturehouse Founder Bob Berney

MGM Planning New Version Of ‘Ben-Hur’

You can tell that MGM is super happy about its recent surprise resurrection (thanks in no small part to the global success of Skyfall and The Hobbit ), because they’re planning to celebrate by remaking one of the most successful biblical epics ever produced, the swords and sandals epic  Ben-Hur . The symbolism could not be more perfect. Not only does Ben-Hur heavily feature noted coming-back-from-the-dead practitioner Jesus Christ as a supporting character, but the last theatrical adaptation, the lavish 1959 version starring Charleton Heston as Ben-Hur, netted MGM a record 11 Academy Awards in 1960 (the studio also produced a silent version in 1925 that is also awesome). MGM clearly hopes that magic will strike twice, as they well should because a story of this scope and scale won’t come cheaply. Originally an 1880 novel by former Civil War Union general Lew Wallace, Ben-Hur (originally titled: Ben-Hur: A tale of The Christ ) follows the life of Judah Ben-Hur, a Jewish prince who grows up in the shadow of Roman domination of Judea. After being betrayed by his childhood best friend, the Roman patrician Messala, Ben-Hur is sold into slavery. From here, he manages to be freed after he saves the life of a Roman consul during a battle with pirates, and is adopted into the consul’s family, and distinguishes himself as an expert chariot racer, until he leaves Rome and returns to Judea to track down Messala and exact revenge for his betrayal. Throughout the novel, Jesus makes several appearances until, at the end, Ben-Hur witnesses the crucifixion and becomes an early Christian convert. So yeah, a lot happens, and it happens amid some of the most spectacular excesses in ancient Rome. To get it right, MGM has turned to a script by Keith Clarke, noted for scripting the 2010 Colin Farrell film The Way Back , as well as several documentaries. His take apparently places greater emphasis on the childhood of Ben-Hur and Messala, but it also preserves the books religious themes. And believe me, if you haven’t read the book or seen any of the filmic adaptations, it HEAVILY evangelizes for Christianity on a level that many will feel is aggressive and discomforting by today’s standards. Incidentally, I am an atheist, and thus I’m immune to all the stuff at the end in which miracles start happening. So I’m happy to report that the 1959 version of Ben-Hur  is one of my favorite films of all time, a truly staggering epic featuring some of the greatest scenes ever filmed (watch the famous chariot racing scene and marvel at the fact that they couldn’t do that using special effects during the 1950s.) Best of all, Charlton Heston is the Aristotelean perfection of movie hamminess. I’d love to see a new version of Ben-Hur , and as far as I’m concerned, if they’re going to do it, they need to do it right and leave all the Jesus stuff in. Removing the religion would be like taking the Force out of Star Wars . Of course, it’s going to require a deft touch not to end up freaking a big section of the potential audience out. Here’s hoping Clarke has what it takes. [Source: Deadline .] Ross Lincoln is a LA-based freelance writer from Oklahoma with an unhealthy obsession with comics, movies, video games, ancient history, Gore Vidal, and wine.  Follow Ross Lincoln on Twitter. Follow Movieline on  Twitter .

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MGM Planning New Version Of ‘Ben-Hur’

‘Twins 2,’ ‘Predator’ Hypotheticals, And Handwritten Highlights From Arnold Schwarzenegger’s Reddit AMA

Oh, that Arnold Schwarzenegger . Even taking on the infamous Reddit Ask Me Anything (AMA) , the ex-Governator did things the Arnold way . From pimping his action movie comeback The Last Stand to delighting the internetz with handwritten (via iPad) quips and quotes (” It’s not a tumor! — Arnold “) to taking the briefest of political detours as he set fanboy hearts a’flutter, Schwarzenegger proved he’s still got what it takes to charm the fickle masses. (We’ll see if they vote this weekend where it really counts: At the box office.) Arnold, who returns to the big screen in Korean director Kim Jee-Woon’s contemporary Western The Last Stand this Friday, on which directors he’d still love to work with : “I would like to work with Michael Bay and Steven Spielberg . Also Sam Raimi would be great to work with.” Regrets — I think we can imagine Arnold has a few. But can you guess his greatest regret of all? “I most regret not doing The Rock . I love the movie, and it turned out well. When it was offered to me there was only an 80 page script with a lot of handwriting and scribbles and it didn’t seem fully baked. But they obviously did a fantastic job.” You know, typing on a keyboard can be so cumbersome. (Plus, anyone’s assistant/intern/publicist can do it on their behalf… just sayin’.) So Arnold took to his iPad to bang out some handwritten AMA answers in glorious Arnold cursive. Like this confirmation that the already-confirmed Twins sequel is indeed happening : The eternal question: ” Is it a tumor? ” Of course, the former California governor had to balance things out with some politi-speech real talk about the Republican party : “The most important thing is that we need to be a party that is inclusive and tolerant. We can be those things and be the party we always have been. We need to think about the environment — Teddy Roosevelt was a great environmentalist and people forget Reagan was the one who dealt with the ozone layer with the Montreal protocol. We also need to talk about healthcare honestly — Nixon almost passed universal healthcare. We need to have an talk about immigration and realize you can’t just deport people. We need a comprehensive answer. We also need to stay out of people’s bedrooms. The party that is for small government shouldn’t be over-reaching into people’s private lives. Mainly, we need to be a party where people know what we are for, not just what we are against.” …but he brought it back around to the important stuff : Would you rather fight 100 duck sized Predators or 1 Predator sized duck? “I would choose the 1 Predator sized duck instead of dealing with 100 duck-sized Predators. I’ve already fought a Predator-sized Predator so I am confident I could handle the duck.” [via Reddit ] Follow Jen Yamato on Twitter . Follow Movieline on Twitter .

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‘Twins 2,’ ‘Predator’ Hypotheticals, And Handwritten Highlights From Arnold Schwarzenegger’s Reddit AMA

Disney Sets ‘Pirates Of The Caribbean 5’ For 2015

Johnny Depp is still sailing toward another round in the Caribbean, but the swashbuckling will have to wait a couple years. Disney unveiled a slew of dates for a half-dozen of its anticipated titles Monday with Pirates of the Caribbean 5 anchoring July 10, 2015. [ Related: Johnny Depp Taps Keith Richards For ‘Pirates Of The Caribbean’ Return ] Depp will be on deck once again as Jack Sparrow with Jerry Bruckheimer producing from a script by Jeff Nathanson. The Pirates series has grossed over $3.7 billion worldwide. The last feature, Pirates of the Caribbean: On Stranger Tides took in a cool $1.043 billion globally. No director has been named for the next installment. Also headed to theaters from Disney is Maleficent , the untold story of the villain behind the 1959 classic, Sleeping Beauty , which stars Angelina Jolie in the title role as well as Sharlto Copley, Elle Fanning and Sam Riley. It is moving to a July 2, 2014 release from its March 14, 2014 original. The Muppets 2 , starring Ricky Gervais and Ty Burrell will head to theaters March 21st in 2014, while Chris Evans starrer Captain America: The Winter Soldier will open April 4, 2014. The pic directed by Anthony and Joe Russo will be available in 3-D. Also in 3-D is Marvel’s Guardians of the Galaxy , set for August 1, 2014 with James Gunn as director. And 1952 (3-D)m starring George Clooney is set for December 19, 2014. Keith Richards, who appeared as Captain Teague in the franchise in On Stranger Tides and 2007’s At World’s End teased last November he may head back to Pirates once again. “I spoke to Johnny a couple of weeks ago and he said, ‘Are you up for another one?’ I can leave it at that because I know no more,” Richards told BBC 6 Music last year. “But I do have the costume!”

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Disney Sets ‘Pirates Of The Caribbean 5’ For 2015