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Christopher Nolan To Direct ‘Interstellar’: Peep The Science Behind The Wormhole Sci-Fi Pic

Nolanites, prepare to get really nerdy: Per THR , Christopher Nolan is in talks to direct and produce Interstellar , scripted by brother Jonathan Nolan , AKA the 2001 -esque project that Steven Spielberg was once attached to which “involves time travel and alternate dimensions in a story that sees a group of explorers travel through a wormhole.” What’s just as exciting as the prospect of another Chris/Jonah Nolan team-up (following Memento , The Prestige , The Dark Knight , and The Dark Knight Rises ) is the fact that Interstellar is grounded in the scientific developments of CalTech gravitational physicist and astrophysicist Kip Thorne, who theorized that cosmic wormholes can be used to time travel by connecting two points in time . Like, in real life . As Thorne told Discover Magazine in 2007, his musings on time travel via space-warping wormhole began when Carl Sagan asked advice while writing Contact : In Carl Sagan’s original version of his novel Contact , he had his heroine traveling through a black hole to a distant part of the universe, and he asked me for advice. I immediately told him, “You can’t do that. Black holes can’t be used in that way,” and I suggested he use a wormhole instead. That got me interested in the issue of whether or not there really could be wormholes that you could travel through, and quite quickly I came to realize that if they did exist, it would not be hard for a very advanced civilization to use a traversable wormhole to make a time machine . Of course, toying with time travel — especially the kind of fate-changing backward time travel characters frequently attempt in the movies — could have catastrophic consequences: It’s quite unlikely that one can go backward in time — although it is certainly not ruled out — and it may be that nature has mechanisms to prevent backward time travel. When I was studying this, I came away convinced that the laws of physics can be readily adapted to backward time travel without any serious loss of ability to predict and without self-inconsistencies. I think more interesting was the discovery I made with a postdoc, Sung-Won Kim from Korea, that there is a universal mechanism that always occurs: If any highly advanced civilization attempts to make a time machine for backward time travel, quantum effects will cause the time machine to begin to self-destruct explosively at the moment you activate it . Prior to Jonathan Nolan’s scripting involvement, Interstellar began as a treatment written by Thorne and producer Lynda Obst back when Spielberg was attached. According to Thorne, Interstellar concerns what he calls “the warped side of the universe” — something he discusses in this video, describing it as a fist-in-a-trampoline before jovially telling his young interviewer that a black hole ” would rip the atoms your body is made from apart “: [ THR , Discover ] Follow Jen Yamato on Twitter . Follow Movieline on Twitter .

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Christopher Nolan To Direct ‘Interstellar’: Peep The Science Behind The Wormhole Sci-Fi Pic

Josh Brolin Joins Robert Rodriguez And Frank Miller’s ‘Sin City: A Dame To Kill For’

Oscar-nominee Josh Brolin is joining the cast of the next Sin City , joining fellow cast members Mickey Rourke , Jessica Alba , Rosario Dawson , Jaime King, Joseph Gordon-Levitt and more. Brolin will star as Dwight in the follow-up to Frank Miller’s 2005 Sin City . In the latest installment, Dwight is hunted down by the only woman he ever loved, Ava Lord, and then watches his life go straight to hell. Chronologically, this story takes place prior to “The Big Fat Kill” (featured in the film Frank Miller’s Sin City ) and explains how Dwight came to have a dramatically different face. Dame weaves together two of Miller’s classic stories with new tales in which the town’s most hard boiled citizens cross paths with some of its more repulsive inhabitants.   “Dwight is a constant character throughout the Sin City world and A Dame To Kill For is a defining episode in his life.  We’re looking forward to Josh’s take on Dwight,” said Rodriguez and Miller in a statement. The part of the Dame has not yet been cast and production is currently underway at Rodriguez’s Troublemaker Studios in Austin, TX. The film, which was developed by Miller based on his graphic novel, will be released by Dimension Films in North America October 4th.

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Josh Brolin Joins Robert Rodriguez And Frank Miller’s ‘Sin City: A Dame To Kill For’

J.J. Abrams Gives Fan With Cancer A Way Early Sneak Of ‘Star Trek Into Darkness’

Combine a kind heart and the power of social networking and sometimes, the proverbial mountain will go to Muhammad. That was the case recently when director J.J. Abrams granted a dying cancer patient the chance to see Star Trek Into Darkness months before the feature is set to head into theaters. [ Related: New ‘Star Trek Into Darkness’ Teaser: The Wrath Of Cumberbatch? ] Abrams learned of the man’s wish last week on link-sharing site Reddit. A user identified as ideeeyut detailed how his 41-year old Trekkie friend, who has leukemia and other health issues, headed out to a screening of The Hobbit: An Unexpected Journey hoping to catch a ten-minute preview of the upcoming Star Trek film. The theater, however, did not play the preview, which is showing in most theaters. The disappointment lead Daniel’s friend to give a “passionate plea” via Reddit for help to allow Daniel to see the film, according to CNET via Deadline. After the request hit Reddit, the story found its way onto a number of Trek and geek sites, leading one user to tweet the story to J.J. Abrams and other working on the film, leading to Abrams telephoning Daniel up about setting plans for a personal preview. Ideeyut went back to Reddit a few days later, quoting Daniel’s wife who said, “We saw it and we enjoyed it immensely as a film and as a gesture.” She said further that she hoped the message would spotlight the “heartfelt message of giving.” Star Trek Into Darkness opens May 17th. [Sources: CNET , Deadline ]

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J.J. Abrams Gives Fan With Cancer A Way Early Sneak Of ‘Star Trek Into Darkness’

‘The Hunger Games: Catching Fire’ Tops Most Anticipated Blockbusters For 2013

The Hunger Games: Catching Fire , The Hobbit: The Desolation of Smaug and Iron Man 3 are among the most anticipated blockbusters of 2013. That is the result of survey of over 2,000 film fans by online movie ticketing site Fandango, which asked users their picks for the new year. The survey also ventures into who potential audiences are eyeing as potential breakouts over the year. Leading the pack among Best Male Breakout Movie Star is Henry Cavill , the Immortals star who will play Clark Kent/Superman in the upcoming Zack Snyder pic Man of Steel . Men in Black 3 actress Alice Eve tops the ‘Biggest Female Breakout Movie Star.’ The Men in Black 3 actress will play Dr. Carol Marcus in the upcoming Star Trek Into Darkness , which is also one of the most anticipated blockbusters of the new year. Sir Ben Kingsley tops the “Most Anticipated Villain” category for Iron Man 3 (also an anticipated blockbuster), while World War Z tops out “Most Anticipated Apocalyptic Movie.” The action-drama stars Brad Pitt, Mireille Enos and David Morse follows a U.N. employee who travels around the world in a race against time to stop the outbreak of a deadly Zombie pandemic. After being Sexiest Man Alive in 2012, Channing Tatum is apparently maintaining momentum into 2013, coming in as the top “Sexiest Man in the Movies” for his roles in G.I. Joe: Retaliation and White House Down . Mila Kunis leads the pack in the female category for Oz: The Great and Powerful . Two-thousand fans were polled by Fandango last week. And what are your Most Anticipated Films and Actors of 2013? Fan picks via Fandango for 2013 : Most Anticipated Blockbuster 1. The Hunger Games: Catching Fire 2. The Hobbit: The Desolation of Smaug 3. Iron Man 3 4. Star Trek Into Darkness 5. The Great Gatsby Biggest Male Breakout Moviestar 1. Henry Cavill ( Man of Steel ) 2. Sam Claflin ( The Hunger Games: Catching Fire ) 3. Armie Hammer ( The Lone Ranger ) 4. Jai Courtney ( A Good Day to Die Hard ) 5. Nicholas Hoult ( Jack the Giant Slayer ; Warm Bodies ) Biggest Female Breakout Moviestar 1. Alice Eve ( Star Trek Into Darkness ) 2. Chloë Grace Moretz ( Carrie ) 3. Alice Englert ( Beautiful Creatures ) 4. Jurnee Smollett-Bell ( Tyler Perry’s Temptation: Confessions of a Marriage Counselor ) 5. Gabriella Wilde ( Carrie ) Sexiest Woman In The Movies 1. Mila Kunis ( Oz: The Great and Powerful ) 2. Jessica Alba ( Sin City: A Dame to Kill For ) 3. Halle Berry ( Movie 43 ) 4. Zoe Saldana ( Star Trek Into Darkness ) 5. Jennifer Lawrence ( The Hunger Games: Catching Fire ) Sexiest Man In The Movies 1. Channing Tatum ( G.I. Joe: Retaliation ; White House Down ) 2. Hugh Jackman ( The Wolverine ) 3. Ryan Gosling ( Gangster Squad ) 4. Johnny Depp ( The Lone Ranger ) 5. Robert Downey, Jr. ( Iron Man 3 ) Most Anticipated Villain 1. Ben Kingsley ( Iron Man 3 ) 2. Benedict Cumberbatch ( Star Trek Into Darkness ) 3. Michael Shannon ( Man of Steel ) 4. Will Yun Lee ( The Wolverine ) 5. Christopher Eccleston ( Thor: The Dark World ) Most Anticipated Apocalyptic Movie 1. World War Z 2. After Earth 3. Pacific Rim 4. This Is the End 5. Oblivion

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‘The Hunger Games: Catching Fire’ Tops Most Anticipated Blockbusters For 2013

Quentin Tarantino Wants To Work With Johnny Depp If He Writes ‘Right Character’

Even as he anticipated the sunset of his filmmaking career recently, Quentin Tarantino is looking ahead to who he’d like to work with, and Johnny Depp tops the list. The Django Unchained director said he’d like Depp to star in a future pic, but will only cement plans once he’s written the perfect part for the Pirates of the Caribbean actor. [ Related: Quentin Tarantino Hints At Retirement And Getting High On ‘Django Unchained’ and Quentin Tarantino Wants You To Feel The Inhumanity Of Slavery In ‘Django Unchained’ ] Tarantino told talk show host Charlie Rose that it would be “magical” to work with the 49 year-old actor, adding: “We would love to work together. We’ve talked about it for years. Not that we get together and talk about it for years, but from time to time.” The two appear to have mutually high esteem for the other, according to Tarantino. But the key is finding the right moment. “We’re obviously fans of each other,” he said according to Contactmusic.com. “I just need to write the right character that I think Johnny would be the right guy to do it with. And if he agrees, then we’ll do it, and then it’ll be magical.” Continuing, Tarantino shared that he hasn’t as of yet, “written the perfect character for Johnny Depp as of yet. Maybe someday I will, maybe someday I won’t. We’ll see.” Tarantino also said he’d like to work with Meryl Streep and Michael Caine. The filmmaker recently unveiled plans for a new movie, tentatively titled Killer Crow , which would again center on people rising up against their overlords, forming a trilogy with the current Django Unchained and 2009’s Inglorious Basterds . [ Sources: Contactmusic.com , Mid-Day.com ]

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Quentin Tarantino Wants To Work With Johnny Depp If He Writes ‘Right Character’

‘The Hobbit’ Perched Atop The Box Office Again

Peter Jackson ‘s The Hobbit: An Unexpected Journey surpassed the competition at the box office over the long New Years weekend, outgrossing powerhouse newcomers Django Unchained and Les Misérables in their first full weekends in theaters. The first installment of the Hobbit trilogy grossed a chart-topping $48.3 million in the Friday to Tuesday holiday period in 4,100 theaters. That was nearly $3.788 million more than the overall box office’s runner-up, Quentin Tarantino’s Django Unchained , though it should be noted that that title screened in 1,090 fewer theaters. The result is that Django scored the highest per screen average among the top 10, with $14,788 vs. The Hobbit ‘s $11,780. Django grossed $44.513 million over the long weekend. Fellow Christmas opener Les Misérables took in $41.14 million over the five-day holiday, placing third and a strong $14,620 average. The Box Office Top 10 with numbers from the New Years Friday – Tuesday holiday: 1. The Hobbit: An Unexpected Journey Gross: $48,300,511 (Cume: $238,001,325) Theaters: 4,100 (PSA: $11,780) 2. Django Unchained Gross: $44,513,232 (Cume: $77,833,497 – Xmas Day Opener) Theaters: 3,010 (PSA: $14,788) 3. Les Misérables Gross: $41,140,685 (Cume: $87,579,110 – Xmas Day Opener) Theaters: 2,814 (PSA: $14,620) 4. Parental Guidance Gross: $23,667,732 (Cume: $38,456,424 – Xmas Day Opener) Theaters: 3,367 (PSA: $7,029) 5. Jack Reacher Gross: $21,262,535 (Cume: $51,815,693) Theaters: 3,352 (PSA: $6,343) 6. This Is 40 Gross: $18,678,740 (Cume: $42,609,030) Theaters: 2,914 (PSA: $6,410) 7. Lincoln Gross: $12,122,623 (Cume: $136,652,420) Theaters: 1,966 (PSA: $6,166) 8. The Guilt Trip Grosss: $10,424,431 (Cume: $24,834,787) Theaters: 2,431 (PSA: $4,288) 9. Monsters, Inc. Gross: $9,831,867 (Cume: $21,958,331) Theaters: 2,618 (PSA: $2,463) 10. Rise of the Guardians Gross: $7,644,497 (Cume: $92,891,627) Theaters: 2,055 (PSA: $2,381) [ Source: Box Office Mojo ]

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‘The Hobbit’ Perched Atop The Box Office Again

Memo to Antoine Fuqua: Spike Lee Should Shout His Beef With Quentin Tarantino Not Share It Over Coffee

So, right before 2012 ended,   Training Day director Antoine Fuqua piped up from Capri, Italy to assert that Spike Lee should not have publicly criticized Quentin Tarantino’s Django Unchained for the movie’s spaghetti-western-style depiction of slavery. And to that I can only say, “Huh?”  If ever there’s a movie made to be publicly, loudly — and heatedly — debated, it’s QT’s anti-slavery epic.   If you were offline for the holidays, here’s a recap of the situation:  As Movieline’s Brian Brooks reported  on Dec. 27, Lee declared that he has no intention of seeing Django Unchained . “I can’t disrespect my ancestors,” the Red Hook Summer director told Vibe magazine. He further elaborated via Twitter that “American Slavery Was Not A Sergio Leone Spaghetti Western. It Was A Holocaust.” Enter Fuqua, who took issue with the noisy way that Lee’s expressed his criticism. While at the Capri, Hollywood Film Festival in Italy, Fuqua told   The Hollywood Reporter  told the publication: “That’s just not the way you do things….If you disagree with the way a colleague did something, call him up, invite him out for a coffee, talk about it. But don’t do it publicly.” (Fuqua further defended Tarantino, albeit without actually having seen Django. ) For starters, I have to say that the idea of Spike Lee quietly and politely expressing his opinion — about anything —  is pretty funny.  Lee is a New Yorker, and a filmmaker who has succeeded precisely because he has no reservations about giving voice to controversial ideas, whether verbally, in written form, or through his preferred medium of film, that the average person and a lot of establishment filmmakers would be afraid to tackle. But whether Lee is talking about his beloved New York Knicks or Tarantino’s portrayal of slavery in Django Unchained , he’s going to speak his mind and he’s going to do it in a way that will insure a lot of people hear him. Back in 2008, Lee tangled with Clint Eastwood when he criticized the veteran filmmaker for not including any black soldiers in two movies about World War II, Flags of Our Fathers and Letters From Iwo Jima .  “Many veterans, African-Americans, who survived that war are upset at Clint Eastwood . In his vision of Iwo Jima, Negro soldiers did not exist. Simple as that. I have a different version,” Lee said at the Cannes Film Festival that year. Eastwood eventually responded that Lee should “shut his face,” and the Do The Right Thing director fired back: “We’re not on a plantation.” In 2012, Lee also sounded sour on the subject of Star Wars creator George Lucas’ movie about the Tuskegee Airmen, Red Tails . In response to comments that Lucas had made in the media about the studios inability to market black action films, Lee told The Daily Beast: “Here’s a question—this is very important—did George Lucas not understand that the marketing departments of all these Hollywood studios are all white? He only discovered that for  Red Tails ?! I’ve been saying this stuff for years. It’s not new!” It’s Lee’s nature to be argumentative and controversial, and Tarantino should welcome his fellow filmmaker’s barbs. For one, thing, Tarantino likes to stir the pot, too, albeit it in a more politically correct way. Before Christmas, he appeared on a Canadian talk show to contend that slavery still exists in the United States via the war on drugs and America’s penal system — on that issue, I suspect he and Lee would see eye to eye — and he has also suggested that a true debate on slavery and its ramifications has been avoided.  (“People are a little too sensitive to talk about stuff,” Tarantino said during his on-camera time in Canada.) Samuel L. Jackson made a similar point when I interviewed him about Django . “We’ve been avoiding really talking about it,” he told me, and he’s right.  So, with all due respect to Fuqua, I applaud Lee’s decision to speak his mind, and I’d love to see Tarantino answer him.  What would really be great is to get Tarantino, Django Unchained producer and filmmaker Reginald Hudlin , Fuqua, Jackson and Lee to debate this issue loudly, publicly — and heatedly. It’s time. Read More On Django Unchained:  Quentin Tarantino Says Slavery Still Exists Via ‘Mass Incarcerations’ & The ‘War On Drugs’ Quentin Tarantino’s ‘Django’ Klansmen Inspired By John Ford: ‘To Say The Least, I Hate Him’ [ The Hollywood Reporter , Huffington Post , The Daily Beast ] Follow Frank DiGiacomo on Twitter. Follow Movieline on Twitter.

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Memo to Antoine Fuqua: Spike Lee Should Shout His Beef With Quentin Tarantino Not Share It Over Coffee

The Time Joel Silver Destroyed A $5K Couch During The Filming Of ‘Die Hard’

We all know producers can be a bunch of real, ah, prickly people. They kind of have to be, since their job, so long as it’s their actual job and not just a title given to them because they invested a couple of mil into the production, is to make sure everything goes smoothly, the film stays within budget, and the money isn’t wasted on limos when it could be wasted instead on expensive CG effects that look completely dated within 3 years*. As a result, these guys tend to be blunt as hell and not afraid to hurt some mothaf*ckin’ feelings when they rolling deep through the movie hood , as it were. Take Joel Silver , the famously take-no-prisoners producer of the Lethal Weapon and Die Hard films.** Screenwriter Doug Richardson, the guy who Wrote Die Hard 2: Die Harder , and Bad Boys , has shared a story from the making of Die Hard over on his official site , and it’s a most triumphant example of producer due diligence at the expense of expensive furniture you’ll ever hear. Remember the scene in Die Hard when the roof of Nakatomi Plaza explodes, and the penthouse lobby and fountain area is completely trashed? You might have noticed there’s an expensive looking couch in that scene; You might have also noticed that it appears to survive the initial explosion, only to show up seconds later completely aflame. There’s a reason for that — the couch wasn’t just expensive looking , it actually cost $5,000 back in 1988 which in today’s money is about 5 trillion dollars.*** Apparently, the scene drew cheers and high fives from everyone on the crew after they pulled it off during the shoot; except for Silver that is, whose eagle-eyed penny-pinching powers detected something odd, or as Richardson puts it, “possible sabotage.”  To set the scene for what happens next, you might want to find a copy of Who Framed Roger Rabbit  and check out Silver’s blustery cameo as the director of the Baby Herman cartoon. Joel called for the entire crew to assemble on the nearly-demolished set, gathering the mob around a gorgeous, leather Roche-Bobois sofa.  Estimated value, five thousand dollars.  The couch, despite the conflagration that they’d all just witnessed, was in showroom condition.  Untouched by destructive fire, explosives, or water. “I wanna know,” Joel shouted, “Who just ruined my shot!” You see, Joel had been around more than a few movie sets.  He knew how things worked.  He understood how the occasional underhanded crew member operated.  In this case, he suspected that one crew member had paid off another crew member on the special effects crew to make certain that the five-thousand-dollar sofa survived the wreckage. “Somebody on this crew,” announced Joel, “Decided to furnish their home at the expense of the movie.” Can you blame them though? I mean, this was the ’80s, and we didn’t have Ikea to make giant couches affordable yet. With that, Joel produced a bottle of lighter fluid, doused the expensive sofa in accelerant, and tossed a match to it.  The lesson ended as the couch erupted in flame.  The set was cleared again.  And camera operators were ordered to “roll film.” Five grand must seem a trivial sum for a movie with a $28-million budget, but damned if you can’t respect someone for making sure every dollar spent on the movie ended up onscreen. I just wonder if he hummed “Ode To Joy” while torching some lowly grip’s living-room dreams. No word from Richardson if similar hijinks happened during the making of Die Hard 2. Probably not, I mean, how many times can the same thing happen to the same guy? * I kid, I kid! ** And a jillion others of course. He helped Walter Hill get The Warriors and Streets of Fire made! *** I’m guessing this is the case based on the way people are freaking out about raising the minimum wage. [ Source: Movies.com ] Ross Lincoln is a LA-based freelance writer from Oklahoma with an unhealthy obsession with comics, movies, video games, ancient history, Gore Vidal, and wine. Follow Ross Lincoln Twitter.  Follow Movieline on Twitter .

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The Time Joel Silver Destroyed A $5K Couch During The Filming Of ‘Die Hard’

The First Four Minutes Of Warm Bodies Is Actually Touching

Coming off like a mashup of Shaun of the Dead and Zombie Land with some manic pixie dream girl nonsense thrown in, the premise of Warm Bodies – after a worldwide apocalypse, zombie boy falls in love with human girl – is interesting, and the book upon which it’s based has been really well received. But in the hands of the wrong studio things could go horribly wrong. Like The Time Traveller’s Wife horribly wrong. Add to this the fact that we’re dangerously close to reaching peak zombie and you feel less like we’re about to get something cool and more like we’re about to see the last drops of fuel extracted from a dried out earth, Mad Max style, before the zombie genre is killed forever. Consider my fears (temporarily) averted. Via Fandango, the first four minutes of Warm Bodies has popped up online, and shocker, it manages to be funny and kind of touching, and reveals a really interesting take on the whole undead-as-a-metaphor-for-something thing. Previous zombie films have used the shuffling undead as a stand-in for things like consumerism and global pandemics like AIDS. Warm bodies treats it note for note like depression. Have a look and see for yourself. Rob Corddry as a middle aged zombie who clearly used to be a heavy drinking business traveller is also a nice touch. Yeah, it does mine rather overexploited territory, glossing over the origins of the apocalypse via heavy references to other well known zombie films, but that’s fine because it looks like we might be getting our first original take on zombies in several years. Just so long as none of them run. Please god, please don’t let them be runners. [ Source: Fandango ]

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The First Four Minutes Of Warm Bodies Is Actually Touching

The Lowest-Grossing Film Of 2012 Made Less Than $300. Wait, What?

2012’s lowest-grossing film has been revealed, and people, this one kind of hurts. [ Related: Domestic Box Office Rises In Dollars And Audiences In 2012 ] The Christian Slater horror film Playback gathered an astonishing $264.00 – yes, that’s two hundred and sixty four – in theaters. Well, theater, to be exact; it only showed for one week in a single cinema. The figure gives Playback the honor as 2012’s lowest grossing film of the year. It earned $252.00 on opening night and just 12 dollars more during the following week, after which it was pulled. It has since made its way to VOD via Netflix and Amazon Prime. That has got to hurt, but when your career includes Gleaming the Cube and Hard Rain , at least you’re probably prepared for the emotional toll. Still, it makes me wince, even 20 years later, every time I’m reminded that I once actually liked Christian Slater movies. At least Heathers and True Romance still hold up*! As 2012 comes to a depressingly apocalypse-free conclusion, it’s not surprising that we’re seeing the last, painful lists of ignobility slipping out at the last minute. What better way to prepare ourselves for the new year than by embracing obstacles head on. If yesterday’s news of the most pirated movies proves that a bumper crop (cash-wise) for Hollywood doesn’t mean there still isn’t a problem with pilfered films, today’s offers unexpected confirmation that F. Scott Fitzgerald might have been right about there not being any second acts in American lives. At least for formerly successful actors. So at least we can all take comfort that our English teachers may have been onto something after all. * Well, True Romance, at least.

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The Lowest-Grossing Film Of 2012 Made Less Than $300. Wait, What?