The hardest thing about being an American critic covering a European festival is that almost anything you write is bound to smack of “I’m here, in a fantastic European city, seeing things that you can’t.” So here I am in Venice, one of the most beautiful cities in the world, looking at brand-new movies that many of you won’t be able to see for weeks or months, or maybe ever.
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Postcard From Venice: Black Swan Could Stand to Go Even Blacker
