I don’t pretend to be a feminist or even understand feminism beyond accepting the fundamental concept of gender equality. That has always seemed straightforward enough, despite the vagaries and complications evident in myriad cultural examples from Michele Bachmann to Margaret Cho to Diablo Cody, the stripper-turned-scribe whose three produced screenplays to date — Juno , Jennifer’s Body and this week’s Young Adult — make up some of contemporary cinema’s rangier ruminations on feminism. Or at least what I think is feminism.
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REVIEW: Theron, Reitman and Cody Combine For Stark, Sublime Young Adult
