Tag Archives: angry-or-felt

Silversun Pickups Revive The ’90s With ‘Royal We’ Video

Directed by famed photographer Matt Mahurin, clip features angsty, out-of-focus close-ups of the band and scenes of outstretched hands and skylines. By James Montgomery Silverson Pickups’ “The Royal We” Photo: Dangerbird Records You may have to take my word for it, but the 1990s were a totally insane decade. Especially when it came to music videos. It was a time when basically every artist got to do whatever they wanted when it came to making videos, no matter the cost, which meant that, sure, we got lots of super-epic “November Rain” types of clips and the occasional iconic “Smells Like Teen Spirit” kind of thing, but mostly, we got lots and lots of introspective, not-entirely-in-focus mood-pieces. Which wasn’t necessarily a bad thing. I have fond memories of watching hours and hours of angsty, obtuse videos featuring shadowy dudes peering ominously off into space, or brightly lit (yet totally blurry) actors doing things that were supposed to be “deep.” White flashes were frequently used between cuts. There was usually water involved. Or spooky trees. Billowing fabrics with images projected onto them. Grainy, purposely scratched film. Symbolism. Animals running in slow motion. It was all pretty amazing, in retrospect. The reason I’m bringing all of this up isn’t to kick-start your week with a dose of nostalgia, but rather because the Silversun Pickups — a band who are frequently compared to ’90s mainstays the Smashing Pumpkins — have just unveiled their brand-new video for the song “The Royal We,” and, wow, is this thing airlifted right out of the Clinton era. Directed by famed photographer Matt Mahurin (who made a whole lot of these types of videos in the 1990s for acts like Metallica, Bush, Soundgarden and Blind Melon), “Royal We” is like a four-minute walk down memory lane. Angsty, out-of-focus close-ups of the band (or, alternately, angsty, in-focus-yet-shiftily-lit close-ups.) Blurry, brightly colored scenes of outstretched hands and skylines and dudes sprinting towards something. Bizarre, presumably symbolic shots of stuff like a torso with a crumbling tower for a head. Oh, and as an added bonus, Mahurin makes most of the footage skip and stretch, sort of like you’re watching the whole thing on a VCR (adjust the tracking, stat!). Seriously, this thing made me feel 13 again. And that’s what I like best about it. I’m guessing that the guys — and gal — in SSPU are about the same age as I am, which means they undoubtedly grew up watching the exact same videos I did … which means that this is sort of a dream come true for them. It’s exactly the same kind of video I’d make, had I the budget or wherewithal. Perhaps it will inspire a ’90s revival, and I’ll get to enjoy even more really weird videos. My inner 13-year-old can still dream, can’t he?

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Silversun Pickups Revive The ’90s With ‘Royal We’ Video

Wale Plays The Gentleman In ‘Diary’ Video

Rapper gets the girl in new video, which premieres on MTV Jams May 31. By Jayson Rodriguez Wale in “Pretty Girls” Photo: Interscope Wale partied and showed off his Washington, D.C., roots for his breakout video “Pretty Girls,” but in the rapper’s new clip for “Diary,” he plays more of the gentleman type. “What he wanted to do was kind of show that we, as men, when we approach a girl, we don’t always know exactly what her past was,” Rik Cordero, who helmed the shoot, told MTV News. “Whether she was angry or felt a sort of way because another dude made a mistake that we have to pay for, that was the message Wale wanted to get across in this video.” In the opening scene of “Diary,” Wale is shown passing out flyers for an event and then approaches a group of girls, going directly up to the one in whom he’s interested. The woman, though, isn’t too impressed with Wale and quickly rebuffs him, telling him she’s not really interested. “You didn’t even give me a chance,” he shoots back before she walks away. “It’s like that,” Wale adds. Through a series of flashbacks, though, viewers see what happened to the female protagonist leading up to her brief encounter with Wale. She had discovered her boyfriend was cheating on her, and after she approached him, she was confronted by his “other woman,” leading her down a path of pain and confusion. The film was shot in New York in and around Sputnik, a local bar and lounge in Brooklyn’s Bedford-Stuyvesant neighborhood. The venue is featured prominently in the last scene, which involves a poetry night in which Wale’s last verse addresses his leading lady’s hardships. His inspirational lines, delivered in a spoken-word-like soliloquy, hang in the air as she makes her way into the club, surprised to see Wale behind the microphone onstage. “Diamonds, a girl’s best friend, is what they say, but believe me, with the right allegiance, you gonna shine anyway,” he says, as he connects eyes with her and she finally smiles back. What do you think about Wale’s “Diary” video? Let us know in the comments!

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Wale Plays The Gentleman In ‘Diary’ Video