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Elizabeth Olsen, Shailene Woodley, and Other 2011 Highlights From The Verge

For nearly three years, Movieline’s Verge feature has introduced you to the likes of Jessica Chastain, Jennifer Lawrence, Armie Hammer, Emma Stone, Chris Hemsworth and dozens of other bright young screen talents on their ways to the big time. 2011 was no exception, so wind down the year with a look back at — and a word with — a few major new players you’ll be seeing plenty of in the future. John Boyega AGE: 19 THEN: Fought off alien invaders in South London in the cult favorite Attack the Block NOW: Leading the Spike Lee/Mike Tyson/John Ridley HBO series Da Brick ON COMING TO HOLLYWOOD “McDonald’s is a big highlight for me. [… Y]ou do things differently. Seriously. I mean, I asked for a burger and they give me a tank. It’s like, ‘Wow, you guys eat!’ I really respect that. We don’t have the little thing where you can refill your drinks. We don’t have that! So yeah, it’s been fun. Seeing the history, seeing the Hollywood sign. I’ve been on Sunset. I went to the Griddle Cafe. Oh, man. I had an Oreo pancake. It was heavenly. I don’t want to go back now, just because of that pancake.” Joel Courtney AGE: 15 THEN: Made film debut in J.J. Abrams’s Super 8 NOW: Will appear as the former Twain hero in upcoming Tom Sawyer & Huckleberry Finn ON THE SPIELBERG FACTOR : OK, I have to tell you. The first time Riley [Griffiths] and I were doing a scene, and [Steven Spielberg] came in, I didn’t know if Riley saw him, but I did. I was like, ‘Dude!” He was like, ‘Yeah, I see him!’ It was so funny because during this scene we were trying not to break character because he was there but we really wanted to talk to him and meet him. And it pushed us to do better in the scene, because he was there. That’s one of our better scenes together. It’s the one where we’re watching the TV, watching the newscast, and he was there during that scene. While we were at Bad Robot watching [the film] with J.J., I was like, “Riley, that’s the scene Steven was there for!” He was like, ‘I know, it’s awesome!’” Jeremy Irvine AGE: 21 THEN: Made big-screen debut as Albert Narracott in Steven Spielberg’s War Horse NOW: Will play younger version of Colin Firth’s character in The Railway Man , appear as Pip in Great Expectations , and co-star with Dakota Fanning in Now is Good WORDS OF ADVICE : “You’ve got to get away from the crowd. If you stay with everyone else, then you’re just going to be another one. But there’s no set way. At the end of the day, what it all comes down to is being in the right place at the right time.” Brit Marling AGE: 28 THEN: Co-wrote and starred in the Sundance darling Another Earth NOW: Appearing opposite Richard Gere and Susan Sarandon in Arbitrage and in the all-star Robert Redford-directed thriller The Company You Keep ON EXCEEDING EXPECTATIONS : “When we were making this movie, we were saying at the beginning, ‘Oh yeah, we’ll have a screening at our house. How many people can we fit into the living room? If we bring in chairs and we borrow this person’s couch, we can fit 20 people in here to watch the movie!’ That’s kind of how we went about making it; we just wanted to make something, you know? The desire to just make something is so strong, you’re not even thinking about how it could enter the world. Getting to go to Sundance, and [Fox] Searchlight taking the film into their hands — which are the most capable hands in independent filmmaking — they put so much thought and feeling behind bringing this work into the world that basically, it’s every day a state of shock and awe.” Elizabeth Meriwether AGE: 30 THEN: Wrote the screenplay for the Natalie Portman/Ashton Kutcher comedy No Strings Attached NOW: Created Fox’s hit New Girl , has projects in development with Fox, Paramount and Universal ON THE MASTERPLAN : “This has just been a kind of unbelievable process. I just want to keep writing characters who are interesting and complicated people and interesting roles for women, in TV or film or in theater. I think that’s like my Blues Brothers mission.” Elizabeth Olsen AGE: 22 THEN: Wowed Sundance and stirred awards talk with her breakout role in Martha Marcy May Marlene NOW: Will appear in Peace, Love and Misunderstanding (with Jane Fonda), Red Lights (with Robert De Niro and Sigourney Weaver) and Very Good Girls (with Dakota Fanning) ON THE ART OF READING SCRIPTS : “There’s something that was really interesting that happened as I was reading it that I actually hadn’t experienced with other scripts, because it was also within the first six months of reading scripts and auditioning. Like when you’re reading a book in your head, you create this imaginary character, naturally. And it was my first time reading a script imagining myself instead of another character. Now, every time I read a script I try and make that happen, because it helps a lot to figure out or tell yourself, ‘Oh, I can do this,’ and then you end up reading it in a way that you would do it.” Corey Stoll AGE: 35 THEN: Stole scene after scene as Ernest Hemingway in Woody Allen’s monster hit Midnight in Paris NOW: Will appear in The Bourne Legacy and the Samantha Morton-led ensemble film Decoding Annie Parker ON THE AUDITION OF A LIFETIME : “It was like a two-page sentence with no punctuation. It was a lot to prepare in five or 10 minutes. But then I came in and did it, and he seemed really happy. He gave me one little adjustment, and I did it again. And that was it. It was a great audition — the best audition of my life in terms of the sense of not having to feel like I was auditioning, even. It was just this sense of, ‘Here, just read this. What does this sound like? Is this going to work?’ I was shockingly un-nervous for what the stakes were, because you look at it and think, ‘Wow. There are so many actors who would kill for this role.’ And it’s so well-written, and it’s such a juicy character, and you know that Woody Allen is going to direct it perfectly. It was just up to me to not screw it up. [Laughs]” Juno Temple AGE: 22 THEN: Had first leading role in the ’80s-era dramedy Dirty Girl NOW: Has a half-dozen projects in line for 2012, including the The Dark Knight Rises , Lovelace and Jack and Diane ON HER INSPIRATION : “I was 4 years old. It was L.A. – my parents lived in L.A. – and I was sitting on the couch. They had this great striped couch in the living room. My dad had a laser-disc machine. I remember the dress I was wearing, too: This little short, bright blue corduroy dress with red trim, buttoned up the front. I was wearing that. And my dad put on La Belle et la Bete , by Jean Cocteau. And I legitimately had my mind blown. I was in love with the beast. I wanted to be Belle more than I know how to put into words — still to this day, and I’m 22. I wanted to do that — anything I could do to make that stuff happen. So I started doing plays. I was always in fancy dress. It just became something I was obsessed with. I’ve always had a crazy, vivid imagination.” Shailene Woodley AGE: 20 THEN: Appeared as George Clooney’s daughter in The Descendants NOW: Navigating awards season (likely all the way to Oscar night) and upcoming fourth season of her hit TV show The Secret Life of the American Teenager ON FAME, THE NECESSARY EVIL : “As a kid, I never wanted to be in magazines. I never wanted to be that stupid ‘F’ word, famous. I never wanted to be an ‘S’ word, star. For me it was all about the art of acting. I remember being an 8-year-old and saying, “I’m going to be a third-grade teacher and on the side, I’ll act.” [Laughs] I don’t want to be a third-grade teacher anymore, but I do want to always acting be my hobby and it be fun. The day it becomes tedious or the day it becomes something I feel I have to do for money, or because of the industry, or because of some silly image, is the day I quit. If it’s not fueling something, why would I do it?” Follow S.T. VanAirsdale on Twitter . Follow Movieline on Twitter .

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Elizabeth Olsen, Shailene Woodley, and Other 2011 Highlights From The Verge

Country Strong, Final Destination and Other Noteworthy Surprises of 2011

Surprises too are often tied to expectation, or lack of it. The first film I saw in 2011 surprised me in part because it was the first film I saw in 2011 — that is, a film shunted onto the whistling heath of the January release schedule. It was Shana Feste’s Country Strong , and it got a raw deal. Casting Gwyneth Paltrow as a country superstar is either a brave decision or an incredibly timid one — regardless, Paltrow stepped into an outsized role and very nearly filled it out. The supporting cast of Leighton Meester, Tim McGraw, and especially Garrett Hedlund give the celebrity melodrama human ballast, and Feste manages to pace a pretty slick story with moments of believable intimacy and alienation. When it comes to horror films and especially on-screen gore (I suppose off-screen gore as well), I am — as Justin Timberlake’s character pronounced it in the reasonably surprising Friends With Benefits — a huge pu-ssay. Seeing Final Destination 5 next to my name on the assignment slate was a definite short straw situation, but I fancy myself a professional, and so cleared my schedule and my appetite and headed to midtown. I had never seen a Final Destination , which accounted for the formula’s novelty for me — the villain here is death itself, manifested in the trickle down economics of excruciating coincidence — but the film, shot in 3-D, is also brilliantly choreographed and possessed of the kind of tension — outrageous but not totally gratuitous — that directors rarely bother with anymore, when splatters and shakey cams do just as well. Not that there aren’t — heaven knows — plenty of guts a-squishin’ in Final Destination 5 . But it was worth a few pounds of flesh to be reminded how pleasurable it is to be both really and truly scared and perfectly safe in a crowded movie theater. So a quick check-in on the Friends alumni: Most promising cast member Jennifer Aniston seems resigned to debasing herself in Adam Sandler shitshows like Just Go With It ; Matthew Perry, always rebounding in my heart, is as ever poised for a comeback; Lisa Kudrow keeps launching hothouse comic series that feel too cringey to last; Courtney Cox has a network show and yet seems to spend her days fastened to a mirror; Matt LeBlanc came up with something interesting in the meta-TV cable series Episodes ; and David Schwimmer pretty much killed it directing his second feature film, the internet predator drama Trust . Clive Owen gives a powerful and difficult performance as a father reckoning with his daughter’s role in her own victimization and Liana Liberato makes a frankly astonishing debut as a young girl drawn into the emotional confusions of abuse. In deploying real emotional toughness against easy accusations of after-school special-dom, it is Schwimmer who emerges as the mature and still-promising talent. I was surprised, anyway. Though it’s not strictly movie-centric, I feel compelled to note one of the most pleasant surprises of my favorite new television series — the venue, after all, to which so many of our movie stars have migrated. Luke Wilson hit an inexplicable rough patch in the late aughts, his endearing, chronically bedazzled comic presence and magma-deep melancholy wasted on minnow-ish indies like Middle Men and I Melt With You director Mark Pellington’s Henry Poole Was Here . And then his disheartening appearance in the ads that cannot be named. But in playing the innocuous waster Levi Callow in Mike White’s HBO series Enlightened , Wilson seems to have not only returned to form but raised his game. White cast the role perfectly, and dispenses the character of Levi in precise and exact-right doses: Initially seen through the warped lens of Laura Dern’s Amy — a recent inductee into the narcissistic cult of well being — he emerges as more than a pathetic fallback and projection screen for his ex. In the exquisite Robin Wright episode, by making Levi’s exasperation his own White brings Amy’s desperation into clearer view. In a later confrontation with Amy’s mother (Diane Ladd) Levi is finally unleashed as a whole, seething person. Wilson makes what might be an ordinary role feel risky, and in his fringy yet essential presence sets up the question of whether Levi is a poignant satellite in Amy’s orbit or she is a moon to his Melancholia. I’m really happy to be watching Luke Wilson again, is mostly what I’m saying — on any screen. Happy and a little bit relieved. Follow Michelle Orange on Twitter . Follow Movieline on Twitter .

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Country Strong, Final Destination and Other Noteworthy Surprises of 2011