It wasn’t just Red Riding Hood that got dragged over the coals by the critical mass this week — fellow Friday release Battle: Los Angeles is apparently pretty bad, too. As Movieline’s own Michelle Orange wrote , Battle: Los Angeles is such a slave to the shaky cam aesthetic that it may as well have been shot by her iPhone-using mother. Ouch. Though considering the all-time pan Roger Ebert wrote for Battle , perhaps Apple-based cinematography and wooden characters are only the beginning. Ahead, the nine most blistering sentences in Ebert’s half-star review.
See the rest here:
The 9 Most Scathing Sentences in Roger Ebert’s Review of Battle: Los Angeles
